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The Aesthetics Of Clarity And Confusion
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Book Synopsis The Aesthetics of Clarity and Confusion by : Geoffrey A. Baker
Download or read book The Aesthetics of Clarity and Confusion written by Geoffrey A. Baker and published by Springer. This book was released on 2016-12-22 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: What should literature with political aims look like? This book traces two rival responses to this question, one prizing clarity and the other confusion, which have dominated political aesthetics since the late nineteenth century. Revisiting recurrences of the avant-garde experimentalism versus critical realism debates from the twentieth century, Geoffrey A. Baker highlights the often violent reductions at work in earlier debates. Instead of prizing one approach over the other, as many participants in those debates have done, Baker focuses on the manner in which the debate itself between these approaches continues to prove productive and enabling for politically engaged writers. This book thus offers a way beyond the simplistic polarity of realism vs. anti-realism in a study that is focused on influential strands of thought in England, France, and Germany and that covers well-known authors such as Zola, Nietzsche, Arnold, Mann, Brecht, Sartre, Adorno, Lukács, Beauvoir, Morrison, and Coetzee.
Book Synopsis The Aesthetic Unconscious by : Jacques Rancière
Download or read book The Aesthetic Unconscious written by Jacques Rancière and published by Polity. This book was released on 2009 with total page 103 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is not concerned with the use of Freudian concepts for the interpretation of literary and artistic works. Rather, it is concerned with why this interpretation plays such an important role in demonstrating the contemporary relevance of psychoanalytic concepts. In order for Freud to use the Oedipus complex as a means for the interpretation of texts, it was necessary first of all for a particular notion of Oedipus, belonging to the Romantic reinvention of Greek antiquity, to have produced a certain idea of the power of that thought which does not think, and the power of that speech which remains silent. From this it does not follow that the Freudian unconscious was already prefigured by the aesthetic unconscious. Freud's 'aesthetic' analyses reveal instead a tension between the two forms of unconscious. In this concise and brilliant text Rancière brings out this tension and shows us what is at stake in this confrontation.
Book Synopsis Musical Beauty by : Ferdia J. Stone-Davis
Download or read book Musical Beauty written by Ferdia J. Stone-Davis and published by Wipf and Stock Publishers. This book was released on 2011-01-01 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers an important new perspective on the Western tradition of musical aesthetics through an examination of Anicius Boethius and Immanuel Kant. Within the trajectory illuminated by these two thinkers, musical meaning is framed by and formed through the concept of beauty--a concept which is shaped by prior understandings about notions of the self and the world. Beauty opens up a space within which the boundary between the self and the world, subject and object, is negotiated and configured. In doing so, either the subject or the object is asserted to the detriment of the other, and to the physicality of music. This book asserts that the uniqueness of music's ontology emerges from its basis in sound and embodied practice. It suggests that musical beauty is generated by the mutuality of subject and object arising within the participation that music encourages, one which involves an ekstatic mode of attention on the part of the subject.
Book Synopsis German Aesthetics by : J. D. Mininger
Download or read book German Aesthetics written by J. D. Mininger and published by Bloomsbury Publishing USA. This book was released on 2016-09-22 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: German Aesthetics provides English-speaking audiences with accessible explanations of fundamental concepts from the German tradition of philosophical aesthetics. Organized with the understanding that aesthetic concepts are often highly contested intellectual territory, and that the usage and meanings of terms often shift within historical, cultural, and political debates, this volume brings together scholars of German literature, philosophy, film studies, musicology, and history to provide informative and creative interpretations of German aesthetics that will be useful to students and scholars alike.
Book Synopsis Kant and his German Contemporaries: Volume 2, Aesthetics, History, Politics, and Religion by : Daniel O. Dahlstrom
Download or read book Kant and his German Contemporaries: Volume 2, Aesthetics, History, Politics, and Religion written by Daniel O. Dahlstrom and published by Cambridge University Press. This book was released on 2018-10-11 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kant's philosophical achievements have long overshadowed those of his German contemporaries, often to the point of concealing his contemporaries' influence upon him. This volume of new essays draws on recent research into the rich complexity of eighteenth-century German thought, examining key figures in the development of aesthetics and art history, the philosophy of history and education, political philosophy, and the philosophy of religion. The essays range over numerous thinkers including Baumgarten, Mendelssohn, Meyer, Winckelmann, Herder, Schiller, Hamann and Fichte, showing how they variously influenced, challenged, and revised Kant's philosophy, at times moving it in novel directions unacceptable to the magister himself. The volume will be valuable for all who are interested in this distinctive period of German philosophy.
Book Synopsis The Founding of Aesthetics in the German Enlightenment by : Stefanie Buchenau
Download or read book The Founding of Aesthetics in the German Enlightenment written by Stefanie Buchenau and published by Cambridge University Press. This book was released on 2013-02-28 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: When, in 1735, Alexander Gottlieb Baumgarten added a new discipline to the philosophical system, he not only founded modern aesthetics but also contributed to shaping the modern concept of art or 'fine art'. In The Founding of Aesthetics in the German Enlightenment, Stefanie Buchenau offers a rich analysis and reconstruction of the origins of this new discipline in its wider context of German Enlightenment philosophy. Present-day scholars commonly regard Baumgarten's views as an imperfect prefiguration of Kantian and post-Kantian aesthetics, but Buchenau argues that Baumgarten defended a consistent and original project which must be viewed in the context of the modern debate on the art of invention. Her book offers new perspectives on Kantian aesthetics and beauty in art and science.
Book Synopsis For the Love of Beauty by : Arthur Pontynen
Download or read book For the Love of Beauty written by Arthur Pontynen and published by Routledge. This book was released on 2017-07-05 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: For most of the last century the methodology of art history has followed a positivist approach, emphasizing form and style, fact and history as the means of studying works of art. By contrast the philosophical pursuit of truth, once central to the fine arts and humanities has largely been abandoned. In For The Love of Beauty, Arthur Pontynen offers a searching and ambitious critique of modern aesthetic practice that aims to restore the pursuit of the knowledge of reality--Being--to its rightful place.Pontynen begins by addressing the question of why the pursuit of truth (be it called Dao, Dharma, God, Logos, Ideal, etc.) is no longer acceptable in academic circles even though it has been intrinsic to the purpose of art at most times and in most cultures. Lacking the pursuit of truth, of some degree of knowledge of what is true and good, the humanities necessarily lack intellectual and cultural grounding and purpose. Fields of study such as philosophy, music, art, and history are therefore trivialized and brutalized. Pontynen's focus on the study of the visual arts details the how the denial of purpose and quality in modernist and postmodernist aesthetics has denied art any possibility of transcending entertainment, therapy, or propaganda.In place of the established narratives, Pontynen offers a counter-narrative based on a cross-cultural pursuit of the good, the true, and the beautiful. He recognizes that substantively different cultural traditions exist and that the truth claims of each may be valid in whole or in part. He shows how the history of art parallels the intellectual history of Western culture and how these parallels affect both aesthetics and ethics. Pontynen engages with those elements of modernist and postmodernist thought that might be true. His purpose is not simply to deny their validity but to engage a viewpoint that does not privilege the notion of a purposeless cosmos. For the Love of Beauty will be of interest
Book Synopsis Diotima's Children by : Frederick C. Beiser
Download or read book Diotima's Children written by Frederick C. Beiser and published by OUP Oxford. This book was released on 2009-10-29 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Diotima's Children is a re-examination of the rationalist tradition of aesthetics which prevailed in Germany in the late seventeenth and eighteenth century. It is partly an historical survey of the central figures and themes of this tradition But it is also a philosophical defense of some of its leading ideas, viz., that beauty plays an integral role in life, that aesthetic pleasure is the perception of perfection, that aesthetic rules are inevitable and valuable. It shows that the criticisms of Kant and Nietzsche of this tradition are largely unfounded. The rationalist tradition deserves re-examination because it is of great historical significance, marking the beginning of modern aesthetics, art criticism, and art history.
Book Synopsis Kant and his German Contemporaries by : Corey Dyck
Download or read book Kant and his German Contemporaries written by Corey Dyck and published by Cambridge University Press. This book was released on 2018-10-11 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: Uncovers the rich diversity and distinctive accomplishments of eighteenth-century German thinking, long overshadowed by Kant's philosophy.
Book Synopsis The Judgment of Sense by : David Summers
Download or read book The Judgment of Sense written by David Summers and published by Cambridge University Press. This book was released on 1990-02-23 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: With the rise of naturalism in the art of the late Middle Ages and the Renaissance there developed an extensive and diverse literature about art which helped to explain, justify and shape its new aims. In this book, David Summers provides an investigation of the philosophical and psychological notions invoked in this new theory and criticism. From a thorough examination of the sources, he shows how the medieval language of mental discourse derived from an understanding of classical thought.
Book Synopsis Force:A Fundamental Concept of Aesthetic Anthropology by : Christoph Menke
Download or read book Force:A Fundamental Concept of Aesthetic Anthropology written by Christoph Menke and published by Fordham Univ Press. This book was released on 2013 with total page 129 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book aims at a new exposition of the basic idea of modern aesthetics by way of a reconstruction of its genesis in the 18th century, between Baumgarten''s Aesthetics and Kant''s Critique of Judgment. The claim is that the historical invention of aesthetics was not about expanding the range of legitimate objects of philosophical inquiry--these objects all existed before aesthetics. Rather, aesthetics, by introducing the category of the "aesthetic," fundamentally redefined these objects. But most importantly, the reconstruction of the historical genesis of aesthetics shows that the introduction of the category of the "aesthetic" required nothing less than a transformation of the fundamental terms of philosophy. What begins in--or as--aesthetics is modern philosophy. More precisely, Force shows that in--or as--aesthetics modern philosophy began twice, in two different, even opposite forms. On the one hand, Baumgarten''s Aesthetics is organized around the new concept of the "subject": the concept of the subject as the totality of faculties, as the agent defined by his capabilities; of the subject as one who is able. By conceiving sensible cognition and (re)presentation as the exercise of subjective faculties acquired in practice, Baumgarten has framed the modern conception of human practices (and of philosophy as the inquiry into the conditions that enable the success of these practices). That is why aesthetics, the reflection upon the aesthetic, is a central pillar of modern philosophy: in aesthetics, the philosophy of the subject or of the subject''s faculties assures itself of its own possibility. Yet here, in the aesthetic and the reflection on it, the aesthetics "in the Baumgartian manner" (Herder), as the theory of the sensible faculties of the subject, at once faces a different aesthetics: the aesthetics of force, which conceives the aesthetic not as sensible cognition but instead as a play of expression--propelled by a force that, rather than being exercised, like a faculty, in practices, realizes itself; a force that does not recognize or represent anything because it is "obscure" and unconscious; a force not of the subject but of man as distinct from the same man as subject. The aesthetics of force is a science of the nature of man: of his aesthetic nature as distinct from the culture, acquired by practice, of his practices. That is the hypothesis the six chapters of Force intend to unfold. The first chapter, analyzing the rationalist concept of the sensible, recollects the point of departure of aesthetics: the sensible is that which is without determinable definition or measure. The second chapter reconstructs Baumgarten''s aesthetics of sensible cognition as a theory of the subject and its faculties. The third and fourth chapters draw on writings by Herder, Sulzer, and Mendelssohn to develop the basic motifs of a counter-model, an aesthetics of force: the aesthetic, as the operation of an "obscure" force, is a performance without generality, divorced from all norm, law, and purpose--a play. And the aesthetic, as the pleasure of self-reflection, is a process of the transformation of the subject, of its faculties and practices--a process of aestheticization. The aesthetics of force founds an anthropology of difference: between force and faculty, between man and subject. The two concluding chapters explore the consequences: for the idea of philosophical aesthetics; and for ethics as the theory of the good. The fifth chapter engages Kant to show that an aesthetics conceived as an aesthetics of force is the scene of an irresolvable contention: aesthetics unfolds within philosophy the contention between philosophy and aesthetic experience. The sixth chapter draws on Nietzsche to demonstrate the ethical import of aesthetic experience as the experience of the play of force: it teaches us to distinguish between action and life; it teaches the other good of life. - "The last word of aesthetics is human freedom."
Book Synopsis The A to Z of Aesthetics by : Dabney Townsend
Download or read book The A to Z of Aesthetics written by Dabney Townsend and published by Scarecrow Press. This book was released on 2010-04-01 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aesthetics is not a "factual" discipline; there are no aesthetic facts. The word itself is derived from the Greek word for "feeling" and the discipline arises because of the need to find a place for the passions within epistemology—the branch of philosophy that investigates our beliefs. Aesthetics is more than just the study of beauty; it is a study of that which appeals to our senses, most often in connection with the classification, analysis, appreciation, and understanding of art. The A to Z of Aesthetics covers its history from Classical Greece to the present, including entries on non-western aesthetics. The book contains a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on the main concepts, terminology, important persons (philosophers, critics, and artists), and the rules and criteria we apply in making judgments on art. By providing concise information on aesthetics, this dictionary is not only accessible to students, but it provides details and facts to specialists in the field.
Book Synopsis Figures of Simplicity by : Birgit M. Kaiser
Download or read book Figures of Simplicity written by Birgit M. Kaiser and published by State University of New York Press. This book was released on 2012-01-02 with total page 173 pages. Available in PDF, EPUB and Kindle. Book excerpt: Figures of Simplicity explores a unique constellation of figures from philosophy and literature—Heinrich von Kleist, Herman Melville, G. W. Leibniz, and Alexander Baumgarten—in an attempt to recover alternative conceptions of aesthetics and dimensions of thinking lost in the disciplinary narration of aesthetics after Kant. This is done primarily by tracing a variety of "simpletons" that populate the writings of Kleist and Melville. These figures are not entirely ignorant, or stupid, but simple. Their simplicity is a way of thinking; one that author Birgit Mara Kaiser here suggests is affective thinking. Kaiser avers that Kleist and Melville are experimenting in their texts with an affective mode of thinking, and thereby continue, she argues, a key line within eighteenth-century aesthetics: the relation of rationality and sensibility. Through her analyses, she offers an outline of what thinking can look like if we take affectivity into account.
Book Synopsis Historical Dictionary of Aesthetics by : Dabney Townsend
Download or read book Historical Dictionary of Aesthetics written by Dabney Townsend and published by Scarecrow Press. This book was released on 2006-09-05 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aesthetics is not a 'factual' discipline; there are no aesthetic facts. The word itself is derived from the Greek word for 'feeling' and the discipline arises because of the need to find a place for the passions within epistemology_the branch of philosophy that investigates our beliefs. Aesthetics is more than just the study of beauty; it is a study of that which appeals to our senses, most often in connection with the classification, analysis, appreciation, and understanding of art. The Historical Dictionary of Aesthetics covers its history from Classical Greece to the present, including entries on non-western aesthetics. The book contains a chronology, a list of acronyms and abbreviations, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on the main concepts, terminology, important persons (philosophers, critics, and artists), and the rules and criteria we apply in making judgments on art. By providing concise information on aesthetics, this dictionary is not only accessible to students, but it provides details and facts to specialists in the field.
Book Synopsis The Triadic Structure of the Mind by : Francesco Belfiore
Download or read book The Triadic Structure of the Mind written by Francesco Belfiore and published by Rowman & Littlefield. This book was released on 2016-11-17 with total page 615 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this third edition of The Triadic Structure of the Mind, Francesco Belfiore begins from the basic ontological conception of the structure and functioning of the “mind” or “spirit” as an evolving, conscious triad composed of intellect, sensitiveness, and power, each exerting a selfish and a moral activity. Based on this original concept of the triadic, bidirectional and evolving mind, Belfiore has developed a coherent philosophical system, through which he offers fresh solutions in the fields of ontology, knowledge, language, aesthetics, ethics, politics, and law. The present third edition, like the previous one, includes an extensive treatment of the topics addressed as well as the quotation of the views of the major thinkers, whose thought has been discussed and reinterpreted. In addition, new concepts have been introduced, some passages have been clarified, and the style has been improved in several points. The result is an original and exhaustive book, which will be of interest to all philosophy scholars.
Author :MARCOS. VARTANIAN NADAL (OSHIN.) Publisher :Oxford University Press ISBN 13 :0198824351 Total Pages :1105 pages Book Rating :4.1/5 (988 download)
Book Synopsis The Oxford Handbook of Empirical Aesthetics by : MARCOS. VARTANIAN NADAL (OSHIN.)
Download or read book The Oxford Handbook of Empirical Aesthetics written by MARCOS. VARTANIAN NADAL (OSHIN.) and published by Oxford University Press. This book was released on 2022-10-13 with total page 1105 pages. Available in PDF, EPUB and Kindle. Book excerpt: Humans have engaged in artistic and aesthetic activities since the appearance of our species. Our ancestors have decorated their bodies, tools, and utensils for over 100,000 years. The expression of meaning using color, line, sound, rhythm, or movement, among other means, constitutes a fundamental aspect of our species' biological and cultural heritage. Art and aesthetics, therefore, contribute to our species identity and distinguish it from its living and extinct relatives. Science is faced with the challenge of explaining the natural foundations of such a unique trait, and the way cultural processes nurture it into magnificent expressions, historically and ethnically unique. How do the human mind and brain bring about these sorts of behaviors? What psychological and neural processes underlie the appreciation of painting, music, and dance? How does training modulate these processes? Are humans the only species capable of aesthetic appreciation, or are other species endowed with the rudiments of this capacity? Empirical examinations of such questions have a long and rich history in the discipline of psychology, the genesis of which can be traced back to the publication of Gustav Theodor Fechner's Vorschule der Aesthetik in 1876, making it the second oldest branch in experimental psychology. The Oxford Handbook of Empirical Aesthetics brings together leading experts in psychology, neuroimaging, art history, and philosophy to answer these questions. It provides the most comprehensive coverage of the domain of empirical aesthetics to date. With sections on visual art, dance, music, and many other art forms and aesthetic phenomena, the breadth of this volume's scope reflects the richness and variety of topics and methods currently used today by scientists to understand the way our mind and brain endow us with the faculty to produce and appreciate art and aesthetics.
Book Synopsis The Metaphysical Foundations of Hegel's Aesthetics by : Robert L. Wicks
Download or read book The Metaphysical Foundations of Hegel's Aesthetics written by Robert L. Wicks and published by . This book was released on 1986 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt:
