Author : David Thistlethwaite
Publisher : Wipf and Stock Publishers
ISBN 13 : 1556357214
Total Pages : 199 pages
Book Rating : 4.5/5 (563 download)
Book Synopsis The Art of God and the Religions of Art by : David Thistlethwaite
Download or read book The Art of God and the Religions of Art written by David Thistlethwaite and published by Wipf and Stock Publishers. This book was released on 2008-04-01 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Art of God traces the progressive loss in the West of contact with, or faith in, a real created order, and discusses the manifestations of this loss in fine art. Making detailed reference to specific artists and works, Thistlewaite shows how the diversity ofour responses to modern art, as well as that of previous centuries, inescapably raises the question of truth. This readable and thought-provoking book breaks new ground as it links the pleasures of art to the dynamic character of God, and asks what happens to creativity and to artists when the appreciation of God is absent. It thus offers readers a fresh perspective from which to appreciate art. FROM THE AUTHOR : June 23, 2009 All art historians must find a way of explaining the gap between the 'traditional' art and modern. Older art answered questions such as Ôwhat was Henry VIII like?Õ The new is not so much about the world as about the breakdown in perceiving the world. But some histories are still written as if art has followed a path of inevitable progress. Others, as if all beliefs that produce genuine art, however weird, are equally valid. Ê In my book, I argue that modernism has produced a genuine art that grapples with perceived reality, but that its real lack of content is disastrous. When we see objects that are essentially blank or empty, and start to find them significant and powerful, we ought to be getting worried. To explain this, I have developed an account of art which sees it as a given, and delightful, form of knowing that equips us for living in GodÕs world. But when the Ôart areaÕ becomes part of the human agenda for unbelief, independence, and defining ourselves in the cosmos, it ceases to be a window on reality. It starts to function as a totem replacing thought: a sub-human icon for humanity Ê However, towards the end of the book I focus on the dynamism of the living God and the transformative power of his grace that can turn any modern ÔformÕ, however desolate, into a vehicle of truth and meaning. When modernism plunges into the depths of Ônot-knowingÕ, it can seldom go so far that real humanity and truth are not discovered in the unlikeliest places.ÊÊ
