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The Gothic Forms Of Victorian Poetry
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Book Synopsis The Gothic Forms of Victorian Poetry by : Olivia Loksing Moy
Download or read book The Gothic Forms of Victorian Poetry written by Olivia Loksing Moy and published by . This book was released on 2024-05-31 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Victorian poets remixed and remastered signature tropes from 1790s Gothic novels, establishing canonical nineteenth-century poetic forms A lonely damsel imprisoned within a castle or convent cell. The eavesdropping of a prisoner next door. The framed image of a woman with a sinister past. These familiar tropes from 1790s novels and tales exploded onto the English literary scene in 'low-brow' titles of Gothic romance. Surprisingly, however, they also re-emerged as features of major Victorian poems from the 1830s to 1870s. Such signature tropes - inquisitional overhearing; female confinement and the damsel in distress; supernatural switches between living and dead bodies - were transfigured into poetic forms that we recognise and teach today as canonically Victorian. The Gothic Forms of Victorian Poetry identifies a poetics of Gothic enclosure constitutive of high Victorian poetry that came to define key nineteenth-century poetic forms, from the dramatic monologue, to women's sonnet sequences and metasonnets, to Pre-Raphaelite picture poems. Olivia Loksing Moy is Assistant Professor of English at the City University of New York, Lehman College.
Book Synopsis The Gothic Forms of Victorian Poetry by : Olivia Loksing Moy
Download or read book The Gothic Forms of Victorian Poetry written by Olivia Loksing Moy and published by Edinburgh University Press. This book was released on 2023-08-30 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: A lonely damsel imprisoned within a castle or convent cell. The eavesdropping of a prisoner next door. The framed image of a woman with a sinister past. These familiar tropes from 1790s novels and tales exploded onto the English literary scene in 'low-brow' titles of Gothic romance. Surprisingly, however, they also re-emerged as features of major Victorian poems from the 1830s to 1870s. Such signature tropes - inquisitional overhearing; female confinement and the damsel in distress; supernatural switches between living and dead bodies - were transfigured into poetic forms that we recognise and teach today as canonically Victorian. The Gothic Forms of Victorian Poetry identifies a poetics of Gothic enclosure constitutive of high Victorian poetry that came to define key nineteenth-century poetic forms, from the dramatic monologue, to women's sonnet sequences and metasonnets, to Pre-Raphaelite picture poems.
Book Synopsis Victorian Poets and the Politics of Culture by : Antony H. Harrison
Download or read book Victorian Poets and the Politics of Culture written by Antony H. Harrison and published by University of Virginia Press. This book was released on 1998 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: With the publication of his ambitious new work Victorian Poets and the Politics of Culture, Antony H. Harrison continues his exploration of poetry as a significant force in the construction of English culture from 1837-1900. In chapters focusing on Victorian medievalist discourse, Alfred Tennyson, Elizabeth Barrett Browning, Matthew Arnold, and Christina Rossetti, Harrison examines a range of Victorian poems in order to show the cultural work they accomplish. He illuminates, for example, such culturally prominent Victorian mythologies as the exaltation of motherhood, the Romanic appropriation of transcendent art, and the idealization of the gypsy as a culturally alien, exotic Other. His investigation of the ways in which the authors intervene in the discourses that articulate such mythologies and thereby accrue cultural power--along with his analysis of what constitutes "cultural power"--are original contributions to the field of Victorian studies. "The power of Victorian poetry by midcentury was enhanced by the institutionalization of particular channels through which it circulated," Harrison writes. "poetry was 'consumed' in more varied forms than was other literature." Victorian Poets and the Politics of Culture has implications for both cultural studies and the study of literature outside the Victorian period.
Book Synopsis Form and Faith in Victorian Poetry and Religion by : Kirstie Blair
Download or read book Form and Faith in Victorian Poetry and Religion written by Kirstie Blair and published by Oxford University Press. This book was released on 2012-05-24 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study explores Victorian poetry in relation to Victorian religion, with particular emphasis on the bitter contemporary debates over the use of forms in worship. It discusses major Victorian poets - Tennyson, the Brownings, Rossetti, Hopkins, Hardy - and also argues that their work was influenced by a host of minor and less studied writers.
Book Synopsis Framed, Imprisoned, Overheard by : Olivia Loksing Moy
Download or read book Framed, Imprisoned, Overheard written by Olivia Loksing Moy and published by . This book was released on 2015 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Close reading fiction by Ann Radcliffe, Matthew Lewis and Mary Wollstonecraft, and poems by Charlotte Smith, John Keats, William Wordsworth, Robert Browning, Elizabeth Barrett Browning, Christina Rossetti, D. G. Rossetti and G. M. Hopkins, I offer a revisionist history that looks beyond the small subset of poems about ghosts or other "gothic" themes, demonstrating how innovations in 1790s sensation fiction contributed to the evolution of major Victorian verse forms.
Book Synopsis The Burden of Rhyme by : Naomi Levine
Download or read book The Burden of Rhyme written by Naomi Levine and published by University of Chicago Press. This book was released on 2024-09-13 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: A major new account of Victorian poetry and its place in the field of literary studies. The Burden of Rhyme shows how the nineteenth-century search for the origin of rhyme shaped the theory and practice of poetry. For Victorians, rhyme was not (as it was for the New Critics, and as it still is for us) a mere technique or ahistorical form. Instead, it carried vivid historical fantasies derived from early studies of world literature. Naomi Levine argues that rhyme’s association with the advent of literary modernity and with a repertoire of medievalist, Italophilic, and orientalist myths about love, loss, and poetic longing made it a sensitive historiographic instrument. Victorian poets used rhyme to theorize both literary history and the most elusive effects of aesthetic form. This Victorian formalism, which insisted on the significance of origins, was a precursor to and a challenge for twentieth-century methods. In uncovering the rich relationship between Victorian poetic forms and a forgotten style of literary-historical thought, The Burden of Rhyme reveals the unacknowledged influence of Victorian poetics—and its repudiation—on the development of modern literary criticism.
Book Synopsis Victorian Poetry by : Isobel Armstrong
Download or read book Victorian Poetry written by Isobel Armstrong and published by Routledge. This book was released on 2002-09-11 with total page 632 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a work that is uniquely comprehensive and theoretically astute, Isobel Armstrong rescues Victorian poetry from its longstanding sepia image as `a moralised form of romantic verse', and unearths its often subversive critique of nineteenth-century culture and politics.
Book Synopsis Victorian Poetry and the Culture of Evaluation by : Clara Dawson
Download or read book Victorian Poetry and the Culture of Evaluation written by Clara Dawson and published by Oxford University Press, USA. This book was released on 2020-02 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Victorian Poetry and the Culture of Evaluation argues that the dialectic and dynamic relationship between the periodical review and poetry creates a culture of evaluation which shapes Victorian poetic form. The mediation of poetry by the periodical review orients poets towards public readership and reception, heightening their self-consciousness about their audience and generating a poetics of publicness. Using methodologies associated with historical poetics and new formalism, the book examines the dialogues between poets and periodical reviews from the 1830s to the 1860s. It juxtaposes male and female poets and canonical and uncanonical texts. Challenging the critical binaries of fame and celebrity, the culture of evaluation posits a new way of reading Victorian poetry. It illuminates poets' engagement with the immediacy and inevitability of writing for the present and for the contemporary media through which poetry was read and disseminated. New patterns of reception were created by mass print culture and both poets and reviewers were preoccupied with reaching the newly constituted mass audience. The changes to the material forms of poetry (e.g. through the periodical or gift-book) and the subjection to the commercial imperatives of the literary marketplace encouraged bold experiment with verse. The book identifies three poetic strategies for articulating the preoccupation with a mass audience and the demands of mass media: voice, style and address. Chapters on voice, style, and address explore the development of poetic form in dialogue with periodical reviews.
Book Synopsis The Oxford Handbook of Victorian Poetry by : Matthew Bevis
Download or read book The Oxford Handbook of Victorian Poetry written by Matthew Bevis and published by OUP Oxford. This book was released on 2013-10-31 with total page 1101 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'I am inclined to think that we want new forms . . . as well as thoughts', confessed Elizabeth Barrett to Robert Browning in 1845. The Oxford Handbook of Victorian Poetry provides a closely-read appreciation of the vibrancy and variety of Victorian poetic forms, and attends to poems as both shaped and shaping forces. The volume is divided into four main sections. The first section on 'Form' looks at a few central innovations and engagements--'Rhythm', 'Beat', 'Address', 'Rhyme', 'Diction', 'Syntax', and 'Story'. The second section, 'Literary Landscapes', examines the traditions and writers (from classical times to the present day) that influence and take their bearings from Victorian poets. The third section provides 'Readings' of twenty-three poets by concentrating on particular poems or collections of poems, offering focused, nuanced engagements with the pleasures and challenges offered by particular styles of thinking and writing. The final section, 'The Place of Poetry', conceives and explores 'place' in a range of ways in order to situate Victorian poetry within broader contexts and discussions: the places in which poems were encountered; the poetic representation and embodiment of various sites and spaces; the location of the 'Victorian' alongside other territories and nationalities; and debates about the place - and displacement - of poetry in Victorian society. This Handbook is designed to be not only an essential resource for those interested in Victorian poetry and poetics, but also a landmark publication--provocative, seminal volume that will offer a lasting contribution to future studies in the area.
Book Synopsis Form and Faith in Victorian Poetry and Religion by : Kirstie Blair
Download or read book Form and Faith in Victorian Poetry and Religion written by Kirstie Blair and published by Oxford University Press. This book was released on 2012-05-24 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Kirstie Blair explores Victorian poetry in relation to Victorian religion, with particular emphasis on the bitter contemporary debates over the use of forms in worship. She argues that poetry made significant contributions to these debates, not least through its formal structures. By assessing the discourses of church architecture and liturgy in the first half of the book, Form and Faith in Victorian Poetry and Religion demonstrates that Victorian poets both reflected on and affected ecclesiastical practices. The second half of the book focuses on particular poets and poems, including Browning's Christmas-Eve and Tennyson's In Memoriam, to show how High Anglican debates over formal worship were dealt with by Dissenting, Broad Church and Roman Catholic poets and other writers. This book features major Victorian poets - Tennyson, the Brownings, Rossetti, Hopkins, Hardy - from different Christian denominations, but also argues that their work was influenced by a host of minor and less studied writers, particularly the Tractarian or Oxford Movement poets whose writings are studied in detail here. Form and Faith presents a new take on Victorian poetry by showing how important now-forgotten religious controversies were to the content and form of some of the best-known poems of the period. In methodology and content, it also relates strongly to current critical interest in poetic form and formalism, while recovering a historical context in which 'form' carried a particular weight of significance.
Book Synopsis Victorian Poetry and the Poetics of the Literary Periodical by : Caley Ehnes
Download or read book Victorian Poetry and the Poetics of the Literary Periodical written by Caley Ehnes and published by Edinburgh University Press. This book was released on 2018-11-23 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reads Victorian literature and science as artful practices that surpass the theories and discourses supposed to contain them.
Book Synopsis Victorian Poetry and the Culture of the Heart by : Kirstie Blair
Download or read book Victorian Poetry and the Culture of the Heart written by Kirstie Blair and published by Oxford University Press. This book was released on 2006-04-27 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study considers why and how the heart became a vital image in Victorian poetry. It argues that the intense focus on heart imagery in the period highlights anxieties about the ability of poetry to act upon its readers. It covers key poems by authors such as Tennyson and the Brownings, and contextualizes them with reference to lesser-known works.
Book Synopsis Religious Horror and the Ecogothic by : Mary Going
Download or read book Religious Horror and the Ecogothic written by Mary Going and published by Rowman & Littlefield. This book was released on 2024-06-10 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: Religious Horror and the Ecogothic explores the intersections of Anglophone Christianity and the Ecogothic, a subgenre that explores the ecocritical in Gothic literature, film, and media. Acknowledging the impact of Christian ideologies upon interpretations of human relationships with the environment, the Ecogothic in turn interrogates spiritual identity and humanity’s darker impulses in relation to ecological systems. Through a survey of Ecogothic texts from the eighteenth century to the present day, this book illuminates the ways in which a Christianized understanding of hierarchy, dominion, fear, and sublimity shapes reactions to the environment and conceptions of humanity’s place therein. It interrogates the discourses which inform environmental policy, as well as definitions of the “human” in a rapidly changing world.
Book Synopsis Allegories of One's Own Mind by : David G. Riede
Download or read book Allegories of One's Own Mind written by David G. Riede and published by Ohio State University Press. This book was released on 2005 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Perhaps because major Victorians like Thomas Carlyle and Matthew Arnold proscribed Romantic melancholy as morbidly diseased and unsuitable for poetic expression, critics have neglected or understated the central importance of melancholy in Victorian poetry. Allegories of One's Own Mind re-directs our attention to a mode that Arnold was rejecting as morbid but also acknowledging when he disparaged the widely current idea that the highest ambition of poetry should be to present an allegory of the poet's own mind. This book shows how early Victorian poets suffered from and railed against what they perceived to be a "disabling post-Wordsworthian melancholy"-we might refer to it as depression-and yet benefited from this self-absorbed or love-obsessed state, which ironically made them more productive. David G. Riede argues that the dominant thematic and formal concerns of the age, in fact, are embodied in the ambivalence of Carlyle, Arnold, and others, who pitted a Victorian ideology of duty, rationality, and high moral character against a still compelling Romantic cultivation of the deep self intuited as melancholy. Such ambivalence, in fact, is in itself constitutive of melancholy, long understood as the product of conscience raging against inchoate desire, and it constitutes the mood of the age's most important poetry, represented here in the major works of Alfred Tennyson, Elizabeth Barrett Browning, and even in the notoriously "optimistic" Robert Browning. David G. Riede is professor of English at The Ohio State University.
Book Synopsis Victorian Poetry Now by : Valentine Cunningham
Download or read book Victorian Poetry Now written by Valentine Cunningham and published by John Wiley & Sons. This book was released on 2011-06-03 with total page 632 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the definitive guide to Victorian poetry, which its author approaches in the light of modern critical concerns and contemporary contexts. Valentine Cunningham exhibits encyclopedic knowledge of the poetry produced in this period and offers dazzling close readings of a number of well-known poems Draws on the work of major Victorian poets and their works as well as many of the less well-known poets and poems Reads poems and poets in the light of both Victorian and modern critical concerns Places poetry in its personal, aesthetic, historical, and ideological context Organized in terms of the Victorian anxieties of self, body, and melancholy Argues that rhyming/repetition is the major formal feature of Victorian poetry Highlights the Victorian obsession with small subjects in small poems Shows how Victorian poetry attempts to engage with the modern subject and how its modernity segues into modernism and postmodernism
Download or read book Victorian Verse written by Lee Behlman and published by Springer Nature. This book was released on 2023-08-04 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Victorian Verse: The Poetics of Everyday Life casts new light on nineteenth-century poetry by examining the period through its popular verse forms and their surrounding social and media landscape. The volume offers insight into two central concepts of both the Victorian era and our own—status and taste—and how cultural hierarchies then and now were and are constructed and broken. By recovering the lost diversity of Victorian verse, the book maps the breadth of Victorian writing and reading practices, illustrating how these seemingly minor verse genres actually possessed crucial social functions for Victorians, particularly in education, leisure practices, the cultural production of class, and the formation of individual and communal identities. The essays consider how “major” Victorian poets, such as the Pre-Raphaelites, were also committed to writing and reading “minor” verse, further troubling the clear-cut notions of canonicity by examining the contradictions of value.
Book Synopsis Rhythm and Will in Victorian Poetry by : Matthew Campbell
Download or read book Rhythm and Will in Victorian Poetry written by Matthew Campbell and published by Cambridge University Press. This book was released on 1999-04-22 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Rhythm and Will in Victorian Poetry, first published in 1999, Matthew Campbell explores the work of four Victorian poets - Tennyson, Browning, Hopkins and Hardy - as they show a consistent and innovative concern with questions of human agency and will. The Victorians saw the virtues attendant upon a strong will as central to themselves and to their culture, and Victorian poetry strove to find an aesthetic form to represent this sense of the human will. Through close study of the metre, rhyme and rhythm of a wide range of poems - including monologue, lyric and elegy - Campbell reveals how closely technical questions of poetics are related, in the work of these poets, to issues of psychology, ethics and social change. He goes on to discuss more general questions of poetics, and the implications of the achievement of the Victorian poets in a wider context, from Milton through Romanticism and into contemporary critical debate.
