The Neo Classic Tragedy In Spain

Author : Charles Blaise Qualia
Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.:/5 (439 download)

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Download or read book The French Neo-classic Tragedy in Spain in the Eighteenth Century written by Charles Blaise Qualia and published by . This book was released on 1932 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "During the reign of Louis XIV, France began to exercise a political, social, and literary hegemony that was gradually to extend to all countries of Europe. Some of the countries escaped the political hegemony, but none escaped the social and literary influence. France became the dictator of the world in social formalities and in literary taste, and later, in philosophic thought. Spain, with her glorious literature of the Golden Age and her Chinese wall to the north was able to withstand French interference, both literary and political, for a long time. However, in time, decadence in Spanish letters set in; the kingdom was placed in the hands of a grandson of Louis XIV, and the two nations that had for so long remained closed to each other were now made almost one. Spanish intellectuals were brought face to face with French institutions, and when they compared these to their own, the latter seemed out of date and barbaric. They began to advocate imitation of France, especially in the field of literature, and more particularly in the drama. The most distinctive literary article of export from France was tragedy, and, likewise, it was the article which Spanish intellectuals were most desirous of importing, because it was considered the most sophisticated and sublime genre of literature. They considered that, in order to be readmitted to the company of modern, cultured nations, Spain must possess a body of tragedies. No effort was spared, and no means was considered unworthy for bringing about the adaptation of tragedies to the Spanish stage. However, the populace of Spain was unwilling to give up its national drama in exchange for French tragedy, and there was started a struggle between French tragedy and the comedia that lasted half a century. The purpose of this study is to discover the forces that operated to introduce French neo-classic tragedy into Spain in the eighteenth century and the extent to which it was accepted, as well as to discover the forces that resisted its introduction, the reasons for this resistance, and the final outcome of the prolonged struggle"--Leaves iii-iv