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The Aesthetics And Psychology Of The Cinema
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Book Synopsis The Aesthetics and Psychology of the Cinema by : Jean Mitry
Download or read book The Aesthetics and Psychology of the Cinema written by Jean Mitry and published by Indiana University Press. This book was released on 1997 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mitry was driven to explain the "why," "what if," and "how come" experiences that resulted after the "wow" experience in cinema. His theory uses psychology and phenomenology to understand how cinema can elevate the viewer from the everyday world.
Book Synopsis Hollywood Aesthetic by : Todd Berliner
Download or read book Hollywood Aesthetic written by Todd Berliner and published by Oxford University Press. This book was released on 2017 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Hollywood makes the most widely successful pleasure-giving artworks the world has ever known. The industry operates under the assumption that pleasurable aesthetic experiences, among huge populations, translate into box office success. With that goal in mind, Hollywood has systematized the delivery of aesthetic pleasure, packaging and selling it on a massive scale. In Hollywood Aesthetic, Todd Berliner accounts for the chief attraction of Hollywood cinema worldwide: its entertainment value. Analyzing Hollywood in the areas of narrative, style, ideology, and genre, Hollywood Aesthetic offers a comprehensive appraisal of the aesthetic design of American commercial cinema. "--Publisher's description.
Download or read book Moving Viewers written by Carl Plantinga and published by Univ of California Press. This book was released on 2009-04-08 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In Moving Viewers, Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms "the paradox of negative emotion" and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences.
Book Synopsis Emotion in Animated Films by : Meike Uhrig
Download or read book Emotion in Animated Films written by Meike Uhrig and published by Routledge. This book was released on 2018-10-01 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ranging from blockbuster movies to experimental shorts or documentaries to scientific research, computer animation shapes a great part of media communication processes today. Be it the portrayal of emotional characters in moving films or the creation of controllable emotional stimuli in scientific contexts, computer animation’s characteristic artificiality makes it ideal for various areas connected to the emotional: with the ability to move beyond the constraints of the empirical "real world," animation allows for an immense freedom. This book looks at international film productions using animation techniques to display and/or to elicit emotions, with a special attention to the aesthetics, characters and stories of these films, and to the challenges and benefits of using computer techniques for these purposes.
Book Synopsis Cinematic Narration and Its Psychological Impact by : Peter Wuss
Download or read book Cinematic Narration and Its Psychological Impact written by Peter Wuss and published by Cambridge Scholars Publishing. This book was released on 2009 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film provides experience potential. Contemporary cognitive psychology gives the opportunity to define this impact on the film spectatorsâ (TM) mind in regard to different aspects of cognition, imagination and emotion. Proceeding from these positions, this book considers a number of practical issues of cinematic narration with which filmmakers, theorists and cineastes are frequently confronted: What is storytelling, and how may we objectify the regularities to be found at work in different modes of narration in the fiction film, among them structural principles of â oeart-cinemaâ which are often experienced on a level beneath conscious reception? What is the role of the element of conflict in the process of narration, and what are the effects that the representation of conflict situations on the screen has on the viewersâ (TM) emotions? How can we define â oecinematic tensionâ and also â oesuspenseâ , and how does each influence the disposition of the audience? What constitutes a â oereality-effectâ in fiction films, and how can it vary in different modes of storytelling? How are a given protagonistsâ (TM) dreams, fantasies and play behaviour integrated both into the course of narrative events and into the development of the spectatorâ (TM)s imageries and ideas? And finally: How do film genres work on a psychological level? Providing a theoretical framework for further empirical research, the book outlines a differentiated model for analysing key devices of cinematic narration in view of their impact on the spectatorsâ (TM) mind.
Book Synopsis Psychomotor Aesthetics by : Ana Hedberg Olenina
Download or read book Psychomotor Aesthetics written by Ana Hedberg Olenina and published by Oxford University Press. This book was released on 2020-04-01 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the late 19th century, modern psychology emerged as a discipline, shaking off metaphysical notions of the soul in favor of a more scientific, neurophysiological concept of the mind. Laboratories began to introduce instruments and procedures which examined bodily markers of psychological experiences, like muscle contractions and changes in vital signs. Along with these changes in the scientific realm came a newfound interest in physiological psychology within the arts - particularly with the new perception of artwork as stimuli, able to induce specific affective experiences. In Psychomotor Aesthetics, author Ana Hedberg Olenina explores the effects of physiological psychology on art at the turn of the 20th century. The book explores its influence on not only art scholars and theorists, wishing to understand the relationship between artistic experience and the internal processes of the mind, but also cultural producers more widely. Actors incorporated psychology into their film acting techniques, the Russian and American film industries started to evaluate audience members' physical reactions, and literary scholars began investigations into poets' and performers' articulation. Yet also looming over this newly emergent field were commercial advertisers and politicians, eager to use psychology to further their own mass appeal and assert control over audiences. Drawing from archival documents and a variety of cross-disciplinary sources, Psychomotor Aesthetics calls attention to the cultural resonance of theories behind emotional and cognitive experience - theories with implications for today's neuroaesthetics and neuromarketing.
Book Synopsis Semiotics and the Analysis of Film by : Jean Mitry
Download or read book Semiotics and the Analysis of Film written by Jean Mitry and published by Indiana University Press. This book was released on 2000 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study analyses the value of semiotics in film analysis. It poses the question that if cinema is a language can it be understood through the techniques of linguistic analysis? The study includes signs, montage, codes, images and narrative.
Book Synopsis Toward a Structural Psychology of Cinema by : John M. Carroll
Download or read book Toward a Structural Psychology of Cinema written by John M. Carroll and published by Walter de Gruyter. This book was released on 2012-01-02 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Toward a Structural Psychology of Cinema Approaches to Semiotics [AS].
Book Synopsis The Social Science of Cinema by : James C. Kaufman
Download or read book The Social Science of Cinema written by James C. Kaufman and published by Oxford University Press. This book was released on 2014 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book compiles research from such varied disciplines as psychology, economics, sociology business, and communications to find the best empirical research being done on the movies, based on perspectives that many filmgoers have never considered.
Book Synopsis Psychocinematics by : Arthur P. Shimamura
Download or read book Psychocinematics written by Arthur P. Shimamura and published by Oxford University Press. This book was released on 2014-02-15 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: Largely through trial and error, filmmakers have developed engaging techniques that capture our sensations, thoughts, and feelings. Philosophers and film theorists have thought deeply about the nature and impact of these techniques, yet few scientists have delved into empirical analyses of our movie experience-or what Arthur P. Shimamura has coined "psychocinematics." This edited volume introduces this exciting field by bringing together film theorists, philosophers, psychologists, and neuroscientists to consider the viability of a scientific approach to our movie experience.
Download or read book Film as Art written by Rudolf Arnheim and published by Univ of California Press. This book was released on 1957 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: “More than half a century since its initial publication, this deceptively compact book remains among the most incisive analyses of the formal and perceptual dynamics of cinema. No one who cares about film can afford to remain ignorant of its insights and wisdom. As digital technology fundamentally alters motion pictures, the lessons of Film as Art commend themselves as excellent insurance against reinventing the wheel in the new media landscape and hailing it as progress.”—Edward Dimendberg author of Film Noir and the Spaces of Modernity “After more than eight decades, Rudolph Arnheim's small book of film theory remains one of the essential works in defining film art, understanding film less as reproducing the world than as opening up new possibilities for formal play and unexpected imagery. Anyone serious about film, whether scholar, filmmaker or simply a lover of cinema, must take Arnheim seriously.”—Tom Gunning, author of The Films of Fritz Lang and D.W. Griffith and the Origins of American Narrative Film “An aesthetic theory based on the formal ‘limitations’ of the medium, Arnheim’s Film as Art always provokes students in an age of few limits and less formality, and they argue and engage this classic text with unparalleled passion. Written in the wake of sound’s transformation of the cinema, Arnheim’s essays are not only central to understanding a major historical moment in theoretical debates about what constitutes the ‘essence’ of film, but also are a must read for anyone seeking a lucid, detailed, and rigorous argument about how works of art emerge from expressive constraint as much as expressive freedom.”—Vivian Sobchack, author of Carnal Thoughts
Book Synopsis Rethinking Third Cinema by : Frieda Ekotto
Download or read book Rethinking Third Cinema written by Frieda Ekotto and published by LIT Verlag Münster. This book was released on 2009 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1968, Argentinean Filmmakers Fernando Solanas and Octavio Getino first articulated the theory of a "Third Cinema" - a revolutionary genre of cinema that would counter oppression on a global scale. Intended to be a "guerilla cinema" geared at contesting the overwhelming dominance of Western cinema, Solana and Getino distinguished "Third Cinema" from other forms of cinema, classifying these other types as First Cinema (commercial cinema epitomized by Hollywood) and Second Cinema. "Third Cinema" was supposed to be a liberationary tool - particularly for the bulk of the world that was subject to European imperialism, such as Latin America, Africa and Asia. Spanning a wide geographical spread of cinemas ranging from Latin America, North and Sub-Saharan Africa, the Caribbean and Asia, this book addresses the following questions: how can we rethink the concept of "Third Cinema" for today? How do new national cinemas - and their accompanying media industries - reflect the concerns of societies that are struggling with the implications of accelerated modernization - and how are these concerns configured in new genres of aesthetics? Is there still a "Third Cinema" component in contemporary cinemas, and if so, how can it be understood?
Book Synopsis The Cambridge Handbook of the Psychology of Aesthetics and the Arts by : Pablo P. L. Tinio
Download or read book The Cambridge Handbook of the Psychology of Aesthetics and the Arts written by Pablo P. L. Tinio and published by Cambridge University Press. This book was released on 2014-10-30 with total page 1086 pages. Available in PDF, EPUB and Kindle. Book excerpt: The psychology of aesthetics and the arts is dedicated to the study of our experiences of the visual arts, music, literature, film, performances, architecture and design; our experiences of beauty and ugliness; our preferences and dislikes; and our everyday perceptions of things in our world. The Cambridge Handbook of the Psychology of Aesthetics and the Arts is a foundational volume presenting an overview of the key concepts and theories of the discipline where readers can learn about the questions that are being asked and become acquainted with the perspectives and methodologies used to address them. The psychology of aesthetics and the arts is one of the oldest areas of psychology but it is also one of the fastest growing and most exciting areas. This is a comprehensive and authoritative handbook featuring essays from some of the most respected scholars in the field.
Book Synopsis The Aesthetics of Horror Films by : Forrest Adam Sopuck
Download or read book The Aesthetics of Horror Films written by Forrest Adam Sopuck and published by Springer Nature. This book was released on 2021-09-24 with total page 137 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book analyzes the nature and functions of horror films from the vantage of a theoretical reconstruction of George Santayana’s account of beauty. This neo-Santayanan framework forms the conceptual backdrop for a new model of horror’s aesthetic enjoyment, the nature of which is detailed through the examination of plot, cinematic, and visual devices distinctive of the popular genre. According to this model, the audience derives pleasure from the films through confronting the aversive scenarios they communicate and rationalizing a denial of their personal applicability. The films then come to embody these acts of self-assertion and intellectual overcoming and become objects of pride. How horror films can acquire necropolitical functions within the context of abusive systems of power is also clarified. These functions, which exploit the power of anti-tragedy, downward social comparison, or vicarious emotion, work to remediate aggressive, ascetic, or revolutionary impulses in ways that are not injurious to the status quo. This book champions horror as a source of self-empowerment and unmitigated beauty, but also attests to the potential social harms of the genre.
Book Synopsis Authorship and Aesthetics in the Cinematography of Gregg Toland by : Philip Cowan
Download or read book Authorship and Aesthetics in the Cinematography of Gregg Toland written by Philip Cowan and published by Rowman & Littlefield. This book was released on 2022-10-03 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this three-part book-length study of the work of Gregg Toland, Philip Cowan explores approaches to co-authorship in collaborative filmmaking to propose new ways of identifying, attributing, and evaluating the creative work of cinematographers. In the first part of the study, Cowan challenges the dominant, director-centered auteur approach to film studies, critiquing the historical development of authorship theory and providing a contemporary analysis of the cinematographer’s authorial role in creating images that communicate meaning through content and construction. By synthesizing and updating the work of previous film theorists to define the complexities of composition, movement, and lighting in the second part of the study, Cowan develops a new, comprehensive taxonomy of functional and aesthetic elements of the moving image. Finally, by using the co-author approach and the analytical tools developed in part two of the book, Cowan provides an in-depth re-examination of Toland’s work, highlighting the historical neglect of the cinematographer’s artistic contribution to filmmaking and developing a fresh approach to the analysis of contemporary cinematography in film.
Book Synopsis An Accented Cinema by : Hamid Naficy
Download or read book An Accented Cinema written by Hamid Naficy and published by Princeton University Press. This book was released on 2018-06-05 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: In An Accented Cinema, Hamid Naficy offers an engaging overview of an important trend--the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of Naficy's work. Although the experience of expatriation varies greatly from one person to the next, the films themselves exhibit stylistic similarities, from their open- and closed-form aesthetics to their nostalgic and memory-driven multilingual narratives, and from their emphasis on political agency to their concern with identity and transgression of identity. The author explores such features while considering the specific histories of individuals and groups that engender divergent experiences, institutions, and modes of cultural production and consumption. Treating creativity as a social practice, he demonstrates that the films are in dialogue not only with the home and host societies but also with audiences, many of whom are also situated astride cultures and whose desires and fears the filmmakers wish to express. Comparing these films to Hollywood films, Naficy calls them "accented." Their accent results from the displacement of the filmmakers, their alternative production modes, and their style. Accented cinema is an emerging genre, one that requires new sets of viewing skills on the part of audiences. Its significance continues to grow in terms of output, stylistic variety, cultural diversity, and social impact. This book offers the first comprehensive and global coverage of this genre while presenting a framework in which to understand its intricacies.
Book Synopsis Cinematic Emotion in Horror Films and Thrillers by : Julian Hanich
Download or read book Cinematic Emotion in Horror Films and Thrillers written by Julian Hanich and published by Routledge. This book was released on 2011-02-09 with total page 633 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hanich looks at fear at the movies – its aesthetics, its experience and its pleasures--in this thought-provoking study. Looking at over 150 different films including Seven, Rosemary's Baby, and Silence of the Lambs, Hanich attempts to answer the paradox of why we enjoy films that thrill us, that scare us, that threaten us, that shock us –affects that we otherwise desperately wish to avoid.
