Author : Christopher Webb
Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.:/5 (116 download)
Book Synopsis The Concept of Work in Post-war British Experimental Fiction by : Christopher Webb
Download or read book The Concept of Work in Post-war British Experimental Fiction written by Christopher Webb and published by . This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite the emergence of a wide gamut of British experimental writing from the late-1950s through to the mid-1970s, there was a consensus that this particular type of writing constituted a ""useless" activity". This was the conclusion not only amongst the various newspaper critics who frequently criticised the Arts Council for supporting "hippy art", but amongst experimental writers themselves, such as Eva Figes (whose remark this was, used when she described her occupation as a novelist in the Guardian in 1968). The experimental writing of this period is fraught with an anxiety about its own uselessness. This thesis argues that this was symptomatic of a unique period in British literary history when traditional notions about work"†and what "worked" in terms of literature"†were radically scrutinised and reassessed. The Concept of Work in Post-war British Experimental Writing proposes that only with an understanding of the British avant-garde"s engagement with the idea of work and its various corollaries can we fully appreciate the contribution to the development of the modern British novel during the mid-twentieth-century made by these writers, and to probe some of the reasons for their move away from realism. The thesis begins by examining the historical context in which these writers were working and the influence of Samuel Beckett"s work on the British avant-garde before moving on to analyse in detail the works of Alexander Trocchi, B. S. Johnson and Eva Figes, whose preoccupations with concepts related to work, such as leisure, public debt, and forms of neglected labour, allow us to think about late-modernism"s relation to realism in a new way and, more broadly, what they might tell us about avant-gardism in general.
