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The Nineteenth Century British Novel
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Book Synopsis The Effective Protagonist in the Nineteenth-Century British Novel by : Terence Dawson
Download or read book The Effective Protagonist in the Nineteenth-Century British Novel written by Terence Dawson and published by Routledge. This book was released on 2016-03-23 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Effective Protagonist in the Nineteenth-Century British Novel is an experiment in post-Jungian literary criticism and methodology. Its primary aim is to challenge current views about the correlation between narrative structure, gender, and the governing psychological dilemma in four nineteenth-century British novels. The overarching argument is that the opening situation in a novel represents an implicit challenge facing not the obvious hero/heroine but the individual that Terence Dawson defines as the "effective protagonist." To illustrate his claim, Dawson pairs two sets of novels with unexpectedly comparable dilemmas: Ivanhoe with The Picture of Dorian Gray and Wuthering Heights with Silas Marner. In all four novels, the effective protagonist is an apparently minor figure whose crucial function in the ordering of the events has been overlooked. Rereading these well-known texts in relation to hitherto neglected characters uncovers startling new issues at their heart and demonstrates innovative ways of exploring both narrative and literary tradition.
Download or read book Theater Figures written by Emily Allen and published by Ohio State University Press. This book was released on 2003 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why did nineteenth-century novels return, over again, to the scene of theater? Emily Allen argues that theater provided nineteenth-century novels, novelists, and critics with a generic figure that allowed them to position particular novels and novelistic genres within a complex literary field. Novel genres high and low, male and female, public and private, realistic and romantic, all came to identify themselves within a set of coordinates that included--if only for the purpose of exclusion--the spectacular figure of theater. This figure likewise provided a trope around and against which to construct images of readers and authors, images that most frequently worked to mediate between the supposedly private acts of reading and writing and the very public facts of the print market. In readings of novels by Burney, Austen, Scott, Dickens, Jewsbury, Flaubert, Braddon, and Moore, Allen shows how frequently theater appears as figure in novels of the nineteenth century, and how theater figures--actively and importantly--in what we have come to look back on as the history of the nineteenth-century novel. "Theater Figures thus offers a new model for thinking about how theater helped produce changes in the nineteenth-century literary market. While previous critics have considered theater as an enabling foil for the novel--either a constitutive opposite or constructive ally--Allen demonstrates how theater figures and tropes were used to negotiate competition among the novels and novelists eagerly seeking their share of the literary limelight.
Book Synopsis Replotting Marriage in Nineteenth-century British Literature by : Jill Nicole Galvan
Download or read book Replotting Marriage in Nineteenth-century British Literature written by Jill Nicole Galvan and published by . This book was released on 2018-06 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Top scholars in Victorian studies reexamine questions about marriage and the marriage plot from cutting-edge perspectives.
Book Synopsis Space and Narrative in the Nineteenth-Century British Historical Novel by : Tom Bragg
Download or read book Space and Narrative in the Nineteenth-Century British Historical Novel written by Tom Bragg and published by Routledge. This book was released on 2016-03-31 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Demonstrating that nineteenth-century historical novelists played their rational, trustworthy narrators against shifting and untrustworthy depictions of space and place, Tom Bragg argues that the result was a flexible form of fiction that could be modified to reflect both the different historical visions of the authors and the changing aesthetic tastes of the reader. Bragg focuses on Scott, William Harrison Ainsworth, and Edward Bulwer Lytton, identifying links between spatial representation and the historical novel's multi-generic rendering of history and narrative. Even though their understanding of history and historical process could not be more different, all writers employed space and place to mirror narrative, stimulate discussion, interrogate historical inquiry, or otherwise comment beyond the rational, factual narrator's point of view. Bragg also traces how landscape depictions in all three authors' works inculcated heroic masculine values to show how a dominating theme of the genre endures even through widely differing versions of the form. In taking historical novels beyond the localized questions of political and regional context, Bragg reveals the genre's relevance to general discussions about the novel and its development. Nineteenth-century readers of the novel understood historical fiction to be epic and serious, moral and healthful, patriotic but also universal. Space and Narrative in the Nineteenth-Century British Historical Novel takes this readership at its word and acknowledges the complexity and diversity of the form by examining one of its few continuous features: a flexibly metaphorical valuation of space and place.
Book Synopsis Sympathetic Realism in Nineteenth-Century British Fiction by : Rae Greiner
Download or read book Sympathetic Realism in Nineteenth-Century British Fiction written by Rae Greiner and published by JHU Press. This book was released on 2013-01-21 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: British realist novelists of the nineteenth century viewed sympathy not as a feeling but as a form of imaginative thinking useful in constructing their fiction. Rae Greiner proposes that sympathy is integral to the form of the classic nineteenth-century realist novel. Following the philosophy of Adam Smith, Greiner argues that sympathy does more than foster emotional identification with others; it is a way of thinking along with them. By abstracting emotions, feelings turn into detached figures of speech that may be shared. Sympathy in this way produces realism; it is the imaginative process through which the real is substantiated. In Sympathetic Realism in Nineteenth-Century British Fiction Greiner shows how this imaginative process of sympathy is written into three novelistic techniques regularly associated with nineteenth-century fiction: metonymy, free indirect discourse, and realist characterization. She explores the work of sentimentalist philosophers David Hume, Adam Smith, and Jeremy Bentham and realist novelists Jane Austen, Charles Dickens, George Eliot, Joseph Conrad, and Henry James.
Book Synopsis Reading the Nineteenth-century Novel by : Alison Case
Download or read book Reading the Nineteenth-century Novel written by Alison Case and published by Wiley-Blackwell. This book was released on 2008 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Jane Austen's Persuasion to George Eliot's Middlemarch, the nineteenth century marks the rise of the novel as the dominant form of Western literature. This engaging text offers readers a close analysis of novels that are uniquely representative of the time period, including the work of Austen, Eliot, Scott, Thackeray, Gaskell, Dickens, Trollope, Braddon, and the Brontë sisters. An indispensable resource for students and teachers alike, this accessible guidebook: Places strong emphasis on the distinctive perspectives and discursive practices of narrators Provides in-depth analyses of individual passages Highlights the differences between the assumptions and experiences of the era in which the novels were written and those of the modern reader Draws key distinctions between novelists Explores significant theoretical approaches such as Foucauldian, New Historicist, Postcolonial, and feminist criticism Offers an overview of the social, economic, and political change that was influenced by the fiction of the time.
Download or read book Making a Man written by Gwen Hyman and published by Ohio University Press. This book was released on 2009 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gruel and truffles, wine and gin, opium and cocaine. Making a Man: Gentlemanly Appetites in the Nineteenth-Century British Novel addresses consumption of food, drink, and drugs in the conspicuously consuming nineteenth century in order to explore the question of what, in fact, makes a man in novels of the period. Gwen Hyman analyzes the rituals of dining room, drawing room, opium den, and cocaine lab, and the ways in which these alimentary behaviors make, unmake, and remake the gentlemanly body. Making a Man makes use of food history and theory, literary criticism, anthropology, gender theory, economics, and social criticism to read gentlemanly consumers from Mr. Woodhouse, the gruel-eater in Jane Austen's Emma, through the vampire and the men who hunt him in Bram Stoker's Dracula. Hyman argues that appetite is a crucial means of casting light on the elusive identity of the gentleman, a figure who is the embodiment of power and yet is hardly embodied in Victorian literature.
Book Synopsis Trees in Nineteenth-Century English Fiction by : Anna Burton
Download or read book Trees in Nineteenth-Century English Fiction written by Anna Burton and published by Routledge Environmental Humanities. This book was released on 2023-05 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a book about a longstanding network of writers and writings that celebrate the aesthetic, socio-political, scientific, ecological, geographical, and historical value of trees and tree spaces in the landscape; and it is a study of the effect of this tree-writing upon the novel form in the long nineteenth century.
Book Synopsis The Nineteenth-Century English Novel by : J. Kilroy
Download or read book The Nineteenth-Century English Novel written by J. Kilroy and published by Springer. This book was released on 2007-04-02 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through analysis of eight English novels of the Nineteenth century, this work explores the ways in which the novel contributes to the formation of ideology regarding the family, and, conversely, the ways in which changing attitudes toward the family shape and reshape the novel.
Download or read book Sylvie and Bruno written by Lewis Carroll and published by London ; New York : Macmillan. This book was released on 1889 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1889, this novel has two main plots; one set in the real world at the time the book was published (the Victorian era), the other in the fictional world of Fairyland.
Book Synopsis Novel Cultivations by : Elizabeth Hope Chang
Download or read book Novel Cultivations written by Elizabeth Hope Chang and published by . This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book looks at the transnational circulation of both people and plants as a feature of Victorian speculative fiction"--
Book Synopsis British Short Fiction in the Early Nineteenth Century by : Tim Killick
Download or read book British Short Fiction in the Early Nineteenth Century written by Tim Killick and published by Routledge. This book was released on 2016-05-23 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: In spite of the importance of the idea of the 'tale' within Romantic-era literature, short fiction of the period has received little attention from critics. Contextualizing British short fiction within the broader framework of early nineteenth-century print culture, Tim Killick argues that authors and publishers sought to present short fiction in book-length volumes as a way of competing with the novel as a legitimate and prestigious genre. Beginning with an overview of the development of short fiction through the late eighteenth century and analysis of the publishing conditions for the genre, including its appearance in magazines and annuals, Killick shows how Washington Irving's hugely popular collections set the stage for British writers. Subsequent chapters consider the stories and sketches of writers as diverse as Mary Russell Mitford and James Hogg, as well as didactic short fiction by authors such as Hannah More, Maria Edgeworth, and Amelia Opie. His book makes a convincing case for the evolution of short fiction into a self-conscious, intentionally modern form, with its own techniques and imperatives, separate from those of the novel.
Book Synopsis Disorienting Fiction by : James Buzard
Download or read book Disorienting Fiction written by James Buzard and published by Princeton University Press. This book was released on 2009-01-10 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book gives an ambitious revisionist account of the nineteenth-century British novel and its role in the complex historical process that ultimately gave rise to modern anthropology's concept of culture and its accredited researcher, the Participant Observer. Buzard reads the great nineteenth-century novels of Charles Dickens, Charlotte Brontë, George Eliot, and others as "metropolitan autoethnographies" that began to exercise and test the ethnographic imagination decades in advance of formal modern ethnography--and that did so while focusing on Western European rather than on distant Oriental subjects. Disorienting Fiction shows how English Victorian novels appropriated and anglicized an autoethnographic mode of fiction developed early in the nineteenth century by the Irish authors of the National Tale and, most influentially, by Walter Scott. Buzard demonstrates that whereas the fiction of these non-English British subjects devoted itself to describing and defending (but also inventing) the cultural autonomy of peripheral regions, the English novels that followed them worked to imagine limited and mappable versions of English or British culture in reaction against the potential evacuation of cultural distinctiveness threatened by Britain's own commercial and imperial expansion. These latter novels attempted to forestall the self-incurred liabilities of a nation whose unprecedented reach and power tempted it to universalize and export its own customs, to treat them as simply equivalent to a globally applicable civilization. For many Victorian novelists, a nation facing the prospect of being able to go and to exercise its influence just about anywhere in the world also faced the danger of turning itself into a cultural nowhere. The complex autoethnographic work of nineteenth-century British novels was thus a labor to disorient or de-globalize British national imaginings, and novelists mobilized and freighted with new significance some basic elements of prose narrative in their efforts to write British culture into being. Sure to provoke debate, this book offers a commanding reassessment of a major moment in the history of British literature.
Book Synopsis The Fallen Woman in the Nineteenth-Century English Novel by : George Watt
Download or read book The Fallen Woman in the Nineteenth-Century English Novel written by George Watt and published by Routledge. This book was released on 2016-07-22 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: A sympathetic view of the fallen women in Victorian England begins in the novel. First published in 1984, this book shows that the fallen woman in the nineteenth-century novel is, amongst other things, a direct response to the new society. Through the examination of Dickens, Gaskell, Collins, Moore, Trollope, Gissing and Hardy, it demonstrates that the fallen woman is the first in a long line of sympathetic creations which clash with many prevailing social attitudes, and especially with the supposedly accepted dichotomy of the ‘two women’. This book will be of interest to students of nineteenth-century literature and women in literature.
Book Synopsis A Reader's Guide to the Nineteenth-century English Novel by : Julia Prewitt Brown
Download or read book A Reader's Guide to the Nineteenth-century English Novel written by Julia Prewitt Brown and published by MacMillan Publishing Company. This book was released on 1986 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Nineteenth-century English by : Richard W. Bailey
Download or read book Nineteenth-century English written by Richard W. Bailey and published by University of Michigan Press ELT. This book was released on 1996 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traces the transformation of the English language through the nineteenth-century economic and cultural landscape.
Book Synopsis English Origins, Jewish Discourse, and the Nineteenth-century British Novel by : Heidi Kaufman
Download or read book English Origins, Jewish Discourse, and the Nineteenth-century British Novel written by Heidi Kaufman and published by Cambridge University Press. This book was released on 2009 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the embedding of Jewish history and culture in depictions of English racial and national identity in nineteenth-century novels.
