The End Of The Modernist Era In Arts And Academia

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The End of the Modernist Era in Arts and Academia

Author : Bruce Fleming
Publisher : Routledge
ISBN 13 : 1000550907
Total Pages : 221 pages
Book Rating : 4.0/5 (5 download)

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Book Synopsis The End of the Modernist Era in Arts and Academia by : Bruce Fleming

Download or read book The End of the Modernist Era in Arts and Academia written by Bruce Fleming and published by Routledge. This book was released on 2022-03-28 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book identifies the—now moribund—Modernist spirit of the twentieth century, with its "make it new" attitude in the arts, and its tendency towards abstraction and the scientific process, as the impetus behind the academic structures of universities and museums, together with the development of discrete scholarly disciplines such as literary theory, sociology, and art history based on quasi-scientific principles. Arguing that the Modernist project is approaching exhaustion and that the insights that it has left to yield are approaching triviality, it explores the Modernist links between the arts and academic pursuits of the West—and their relationship with street protests—in the long twentieth century, considering what might follow this Modernist era. An examination of the broad cultural and intellectual—and now political—trends of our age, and their decline, The End of the Modernist Era in Arts and Academia will appeal to scholars and students of social theory, philosophy, literary studies, and cultural studies.

Modernism's History

Author : Bernard Smith
Publisher : Yale University Press
ISBN 13 : 9780300073928
Total Pages : 396 pages
Book Rating : 4.0/5 (739 download)

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Book Synopsis Modernism's History by : Bernard Smith

Download or read book Modernism's History written by Bernard Smith and published by Yale University Press. This book was released on 1998-01-01 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of twentieth-century visual arts can no longer be written as a succession of avant-garde movements, contends eminent art historian Bernard Smith in this stimulating book. He argues that a return to the concept of period style is inevitable and that modernism--the dominant "style" of art that emerged at the end of the nineteenth century and continued through the 1960s--deserves recognition as a period style. Smith renames this period Formalesque since it is no longer modern and since it emphasizes the formal values of art more than any previous period does. In a wide-ranging reformulation of art history in the twentieth century, the author defines the nature and development of Formalesque--an avant-garde style that arose between 1890 and the First World War, was institutionalized between the world wars, and flourished anew between 1945 and 1960. Identifying the Formalesque period, says Smith, makes it possible also to identify dialectical adversaries, such true oppositional avant-garde styles of the twentieth century as Dada, Surrealism, and the Neue Sachlichkeit. These constitute the formative elements of the modernism--now called postmodernism--that became increasingly dominant after 1960. The author locates twentieth-century artistic movements and developments in a broad cultural context and concludes with a thought-provoking examination of the relation between the Formalesque and European and American cultural imperialism.

Ornament and European Modernism

Author : Loretta Vandi
Publisher : Routledge
ISBN 13 : 1351668587
Total Pages : 399 pages
Book Rating : 4.3/5 (516 download)

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Book Synopsis Ornament and European Modernism by : Loretta Vandi

Download or read book Ornament and European Modernism written by Loretta Vandi and published by Routledge. This book was released on 2017-09-22 with total page 399 pages. Available in PDF, EPUB and Kindle. Book excerpt: These in-depth, historical, and critical essays study the meaning of ornament, the role it played in the formation of modernism, and its theoretical importance between the mid-nineteenth century and the late twentieth century in England and Germany. Ranging from Owen Jones to Ernst Gombrich through Gottfried Semper, Alois Riegl, August Schmarsow, Wilhelm Worringer, Adolf Loos, Henry van de Velde, and Hermann Muthesius, the contributors show how artistic theories are deeply related to the art practice of their own times, and how ornament is imbued with historical and social meaning.

Academia versus the World Outside

Author : Bruce Fleming
Publisher : Taylor & Francis
ISBN 13 : 1040116078
Total Pages : 242 pages
Book Rating : 4.0/5 (41 download)

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Book Synopsis Academia versus the World Outside by : Bruce Fleming

Download or read book Academia versus the World Outside written by Bruce Fleming and published by Taylor & Francis. This book was released on 2024-08-06 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Academia versus the World Outside lays out the givens of the knowledge industry located within the ivory tower, colleges and universities. It then moves outside academia to consider this restricted world the way most people see it. The contrast between these two views of academia explains and is at the basis of the left–right animosity of our day. The knowledge industry, a creation of the post-Enlightenment modern age along with other industrial and post-industrial enterprises, is based on creating and adding to a store of knowledge as its own end. This makes academia alien to the more random and personal nature of knowledge acquisition in our everyday lives, as indeed every industry is alien to everyday life in the modern age. Yet most academics are so immersed in the peculiar project they have chosen as their life’s work that they are either unaware of or unsympathetic to the fact that people outside live very different lives with very different presuppositions. Most non-academics, for their part, find academia strange, and for very good reason. Academia versus the World Outside makes this contrast and conflict clear from both directions. This book is aimed primarily at academics, most of whom so take for granted the givens of what they do that they fail to understand why the vast majority of people outside find academia alien. This has led to an increasingly hostile and utterly predictable left–right political conflict, academia tending increasingly left and the world outside increasingly right. The goal of this book is to reduce the tension between both sides: if read by non-academics, this book may help these understand the givens of a world as strange to everyday life as any other specialized industry in the modern age.

Modern Architecture

Author : Otto Wagner
Publisher : Getty Publications
ISBN 13 : 0226869393
Total Pages : 202 pages
Book Rating : 4.2/5 (268 download)

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Book Synopsis Modern Architecture by : Otto Wagner

Download or read book Modern Architecture written by Otto Wagner and published by Getty Publications. This book was released on 1988 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1896, Otto Wagner's "Modern Architecture" shocked the European architectural community with its impassioned plea for an end to eclecticism and for a "modern" style suited to contemporary needs and ideals, utilizing the nascent constructional technologies and materials. Through the combined forces of his polemical, pedagogical, and professional efforts, this determined, newly appointed professor at the Vienna Academy of Fine Arts emerged in the late 1890s - along with such contemporaries as Charles Rennie Mackintosh in Glasgow and Louis Sullivan in Chicago - as one of the leaders of the revolution soon to be identified as the "Modern Movement." Wagner's historic manifesto is now presented in a new English translation - the first in almost ninety years - based on the expanded 1902 text and noting emendations made to the 1896, 1898, and 1914 editions. In his introduction, Dr. Harry Mallgrave examines Wagner's tract against the backdrop of nineteenth-century theory, critically exploring the affinities of Wagner's revolutionary élan with the German eclectic debate of the 1840s, the materialistic tendencies of the 1870s and 1880s, and the emerging cultural ideology of modernity. Modern Architecture is one of those rare works in the literature of architecture that not only proclaimed the dawning of a new era, but also perspicaciously and cogently shaped the issues and the course of its development; it defined less the personal aspirations of one individual and more the collective hopes and dreams of a generation facing the sanguine promise of a new century

Learning to Look at Modern Art

Author : Mary Acton
Publisher : Psychology Press
ISBN 13 : 9780415238113
Total Pages : 392 pages
Book Rating : 4.2/5 (381 download)

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Book Synopsis Learning to Look at Modern Art by : Mary Acton

Download or read book Learning to Look at Modern Art written by Mary Acton and published by Psychology Press. This book was released on 2004 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: This companion text to the author's Learning to Look at Paintings addresses some of the questions most commonly asked about modern art, covering key movements of the modern and postmodern periods in a richly illustrated and engaging volume.

What Does ‘Art’ Mean Now?

Author : Bruce Fleming
Publisher : Taylor & Francis
ISBN 13 : 1000897052
Total Pages : 239 pages
Book Rating : 4.0/5 (8 download)

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Book Synopsis What Does ‘Art’ Mean Now? by : Bruce Fleming

Download or read book What Does ‘Art’ Mean Now? written by Bruce Fleming and published by Taylor & Francis. This book was released on 2023-06-22 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: What Does ‘Art’ Mean Now? asks, and answers, fundamental questions about the nature of aesthetic experience and role of the arts in contemporary society. The Modern Age, Romanticism and beyond, viewed art as something transcending and separated from life, and usually something encountered in museums or classrooms. Nowadays, however, art tends to be defined not by a commonly agreed-upon standard of “quality” or by its forms, such as painting and sculpture, but instead by political and ideological criteria. So how do we connect with the works in museums whose point was precisely that they stood apart from such considerations? Can we and should we be educated to “appreciate” art—and what does it do for us anyway? What are we to make of the so-different newer works—installations, performances, excerpts from the world—held to be art that increasingly make it into museums? Adopting a subjectivist approach, this book argues that in the absence of a universal judgment or standard of taste, the experience of art is one of freedom. The arts give us the means to conceptualize our lives, showing us ourselves as we are and as we might wish—or not wish—to be, as well as where we have been and where we are going. It will appeal to scholars of sociology, philosophy, museum studies, and art history, and to anyone interested in, or puzzled by, museums or college courses and their presentation of art today.

Make It New

Author : Kurt Heinzelman
Publisher : University of Texas Press
ISBN 13 : 0292702841
Total Pages : 171 pages
Book Rating : 4.2/5 (927 download)

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Book Synopsis Make It New by : Kurt Heinzelman

Download or read book Make It New written by Kurt Heinzelman and published by University of Texas Press. This book was released on 2003 with total page 171 pages. Available in PDF, EPUB and Kindle. Book excerpt: What was Modernism, and why does it still matter? The term itself first gained currency in the 1930s, describing a kind of art that already may have peaked, some would say as early as 1922. Whatever its ups and downs in its own time, as the novelist Julian Barnes claims in one of the twenty essays commissioned for the present volume, Modernism never vanished. It remains our immovable feast. Modernism was international in scope; it left its mark on all genres, from literature and painting to opera, dance, and architecture; it pushed the boundaries of what was artistically possible and aesthetically important; and finally, for all its destructive urges which it shared with the century itself, it was also celebrative. This book is a response to the exhibition of the same name that opened at the Harry Ransom Center in October 2003. It includes original essays by such noted writers and artists as Russell Banks, Anita Desai, David Douglas Duncan, Elizabeth Hardwick, and Penelope Lively, which offer fresh perspectives on important Modernist figures, including William Gaddis, Ezra Pound, William Faulkner, E. M. Forster, Paul Robeson, Virginia Woolf, Henry James, Joseph Conrad, Frank Lloyd Wright, and Le Corbusier. In addition, essays by leading scholars in literature and art history focus on specific artifacts included in the exhibit. As the Center's Director, Thomas F. Staley, puts it in the Foreword, "Ours is an attempt not of definition but of discovery and rediscovery." Book and exhibition permit both reader and viewer to experience the textures, structures, and resonances which made the first part of the twentieth century so innovative that its art is still virtually synonymous with what "newness" means.

The Modernity of English Art, 1914-30

Author : David Peters Corbett
Publisher : Manchester University Press
ISBN 13 : 9780719037337
Total Pages : 260 pages
Book Rating : 4.0/5 (373 download)

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Book Synopsis The Modernity of English Art, 1914-30 by : David Peters Corbett

Download or read book The Modernity of English Art, 1914-30 written by David Peters Corbett and published by Manchester University Press. This book was released on 1997 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The modernity of English art reconceptualises the history of English painting from 1914 to the end of the 1920s. Whereas most accounts have tended to see the period as marked by a tension between the native tradition and Modernism, this ground-breaking book rethinks the 1920s by situating both Modernist and non-Modernist painters within a wider cultural history. Established figures such as Paul Nash, Edward Wadsworth and Wyndham Lewis, as well as lesser-known artists like Charles Sims, John Armstrong and Ethelbert White, are discussed and illustrated in a series of innovative readings within this context. The modernity of English art offers a new account of painting in England after 1914 and argues for a strongly revisionist view of the significance of the modern during this important but neglected period in English art." --

Putting Modernism Together

Author : Daniel Albright
Publisher : JHU Press
ISBN 13 : 142141645X
Total Pages : 429 pages
Book Rating : 4.4/5 (214 download)

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Book Synopsis Putting Modernism Together by : Daniel Albright

Download or read book Putting Modernism Together written by Daniel Albright and published by JHU Press. This book was released on 2015-06-10 with total page 429 pages. Available in PDF, EPUB and Kindle. Book excerpt: A powerful introduction to modernism and the creative arts it inspired. How do you rationally connect the diverse literature, music, and painting of an age? Throughout the modernist era—which began roughly in 1872 with the Franco-Prussian War, climaxed with the Great War, and ended with a third catastrophe, the Great Depression—there was a special belligerence to this question. It was a cultural period that envisioned many different models of itself: to the Cubists, it looked like a vast jigsaw puzzle; to the Expressionists, it resembled a convulsive body; to the Dadaists, it brought to mind a heap of junk following an explosion. In Putting Modernism Together, Daniel Albright searches for the center of the modernist movement by assessing these various artistic models, exploring how they generated a stunning range of creative work that was nonetheless wound together aesthetically, and sorting out the cultural assumptions that made each philosophical system attractive. Emerging from Albright's lectures for a popular Harvard University course of the same name, the book investigates different methodologies for comparing the evolution and congruence of artistic movements by studying simultaneous developments that occurred during particularly key modernist years. What does it mean, Albright asks, that Joseph Conrad's Heart of Darkness, published in 1899, appeared at the same time as Claude Debussy's Nocturnes—beyond the fact that the word "Impressionist" has been used to describe each work? Why, in 1912, did the composer Arnold Schoenberg and the painter Vassily Kandinsky feel such striking artistic kinship? And how can we make sense of a movement, fragmented by isms, that looked for value in all sorts of under- or ill-valued places, including evil (Baudelaire), dung heaps (Chekhov), noise (Russolo), obscenity (Lawrence), and triviality (Satie)? Throughout Putting Modernism Together, Albright argues that human culture can best be understood as a growth-pattern or ramifying of artistic, intellectual, and political action. Going beyond merely explaining how the artists in these genres achieved their peculiar effects, he presents challenging new analyses of telling craft details which help students and scholars come to know more fully this bold age of aesthetic extremism.

Late Modernism

Author : Tyrus Miller
Publisher : Univ of California Press
ISBN 13 : 9780520921993
Total Pages : 280 pages
Book Rating : 4.9/5 (219 download)

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Book Synopsis Late Modernism by : Tyrus Miller

Download or read book Late Modernism written by Tyrus Miller and published by Univ of California Press. This book was released on 1999-02-25 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tyrus Miller breaks new ground in this study of early twentieth-century literary and artistic culture. Whereas modernism studies have generally concentrated on the vital early phases of the modernist revolt, Miller focuses on the turbulent later years of the 1920s and 1930s, tracking the dissolution of modernism in the interwar years. In the post-World War I reconstruction and the worldwide crisis that followed, Miller argues, new technological media and the social forces of mass politics opened fault lines in individual and collective experience, undermining the cultural bases of the modernist movement. He shows how late modernists attempted to discover ways of occupying this new and often dangerous cultural space. In doing so they laid bare the ruin of the modernist aesthetic at the same time as they transcended its limits. In his wide-ranging theoretical and historical discussion, Miller relates developments in literary culture to tendencies in the visual arts, cultural and political criticism, mass culture, and social history. He excavates Wyndham Lewis's hidden borrowings from Al Jolson's The Jazz Singer; situates Djuna Barnes between the imagery of haute couture and the intellectualism of Duchamp; uncovers Beckett's affinities with Giacometti's surrealist sculptures and the Bolshevik clowns Bim-Bom; and considers Mina Loy as both visionary writer and designer of decorative lampshades. Miller's lively and engaging readings of culture in this turbulent period reveal its surprising anticipation of our own postmodernity.

All About Process

Author : Kim Grant
Publisher : Penn State Press
ISBN 13 : 0271079495
Total Pages : 295 pages
Book Rating : 4.2/5 (71 download)

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Book Synopsis All About Process by : Kim Grant

Download or read book All About Process written by Kim Grant and published by Penn State Press. This book was released on 2017-02-28 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years, many prominent and successful artists have claimed that their primary concern is not the artwork they produce but the artistic process itself. In this volume, Kim Grant analyzes this idea and traces its historical roots, showing how changing concepts of artistic process have played a dominant role in the development of modern and contemporary art. This astute account of the ways in which process has been understood and addressed examines canonical artists such as Monet, Cézanne, Matisse, and De Kooning, as well as philosophers and art theorists such as Henri Focillon, R. G. Collingwood, and John Dewey. Placing “process art” within a larger historical context, Grant looks at the changing relations of the artist’s labor to traditional craftsmanship and industrial production, the status of art as a commodity, the increasing importance of the body and materiality in art making, and the nature and significance of the artist’s role in modern society. In doing so, she shows how process is an intrinsic part of aesthetic theory that connects to important contemporary debates about work, craft, and labor. Comprehensive and insightful, this synthetic study of process in modern and contemporary art reveals how artists’ explicit engagement with the concept fits into a broader narrative of the significance of art in the industrial and postindustrial world.

Beyond the Victorian/ Modernist Divide

Author : Anne-Florence Gillard-Estrada
Publisher : Routledge
ISBN 13 : 1351333232
Total Pages : 381 pages
Book Rating : 4.3/5 (513 download)

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Book Synopsis Beyond the Victorian/ Modernist Divide by : Anne-Florence Gillard-Estrada

Download or read book Beyond the Victorian/ Modernist Divide written by Anne-Florence Gillard-Estrada and published by Routledge. This book was released on 2018-03-08 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beyond the Victorian/ Modernist Divide contributes to a new phase in the Victorian-modern debate of traditional periodization through the perspective lens of literature and the visual arts. Breaking away from conventionally fixed discourses and dichotomies, this book utilizes an interdisciplinary approach to examine the existence of overlaps and unexplored continuities between the Victorians, the post-Victorians and the modernists, including the fields of music, architecture, design, science, and social life. Furthermore, the book remaps the cultural history of two critical meta-narratives and their interdependence – the myth of "high modernism" and the myth of "Victorianism" – by building on recent scholarly work and addressing the question of the "turn of the century break theory" with a new set of arguments and contributions. The essays presented within acknowledge the existence of a break-theory in modernism, but question this theory by re-contextualising it while uncovering long-masked continuities between artists, genres and forms across the divide. The collection offers a new approach to modernism, Edwardianism, and Victorianism; utilizing the cross-fertilisation of interdisciplinary approaches, and by combining contributions that look forward from the Victorians with other contributions that look backward from the modernists. While literary modernism and its vexed relationships with the nineteenth century is a central subject of the book, further analysis includes artistic discourses and theories stemming from history, the visual arts, science, music and design. Each chapter offers a fresh interpretation of individual artists, navigating away from characteristic classifications of works, authors and cultural phenomena. Ultimately, the volume argues that though periodization and genre categories play substantial roles in this divide, it is also essential to be critically aware of the way cultural history has been, and continues to be, constructed.

After the End of Art

Author : Arthur C. Danto
Publisher : Princeton University Press
ISBN 13 : 0691209308
Total Pages : 350 pages
Book Rating : 4.6/5 (912 download)

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Book Synopsis After the End of Art by : Arthur C. Danto

Download or read book After the End of Art written by Arthur C. Danto and published by Princeton University Press. This book was released on 2021-06-08 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s. Arthur Danto, a philosopher who was also one of the leading art critics of his time, argues that traditional notions of aesthetics no longer apply to contemporary art and that we need a philosophy of art criticism that can deal with perhaps the most perplexing feature of current art: that everything is possible. An insightful and entertaining exploration of art’s most important aesthetic and philosophical issues conducted by an acute observer of contemporary art, After the End of Art argues that, with the eclipse of abstract expressionism, art deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, Danto makes the case for a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol’s Brillo Box and the product found in the grocery store. After the End of Art addresses art history, pop art, “people’s art,” the future role of museums, and the critical contributions of Clement Greenberg, whose aesthetics-based criticism helped a previous generation make sense of modernism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist’s philosophy), Danto shows that it wasn’t until the invention of pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways in which art was produced, hinged on a narrative.

Early Modern Art Theory. Visual Culture and Ideology, 1400-1700

Author : James Hutson
Publisher : Anchor Academic Publishing
ISBN 13 : 3954894971
Total Pages : 301 pages
Book Rating : 4.9/5 (548 download)

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Book Synopsis Early Modern Art Theory. Visual Culture and Ideology, 1400-1700 by : James Hutson

Download or read book Early Modern Art Theory. Visual Culture and Ideology, 1400-1700 written by James Hutson and published by Anchor Academic Publishing. This book was released on 2016-03 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: The development of art theory over the course of the Renaissance and Baroque eras is reflected in major stylistic shifts. In order to elucidate the relationship between theory and practice, we must consider the wider connections between art theory, poetic theory, natural philosophy, and related epistemological matrices. Investigating the interdisciplinary reality of framing art-making and interpretation, this treatment rejects the dominant synchronic approach to history and historiography and seeks to present anew a narrative that ties together various formal approaches, focusing on stylistic transformation in particular artist’s oeuvres – Michelangelo, Annibale Carracci, Guercino, Guido Reni, Poussin, and others – and the contemporary environments that facilitated them. Through the dual understanding of the art-theoretical concept of the Idea, an evolution will be revealed that illustrates the embittered battles over style and the overarching intellectual shifts in the period between art production and conceptualization based on Aristotelian and Platonic notions of creativity, beauty and the goal of art as an exercise in encapsulating the “divine” truth of nature.

Modern Art for a Modern China

Author : Yiyan Wang
Publisher : Routledge
ISBN 13 : 1000207846
Total Pages : 190 pages
Book Rating : 4.0/5 (2 download)

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Book Synopsis Modern Art for a Modern China by : Yiyan Wang

Download or read book Modern Art for a Modern China written by Yiyan Wang and published by Routledge. This book was released on 2020-11-10 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did art reform fit into the many initiatives for social and cultural change that contributed to the New Cultural Movement that transformed the Chinese cultural landscape during the Republican period? "Modern art for a modern China" was the rallying cry of Chinese intellectuals, many of whom were artists, critics, writers, poets and educators. Wang describes how these groups discussed and implanted changes in China’s conception and practice of art. She demonstrates how art reforms fit into the many initiatives for social and cultural change that contributed to the New Cultural Movement that transformed the Chinese cultural landscape during the Republican period. In doing so, she analyses two key areas in the intellectual history of Republican China: China’s art reform in the early decades of the twentieth century; and the connection and intersection between colonialism, nationalism and cosmopolitanism, including their direct impact on the development of art and art practice in China. Modern Art for a Modern China is an invaluable resource for scholars and students of China’s twentieth-century intellectual history and art history.

The Modern Movement

Author : Chris Baldick
Publisher : Oxford University Press
ISBN 13 : 0198183100
Total Pages : 496 pages
Book Rating : 4.1/5 (981 download)

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Book Synopsis The Modern Movement by : Chris Baldick

Download or read book The Modern Movement written by Chris Baldick and published by Oxford University Press. This book was released on 2004 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: A major new survey of literature in England during the first half of the twentieth century, Chris Baldick places modernist with non-modernist writings, high art with low entertainment. The Modern Movement ranges broadly covering psychological novels, war poems, detective stories, satires, children's books, and other literary forms evolving in response to the new anxieties and exhilarations of twentieth-century life.