The Analysis and Cognition of Melodic Complexity

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Author :
Publisher : University of Chicago Press
ISBN 13 : 9780226568423
Total Pages : 460 pages
Book Rating : 4.5/5 (684 download)

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Book Synopsis The Analysis and Cognition of Melodic Complexity by : Eugene Narmour

Download or read book The Analysis and Cognition of Melodic Complexity written by Eugene Narmour and published by University of Chicago Press. This book was released on 1992-11 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this work, Eugene Narmour extends the unique theories of musical perception presented in The Analysis and Cognition of Basic Melodic Structures. The two books together constitute the first comprehensive theory of melody founded on psychological research. Narmour's earlier study dealt with cognitive relations between melodic tones at their most basic level. After summarizing the formalized methodology of the theory described in that work, Narmour develops an elaborate and original symbology to show how sixteen archetypes can combine to form some 200 complex structures that, in turn, can chain together in a theoretically infinite number of ways. He then explains and speculates on the cognitive operations by which listeners assimilate and ultimately encode these complex melodic structures. More than 250 musical examples from different historical periods and non-Western cultures demonstrate the panstylistic scope of Narmour's model. Of particular importance to music theorists and music historians is Narmour's argument that melodic analysis and formal analysis, though often treated separately, are in fact indissolubly linked. The Analysis and Cognition of Melodic Complexity will also appeal to ethnomusicologists, psychologists, and cognitive scientists.

New Approaches in Applied Musicology

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Publisher : Routledge
ISBN 13 : 1317088743
Total Pages : 347 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis New Approaches in Applied Musicology by : Adam Ockelford

Download or read book New Approaches in Applied Musicology written by Adam Ockelford and published by Routledge. This book was released on 2020-01-27 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents four extended essays that are rooted in the growing interdisciplinary field of applied musicology, in which music theory – in particular, the zygonic conjecture – is used to inform thinking in the domains of music psychology, music education and music therapy research. It is essential reading for academics and postgraduate students working in these fields. The topics covered include a new study on the emergence of musical abilities in the early years, using the Sounds of Intent framework of musical development; an exploration of how the Sounds of Intent model can be extended to map how people with learning difficulties engage in creative multisensory activities; an investigation of the expectations generated on hearing a piece of music more than once evolve in cognition, using evidence from a musical savant; and a report on the effect on listeners of repeated exposure to a novel melody. Data are drawn from the findings of postgraduate and postdoctoral projects. It is hoped that this exciting new work will act as a catalyst in the emerging field of applied musicological research, and bring recognition to a group of new young academics.

The Psychology of Music

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Publisher : Academic Press
ISBN 13 : 0123814618
Total Pages : 784 pages
Book Rating : 4.1/5 (238 download)

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Book Synopsis The Psychology of Music by : Diana Deutsch

Download or read book The Psychology of Music written by Diana Deutsch and published by Academic Press. This book was released on 2012-10-29 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Psychology of Music serves as an introduction to an interdisciplinary field in psychology, which focuses on the interpretation of music through mental function. This interpretation leads to the characterization of music through perceiving, remembering, creating, performing, and responding to music. In particular, the book provides an overview of the perception of musical tones by discussing different sound characteristics, like loudness, pitch and timbre, together with interaction between these attributes. It also discusses the effect of computer resources on the psychological study of music through computational modeling. In this way, models of pitch perception, grouping and voice separation, and harmonic analysis were developed. The book further discusses musical development in social and emotional contexts, and it presents ways that music training can enhance the singing ability of an individual. The book can be used as a reference source for perceptual and cognitive psychologists, neuroscientists, and musicians. It can also serve as a textbook for advanced courses in the psychological study of music. - Encompasses the way the brain perceives, remembers, creates, and performs music - Contributions from the top international researchers in perception and cognition of music - Designed for use as a textbook for advanced courses in psychology of music

Intents and Purposes

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Publisher : University of Michigan Press
ISBN 13 : 0472125087
Total Pages : 281 pages
Book Rating : 4.4/5 (721 download)

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Book Synopsis Intents and Purposes by : Eric Lewis

Download or read book Intents and Purposes written by Eric Lewis and published by University of Michigan Press. This book was released on 2019-03-29 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do we define improvised music? What is the relationship of highly improvised performances to the work they are performances of? How do we decide what are the important parts of an improvised musical work? In Intents and Purposes, Eric Lewis uses a series of case studies to challenge assumptions about what defines a musical work and musical performance, seeking to go beyond philosophical and aesthetic templates from Western classical music to foreground the distinctive practices and aesthetics of jazz. Pushing aside the assumption that composition and improvisation are different (or even opposed) musical practices, Lewis’s philosophically informed approach revisits key topics in musical ontology, such as how to define the triangle of composer-performer-listener, and the status of live performances in relation to scores and recordings. Drawing on critical race theory, feminist theory, new musicology, sociology, cognitive science, and genre theory, Lewis opens up new questions about agency in performance, as well as new ways of considering the historical relationships between improvisational practices with roots in different cultural frameworks. By showing how jazz can be both art, idea, and action all at the same time, Lewis offers a new way of seeing any improvised musical performance in a new culturally and aesthetically rich context.

Time Will Tell

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Publisher : Oxford University Press, USA
ISBN 13 : 0190618213
Total Pages : 377 pages
Book Rating : 4.1/5 (96 download)

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Book Synopsis Time Will Tell by : Mari Riess Jones

Download or read book Time Will Tell written by Mari Riess Jones and published by Oxford University Press, USA. This book was released on 2019 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: Attention is a central concept in psychology. The term 'attention' itself has persisted, even though it implies a static, insulated capacity that we use when it is necessary to focus upon some relevant or stimulating event. Riess Jones presents a different way of thinking about attention; one that describes it as a continuous activity that is based on energy fluctuating in time. A majority of attention research fails to examine influence of event time structure (i.e., a speech utterance) on listeners' moment-to-moment attending. General research ignores listeners endowed with innate, as well as acquired, temporal biases. Here, attending is portrayed as a dynamic interaction of an individual within his or her surroundings. Importantly, this interaction involves synchronicity between an attender and external events. This emphasis on time and synchronicity distinguishes the author's theory, called Dynamic Attending Theory (DAT), from other approaches to attending which characterize attention metaphorically as a filter, resource pool, spotlight, and so on. Recent research from neuroscience has lent support to Riess Jones' theory, and the goal of this book is to bring this new research as well as her own to the wide audience of psychologists interested in attention more broadly.

The Music Practitioner

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Publisher : Routledge
ISBN 13 : 1351542192
Total Pages : 352 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis The Music Practitioner by : JaneW. Davidson

Download or read book The Music Practitioner written by JaneW. Davidson and published by Routledge. This book was released on 2017-07-05 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Useful work has been done in recent years in the areas of music psychology, philosophy and education, yet this is the first book to provide a wide assessment of what practical benefits this research can bring to the music practitioner. With 25 chapters by writers representing a broad range of perspectives, this volume is able to highlight many of the potential links between music research and practice. The chapters are divided into five main sections. Section one examines practitioners? use of research to assist their practice and the ways in which they might train to become systematic researchers. Section two explores research centred on perception and cognition, while section three looks at how practitioners have explored their everyday work and what this reveals about the creative process. Section four focuses on how being a musician affects an individual?s sense of self and the how others perceive him or her. The essays in section five outline the new types of data that creative researchers can provide for analysis and interpretation. The concluding chapter discusses that key question - what makes music affect us in the way it does? The research findings in each chapter provide useful sources of data and raise questions that are applicable across the spectrum of music-related disciplines. Moreover, the research methodologies applied to a specific question may have broader application for readers wishing to take on research themselves.

Conceptualizing Music

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Publisher :
ISBN 13 : 0195140230
Total Pages : 377 pages
Book Rating : 4.1/5 (951 download)

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Book Synopsis Conceptualizing Music by : Lawrence Michael Zbikowski

Download or read book Conceptualizing Music written by Lawrence Michael Zbikowski and published by . This book was released on 2002 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: The play of concepts and conceptual structures typical of music theory is thus not something remote from our appreciation of music, but is instead basic to it."--Jacket.

Empirical Musicology

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Publisher : Oxford University Press
ISBN 13 : 0198037422
Total Pages : 238 pages
Book Rating : 4.1/5 (98 download)

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Book Synopsis Empirical Musicology by : Eric Clarke

Download or read book Empirical Musicology written by Eric Clarke and published by Oxford University Press. This book was released on 2004-09-02 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: The study of music is always, to some extent, "empirical," in that it involves testing ideas and interpretations against some kind of external reality. But in musicology, the kinds of empirical approaches familiar in the social sciences have played a relatively marginal role, being generally restricted to inter-disciplinary areas such as psychology and sociology of music. Rather than advocating a new kind of musicology, Empirical Musicology provides a guide to empirical approaches that are ready for incorporation into the contemporary musicologist's toolkit. Its nine chapters cover perspectives from music theory, computational musicology, ethnomusicology, and the psychology and sociology of music, as well as an introduction to musical data analysis and statistics. This book shows that such approaches could play an important role in the further development of the discipline as a whole, not only through the application of statistical and modeling methods to musical scores but also--and perhaps more importantly--in terms of understanding music as a complex social practice.

Advances in Case-Based Reasoning

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Publisher : Springer
ISBN 13 : 3540286314
Total Pages : 835 pages
Book Rating : 4.5/5 (42 download)

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Book Synopsis Advances in Case-Based Reasoning by : Peter Funk

Download or read book Advances in Case-Based Reasoning written by Peter Funk and published by Springer. This book was released on 2004-11-16 with total page 835 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 7th European Conference on Case-Based Reasoning (ECCBR 2004) was held from August 30 through September 2, at the Complutense University of Madrid, Spain. ECCBR was born in Aberdeen, UK (2002), after a series of European workshops held in Trento, Italy(2000), Dublin, Ireland(1998), Lausanne, Switzerland (1996), Paris, France (1994), and Kaiserslautern, Germany (1993). ECCBR is the premier international forum for researchers and practitioners of case-based reasoning (CBR) in the years interleaving with the biennial international counterpart ICCBR, whose 5th edition was held in Trondheim, Norway in 2003. The CBR community has shown for years a deep interest in the application of its research to real-world problems. As a result, the first day of both ECCBR and ICCBR has been traditionally dedicated to presenting industrial CBR complications. ECCBR 2004 Industry Day was co-chaired by Mehmet Göker and Francisco Martín who invited professionals from different fields to describe their fielded CBR systems. The second day of the conference was dedicated to four workshops focusing on the following research interests: CBR in health sciences, explanation in CBR, computational creativity, and CBR applied to time series prediction. We are grateful to the Workshop Program co-chairs, Pablo Gervás and Kalyan Moy Gupta, for their efforts in coordinating these workshops, along with the individual workshop chairs and participants. Materials from the Ind- try Day and the workshops were published separately and can be obtained from the ECCBR 2004 website, http://www. idt. mdh. se/eccbr.

Bridging People and Sound

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Publisher : Springer
ISBN 13 : 3319677381
Total Pages : 373 pages
Book Rating : 4.3/5 (196 download)

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Book Synopsis Bridging People and Sound by : Mitsuko Aramaki

Download or read book Bridging People and Sound written by Mitsuko Aramaki and published by Springer. This book was released on 2017-09-15 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book constitutes the thoroughly refereed post-conference of the 12th International Symposium on Computer Music Modeling and Retrieval, CMMR 2016, held in São Paulo, Brazil, in July 2016. The 22 full papers presented were carefully reviewed and selected from 40 submissions. This year’s conference theme “Bridging People and Sound” aimed at encouraging contributions from artists and listeners on the one side and audio and music technology researchers on the other.

Repetition in Music

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Publisher : Routledge
ISBN 13 : 1351551434
Total Pages : 264 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Repetition in Music by : Adam Ockelford

Download or read book Repetition in Music written by Adam Ockelford and published by Routledge. This book was released on 2017-07-05 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This monograph examines the place of repetition in perceived musical structure and in theories of music. Following a preface and introduction, there are four main chapters: 'Theory', 'Analysis', 'Metatheory and Meta-analysis', and 'Cognition and Metacognition'. Chapter 2 (Theory) sets out the principles underlying the creation and cognition of musical structure developed by the author in earlier studies, in the dual context of David Lewin's mathematically based theory of musical intervals and transformations and Gilles Fauconnier's concept of mental spaces (which was formulated in the context of cognitive science). Chapter 3 (Analysis) shows the theory in operation in relation to the first movement of Mozart's piano sonata K.333. It indicates how structural issues may be related to considerations of aesthetic response and musical 'worth' through comparison with J.C. Bach's Sonata op. 5 no. 3. Chapter 4 (Metatheory and Meta-analysis) uses the new theory to interrogate the propositions underpinning set theory and transformations, offering a psychomusicological critique and potential development of, for example, the work of Forte, Morris, Isaacson and Straus. This enables issues raised earlier in relation to the work of Lewin to be addressed. In conclusion, in Chapter 5 (Cognition and Metacognition), the matter of cognitive preferences and constraints is considered in relation to repetition in music, which permits a final investigation of different approaches to musical analysis to be undertaken. In summary, by synthesising the findings of diverse earlier work in the context of the new theory, it proves possible to move thinking forward on a number of fronts, and to indicate potential directions for future empirical and analytical developments.

Robotic Musicianship

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Publisher : Springer Nature
ISBN 13 : 3030389308
Total Pages : 270 pages
Book Rating : 4.0/5 (33 download)

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Book Synopsis Robotic Musicianship by : Gil Weinberg

Download or read book Robotic Musicianship written by Gil Weinberg and published by Springer Nature. This book was released on 2020-02-07 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses the principles, methodologies, and challenges of robotic musicianship through an in-depth review of the work conducted at the Georgia Tech Center for Music Technology (GTCMT), where the concept was first developed. Robotic musicianship is a relatively new research field that focuses on the design and development of intelligent music-making machines. The motivation behind the field is to develop robots that not only generate music, but also collaborate with humans by listening and responding in an expressive and creative manner. This combination of human and machine creativity has the potential to surprise and inspire us to play, listen, compose, and think about music in new ways. The book provides an in-depth view of the robotic platforms designed at the GTCMT Robotic Musicianship Group, including the improvisational robotic percussionists Haile and Shimon, the personal robotic companion Shimi, and a number of wearable robots, such as the Robotic Drumming Prosthesis, The Third Drumming Arm, and the Skywalker Piano Hand. The book discusses numerous research studies based on these platforms in the context of five main principles: Listen like a Human, Play Like a Machine, Be Social, Watch and Learn, and Wear It.

Musical Understandings

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Publisher : Oxford University Press, USA
ISBN 13 : 0199608776
Total Pages : 228 pages
Book Rating : 4.1/5 (996 download)

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Book Synopsis Musical Understandings by : Stephen Davies

Download or read book Musical Understandings written by Stephen Davies and published by Oxford University Press, USA. This book was released on 2011-08-25 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musical Understandings presents an engaging collection of essays by Stephen Davies on the philosophy of music. He explores a range of topics, including how music expresses emotion, modes of perception, and musical profundity. The volume includes original material, newly revised articles, and work published in English for the first time.

Interpreting Chopin: Analysis and Performance

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Publisher : Routledge
ISBN 13 : 1317113586
Total Pages : 288 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Interpreting Chopin: Analysis and Performance by : Alison Hood

Download or read book Interpreting Chopin: Analysis and Performance written by Alison Hood and published by Routledge. This book was released on 2017-05-15 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music theory is often seen as independent from - even antithetical to - performance. While music theory is an intellectual enterprise, performance requires an intuitive response to the music. But this binary opposition is a false one, which serves neither the theorist nor the performer. In Interpreting Chopin Alison Hood brings her experience as a performer to bear on contemporary analytical models. She combines significant aspects of current analytical approaches and applies that unique synthetic method to selected works by Chopin, casting new light on the composer’s preludes, nocturnes and barcarolle. An extension of Schenkerian analysis, the specific combination of five aspects distinguishes Hood’s method from previous analytical approaches. These five methods are: attention to the rhythms created by pitch events on all structural levels; a detailed accounting of the musical surface; 'strict use' of analytical notation, following guidelines offered by Steve Larson; a continual concern with what have been called 'strategies' or 'premises'; and an exploration of how recorded performances might be viewed in terms of analytical decisions, or might even shape those decisions. Building on the work of such authors as William Rothstein, Carl Schachter and John Rink, Hood’s approach to Chopin’s oeuvre raises interpretive questions of central interest to performers.

The Oxford Handbook of Empirical Aesthetics

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Publisher : Oxford University Press
ISBN 13 : 0198824351
Total Pages : 1105 pages
Book Rating : 4.1/5 (988 download)

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Book Synopsis The Oxford Handbook of Empirical Aesthetics by : MARCOS. VARTANIAN NADAL (OSHIN.)

Download or read book The Oxford Handbook of Empirical Aesthetics written by MARCOS. VARTANIAN NADAL (OSHIN.) and published by Oxford University Press. This book was released on 2022-10-13 with total page 1105 pages. Available in PDF, EPUB and Kindle. Book excerpt: Humans have engaged in artistic and aesthetic activities since the appearance of our species. Our ancestors have decorated their bodies, tools, and utensils for over 100,000 years. The expression of meaning using color, line, sound, rhythm, or movement, among other means, constitutes a fundamental aspect of our species' biological and cultural heritage. Art and aesthetics, therefore, contribute to our species identity and distinguish it from its living and extinct relatives. Science is faced with the challenge of explaining the natural foundations of such a unique trait, and the way cultural processes nurture it into magnificent expressions, historically and ethnically unique. How do the human mind and brain bring about these sorts of behaviors? What psychological and neural processes underlie the appreciation of painting, music, and dance? How does training modulate these processes? Are humans the only species capable of aesthetic appreciation, or are other species endowed with the rudiments of this capacity? Empirical examinations of such questions have a long and rich history in the discipline of psychology, the genesis of which can be traced back to the publication of Gustav Theodor Fechner's Vorschule der Aesthetik in 1876, making it the second oldest branch in experimental psychology. The Oxford Handbook of Empirical Aesthetics brings together leading experts in psychology, neuroimaging, art history, and philosophy to answer these questions. It provides the most comprehensive coverage of the domain of empirical aesthetics to date. With sections on visual art, dance, music, and many other art forms and aesthetic phenomena, the breadth of this volume's scope reflects the richness and variety of topics and methods currently used today by scientists to understand the way our mind and brain endow us with the faculty to produce and appreciate art and aesthetics.

Knowledge-based Programming for Music Research

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Publisher : A-R Editions, Inc.
ISBN 13 : 0895793784
Total Pages : 416 pages
Book Rating : 4.8/5 (957 download)

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Book Synopsis Knowledge-based Programming for Music Research by : John W. Schaffer

Download or read book Knowledge-based Programming for Music Research written by John W. Schaffer and published by A-R Editions, Inc.. This book was released on 1997-01-01 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Knowledge-Based Programming for Music Research, Schaffer and McGee explore expert systems for applications in artificial intelligence (AI). The text concerns (1) basic principles for knowledge-based programming, (2) concepts and strategies for programming these systems, (3) a "universal data" model for music analysis, and (4) examples that concern specific aspects of design and application. The authors also investigate Prolog (programming in logic), one of the most widely used computer languages for AI, and base some of their applications on the recent implication-based theories of Eugene Narmour. Of the applications for programming a knowledge-based system, music analysis has the most potential. Beyond identifying isolated elements, it is possible to create programs that extend to chord structures and other, more complex structures. This kind of programming allows the authors to embed the rules of composition in the application and then extend the analysis throughout the musical work. It also allows them to arrive at the underlying principles for a given composition. As a tool for music analysis, such programming has profound implications for further growth. The text is designed for musicians at various levels and could also be used in courses on computer-music programming. Parts of the book have been successfully used in courses on computer programming for music research, with which the authors have direct experience. The text includes extensive examples of code for use in individual Prolog applications and a comprehensive bibliography.

Music in Evolution and Evolution in Music

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Author :
Publisher : Open Book Publishers
ISBN 13 : 1800647387
Total Pages : 688 pages
Book Rating : 4.8/5 (6 download)

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Book Synopsis Music in Evolution and Evolution in Music by : Steven Jan

Download or read book Music in Evolution and Evolution in Music written by Steven Jan and published by Open Book Publishers. This book was released on 2022-12-06 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music in Evolution and Evolution in Music by Steven Jan is a comprehensive account of the relationships between evolutionary theory and music. Examining the ‘evolutionary algorithm’ that drives biological and musical-cultural evolution, the book provides a distinctive commentary on how musicality and music can shed light on our understanding of Darwin’s famous theory, and vice-versa. Comprised of seven chapters, with several musical examples, figures and definitions of terms, this original and accessible book is a valuable resource for anyone interested in the relationships between music and evolutionary thought. Jan guides the reader through key evolutionary ideas and the development of human musicality, before exploring cultural evolution, evolutionary ideas in musical scholarship, animal vocalisations, music generated through technology, and the nature of consciousness as an evolutionary phenomenon. A unique examination of how evolutionary thought intersects with music, Music in Evolution and Evolution in Music is essential to our understanding of how and why music arose in our species and why it is such a significant presence in our lives.