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The Power Of Eloquence And English Renaissance Literature
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Book Synopsis The Power of Eloquence and English Renaissance Literature by : Neil Rhodes
Download or read book The Power of Eloquence and English Renaissance Literature written by Neil Rhodes and published by Palgrave Macmillan. This book was released on 1992-10-15 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is an ambitious critical investigation of the idea of eloquence as it informs classical and Renaissance thinking about literature.
Book Synopsis The Motives of Eloquence by : Richard A. Lanham
Download or read book The Motives of Eloquence written by Richard A. Lanham and published by Wipf and Stock Publishers. This book was released on 2004-03-15 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: We have in 'The Motives of Eloquence a significant contribution to theory, criticism, and history that graces us with the eloquence of its own motives....For comparatists of all interests and persuasions. - William J. Kennedy, 'Comparative Literature' This is a stunning book....The central thesis of 'The Motives of Eloquence' is subtle, complicated, imaginative, and bold. - Anne Barton, 'Shakespeare Quarterly In this brilliant tour de force Lanham speaks with sound and fury -- signifying everything. Though exacting and difficult, the book is well worth the effort it demands, and it succeeds admirably in providing a viable and provocative approach to reinterpreting Western literature. - William C. Johnson, 'Sixteenth Century Journal' The book offers bold and often controversial insights. Its readers will find themselves bringing significantly altered premises to much of their subsequent reading in the field. - Newsletter of the National Endowment for the Humanities A celebration of rhetoric and a challenge to all who consign consideration of style to the periphery of attention....Lanham's book represents a good place to begin, both for the student of literature and for the student of religion who wishes to review Western history in the light of its rhetorical motifs. - Thomas E. Helm, 'Journal of Religion'
Book Synopsis A New Companion to English Renaissance Literature and Culture by : Michael Hattaway
Download or read book A New Companion to English Renaissance Literature and Culture written by Michael Hattaway and published by John Wiley & Sons. This book was released on 2010-02-12 with total page 1264 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this revised and greatly expanded edition of theCompanion, 80 scholars come together to offer an originaland far-reaching assessment of English Renaissance literature andculture. A new edition of the best-selling Companion to EnglishRenaissance Literature, revised and updated, with 22 newessays and 19 new illustrations Contributions from some 80 scholars including Judith H.Anderson, Patrick Collinson, Alison Findlay, Germaine Greer,Malcolm Jones, Arthur Kinney, James Knowles, Arthur Marotti, RobertMiola and Greg Walker Unrivalled in scope and its exploration of unfamiliar literaryand cultural territories the Companion offers new readingsof both ‘literary’ and ‘non-literary’texts Features essays discussing material culture, sectarian writing,the history of the body, theatre both in and outside theplayhouses, law, gardens, and ecology in early modern England Orientates the beginning student, while providing advancedstudents and faculty with new directions for theirresearch All of the essays from the first edition, along with therecommendations for further reading, have been reworked orupdated
Book Synopsis The Inarticulate Renaissance by : Carla Mazzio
Download or read book The Inarticulate Renaissance written by Carla Mazzio and published by University of Pennsylvania Press. This book was released on 2016-01-08 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Inarticulate Renaissance explores the conceptual potential of the disabled utterance in the English literary Renaissance. What might it have meant, in the sixteenth-century "age of eloquence," to speak indistinctly; to mumble to oneself or to God; to speak unintelligibly to a lover, a teacher, a court of law; or to be utterly dumfounded in the face of new words, persons, situations, and things? This innovative book maps out a "Renaissance" otherwise eclipsed by cultural and literary-critical investments in a period defined by the impact of classical humanism, Reformation poetics, and the flourishing of vernacular languages and literatures. For Carla Mazzio, the specter of the inarticulate was part of a culture grappling with the often startlingly incoherent dimensions of language practices and ideologies in the humanities, religion, law, historiography, print, and vernacular speech. Through a historical analysis of forms of failed utterance, as they informed and were recast in sixteenth-century drama, her book foregrounds the inarticulate as a central subject of cultural history and dramatic innovation. Playwrights from Nicholas Udall to William Shakespeare, while exposing ideological fictions through which articulate and inarticulate became distinguished, also transformed apparent challenges to "articulate" communication into occasions for cultivating new forms of expression and audition.
Book Synopsis Theologies of Language in English Renaissance Literature by : James S. Baumlin
Download or read book Theologies of Language in English Renaissance Literature written by James S. Baumlin and published by Lexington Books. This book was released on 2012-05-30 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: James S. Baumlin’s Theologies of Language in English Renaissance Literature offers a revisionist history of discourse, taking Shakespeare, Donne, and Milton as its touchstones. Their works mark stages in dieEntzauberung or “disenchantment,” as Max Weber has termed it: that is, in the “elimination of magic from the world.” Shakespeare’s Hamlet questions the word-magic associated with medieval Catholicism; Donne’s love lyrics ironize the sacramental gestures of their poetic-priestly speakers; more radical still, Milton’s major poems and polemical prose empty language of sacral power, repudiating human persuasion entirely over matters of “saving faith.” Baumlin describes four archetypes of historical rhetoric: sophism, skepticism, incarnationism, and transcendence. Undergirding the age’s competing theologies, each makes unique assumptions regarding the powers of language (both communicative and performative); the nature of being (including transcendent being or deity); the structure of the psyche (whether sin-weakened or self-sufficient); and the capacities of human knowing (whether certain knowledge is communicable—or even possible). Working within divergent theologies of language, the poets here studied take theological controversies as explicit themes. The crisis of Hamlet begins not in a king’s murder simply, but in his dying without benefit of the sacraments. As if compensating for their loss, young Hamlet “minister[s]” to Gertrude while acting as “scourge” to Claudius. Alternating between soul-cursing and soul-curing, Hamlet plays sorcerer and priest indiscriminately. Appropriating the speech-acts of Catholic sacramentalism, Donne’s lyrics describe a private “religion of Love,” over which the poet-lover presides as officiant. Or rather, some lyrics present him as Love’s Priest, there being as many personae as there are theologies of language. Beyond Love’s Priest, Baumlin describes three such personae: Love’s Apostate, Love’s Atheist, and Love’s Reformer. Focusing on “Lycidas” and De Doctrina Christiana, Baumlin outlines Milton’s plerophoristic “rhetoric of certitude.” Such texts as these explore the problematic status of preaching. (Can human eloquencecontribute to salvation?) They explore competing definitions (Aristotelian vs. Pauline) of pistis—meaningalternatively (religious) “faith” and (rhetorical) “persuasion.” And they invoke conflicting typologies (classical vs. Hebraic) of authorial ethos. Baumlin’s study ends with a glance at the Restoration and Royal Society’s final “disenchantment” or secularization of discourse.
Book Synopsis Shakespeare and Ireland by : Mark Thornton Burnett
Download or read book Shakespeare and Ireland written by Mark Thornton Burnett and published by Springer. This book was released on 1997-12-13 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare and Ireland examines the complex relationship between the most celebrated icon of the British establishment and Irish literary and cultural traditions. Addressing Shakespearean representations of Ireland as well as Irish writers' responses to the dramatist, it ranges widely across theatrical performances, pedagogical practices, editorial undertakings and political developments. The writings of Joyce, Heaney and Yeats are considered, in addition to recent nationalist discourses. In so doing, the collection establishes the multiple 'Shakespeares' and competing 'Irelands' that inform the Irish imagination.
Book Synopsis Frame, Glass, Verse by : Rayna Kalas
Download or read book Frame, Glass, Verse written by Rayna Kalas and published by Cornell University Press. This book was released on 2018-12-15 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a book that draws attention to some of our most familiar and unquestioned habits of thought—from "framing" to "perspective" to "reflection"—Rayna Kalas suggests that metaphors of the poetic imagination were once distinctly material and technical in character. Kalas explores the visual culture of the English Renaissance by way of the poetic image, showing that English writers avoided charges of idolatry and fancy through conceits that were visual, but not pictorial. Frames, mirrors, and windows have been pervasive and enduring metaphors for texts from classical antiquity to modernity; as a result, those metaphors seem universally to emphasize the mimetic function of language, dividing reality from the text that represents it. This book dissociates those metaphors from their earlier and later formulations in order to demonstrate that figurative language was material in translating signs and images out of a sacred and iconic context and into an aesthetic and representational one. Reading specific poetic images—in works by Spenser, Shakespeare, Gascoigne, Bacon, and Nashe—together with material innovations in frames and glass, Kalas reveals both the immanence and the agency of figurative language in the early modern period. Frame, Glass, Verse shows, finally, how this earlier understanding of poetic language has been obscured by a modern idea of framing that has structured our apprehension of works of art, concepts, and even historical periods. Kalas presents archival research in the history of frames, mirrors, windows, lenses, and reliquaries that will be of interest to art historians, cultural theorists, historians of science, and literary critics alike. Throughout Frame, Glass, Verse, she challenges readers to rethink the relationship of poetry to technology.
Book Synopsis The Oxford Handbook of Rhetorical Studies by : Michael John MacDonald
Download or read book The Oxford Handbook of Rhetorical Studies written by Michael John MacDonald and published by Oxford University Press. This book was released on 2017 with total page 844 pages. Available in PDF, EPUB and Kindle. Book excerpt: Featuring roughly sixty specially commissioned essays by an international cast of leading rhetoric experts from North America, Europe, and Great Britain, the Handbook will offer readers a comprehensive topical and historical survey of the theory and practice of rhetoric from ancient Greece and Rome through the Middle Ages and Enlightenment up to the present day.
Book Synopsis Uncommon Tongues by : Catherine Nicholson
Download or read book Uncommon Tongues written by Catherine Nicholson and published by University of Pennsylvania Press. This book was released on 2013-12-18 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Uncommon Tongues explores the tension between the political value of eloquence and its classical definition in sixteenth-century English literature, locating eccentricity and unfamiliarity at the heart of pedagogical, rhetorical, and literary culture.
Book Synopsis Plutarch in English, 1528–1603. Volume Two: Lives by : Fred Schurink
Download or read book Plutarch in English, 1528–1603. Volume Two: Lives written by Fred Schurink and published by MHRA. This book was released on 2020-12-04 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: Plutarch was one of the most popular classical authors in Renaissance England. These volumes present nine Tudor and Stuart translations from his Essays and Lives with a General Introduction locating these works in the context of Plutarch’s wider influence in early modern England. They offer selections from two of the classics of English Renaissance translation, North’s Lives (1579) and Holland’s Morals (1603): the essays ‘On Reading the Poets’ and ‘Talkativeness’ and the Lives of Demosthenes and Cicero and Caesar. They also include editions of a number of less well-known but equally significant translations of individual Essays and Lives, one available in manuscript alone until now and several not reprinted since the sixteenth century: Thomas Wyatt’s The Quiet of Mind (1528), Thomas Elyot’s The Education or Bringing up of Children (1528–30), Thomas Blundeville’s The Learned Prince (1561), and Henry Parker, Lord Morley’s The Story of Paullus Aemilius (1542–46/7). Detailed annotations trace how translators drew on, and departed from, Greek, Latin, and French editions of Plutarch while introductions to each of the works examine their impact on English Renaissance literature and culture. By presenting a wide range of translations from the Essays and Lives, the volumes bring to light the variety of translation practices and the different social, political, and cultural contexts in which Plutarch was read and translated in Tudor and Stuart England.
Book Synopsis Melancholy, Medicine and Religion in Early Modern England by : Mary Ann Lund
Download or read book Melancholy, Medicine and Religion in Early Modern England written by Mary Ann Lund and published by Cambridge University Press. This book was released on 2010-01-07 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lund demonstrates the significance of Burton's The Anatomy of Melancholy within early modern literary culture, covering religious and medical issues.
Book Synopsis Writing the Monarch in Jacobean England by : Jane Rickard
Download or read book Writing the Monarch in Jacobean England written by Jane Rickard and published by Cambridge University Press. This book was released on 2015-10-08 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines how Jacobean authors interpreted and responded to the works of King James VI and I.
Book Synopsis Shakespeare Survey by : Stanley Wells
Download or read book Shakespeare Survey written by Stanley Wells and published by Cambridge University Press. This book was released on 2002-11-28 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
Book Synopsis A Companion to Satire by : Ruben Quintero
Download or read book A Companion to Satire written by Ruben Quintero and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 624 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of twenty-nine original essays, surveys satire fromits emergence in Western literature to the present. Tracks satire from its first appearances in the prophetic booksof the Old Testament through the Renaissance and the Englishtradition in satire to Michael Moore’s satirical movieFahrenheit 9/11. Highlights the important influence of the Bible in the literaryand cultural development of Western satire. Focused mainly on major classical and European influences onand works of English satire, but also explores the complex andfertile cultural cross-semination within the tradition of literarysatire.
Book Synopsis William Webbe, 'a Discourse of English Poetry' (1586) by : Sonia Hernández-Santano
Download or read book William Webbe, 'a Discourse of English Poetry' (1586) written by Sonia Hernández-Santano and published by MHRA. This book was released on 2016-03-04 with total page 179 pages. Available in PDF, EPUB and Kindle. Book excerpt: William Webbe's A Discourse of English Poetry (1586) is the first printed treatise exclusively dedicated to devising a canon for the definition of poetry in England. Traditionally eclipsed by the academic centrality of Philip Sidney's The Defence of Poesy (c. 1580; published 1595) and George Puttenham's The Art of English Poesy (1588), it was last prepared in a scholarly edition by Gregory Smith in 1904. This volume presents a modern-spelling text and a critical apparatus derived from the collation of the first printed document with subsequent editions. The explanatory notes incorporate recent research on Elizabethan literary theory and aim at substantiating Webbe's contribution within the academic and literary spheres of sixteenth-century England. A Discourse offers an enlightening testimony of the main concerns of Tudor humanism, and it also sheds light on the ideological foundations of the acclaimed quantitative reformation of metre launched by Sidney, Harvey, Spenser and other contemporary scholars.
Book Synopsis Shakespeare’s Dramatic Persons by : Travis Curtright
Download or read book Shakespeare’s Dramatic Persons written by Travis Curtright and published by Rowman & Littlefield. This book was released on 2016-12-05 with total page 197 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Shakespeare’s Dramatic Persons, Travis Curtright examines the influence of the classical rhetorical tradition on early modern theories of acting in a careful study of and selection from Shakespeare’s most famous characters and successful plays. Curtright demonstrates that “personation”—the early modern term for playing a role—is a rhetorical acting style that could provide audiences with lifelike characters and action, including the theatrical illusion that dramatic persons possess interiority or inwardness. Shakespeare’s Dramatic Persons focuses on major characters such as Richard III, Katherina, Benedick, and Iago and ranges from Shakespeare’s early to late work, exploring particular rhetorical forms and how they function in five different plays. At the end of this study, Curtright envisions how Richard Burbage, Shakespeare’s best actor, might have employed the theatrical convention of directly addressing audience members. Though personation clearly differs from the realism aspired to in modern approaches to the stage, Curtright reveals how Shakespeare’s sophisticated use and development of persuasion’s arts would have provided early modern actors with their own means and sense of performing lifelike dramatic persons.
Book Synopsis The Automaton in English Renaissance Literature by : Wendy Beth Hyman
Download or read book The Automaton in English Renaissance Literature written by Wendy Beth Hyman and published by Routledge. This book was released on 2016-03-23 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Automaton in English Renaissance Literature features original essays exploring the automaton-from animated statue to anthropomorphized machine-in the poetry, prose, and drama of England in the 16th and 17th centuries. Addressing the history and significance of the living machine in early modern literature, the collection places literary automata of the period within their larger aesthetic, historical, philosophical, and scientific contexts. While no single theory or perspective conscribes the volume, taken as a whole the collection helps correct an assumption that frequently emerges from a post-Enlightenment perspective: that these animated beings are by definition exemplars of the new science, or that they point necessarily to man's triumphant relationship to technology. On the contrary, automata in the sixteenth and seventeenth centuries seem only partly and sporadically to function as embodiments of an emerging mechanistic or materialist worldview. Renaissance automata were just as likely not to confirm for viewers a hypothesis about the man-machine. Instead, these essays show, automata were often a source of wonder, suggestive of magic, proof of the uncannily animating effect of poetry-indeed, just as likely to unsettle the divide between man and divinity as that between man and matter.
