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The Renaissance Drama Of Knowledge
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Book Synopsis The Renaissance Drama of Knowledge by : Hilary Gatti
Download or read book The Renaissance Drama of Knowledge written by Hilary Gatti and published by Routledge. This book was released on 2013-02-15 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Giordano Bruno’s visit to Elizabethan England in the 1580s left its imprint on many fields of contemporary culture, ranging from the newly-developing science, the philosophy of knowledge and language, to the extraordinary flowering of Elizabethan poetry and drama. This book explores Bruno's influence on English figures as different as the ninth Earl of Northumberland, Thomas Harriot, Christopher Marlowe and William Shakespeare. Originally published in 1989, it is of interest to students and teachers of history of ideas, cultural history, European drama and renaissance England. Bruno's work had particular power and emphasis in the modern world due to his response to the cultural crisis which had developed - his impulse towards a new ‘faculty of knowing’ had a disruptive effect on existing orthodoxies – religious, scientific, philosophical, and political.
Book Synopsis The Renaissance Drama of Knowledge by : Hilary Gatti
Download or read book The Renaissance Drama of Knowledge written by Hilary Gatti and published by Routledge. This book was released on 2013 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1989. Routledge is an imprint of Taylor & Francis, an informa company.
Book Synopsis Renaissance Drama and the Politics of Publication by : Zachary Lesser
Download or read book Renaissance Drama and the Politics of Publication written by Zachary Lesser and published by Cambridge University Press. This book was released on 2004-11-18 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of the practices and politics of early modern publishers of plays.
Download or read book Playing the Globe written by John Gillies and published by Fairleigh Dickinson Univ Press. This book was released on 1998 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays collected here explore the representation of contemporary cartographic knowledge within a variety of English Renaissance dramatic texts. Including a preface and introduction that contextualize English cartographic awareness in the late sixteenth century, Playing the Globe provides a wide-ranging exploration of the rich variety of mental maps that shaped England's attitudes toward itself and others and continues to affect the ways in which the Anglo-American world imagines itself.
Book Synopsis Medieval and Renaissance Drama in England by : John Leeds Barroll
Download or read book Medieval and Renaissance Drama in England written by John Leeds Barroll and published by Fairleigh Dickinson Univ Press. This book was released on 1996-03 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Medieval and Renaissance Drama in England is an international volume published every year in hardcover, containing essays and studies as well as book reviews of the many significant books and essays dealing with the cultural history of medieval and early modern England as expressed by and realized in its drama exclusive of Shakespeare.
Book Synopsis The Perfect Genre. Drama and Painting in Renaissance Italy by : Kristin Phillips-Court
Download or read book The Perfect Genre. Drama and Painting in Renaissance Italy written by Kristin Phillips-Court and published by Routledge. This book was released on 2016-12-05 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Proposing an original and important re-conceptualization of Italian Renaissance drama, Kristin Phillips-Court here explores how the intertextuality of major works of Italian dramatic literature is not only poetic but also figurative. She argues that not only did the painterly gaze, so prevalent in fifteenth- and sixteenth-century devotional art, portraiture, and visual allegory, inform humanistic theories, practices and themes, it also led prominent Italian intellectuals to write visually evocative works of dramatic literature whose topical plots and structures provide only a fraction of their cultural significance. Through a combination of interpretive literary criticism, art historical analysis and cultural and intellectual historiography, Phillips-Court offers detailed readings of individual plays juxtaposed with specific developments and achievements in the realm of painting. Revealing more than historical connections between artists and poets such as Tasso and Giorgione, Mantegna and Trissino, Michelangelo and Caro, or Bruno and Caravaggio, the author locates the history of Renaissance art and drama securely within the history of ideas. She provides us with a story about the emergence and eventual disintegration of Italian Renaissance drama as a rigorously philosophical and empirical form. Considering rhetorical, philosophical, ethical, religious, political-ideological, and aesthetic dimensions of each of the plays she treats, Kristin Phillips-Court draws our attention to the intermedial conversation between the theater and painting in a culture famously dominated by art. Her integrated analysis of visual and dramatic works brings to light how the lines and verses of the text reveal an ongoing dialogue with visual art that was far richer and more intellectually engaged than we might reconstruct from stage diagrams and painted backdrops.
Book Synopsis The Subject of Tragedy (Routledge Revivals) by : Catherine Belsey
Download or read book The Subject of Tragedy (Routledge Revivals) written by Catherine Belsey and published by Routledge. This book was released on 2014-06-17 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related.
Book Synopsis Renaissance Drama and Contemporary Literary Theory by : Andrew Mousley
Download or read book Renaissance Drama and Contemporary Literary Theory written by Andrew Mousley and published by MacMillan. This book was released on 2000-01 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Unlike many introductions to literary theory, this text offers a sustained discussion of a specific period of English Literature. Avoiding the danger of employing theories as templates, it uses Renaissance drama and literary theory to question and illuminate each other. Love, money, alienation and exotic death are amongst the various topics discussed. The book also provides a comprehensive account of literary theory's complex relationship with its main predecessor, humanism. In all, 17 plays are discussed including well known texts, such as A Midsummer Night's Dream and The Duchess of Malfi, as well as less studied plays such as The Knight of the Burning Pestle and The Shoemakers' Holiday.
Book Synopsis Humanism, Machinery, and Renaissance Literature by : Jessica Wolfe
Download or read book Humanism, Machinery, and Renaissance Literature written by Jessica Wolfe and published by Cambridge University Press. This book was released on 2004-05-03 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores how machinery and the practice of mechanics participate in the intellectual culture of Renaissance humanism. Before the emergence of the modern concept of technology, sixteenth- and early seventeenth-century writers recognized the applicability of mechanical practices and objects to some of their most urgent moral, aesthetic, and political questions. The construction, use, and representation of devices including clocks, scientific instruments, stage machinery, and war engines not only reflect but also actively reshape how Renaissance writers define and justify artifice and instrumentality - the reliance upon instruments, mechanical or otherwise, to achieve a particular end. Harnessing the discipline of mechanics to their literary and philosophical concerns, scholars and poets including Francis Bacon, Edmund Spenser, George Chapman, and Gabriel Harvey look to machinery to ponder and dispute all manner of instrumental means, from rhetoric and pedagogy to diplomacy and courtly dissimulation.
Book Synopsis Impossible Desire and the Limits of Knowledge in Renaissance Poetry by : Wendy Beth Hyman
Download or read book Impossible Desire and the Limits of Knowledge in Renaissance Poetry written by Wendy Beth Hyman and published by Oxford University Press. This book was released on 2019-04-04 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Impossible Desire and the Limits of Knowledge in Renaissance Poetry examines the limits of embodiment, knowledge, and representation at a disregarded nexus: the erotic carpe diem poem in early modern England. These macabre seductions offer no compliments or promises, but instead focus on the lovers' anticipated decline, and—quite stunningly given the Reformation context—humanity's relegation not to a Christian afterlife but to a Marvellian 'desert of vast Eternity.' In this way, a poetic trope whose classical form was an expression of pragmatic Epicureanism became, during the religious upheaval of the Reformation, an unlikely but effective vehicle for articulating religious doubt. Its ambitions were thus largely philosophical, and came to incorporate investigations into the nature of matter, time, and poetic representation. Renaissance seduction poets invited their auditors to participate in a dangerous intellectual game, one whose primary interest was expanding the limits of knowledge. The book theorizes how Renaissance lyric's own fragile relationship to materiality and time, and its self-conscious relationship to making, positioned it to grapple with these 'impossible' metaphysical and representational problems. Although attentive to poetics, the book also challenges the commonplace view that the erotic invitation is exclusively a lyrical mode. Carpe diem's revival in post-Reformation Europe portends its radicalization, as debates between man and maid are dramatized in disputes between abstractions like chastity and material facts like death. Offered here is thus a theoretical reconsideration of the generic parameters and aspirations of the carpe diem trope, wherein questions about embodiment and knowledge are also investigations into the potentialities of literary form.
Book Synopsis Science, Reading, and Renaissance Literature by : Elizabeth Spiller
Download or read book Science, Reading, and Renaissance Literature written by Elizabeth Spiller and published by Cambridge University Press. This book was released on 2004-05-27 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Science, Reading, and Renaissance Literature brings together key works in early modern science and imaginative literature (from the anatomy of William Harvey and the experimentalism of William Gilbert to the fictions of Philip Sidney, Edmund Spenser and Margaret Cavendish). The book documents how what have become our two cultures of belief define themselves through a shared aesthetics that understands knowledge as an act of making. Within this framework, literary texts gain substance and intelligibility by being considered as instances of early modern knowledge production. At the same time, early modern science maintains strong affiliations with poetry because it understands art as a basis for producing knowledge. In identifying these interconnections between literature and science, this book contributes to scholarship in literary history, history of reading and the book, science studies and the history of academic disciplines.
Book Synopsis Memory and Forgetting in English Renaissance Drama by : Garrett A. Sullivan
Download or read book Memory and Forgetting in English Renaissance Drama written by Garrett A. Sullivan and published by Cambridge University Press. This book was released on 2005-09-29 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher description
Book Synopsis Magical Epistemologies by : Anannya Dasgupta
Download or read book Magical Epistemologies written by Anannya Dasgupta and published by Routledge. This book was released on 2021-07-22 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book began with a simple question: when readers such as us encounter the term magic or figures of magicians in early modern texts, dramatic or otherwise, how do we read them? In the twenty-first century we have recourse to an array of genres and vocabulary from magical realism to fantasy fiction that does not, however, work to read a historical figure like John Dee or a fictional one he inspired in Shakespeare's Prospero. Between longings to transcend human limitation and the actual work of producing, translating, and organizing knowledge, figures such as Dee invite us to re-examine our ways of reading magic only as metaphor. If not metaphor then what else? As we parse the term magic, it reveals a rich context of use that connects various aspects of social, cultural, religious, economic, legal and medical lives of the early moderns. Magic makes its presence felt not only as a forms of knowledge but in methods of knowing in the Renaissance. The arc of dramatists and texts that this book draws between Doctor Faustus, The Tempest, The Alchemist and Comus: A Masque at Ludlow Castle offers a sustained examination of the epistemologies of magic in the context of early modern knowledge formation. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
Book Synopsis Supernatural Fiction in Early Modern Drama and Culture by : Ryan Curtis Friesen
Download or read book Supernatural Fiction in Early Modern Drama and Culture written by Ryan Curtis Friesen and published by Liverpool University Press. This book was released on 2019-07-01 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: Brings together authors of fiction with philosophers and academics in Early Modern England and compares their ways of describing and understanding the world; Explores popular culture as well as the culture of the learned and elite; Examines the intellectual consequences of the Reformation and compares the spiritual and doctrinal practices of the occult to those of orthodoxy. Magic and the supernatural are common themes in the philosophy and fiction of the sixteenth and seventeenth centuries. Supernatural Fiction in Early Modern Drama and Culture explores varieties of scepticism and belief exhibited by a selection of philosophers and playwrights, including Heinrich Cornelius Agrippa, Giordano Bruno, John Dee, Christopher Marlowe, William Shakespeare, Ben Jonson, and Thomas Middleton, explicating how each author defines the supernatural, whether he assumes magic to operate in the world, and how he uses occult principles to explain what can be known and what is ethical. Beliefs and claims concerning impossible phenomena and superhuman agency require literary historians to determine whether an occult system of magical operation is being described in a given text. Each chapter in this volume evaluates whether a chosen early modern author is endorsing magic as efficacious or divinely sanctioned, or criticizing it for being fraudulent or unholy. By examining works of fiction, it is possible to explore fantastic settings which were not intended to be synonymous with the early modern audiences everyday experience, settings where magic exists and operates according to the playwrights designs. This book also sets out to determine what historical sources provided given authors with knowledge of the occult and speculates on how aware an audience would have been of academic, classical, or popular contexts surrounding the text at hand.
Book Synopsis Shakespeare and the Theatre of Wonder by : T. G. Bishop
Download or read book Shakespeare and the Theatre of Wonder written by T. G. Bishop and published by Cambridge University Press. This book was released on 1996-01-18 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Playwrights throughout history have used the emotion of wonder to explore the relation between feeling and knowing in the theatre. In Shakespeare and the Theatre of Wonder, T. G. Bishop argues that wonder provides a turbulent space, rich at once in emotion and self-consciousness, where the nature and value of knowing is brought into question. Bishop compares the treatment of wonder in classical philosophy and drama, and goes on to examine English cycle-plays, charting wonder's ambivalent relation to dogma and sacrament in the medieval religious theatre. Through extended readings of three of Shakespeare's plays - The Comedy of Errors, Pericles and The Winter's Tale - Bishop argues that Shakespeare uses wonder as a key component of his dialectic between affirmation and critique. Wonder is shown as vital to the characteristic self-consciousness of Shakespeare's plays as acts of narrative enquiry and renovation.
Download or read book Thomas Harriot written by Robert Fox and published by Routledge. This book was released on 2017-07-05 with total page 423 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume assembles ten studies of the life and work of Thomas Harriot (1560-1621). These are based on lectures that have been given annually at Oriel College, Oxford since 1990, by such authorities as Hugh Trevor Roper, David Quinn and John D. North. An astronomer and mathematician whose activities embraced not only science but also philosophical debate and an engagement in the early exploration of America, Harriot occupied a prominent place in intellectual and public life. He was well read in the contemporary literature of science, and his writings on algebra, his correspondence, and his early observations with the telescope, undertaken at the same time as Galileo’s, brought him to the attention of leading men of science both in Britain and abroad. Recent scholarship has enhanced historians’ appreciation of Harriot’s achievements and of the scientific context and social milieu in which he worked, a milieu distinguished by his friendship with Walter Ralegh and the Ninth Earl of Northumberland (the ’Wizard Earl’ whose association with the Gunpowder Plot led to many years of imprisonment in the Tower). The contributions to Thomas Harriot. An Elizabethan man of science shed new light on all the main aspects of Harriot’s life and stand as an important contribution to the re-evaluation of one of the most gifted and intriguing figures in early modern British science.
Book Synopsis Discrepant Awareness by : K. P. S. Jochum
Download or read book Discrepant Awareness written by K. P. S. Jochum and published by Frankfurt am Main ; Bern ; Las Vegas : Lang. This book was released on 1979 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: «Discrepant awareness» describes the unequal distribution of knowledge and information among various characters in a drama as well as in the relationship between dramatic characters and audience. Only a few studies of this important dramatic element have been written so far. This book attempts to define discrepant awareness and to explore its various possibilities of usage in a coherent body of dramatic literature.
