The Lumière Galaxy

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Publisher : Columbia University Press
ISBN 13 : 0231538871
Total Pages : 311 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis The Lumière Galaxy by : Francesco Casetti

Download or read book The Lumière Galaxy written by Francesco Casetti and published by Columbia University Press. This book was released on 2015-03-03 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: Francesco Casetti believes new media technologies are producing an exciting new era in cinema aesthetics. Whether we experience film in the theater, on our hand-held devices, in galleries and museums, onboard and in flight, or up in the clouds in the bits we download, cinema continues to alter our habits and excite our imaginations. Casetti travels from the remote corners of film history and theory to the most surprising sites on the internet and in our cities to prove the ongoing relevance of cinema. He does away with traditional notions of canon, repetition, apparatus, and spectatorship in favor of new keywords, including expansion, relocation, assemblage, and performance. The result is an innovative understanding of cinema's place in our lives and culture, along with a critical sea-change in the study of the art. The more the nature of cinema transforms, the more it discovers its own identity, and Casetti helps readers realize the galaxy of possibilities embedded in the medium.

Raymond Bellour

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Publisher : Edinburgh University Press
ISBN 13 : 147442290X
Total Pages : 222 pages
Book Rating : 4.4/5 (744 download)

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Book Synopsis Raymond Bellour by : Hilary Radner

Download or read book Raymond Bellour written by Hilary Radner and published by Edinburgh University Press. This book was released on 2018-03-07 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Istanbul's Ã++emberlitaÅY Hamamı provides a case study for the cultural, social and economic functions of Turkish bathhouses over time.

Museum as a Cinematic Space

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Publisher : Edinburgh University Press
ISBN 13 : 1474416802
Total Pages : 176 pages
Book Rating : 4.4/5 (744 download)

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Book Synopsis Museum as a Cinematic Space by : Elisa Mandelli

Download or read book Museum as a Cinematic Space written by Elisa Mandelli and published by Edinburgh University Press. This book was released on 2019-06-24 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: With an innovative and strongly interdisciplinary theoretical framework, this book offers an extensive investigation of the use of audio-visuals in exhibition design.

The Financial Image

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Publisher : Springer Nature
ISBN 13 : 3031406540
Total Pages : 336 pages
Book Rating : 4.0/5 (314 download)

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Book Synopsis The Financial Image by : Alasdair King

Download or read book The Financial Image written by Alasdair King and published by Springer Nature. This book was released on 2024-01-29 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life.

A Philosophical History of Documentary, 1895–1959

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Publisher : Springer Nature
ISBN 13 : 3030794660
Total Pages : 393 pages
Book Rating : 4.0/5 (37 download)

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Book Synopsis A Philosophical History of Documentary, 1895–1959 by : Dan Geva

Download or read book A Philosophical History of Documentary, 1895–1959 written by Dan Geva and published by Springer Nature. This book was released on 2021-09-15 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a chronology of thirty definitions attributed to the word, term, phrase, and concept of “documentary” between the years 1895 and 1959. The book dedicates one chapter to each of the thirty definitions, scrutinizing their idiosyncratic language games from close range while focusing on their historical roots and concealed philosophical sources of inspiration. Dan Geva's principal argument is twofold: first, that each definition is an original ethical premise of documentary; and second, that only the structured assemblage of the entire set of definitions successfully depicts the true ethical nature of documentary insofar as we agree to consider its philosophical history as a reflective object of thought in a perpetual state of being-self-defined: an ethics sui generis.

Seeing by Electricity

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Publisher : Duke University Press
ISBN 13 : 1478009225
Total Pages : 164 pages
Book Rating : 4.4/5 (78 download)

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Book Synopsis Seeing by Electricity by : Doron Galili

Download or read book Seeing by Electricity written by Doron Galili and published by Duke University Press. This book was released on 2020-02-28 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: Already in the late nineteenth century, electricians, physicists, and telegraph technicians dreamed of inventing televisual communication apparatuses that would “see” by electricity as a means of extending human perception. In Seeing by Electricity Doron Galili traces the early history of television, from fantastical image transmission devices initially imagined in the 1870s such as the Telectroscope, the Phantoscope, and the Distant Seer to the emergence of broadcast television in the 1930s. Galili examines how televisual technologies were understood in relation to film at different cultural moments—whether as a perfection of cinema, a threat to the Hollywood industry, or an alternative medium for avant-garde experimentation. Highlighting points of overlap and divergence in the histories of television and cinema, Galili demonstrates that the intermedial relationship between the two media did not start with their economic and institutional rivalry of the late 1940s but rather goes back to their very origins. In so doing, he brings film studies and television studies together in ways that advance contemporary debates in media theory.

Rethinking Art and Visual Culture

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Publisher : Springer Nature
ISBN 13 : 3030461769
Total Pages : 200 pages
Book Rating : 4.0/5 (34 download)

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Book Synopsis Rethinking Art and Visual Culture by : Asbjørn Skarsvåg Grønstad

Download or read book Rethinking Art and Visual Culture written by Asbjørn Skarsvåg Grønstad and published by Springer Nature. This book was released on 2020-10-29 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to offer a systematic account of the concept of opacity in the aesthetic field. Engaging with works by Ernie Gehr, John Akomfrah, Matt Saunders, David Lynch, Trevor Paglen, Zach Blas, and Low, the study considers the cultural, epistemological, and ethical values of images and sounds that are fuzzy, indeterminate, distorted, degraded, or otherwise indistinct. Rethinking Art and Visual Culture shows how opaque forms of art address problems of mediation, knowledge, and information. It also intervenes in current debates about new systems of visibility and surveillance by explaining how indefinite art provides a critique of the positivist drive behind these regimes. A timely contribution to media theory, cinema studies, American studies, and aesthetics, the book presents a novel and extensive analysis of the politics of transparency.

On the Screen

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Publisher : Columbia University Press
ISBN 13 : 0231548036
Total Pages : 382 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis On the Screen by : Ariel Rogers

Download or read book On the Screen written by Ariel Rogers and published by Columbia University Press. This book was released on 2019-07-30 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today, in a world of smartphones, tablets, and computers, screens are a pervasive part of daily life. Yet a multiplicity of screens has been integral to the media landscape since cinema’s golden age. In On the Screen, Ariel Rogers rethinks the history of moving images by exploring how experiments with screen technologies in and around the 1930s changed the way films were produced, exhibited, and experienced. Marshalling extensive archival research, Rogers reveals the role screens played at the height of the era of “classical” Hollywood cinema. She shows how filmmakers, technicians, architects, and exhibitors employed a variety of screens within diverse spaces, including studio soundstages, theaters, homes, stores, and train stations. Far from inert, screens served as means of structuring mediated space and time, contributing to the transformations of modern culture. On the Screen demonstrates how particular approaches to the use of screens traversed production and exhibition, theatrical and extratheatrical practice, mainstream and avant-garde modes, and even cinema and television. Rogers’s history challenges conventional narratives about the novelty of the twenty-first-century multiscreen environment, showing how attention to the variety of historical screen practices opens up new ways to understand contemporary media.

Toward a Philosophy of the Documentarian

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Publisher : Springer
ISBN 13 : 3319755684
Total Pages : 351 pages
Book Rating : 4.3/5 (197 download)

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Book Synopsis Toward a Philosophy of the Documentarian by : Dan Geva

Download or read book Toward a Philosophy of the Documentarian written by Dan Geva and published by Springer. This book was released on 2018-04-03 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: The theme of this book is the documentarian—what the documentarian is and how we can understand it as a concept. Working from the premise that the documentarian is a special—extended—sign, the book develops a model of a quadruple sign structure for-and-of the documentarian, growing out of enduring traditions in philosophy, semiotics, psychoanalysis, and documentary theory. Dan Geva investigates the intellectual premise that allows the documentarian to show itself as an extremely sophisticated, creative, and purposeful being-in-the-world—one that is both embedded in its own history and able to manifest itself throughout its entire documentary life project, as a stand-alone conceptual phase in the history of ideas.

Aesthetic Spaces

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Publisher : Northwestern University Press
ISBN 13 : 0810139081
Total Pages : 232 pages
Book Rating : 4.8/5 (11 download)

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Book Synopsis Aesthetic Spaces by : Brigitte Peucker

Download or read book Aesthetic Spaces written by Brigitte Peucker and published by Northwestern University Press. This book was released on 2019-02-15 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Films provide valuable spaces for aesthetic experimentation and analysis, for cinema's openness to other media has always allowed it to expand its own. In Aesthetic Spaces, Brigitte Peucker shows that when painterly or theatrical conventions are appropriated by the medium of film, the dissonant effects produced open it up to intermedial reflection and tell us a great deal about cinema itself. The films studied in these chapters include those by Abbas Kiarostami, Alfred Hitchcock, Michelangelo Antonioni, Jean-Luc Godard, Carl Th. Dreyer, Peter Greenaway, Rainer Werner Fassbinder, Ingmar Bergman, Jacques Rivette, Fritz Lang, F. W. Murnau, Lars von Trier, Spike Jonze, Éric Rohmer, Lech Majewski, and others. Where two media are in evidence in these films, there is usually a third, and often theater mediates between film and painting. Aesthetic Spaces interrogates issues of cinematic space and mise-en-scène from different but interconnected theoretical perspectives, organizing its chapters around some of the formal principles—space, spectator, frame, color and lighting, props, décor, and actor—that shape films. Drawing on the older arts to renew cinema, the films examined deploy paintings as material: Poussin and Bruegel, Rembrandt, Hals and Klimt, and medieval illustrations and modernist abstractions are used to expand our notions of cinematic space. Peucker shows that when different media come together in film, they create effects of dissonance out of which new modes of looking may arise.

The McGurk Universe

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Publisher : Springer Nature
ISBN 13 : 3031186338
Total Pages : 227 pages
Book Rating : 4.0/5 (311 download)

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Book Synopsis The McGurk Universe by : K.J. Donnelly

Download or read book The McGurk Universe written by K.J. Donnelly and published by Springer Nature. This book was released on 2023-01-01 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book reconsiders audiovisual culture through a focus on human perception, with recourse to ideas derived from recent neuroscience. It proceeds from the assumption that rather than simply working on a straightforward cognitive level audiovisual culture also functions more fundamentally on a physiological level, directly exploiting precise aspects of human perception. Vision and hearing are unified in a merged signal in the brain through being processed in the same areas. This is illustrated by the startling ‘McGurk Effect’, whereby the perception of spoken sound is changed by its accompanying image, and counterpart effects which demonstrate that what we see is affected by different sounds accompanying sounds. This blending of sound and images into a whole has become a universal aspect of culture, not only evident in films and television but also in video games and short Internet clips. Indeed, this aesthetic formation has become the dominant of this period. The McGurk Universe attends to how audiovisual culture engages with and mediates between physiological and psychological levels.

Moving Pictures, Still Lives

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Publisher : Oxford University Press
ISBN 13 : 0190873906
Total Pages : 336 pages
Book Rating : 4.1/5 (98 download)

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Book Synopsis Moving Pictures, Still Lives by : James Tweedie

Download or read book Moving Pictures, Still Lives written by James Tweedie and published by Oxford University Press. This book was released on 2018-05-04 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Moving Pictures, Still Lives revisits the cinematic and intellectual atmosphere of the late twentieth century. Against the backdrop of the historical fever of the 1980s and 1990s-the rise of the heritage industry, a global museum-building boom, and a cinematic fascination with costume dramas and literary adaptations-it explores the work of artists and philosophers who complicated the usual association between tradition and the past or modernity and the future. Author James Tweedie retraces the "archaeomodern turn" in films and theory that framed the past as a repository of abandoned but potentially transformative experiments. He examines late twentieth-century filmmakers who were inspired by old media, especially painting, and often viewed those art forms as portals to the modern past. In detailed discussions of Alain Cavalier, Terence Davies, Jean-Luc Godard, Peter Greenaway, Derek Jarman, Agnès Varda, and other key directors, the book concentrates on films that fill the screen with a succession of tableaux vivants, still lifes, illuminated manuscripts, and landscapes. It also considers three key figures-Walter Benjamin, Gilles Deleuze, and Serge Daney-who grappled with the late twentieth century's characteristic concerns, including history, memory, and belatedness. It reframes their theoretical work on film as a mourning play for past revolutions and a means of reviving the possibilities of the modern age (and its paradigmatic medium, cinema) during periods of political and cultural retrenchment. Looking at cinema and the century in the rear-view mirror, the book highlights the unrealized potential visible in the history of film, as well as the cinematic phantoms that remain in the digital age.

Ends of Cinema

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Publisher : U of Minnesota Press
ISBN 13 : 1452965064
Total Pages : 246 pages
Book Rating : 4.4/5 (529 download)

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Book Synopsis Ends of Cinema by : Richard Grusin

Download or read book Ends of Cinema written by Richard Grusin and published by U of Minnesota Press. This book was released on 2020-12-29 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the dawn of the digital era in the final decades of the twentieth century, film and media studies scholars grappled with the prospective end of what was deemed cinema: analog celluloid production, darkened public movie theaters, festival culture. The notion of the “end of cinema” had already been broached repeatedly over the course of the twentieth century—from the introduction of sound and color to the advent of television and video—and in Ends of Cinema, contributors reinvigorate this debate to contemplate the ends, as well as directions and new beginnings, of cinema in the twenty-first century. In this volume, scholars at the forefront of film and media studies interrogate multiple potential “ends” of cinema: its goals and spaces, its relationship to postcinema, its racial dynamics and environmental implications, and its theoretical and historical conclusions. Moving beyond the predictable question of digital versus analog, the scholars gathered here rely on critical theory and historical research to consider cinema alongside its media companions: television, the gallery space, digital media, and theatrical environments. Ends of Cinema underscores the shared project of film and media studies to open up what seems closed off, and to continually reinvent approaches that seem unresponsive. Contributors: Caetlin Benson-Allott, Georgetown U; James Leo Cahill, U of Toronto; Francesco Casetti, Yale U; Mary Ann Doane, U of California Berkeley; André Gaudreault, U de Montréal; Michael Boyce Gillespie, City College of New York; Mark Paul Meyer, EYE Filmmuseum; Jennifer Lynn Peterson, Woodbury U, Los Angeles; Amy Villarejo, Cornell U.

A Companion to the Historical Film

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Publisher : John Wiley & Sons
ISBN 13 : 1119169577
Total Pages : 597 pages
Book Rating : 4.1/5 (191 download)

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Book Synopsis A Companion to the Historical Film by : Robert A. Rosenstone

Download or read book A Companion to the Historical Film written by Robert A. Rosenstone and published by John Wiley & Sons. This book was released on 2015-12-02 with total page 597 pages. Available in PDF, EPUB and Kindle. Book excerpt: Broad in scope, this interdisciplinary collection of original scholarship on historical film features essays that explore the many facets of this expanding field and provide a platform for promising avenues of research. Offers a unique collection of cutting edge research that questions the intention behind and influence of historical film Essays range in scope from inclusive broad-ranging subjects such as political contexts, to focused assessments of individual films and auteurs Prefaced with an introductory survey of the field by its two distinguished editors Features interdisciplinary contributions from scholars in the fields of History, Film Studies, Anthropology, and Cultural and Literary Studies

Cinema is the Strongest Weapon

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Publisher : U of Minnesota Press
ISBN 13 : 1452965366
Total Pages : 294 pages
Book Rating : 4.4/5 (529 download)

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Book Synopsis Cinema is the Strongest Weapon by : Lorenzo Fabbri

Download or read book Cinema is the Strongest Weapon written by Lorenzo Fabbri and published by U of Minnesota Press. This book was released on 2023-12-19 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: A deep dive into Italian cinema under Mussolini’s regime and the filmmakers who used it as a means of antifascist resistance Looking at Italy’s national film industry under the rule of Benito Mussolini and in the era that followed, Cinema Is the Strongest Weapon examines how cinema was harnessed as a political tool by both the reigning fascist regime and those who sought to resist it. Covering a range of canonical works alongside many of their neglected contemporaries, this book explores film’s mutable relationship to the apparatuses of state power and racial capitalism. Exploiting realism’s aesthetic, experiential, and affective affordances, Mussolini’s biopolitical project employed cinema to advance an idealized vision of life under fascism and cultivate the basis for a homogenous racial identity. In this book, Lorenzo Fabbri crucially underscores realism’s susceptibility to manipulation from diametrically opposed political perspectives, highlighting the queer, Communist, Jewish, and feminist filmmakers who subverted Mussolini’s notion that “cinema is the regime’s strongest weapon” by developing film narratives and film forms that challenged the prevailing ethno-nationalist ideology. Focusing on an understudied era of film history and Italian cultural production, Fabbri issues an important recontextualization of Italy’s celebrated neorealist movement and the structural ties it shares with its predecessor. Drawing incisive parallels to contemporary debates around race, whiteness, authoritarianism, and politics, he presents an urgent examination into the broader impact of visual media on culture and society. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

Chinese Shock of the Anthropocene

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Publisher : Springer
ISBN 13 : 9811366853
Total Pages : 281 pages
Book Rating : 4.8/5 (113 download)

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Book Synopsis Chinese Shock of the Anthropocene by : Kwai-Cheung Lo

Download or read book Chinese Shock of the Anthropocene written by Kwai-Cheung Lo and published by Springer. This book was released on 2019-05-07 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines China’s role and its cultural productions in the process of environmental destruction and transformation, focusing on how various cultural media play a significant role in shaping and reproducing Chinese subject formation in relation to changing ecological conditions. It argues that China under the leadership of Xi Jinping vowed in 2017 to play a leading role in preserving the planet for the future, but many of its actions such as its “Belt and Road” initiative have aroused apprehension rather than inspired confidence. Against this backdrop of environmental concern, this volume brings together a cutting-edge critical analysis of Chinese literature, music and cinema, offering a transdisciplinary and comprehensive vision of Chinese arts and literature under the current conditions of the Anthropocene. This volume sets a high scholarly standard in the field, and constitutes a valuable reference for scholars and students of Chinese cultural studies, Chinese studies and Anthropocene studies. ​

The Oxford Handbook of Children's Film

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Publisher : Oxford University Press
ISBN 13 : 0190939354
Total Pages : 897 pages
Book Rating : 4.1/5 (99 download)

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Book Synopsis The Oxford Handbook of Children's Film by : Noel Brown

Download or read book The Oxford Handbook of Children's Film written by Noel Brown and published by Oxford University Press. This book was released on 2022 with total page 897 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring cultural and social differences in defining a children's film / Becky Parry -- Screening innocence in children's film / Debbie Olson -- Screen adaptations of the Wizard of OZ and metafilmicity in children's film / Ryan Bunch -- Children's films and the avant-garde / Bettina Kümmerling-Meibauer -- Intertextuality and 'adult' humour in children's film / Sam Summers -- Children's film and the problematic 'happy ending' / Noel Brown -- The cop and the kid in 1930s American film / Pamela Robertson-Wojcik -- History, forbidden games, children's play, and trauma theory / Ian Wojcik-Andrews -- Changing conceptions of childhood in the work of the Children's Film Foundation / Robert Shail -- Migrant children and the 'space between' in the films of Angelopoulos / Stephanie Hemelryk Donald -- Iranian cinema and a world through the eyes of a child / John Stephens -- The American tween and contemporary Hollywood cinema / Timothy Shary -- Growing up on Scandinavian screens / Anders Lysne -- Mary Pickford, Alma Taylor, and girlhood in Early Hollywood and British cinema / Matthew Smith -- Craft and play in Lotte Reiniger's fairy tale films / Caroline Ruddell -- Disney's musical landscapes / Daniel Batchelder -- Hayley Mills and the Disneyfication of childhood / David Buckingham -- Danny Kaye as children's film star / Bruce Babington -- Real animals and the problem of anthropomorphism in children's film / Claudia Alonso-Recarte and Ignacio Ramos-Gay -- Nation, identity, and the arrikin streak in Australian children's cinema / Adrian Schober -- Nationalism in Swedish Children's Film and the Case of Astrid Lindgren / Anders Wilhelm Åberg -- Unreality, Fantasy, and the Anti-Fascist Politics of the Children's Films of Satyajit Ray / Koel Banerjee -- Gender, Ideology, and Nationalism in Chinese Children's Cinema / Yuhan Huang -- Ethnic and racial difference in the Hungarian animated features Macskafogó/Cat City (1986) and Macskafogó 2/Cat City 2 (2007) / Gábor Gergely -- Negotiating East and West when representing childhood in Miyazaki's Spirited away / Katherine Whitehurst -- Coming of age in South Korean cinema / Sung-Ae Lee -- The Walt Disney Company, family entertainment, and global movie hits / Peter Krämer -- Reading Jason and the argonauts as a children's film / Susan Smith -- Hollywood and the baby boom audience in the 1950s and 1960s / James Russell -- Don Bluth and the Disney renaissance / Peter Kunze -- On 'love experts', evil princes, gullible princesses, and Frozen / Amy M. Davis -- Hollywood, regulation, and the 'disappearing' children's film / Filipa Antunes -- How children learn to 'read' movies / Cary Bazalgette -- Star Wars, children's film culture, and fan paratexts / Lincoln Geraghty -- Norwegian tween girls and everyday life through Disney tween franchises / Ingvild Kvale Sørenssen -- A multimethod study on contemporary young audiences and their film/cinema discourses and practices in Flanders, Belgium / Aleit Veenstra, Philippe Meers, and Daniël Biltereyst -- An empirical report on young people's responses to adult fantasy films / Martin Barker -- Disney's adult audiences / James R. Mason.