The Next Documenta Should be Curated by an Artist

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Author :
Publisher : Spotlight Poets
ISBN 13 :
Total Pages : 100 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis The Next Documenta Should be Curated by an Artist by : Jens Hoffmann

Download or read book The Next Documenta Should be Curated by an Artist written by Jens Hoffmann and published by Spotlight Poets. This book was released on 2004 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Culture of Curating and the Curating of Culture(s)

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Author :
Publisher : MIT Press
ISBN 13 : 0262529742
Total Pages : 195 pages
Book Rating : 4.2/5 (625 download)

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Book Synopsis The Culture of Curating and the Curating of Culture(s) by : Paul O'Neill

Download or read book The Culture of Curating and the Curating of Culture(s) written by Paul O'Neill and published by MIT Press. This book was released on 2016-09-02 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: How curating has changed art and how art has changed curating: an examination of the emergence contemporary curatorship. Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O'Neill examines the emergence of independent curatorship and the discourse that helped to establish it. O'Neill describes how, by the 1980s, curated group exhibitions—large-scale, temporary projects with artworks cast as illustrative fragments—came to be understood as the creative work of curator-auteurs. The proliferation of new biennials and other large international exhibitions in the 1990s created a cohort of high-profile, globally mobile curators, moving from Venice to Paris to Kassel. In the 1990s, curatorial and artistic practice converged, blurring the distinction between artist and curator. O'Neill argues that this change in the understanding of curatorship was shaped by a curator-centered discourse that effectively advocated—and authorized—the new independent curatorial practice. Drawing on the extensive curatorial literature and his own interviews with leading curators, critics, art historians, and artists, O'Neill traces the development of the curator-as-artist model and the ways it has been contested. The Culture of Curating and the Curating of Culture(s) documents the many ways in which our perception of art has been transformed by curating and the discourses surrounding it.

Biennials, Triennials, and Documenta

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Author :
Publisher : John Wiley & Sons
ISBN 13 : 1444336657
Total Pages : 306 pages
Book Rating : 4.4/5 (443 download)

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Book Synopsis Biennials, Triennials, and Documenta by : Anthony Gardner

Download or read book Biennials, Triennials, and Documenta written by Anthony Gardner and published by John Wiley & Sons. This book was released on 2016-05-16 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: This innovative new history examines in-depth how the growing popularity of large-scale international survey exhibitions, or 'biennials', has influenced global contemporary art since the 1950s. Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s to the emergence of mega-exhibitions in Asia in the 1990s Introduces a global array of case studies to illustrate the trajectory of biennials and their growing influence on artistic expression, from the Biennale de la Méditerranée in Alexandria, Egypt in 1955, the second Havana Biennial of 1986, New York’s Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014 Explores the evolving curatorial approaches to biennials, including analysis of the roles of sponsors, philanthropists and biennial directors and their re-shaping of the contemporary art scene Uses the history of biennials as a means of illustrating and inciting further discussions of globalization in contemporary art

Globalizing Contemporary Art

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Publisher : Aarhus Universitetsforlag
ISBN 13 : 8779343481
Total Pages : 214 pages
Book Rating : 4.7/5 (793 download)

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Book Synopsis Globalizing Contemporary Art by : Lotte Philipsen

Download or read book Globalizing Contemporary Art written by Lotte Philipsen and published by Aarhus Universitetsforlag. This book was released on 2010-10-31 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today, contemporary art is a global phenomenon. Biennales, museums, art fairs, galleries, auction houses, academies and audiences for contemporary visual art are all institutions whose presence on a global scale has widened tremendously during the past two decades. Thus, by including contemporary art from non-Western regions, these traditional Western art institutions have not only broadened their scope to a greater extent, but have also been challenged themselves by the new cultural, economic and media world order of globalization. How contemporary art is made 'international' is the subject of this book, tracing as it does developments during the past two decades, while focusing particularly on the mechanisms of 'globality' which are at work in the art world today. The book critically investigates fundamental questions like: What is 'New Internationalism' in contemporary art, and how it affected the art world? How does New Internationalism relate to concepts like ethnicity, aesthetics, standard art history, and new media? And how is New Internationalism, rather paradoxically, furthered to a greater extent by global capitalism than it is by seemingly progressive art projects?

Art + Archive

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Publisher : Manchester University Press
ISBN 13 : 1526156849
Total Pages : 277 pages
Book Rating : 4.5/5 (261 download)

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Book Synopsis Art + Archive by : Sara Callahan

Download or read book Art + Archive written by Sara Callahan and published by Manchester University Press. This book was released on 2022-01-25 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art + Archive provides an in-depth analysis of the connection between art and the archive at the turn of the twenty-first century. The book examines how the archive emerged in art writing in the mid-1990s and how its subsequent ubiquity can be understood in light of wider social, technological, philosophical and art-historical conditions and concerns. Deftly combining writing on archives from different disciplines with artistic practices, the book clarifies the function and meaning of one of the most persistent artworld buzzwords of recent years, shedding light on the conceptual and historical implications of the so-called archival turn in contemporary art.

Curating in a Time of Ecological Crisis

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Publisher : Routledge
ISBN 13 : 1000555739
Total Pages : 107 pages
Book Rating : 4.0/5 (5 download)

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Book Synopsis Curating in a Time of Ecological Crisis by : Felicity Fenner

Download or read book Curating in a Time of Ecological Crisis written by Felicity Fenner and published by Routledge. This book was released on 2022-01-31 with total page 107 pages. Available in PDF, EPUB and Kindle. Book excerpt: Curating in a Time of Ecological Crisis reaffirms the relevance and impactful role of art, revealing how contemporary art exhibitions can capture the zeitgeist and advance new and collaborative approaches to a more sustainable inhabitation of Earth. The book is largely focused on biennales, which it argues are the contemporary exhibition models with the greatest capacity to offer new perspectives and propose alternative ways of connecting with our social and natural environments. Felicity Fenner demonstrates this by showing how curators of these high-profile exhibitions are responding in creative and engaging ways to the issues that preoccupy artists and society more broadly, of which the ecological crisis is paramount. Drawing on case studies from different parts of the world, the author reveals how biennales can make a constructive contribution to debates and attitudes around climate change, and how the role of the curator has evolved to re-embrace a duty of care not just to art but to the natural world as well. Curating in a Time of Ecological Crisis investigates how large-scale exhibitions of contemporary international art can become agents of change. As such, the book will be essential reading for scholars, students, and practitioners with an interest in exhibitions, curating, contemporary art, and environmental sustainability.

Australian Artists in the Contemporary Museum

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Author :
Publisher : Routledge
ISBN 13 : 135195668X
Total Pages : 340 pages
Book Rating : 4.3/5 (519 download)

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Book Synopsis Australian Artists in the Contemporary Museum by : Jennifer Barrett

Download or read book Australian Artists in the Contemporary Museum written by Jennifer Barrett and published by Routledge. This book was released on 2016-12-05 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: This unique book proposes a re-reading of the relationship between artists and the contemporary museum. In Australia in particular, the museum has played a significant role in the colonial project and this has generally been considered as the predominant mode of artists' engagement with such institutions and collections. Australian Artists in the Contemporary Museum expands the post-colonial frame of reference used to interpret this work, to demonstrate the broader implications of the relationship between artists and the museum, and thus to offer an alternative way of understanding recent contemporary practices. The authors' central argument is that artists' engagement with the museum has shifted from politically motivated critique taking place in museums of fine art, towards interventions taking place in non-art museums that focus on the creation of knowledge more broadly. Such interventions assume a number of forms, including the artist acting as curator, art works that highlight the use of taxonomic modes of display and categorization, and the re-consideration of the aesthetics of collections to suggest different ways of interpreting objects and their history. Central to these interventions is the challenge to better connect the museum and its public. The book will be essential reading for scholars, professionals and students in the fields of contemporary art and museum studies, art history, and in the museum sector. These include artists, curators, museum and gallery professionals, postgraduate researchers, art historians, designers and design scholars, art and museum educators, and students of visual art, art history, and museum studies. This project has been assisted by the Australian government through the Australia Council for the Arts, its arts funding and advisory body.

Beyond Objecthood

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Publisher : MIT Press
ISBN 13 : 0262035529
Total Pages : 287 pages
Book Rating : 4.2/5 (62 download)

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Book Synopsis Beyond Objecthood by : James Voorhies

Download or read book Beyond Objecthood written by James Voorhies and published by MIT Press. This book was released on 2017-02-24 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: The rise of the exhibition as critical form and artistic medium, from Robert Smithson's antimodernist non-sites in 1968 to today's institutional gravitation toward the participatory. In 1968, Robert Smithson reacted to Michael Fried's influential essay “Art and Objecthood” with a series of works called non-sites. While Fried described the spectator's connection with a work of art as a momentary visual engagement, Smithson's non-sites asked spectators to do something more: to take time looking, walking, seeing, reading, and thinking about the combination of objects, images, and texts installed in a gallery. In Beyond Objecthood, James Voorhies traces a genealogy of spectatorship through the rise of the exhibition as a critical form—and artistic medium. Artists like Smithson, Group Material, and Michael Asher sought to reconfigure and expand the exhibition and the museum into something more active, open, and democratic, by inviting spectators into new and unexpected encounters with works of art and institutions. This practice was sharply critical of the ingrained characteristics long associated with art institutions and conventional exhibition-making; and yet, Voorhies finds, over time the critique has been diluted by efforts of the very institutions that now gravitate to the “participatory.” Beyond Objecthood focuses on innovative figures, artworks, and institutions that pioneered the exhibition as a critical form, tracing its evolution through the activities of curator Harald Szeemann, relational art, and New Institutionalism. Voorhies examines recent artistic and curatorial work by Liam Gillick, Thomas Hirschhorn, Carsten Höller, Maria Lind, Apolonija Šušteršič, and others, at such institutions as Documenta, e-flux, Manifesta, and Office for Contemporary Art Norway, and he considers the continued potential of the exhibition as a critical form in a time when the differences between art and entertainment increasingly blur.

Socially Engaged Art after Socialism

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Author :
Publisher : Bloomsbury Publishing
ISBN 13 : 1786722224
Total Pages : 386 pages
Book Rating : 4.7/5 (867 download)

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Book Synopsis Socially Engaged Art after Socialism by : Izabel Galliera

Download or read book Socially Engaged Art after Socialism written by Izabel Galliera and published by Bloomsbury Publishing. This book was released on 2017-05-30 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reclaiming public life from the ideologies of both communist regimes and neoliberalism, their projects have harnessed the politically subversive potential of social relations based on trust, reciprocity and solidarity. Drawing on archival material and exclusive interviews, in this book Izabel Galliera traces the development of socially engaged art from the early 1990s to the present in Bulgaria, Hungary and Romania. She demonstrates that, in the early 1990s, projects were primarily created for exhibitions organized and funded by the Soros Centers for Contemporary Art. In the early 2000s, prior to Bulgaria, Hungary and Romania entering into the European Union, EU institutions likewise funded socially-conscious public art in the region. Today, socially engaged art is characterised by the proliferation of independent and often self-funded artists' initiatives in cities such as Sofia, Bucharest and Budapest.Focusing on the relationships between art, social capital and civil society, Galliera employs sociological and political theories to reveal that, while social capital is generally considered a mechanism of exclusion in the West, in post-socialist contexts it has been leveraged by artists and curators as a vital means of communication and action.

How Local Art Made Australia’s National Capital

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Publisher : ANU Press
ISBN 13 : 1760463418
Total Pages : 311 pages
Book Rating : 4.7/5 (64 download)

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Book Synopsis How Local Art Made Australia’s National Capital by : Anni Doyle Wawrzyńczak

Download or read book How Local Art Made Australia’s National Capital written by Anni Doyle Wawrzyńczak and published by ANU Press. This book was released on 2020-08-31 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: Canberra’s dual status as national capital and local city dramatically affected the rise of a unique contemporary arts scene. This complex story, informed by rich archival material and interviews, details the triumph of local arts practice and community over the insistent cultural nation-building of Australia’s capital. It exposes local arts as a vital force in Canberra’s development and uncovers the influence of women in the growth of its visual arts culture. A broad illumination of the city-wide development of arts and culture from the 1920s to 2001 is combined with the story of Bitumen River Gallery and its successor Canberra Contemporary Art Space from 1978 to 2001. This history traces the growth of the arts from a community-led endeavour, through a period of responses to social and cultural needs, and ultimately to a humanising local practice that transcended national and international boundaries.

Contemporary Curating, Artistic Reference and Public Reception

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Author :
Publisher : Routledge
ISBN 13 : 1000426238
Total Pages : 180 pages
Book Rating : 4.0/5 (4 download)

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Book Synopsis Contemporary Curating, Artistic Reference and Public Reception by : Stéphanie Bertrand

Download or read book Contemporary Curating, Artistic Reference and Public Reception written by Stéphanie Bertrand and published by Routledge. This book was released on 2021-07-31 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary Curating, Artistic Reference and Public Reception undertakes a unique critical survey and analysis of prevailing group exhibition-making practices in Europe, the UK and North America. Drawing on curatorial literature and two in-depth case studies of group exhibitions, Bertrand advocates for a mode of curatorial practice that secures the content of artworks, in contrast to prevailing open-ended, indeterminate approaches. Proposing a third exhibition type beyond the current binary exhibition ontology that opposes art historical narratives to curatorial installations or Gesamtkunstwerk, the book directly tackles the enduring critique of curating as a mediating activity that produces sameness in group-exhibition contexts by establishing artistic equivalences. The book relies on the principles of analytical philosophy to assess how different exhibition-making approaches fix reference and determine artistic reception, reintroducing a standard to evaluate exhibitions beyond personal taste and thematic coherence. Bertrand ultimately proposes an alternative conception of practice that affirms the renewed relevance of the institutional group show in the present context. Contemporary Curating, Artistic Reference and Public Reception will be of interest to academics, researchers and students working in museum and curatorial studies, visual cultures, art theory and art history programmes. Art theorists and critics, as well as curators of contemporary art with a research-based practice, should also find much to interest them within the pages of the book.

The Best Surprise is No Surprise

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Publisher : Jrpringier/E-Flux
ISBN 13 :
Total Pages : 322 pages
Book Rating : 4.:/5 (318 download)

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Book Synopsis The Best Surprise is No Surprise by : Liz Linden

Download or read book The Best Surprise is No Surprise written by Liz Linden and published by Jrpringier/E-Flux. This book was released on 2006 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction by Daniel Birnbaum. Edited by Anton Vidokle. Text by Hans-Ulrich Obrist.

Beyond Representation in Contemporary Caribbean Art

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Publisher : Rutgers University Press
ISBN 13 : 0813594804
Total Pages : 231 pages
Book Rating : 4.8/5 (135 download)

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Book Synopsis Beyond Representation in Contemporary Caribbean Art by : Carlos Garrido Castellano

Download or read book Beyond Representation in Contemporary Caribbean Art written by Carlos Garrido Castellano and published by Rutgers University Press. This book was released on 2019-05-03 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beyond Representation in Contemporary Caribbean Art offers an innovative and systematic analysis of contemporary Caribbean art practices in the Francophone, Anglophone, and Hispanic Caribbean. Focusing on a broad range of artistic projects, the book assesses the potential of visual creativity to outline a unique approach to Caribbean visual practices based on individual and collective agency.

Martha Rosler

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Publisher : Yale University Press
ISBN 13 : 0300230273
Total Pages : 257 pages
Book Rating : 4.3/5 (2 download)

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Book Synopsis Martha Rosler by : Rosalyn Deutsche

Download or read book Martha Rosler written by Rosalyn Deutsche and published by Yale University Press. This book was released on 2018-01-01 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: The politically engaged work of Martha Rosler is fascinating and provocative; this wide-ranging survey brings timely insights at a moment of resurgence for political activism and feminism.

Dot Dot Dot 7

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Publisher : Princeton Architectural Press
ISBN 13 : 9789077620014
Total Pages : 108 pages
Book Rating : 4.6/5 (2 download)

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Book Synopsis Dot Dot Dot 7 by : Stuart Bailey

Download or read book Dot Dot Dot 7 written by Stuart Bailey and published by Princeton Architectural Press. This book was released on 2004-02-25 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dot Dot Dot is not your father's design magazine -- a high-gloss tombstone with decontextualized, overproduced work by the "usual suspects." Instead, what you'll find is a groundbreaking journal that fills a longstanding gap in graphic arts publishing: a venue for creative, interdisciplinary journalism on subjects that affect the way we think about and make design. We're proud to add it to our growing catalog of books and journals. For each issue, Dot Dot Dot invites a multidiscipllinary group of contributors to both write and design pieces about the past, present, and future of visual culture. Smart, passionate, and imaginatively designed, Dot Dot Dot is for graphic designers and anyone interested in the creative practice of the visual arts. Issue 7 includes "The Problem with Posters" by Rob Giampietro, "Mexico 1968/Rotterdam 2003" by Peter Bilak, "'Landy's (Failed) Gesture' and the General Intellect" by J.J. King, "The Every Day Story of Flesh-Eating, Blood-Sucking Freaks" by Steve Rushton (with John Russell), "Eno and the Long Now" by Michael Bracewell (with Brian Eno and Lucy McKenzie), and "Writing on Money" by Paul Elliman, among others.

The postsocialist contemporary

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Publisher : Manchester University Press
ISBN 13 : 1526157993
Total Pages : 199 pages
Book Rating : 4.5/5 (261 download)

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Book Synopsis The postsocialist contemporary by : Octavian Esanu

Download or read book The postsocialist contemporary written by Octavian Esanu and published by Manchester University Press. This book was released on 2021-11-23 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: The postsocialist contemporary joins a growing body of scholarship debating the definition and nature of contemporary art. It comes to these debates from a historicist perspective, taking as its point of departure one particular art programme, initiated in Eastern Europe by the Hungarian-American billionaire George Soros. First implemented in Hungary, the Soros Center for Contemporary Art (SCCA) expanded to another eighteen ex-socialist countries throughout the 1990s. Its mission was to build a western ‘open society’ by means of art. This book discusses how network managers and artists participated in the construction of this new social order by studying the programme’s rise, evolution, impact and broader ideological and political consequences. Rather than recounting a history, its engages critically with ‘contemporary art’ as the aesthetic paradigm of late-capitalist market democracy.

The Persistence of Dance

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Author :
Publisher : University of Michigan Press
ISBN 13 : 0472903896
Total Pages : 375 pages
Book Rating : 4.4/5 (729 download)

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Book Synopsis The Persistence of Dance by : Erin Brannigan

Download or read book The Persistence of Dance written by Erin Brannigan and published by University of Michigan Press. This book was released on 2023-11-28 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: There is a category of choreographic practice with a lineage stretching back to mid-20th century North America that has re-emerged since the early 1990s: dance as a contemporary art medium. Such work belongs as much to the gallery as does video art or sculpture and is distinct from both performance art and its history as well as from theater-based dance. The Persistence of Dance: Choreography as Concept and Material in Contemporary Art clarifies the continuities and differences between the second-wave dance avant-garde in the 1950s‒1970s and the third-wave starting in the 1990s. Through close readings of key artists such as Maria Hassabi, Sarah Michelson, Boris Charmatz, Meg Stuart, Philipp Gehmacher, Adam Linder, Agatha Gothe-Snape, Shelley Lasica and Latai Taumoepeau, The Persistence of Dance traces the relationship between the third-wave and gallery-based work. Looking at these artists highlights how the discussions and practices associated with “conceptual dance” resonate with the categories of conceptual and post-conceptual art as well as with the critical work on the function of visual art categories. Brannigan concludes that within the current post-disciplinary context, there is a persistence of dance and that a model of post-dance exists that encompasses dance as a contemporary art medium.