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The Gramophone Companys First Indian Recordings 1899 1908
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Book Synopsis The Gramophone Company's First Indian Recordings, 1899-1908 by : Michael S. Kinnear
Download or read book The Gramophone Company's First Indian Recordings, 1899-1908 written by Michael S. Kinnear and published by Popular Prakashan. This book was released on 1994 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Painstakingly Researched, Unique Volume, A Definitive Discography Of Indian Music, Is A Tribute Not Only To Indian Music, But Also To An Institution Whose Contribution To Indian Music Has Been Monumental -The Gramophone Company. Without Dustjacket In Good Condition.
Book Synopsis The Gramophone Company's First Indian Recordings by : Michael S. Kinnear
Download or read book The Gramophone Company's First Indian Recordings written by Michael S. Kinnear and published by . This book was released on 1994 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Gramophone Company's First Indian Recordings, 1899 To 1907 by : Michael Kinnear
Download or read book The Gramophone Company's First Indian Recordings, 1899 To 1907 written by Michael Kinnear and published by Bajakhana. This book was released on 2016-03-10 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: ARSC Award for Excellence in Best Historical Research in Record Labels, Best Discography - 2017. First Published 1994 as: The Gramophone Company's First Indian Recordings 1899-1908. Revised, Corrected and Expanded Edition with a Lacuna of the first known disc recordings of Tibetan performers. The Gramophone Company's First Indian Recordings 1899 to 1907, is a discographical study of Indian recordings taken in London in 1899 for E. Berliner's Gramophone, and at various places in India between 1902 and 1907, detailing all the known or traced recordings of several dialects and musical styles together with a study of the history and development of the sound recording industry in India.
Book Synopsis The Gramophone Company's Indian Recordings, 1908 To 1910 by :
Download or read book The Gramophone Company's Indian Recordings, 1908 To 1910 written by and published by . This book was released on 2000 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: A complete numerical catalogue, by matrix serials, of Indian Gramophone recordings made from 1908 to 1910, detailing all known and traced recordings by The Gramophone Company, Ltd., in India. This is the second volume in the series of discographical studies on the recordings taken in India and released by The Gramophone Company, Ltd., of Indian repertoires, together with a detailed historical examination of the development of the sound recording industry in India up to 1914.
Download or read book Bajanaamā written by Amar Nath Sharma and published by . This book was released on 2012 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Commodities and Culture in the Colonial World by : Supriya Chaudhuri
Download or read book Commodities and Culture in the Colonial World written by Supriya Chaudhuri and published by Routledge. This book was released on 2017-09-05 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Commodity, culture and colonialism are intimately related and mutually constitutive. The desire for commodities drove colonial expansion at the same time that colonial expansion fuelled technological invention, created new markets for goods, displaced populations and transformed local and indigenous cultures in dramatic and often violent ways. This book analyses the transformation of local cultures in the context of global interaction in the period 1851–1914. By focusing on episodes in the social and cultural lives of commodities, it explores some of the ways in which commodities shaped the colonial cultures of global modernity. Chapters by experts in the field examine the production, circulation, display and representation of commodities in various regional and national contexts, and draw on a range of theoretical and disciplinary approaches. An integrated, coherent and urgent response to a number of key debates in postcolonial and Victorian studies, world literature and imperial history, this book will be of interest to researchers with interests in migration, commodity culture, colonial history and transnational networks of print and ideas.
Book Synopsis The 78 R.p.m. Record Labels of India by : Michael S. Kinnear
Download or read book The 78 R.p.m. Record Labels of India written by Michael S. Kinnear and published by Bajakhana. This book was released on 2003 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: An encyclopaedia of the 78 rpm record labels produced in India and elsewhere, covering all known record labels and histories of the producing concerns from 1899 through to the late 1960's. With a Supplement on the numerical series of the major labels and an Appendix on the record labels of non-Indian and Asian repertoires made in or associated with India.
Book Synopsis Nicole Record by : Michael S. Kinnear
Download or read book Nicole Record written by Michael S. Kinnear and published by Bajakhana. This book was released on 2001 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A numerical listing of all known recordings produced by The Nicole Record Company, Limited, from 1903 to 1906. Together with information about reissued and transferred recordings. With Bibliography and indices and with illustrations in the text
Book Synopsis Colonialism and Knowledge in Grierson’s Linguistic Survey of India by : Javed Majeed
Download or read book Colonialism and Knowledge in Grierson’s Linguistic Survey of India written by Javed Majeed and published by Routledge. This book was released on 2018-08-31 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first detailed examination of George Abraham Grierson’s Linguistic Survey of India, one of the most complete sources on South Asian languages. It shows that the Survey was characterised by a composite and collaborative mode of producing knowledge, which undermines any clear distinctions between European orientalists and colonised Indians in British India. Its authority lay more in its stress on the provisional nature of its findings, an emphasis on the approximate nature of its results, and a strong sense of its own shortcomings and inadequacies, rather than in any expression of mastery over India’s languages. The book argues that the Survey brings to light a different kind of colonial knowledge, whose relationship to power was much more ambiguous than has hitherto been assumed for colonial projects in modern India. It also highlights the contribution of Indians to the creation of colonial knowledge about South Asia as a linguistic region. Indians were important collaborators and participants in the Survey, and they helped to create the monumental knowledge of India as a linguistic region which is embodied in the Survey. This volume, like its companion volume Nation and Region in Grierson’s Linguistic Survey of India, will be a great resource for scholars and researchers of linguistics, language and literature, history, political studies, cultural studies and South Asian studies.
Download or read book The Zon-o-phone Record written by and published by Bajakhana. This book was released on 2001 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Discography of recordings produced by the International Zonophone Company, and associated concerns in Europe and the Americas from 1901-1903. With a history of the company's international activities and a Supplement on reissues and transferred recordings. With Bibliography and indices. With illustrations in the text.
Book Synopsis Resonances of the Raj by : Nalini Ghuman
Download or read book Resonances of the Raj written by Nalini Ghuman and published by Oxford University Press. This book was released on 2014-05-15 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the century of British rule of the Indian subcontinent known as the British Raj, the rulers felt the significant influence of their exotic subjects. Resonances of the Raj examines the ramifications of the intertwined and overlapping histories of Britain and India on English music in the last fifty years of the colonial encounter, and traces the effects of the Raj on the English musical imagination. Conventional narratives depict a one-way influence of Britain on India, with the 'discovery' of Indian classical music occurring only in the post-colonial era. Drawing on new archival sources and approaches in cultural studies, author Nalini Ghuman shows that on the contrary, England was both deeply aware of and heavily influenced by India musically during the Indian-British colonial encounter. Case studies of representative figures, including composers Edward Elgar and Gustav Holst, and Maud MacCarthy, an ethnomusicologist and performer of the era, integrate music directly into the cultural history of the British Raj. Ghuman thus reveals unexpected minglings of peoples, musics and ideas that raise questions about 'Englishness', the nature of Empire, and the fixedness of identity. Richly illustrated with analytical music examples and archival photographs and documents, many of which appear here in print for the first time, Resonances of the Raj brings fresh hearings to both familiar and little-known musics of the time, and reveals a rich and complex history of cross-cultural musical imaginings which leads to a reappraisal of the accepted historiographies of both British musical culture and of Indo-Western fusion.
Book Synopsis Indian Classical Music and the Gramophone, 1900–1930 by : Vikram Sampath
Download or read book Indian Classical Music and the Gramophone, 1900–1930 written by Vikram Sampath and published by Taylor & Francis. This book was released on 2022-06-30 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1902 The Gramophone Company in London sent out recording experts on "expeditions" across the world to record voices from different cultures and backgrounds. All over India, it was women who embraced the challenge of overcoming numerous social taboos and aesthetic handicaps that came along with this nascent technology. Women who took the plunge and recorded largely belonged to the courtesan community, called tawaifs and devadasis, in North and South India, respectively. Recording brought with it great fame, brand recognition, freedom from exploitative patrons, and monetary benefits to the women singers. They were to become pioneers of the music industry in the Indian sub-continent. However, despite the pioneering role played by these women, their stories have largely been forgotten. Contemporaneous with the courtesan women adapting to recording technology was the anti-nautch campaign that sought to abolish these women from the performing space and brand them as common prostitutes. A vigorous renaissance and arts revival movement followed, leading to the creation of a new classical paradigm in both North Indian (Hindustani) and South Indian (Carnatic) classical music. This resulted in the standardization, universalization, and institutionalization of Indian classical music. This newly created classical paradigm impacted future recordings of The Gramophone Company in terms of a shift in genres and styles. Vikram Sampath sheds light on the role and impact of The Gramophone Company’s early recording expeditions on Indian classical music by examining the phenomenon through a sociocultural, historical and musical lens. The book features the indefatigable stories of the women and their experiences in adapting to recording technology. The artists from across India featured are: Gauhar Jaan of Calcutta, Janki Bai of Allahabad, Zohra Bai of Agra, Malka Jaan of Agra, Salem Godavari, Bangalore Nagarathnamma, Coimbatore Thayi, Dhanakoti of Kanchipuram, Bai Sundarabai of Pune, and Husna Jaan of Banaras.
Book Synopsis Music and the New Global Culture by : Harry Liebersohn
Download or read book Music and the New Global Culture written by Harry Liebersohn and published by University of Chicago Press. This book was released on 2019-09-27 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music listeners today can effortlessly flip from K-pop to Ravi Shankar to Amadou & Mariam with a few quick clicks of a mouse. While contemporary globalized musical culture has become ubiquitous and unremarkable, its fascinating origins long predate the internet era. In Music and the New Global Culture, Harry Liebersohn traces the origins of global music to a handful of critical transformations that took place between the mid-nineteenth and early twentieth century. In Britain, the arts and crafts movement inspired a fascination with non-Western music; Germany fostered a scholarly approach to global musical comparison, creating the field we now call ethnomusicology; and the United States provided the technological foundation for the dissemination of a diverse spectrum of musical cultures by launching the phonograph industry. This is not just a story of Western innovation, however: Liebersohn shows musical responses to globalization in diverse areas that include the major metropolises of India and China and remote settlements in South America and the Arctic. By tracing this long history of world music, Liebersohn shows how global movement has forever changed how we hear music—and indeed, how we feel about the world around us.
Download or read book Cities in Motion written by Su Lin Lewis and published by Cambridge University Press. This book was released on 2016-07-19 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: A social history of cosmopolitanism in Southeast Asia's ethnically diverse port cities, seen within the global context of the interwar era.
Book Synopsis Music Commodities, Markets, and Values by : Jayson Beaster-Jones
Download or read book Music Commodities, Markets, and Values written by Jayson Beaster-Jones and published by Routledge. This book was released on 2016-05-12 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines music stores as sites of cultural production in contemporary India. Analyzing social practices of selling music in a variety of retail contexts, it focuses upon the economic and social values that are produced and circulated by music retailers in the marketplace. Based upon research conducted over a volatile ten-year period of the Indian music industry, Beaster-Jones discusses the cultural histories of the recording industry, the social changes that have accompanied India’s economic liberalization reforms, and the economic realities of selling music in India as digital circulation of music recordings gradually displaced physical distribution. The volume considers the mobilization of musical, economic, and social values as a component of branding discourses in neoliberal India, as a justification for new regimes of legitimate use and intellectual property, as a scene for the performance of cosmopolitanism by shopping, and as a site of anxiety about transformations in the marketplace. It relies upon ethnographic observation and interviews from a variety of sources within the Indian music industry, including perspectives of executives at music labels, family-run and corporate music stores, and hawkers in street markets selling counterfeit recordings. This ethnography of the practices, spaces, and anxieties of selling music in urban India will be an important resource for scholars in a wide range of fields, including ethnomusicology, anthropology, popular music studies, and South Asian studies.
Book Synopsis The Place of Music by : Andrew Leyshon
Download or read book The Place of Music written by Andrew Leyshon and published by Guilford Press. This book was released on 1998-03-21 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music is omnipresent in human society, but its language can no longer be regarded as transcendent or universal. Like other art forms, music is produced and consumed within complex economic, cultural, and political frameworks in different places and at different historical moments. Taking an explicitly spatial approach, this unique interdisciplinary text explores the role played by music in the formation and articulation of geographical imaginations--local, regional, national, and global. Contributors show how music's facility to be recorded, stored, and broadcast; to be performed and received in private and public; and to rouse intense emotional responses for individuals and groups make it a key force in the definition of a place. Covering rich and varied terrain--from Victorian England, to 1960s Los Angeles, to the offices of Sony and Time-Warner and the landscapes of the American Depression--the volume addresses such topics as the evolution of musical genres, the globalization of music production and marketing, alternative and hybridized music scenes as sites of localized resistance, the nature of soundscapes, and issues of migration and national identity.
Book Synopsis Chasing Sound by : Susan Schmidt Horning
Download or read book Chasing Sound written by Susan Schmidt Horning and published by JHU Press. This book was released on 2013-12-15 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: How technically enhanced studio recordings revolutionized music and the music industry. In Chasing Sound, Susan Schmidt Horning traces the cultural and technological evolution of recording studios in the United States from the first practical devices to the modern multi-track studios of the analog era. Charting the technical development of studio equipment, the professionalization of recording engineers, and the growing collaboration between artists and technicians, she shows how the earliest efforts to capture the sound of live performances eventually resulted in a trend toward studio creations that extended beyond live shows, ultimately reversing the historic relationship between live and recorded sound. Schmidt Horning draws from a wealth of original oral interviews with major labels and independent recording engineers, producers, arrangers, and musicians, as well as memoirs, technical journals, popular accounts, and sound recordings. Recording engineers and producers, she finds, influenced technological and musical change as they sought to improve the sound of records. By investigating the complex relationship between sound engineering and popular music, she reveals the increasing reliance on technological intervention in the creation as well as in the reception of music. The recording studio, she argues, is at the center of musical culture in the twentieth century.
