The Adventures And Surprizing Deliverances Of James Dubourdieu And His Wife Who Were Taken By Pyrates And Carried To The Uninhabited Part Of The Isle Of Paradise Signed Ambrose Evans Also The Adventures Of Alexander Vendchurch Whose Ships Crew Rebelled Against Him And Set Him On Shore On An Island In The South Sea Written By Himself

Author : Felicity A. Nussbaum
Publisher : University Press of Kentucky
ISBN 13 : 0813164079
Total Pages : 201 pages
Book Rating : 4.8/5 (131 download)

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Download or read book The Brink of All We Hate written by Felicity A. Nussbaum and published by University Press of Kentucky. This book was released on 2014-07-15 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Is it not monstrous, that our Seducers should be our Accusers? Will they not employ Fraud, nay often Force to gain us? What various Arts, what Stratagems, what Wiles will they use for our Destruction? But that once accomplished, every opprobrious Term with which our Language so plentifully abounds, shall be bestowed on us, even by the very Villains who have wronged us"—Laetitia Pilkington, Memoirs (1748). In her scandalous Memoirs, Laetitia Pilkington spoke out against the English satires of the Restoration and eighteenth century, which employed "every opprobrious term" to chastise women. In The Brink of All We Hate, Felicity Nussbaum documents and groups those opprobrious terms in order to identify the conventions of the satires, to demonstrate how those conventions create a myth, to provide critical readings of poetic texts in the antifeminist tradition, and to draw some conclusions about the basic nature of satire. Nussbaum finds that the English tradition of antifeminist satire draws on a background that includes Hesiod, Horace, Ovid, and Juvenal, as well as the more modern French tradition of La Bruyere and Boileau and the late seventeenth-century English pamphlets by Gould, Fige, and Ames. The tradition was employed by the major figures of the golden age of satire—Samuel Butler, Dryden, Swift, Addison, and Pope. Examining the elements of the tradition of antifeminist satire and exploring its uses, from the most routine to the most artful, by the various poets, Nussbaum reveals a clearer context in which many poems of the Restoration and eighteenth century will be read anew.