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Tactus Mensuration And Rhythm In Renaissance Music
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Book Synopsis Tactus , Mensuration and Rhythm in Renaissance Music by : Ruth I. DeFord
Download or read book Tactus , Mensuration and Rhythm in Renaissance Music written by Ruth I. DeFord and published by Cambridge University Press. This book was released on 2015-04-23 with total page 517 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ruth I. DeFord offers new insights on Renaissance theories of rhythm and their application to the analysis and performance of music.
Book Synopsis Tactus, Mensuration and Rhythm in Renaissance Music by : Ruth I. DeFord
Download or read book Tactus, Mensuration and Rhythm in Renaissance Music written by Ruth I. DeFord and published by Cambridge University Press. This book was released on 2018-02-08 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ruth I. DeFord's book explores how tactus, mensuration, and rhythm were employed to articulate form and shape in the period from c.1420 to c.1600. Divided into two parts, the book examines the theory and practice of rhythm in relation to each other to offer new interpretations of the writings of Renaissance music theorists. In the first part, DeFord presents the theoretical evidence, introduces the manuscript sources and explains the contradictions and ambiguities in tactus theory. The second part uses theory to analyse some of the best known repertories of Renaissance music, including works by Du Fay, Ockeghem, Busnoys, Josquin, Isaac, Palestrina, and Rore, and to shed light on composers' formal and expressive uses of rhythm. DeFord's conclusions have important implications for our understanding of rhythm and for the analysis, editing, and performance of music during the Renaissance period.
Book Synopsis Music and Riddle Culture in the Renaissance by : Katelijne Schiltz
Download or read book Music and Riddle Culture in the Renaissance written by Katelijne Schiltz and published by Cambridge University Press. This book was released on 2015-04-23 with total page 550 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the Renaissance, composers often expressed themselves in a language of riddles and puzzles, which they embedded within the music and lyrics of their compositions. This is the first book on the theory, practice and cultural context of musical riddles during the period. Katelijne Schiltz focuses on the compositional, notational, practical, social and theoretical aspects of musical riddle culture c.1450–1620, from the works of Antoine Busnoys, Jacob Obrecht and Josquin des Prez to Lodovico Zacconi's manuscript collection of Canoni musicali. Schiltz reveals how the riddle both invites and resists interpretation, the ways in which riddles imply a process of transformation and the consequences of these aspects for the riddle's conception, performance and reception. Lavishly illustrated and including a comprehensive catalogue by Bonnie J. Blackburn of enigmatic inscriptions, this book will be of interest to scholars of music, literature, art history, theology and the history of ideas.
Book Synopsis The Cambridge History of Medieval Music by : Mark Everist
Download or read book The Cambridge History of Medieval Music written by Mark Everist and published by Cambridge University Press. This book was released on 2018-08-09 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Book Synopsis The Cambridge History of Fifteenth-Century Music by : Anna Maria Busse Berger
Download or read book The Cambridge History of Fifteenth-Century Music written by Anna Maria Busse Berger and published by Cambridge University Press. This book was released on 2015-07-16 with total page 1058 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.
Book Synopsis Arte de Tañer Fantasia by : Tomas de Santa Maria
Download or read book Arte de Tañer Fantasia written by Tomas de Santa Maria and published by Alfred Music. This book was released on with total page 28 pages. Available in PDF, EPUB and Kindle. Book excerpt: An Organ solo composed by Tomas de Santa Maria.
Book Synopsis Musical Notation in the West by : James Grier
Download or read book Musical Notation in the West written by James Grier and published by Cambridge University Press. This book was released on 2021-02-18 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: A detailed critical and historical investigation of the development of musical notation as a powerful system of symbolic communication.
Download or read book Bach Interpretation written by John Butt and published by Cambridge University Press. This book was released on 1990-06-29 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive assessment of J.S. Bach's use of articulation marks (i.e. slurs and dots) in the large body of primary sources.
Download or read book Maestro written by and published by . This book was released on 2010 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: The tale of young Hannah, who loves above all else to sing. What worse curse could have been visited upon her than this: she has been sent to live with her aunt and uncle in a sorrowful town where music itself is banned from its grim and cobbled streets. What woe has befallen this town? Why are there no children? Why are there no rats? Hannah will discover the answers to these dread questions in the wilderness wastes, under a mountain. There she discovers a secret orchestra, held captive by an ancient conductor, who remembers his glorious youth – when no-one could resist the beauty he could make with his flute. Could our Hannah be the bridge between two ancient enemies? Might the ghosts of the rats come to her aid? And, most importantly, will she sing once again?
Book Synopsis The Oxford Handbook of Music and Medievalism by : Stephen C. Meyer
Download or read book The Oxford Handbook of Music and Medievalism written by Stephen C. Meyer and published by Oxford University Press. This book was released on 2020-03-02 with total page 844 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo Pärt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.
Book Synopsis Music and the moderni, 1300-1350 by : Karen Desmond
Download or read book Music and the moderni, 1300-1350 written by Karen Desmond and published by Cambridge University Press. This book was released on 2020-04-16 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music theorists labelled the musical art of the 1330s and 1340s as 'new' and 'modern'. A close reading of writings on music theory and the polyphonic repertory from the first half of the fourteenth century reveals a modern musical art that arose due to specific innovations in music notation. The French ars nova employed as its theoretical fundament a new system for arranging musical time proposed by the astronomer and mathematician Jean des Murs. Challenging prevailing accounts of the ars nova, this book presents the 'new art' within the intellectual context of its time, revises the datings of Jean des Murs's writings on music theory, and presents the intersection of theory and practice for a crucial era in the history of music. Through contemporaneous accounts, Desmond explores how individuals were involved in 'changing' music in early fourteenth-century France, and the technical developments they pursued that precipitated this stylistic change.
Book Synopsis Hearing Homophony by : Megan Kaes Long
Download or read book Hearing Homophony written by Megan Kaes Long and published by . This book was released on 2020 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Hearing Homophony, Megan Kaes Long presents a groundbreaking model for understanding tonality and its origins, examining it through the lens of popular songs of late-Renaissance Western Europe.
Book Synopsis The Requiem of Tomás Luis de Victoria (1603) by : Owen Rees
Download or read book The Requiem of Tomás Luis de Victoria (1603) written by Owen Rees and published by Cambridge University Press. This book was released on 2019-03-28 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first substantial study of Victoria's Requiem, among the most prominent Renaissance musical works, encompassing its genesis, style, and impact.
Book Synopsis Composing Community in Late Medieval Music by : Jane D. Hatter
Download or read book Composing Community in Late Medieval Music written by Jane D. Hatter and published by Cambridge University Press. This book was released on 2019-05-02 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a millennium melts away. Equally intriguing are moments in which we experience solmization puns. These familiar worries and surprising jests break down temporal distances, humanizing the lives and endeavors of our musical forebears. Yet many instances of self-reference occur within otherwise serious pieces. Are these simply in-jokes, or are there more meaningful messages we risk neglecting if we dismiss them as comic relief? Music historian Jane D. Hatter takes seriously the pervasiveness of these features. Divided into two sections, this study considers pieces with self-referential features in the texts separately from discussions of pieces based on musical self-referential elements. Examining connections between self-referential repertoire from the years 1450–1530 and similar self-referential creations for painters' guilds, reveals musicians' agency in forming the first communities of early modern composers.
Book Synopsis The Cambridge History of Western Music Theory by : Thomas Christensen
Download or read book The Cambridge History of Western Music Theory written by Thomas Christensen and published by Cambridge University Press. This book was released on 2006-04-20 with total page 1033 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.
Author :Lecturer in Music Royal Holloway and Bedford New College Tim Carter Publisher :Yale University Press ISBN 13 :9780300096767 Total Pages :348 pages Book Rating :4.0/5 (967 download)
Book Synopsis Monteverdi's Musical Theatre by : Lecturer in Music Royal Holloway and Bedford New College Tim Carter
Download or read book Monteverdi's Musical Theatre written by Lecturer in Music Royal Holloway and Bedford New College Tim Carter and published by Yale University Press. This book was released on 2002-01-01 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Claudio Monteverdi (1567-1643) is well known as the composer of the earliest operas still performed today. His Orfeo, Il Ritorno d'Ulisse in Patria, and L'incoronazione di Poppea are internationally popular nearly four centuries after their creation. These seminal works represent only a part of Monteverdi's music for the stage, however. He also wrote numerous works that, while not operas, are no less theatrical in their fusion of music, drama and dance. This is a survey of Monteverdi's entire output of music for the theatre - his surviving operas, other dramatic musical compositions, and lost works.
Book Synopsis Uncovering Music of Early European Women (1250-1750) by : Claire Fontijn
Download or read book Uncovering Music of Early European Women (1250-1750) written by Claire Fontijn and published by Routledge. This book was released on 2020-04-28 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Uncovering Music of Early European Women (1250 – 1750) brings together nine chapters that investigate aspects of female music-making and musical experience in the medieval and early modern periods. Part I, "Notes from the Underground," treats the spirituality of women in solitude and in community. Parts II and III, "Interlude" and "Music for Royal Rivals," respond to Joan Kelly’s famous feminist question and suggest that women of a certain stature did have a Renaissance. Part IV, "Serenissime Sirene," plays with the notion of the allure of music and its risks in Venice during the Baroque. The process of uncovering requires close listening to women’s creative endeavors in an ongoing effort to piece together equitably the terrain of early music. Contributors include: Cynthia J. Cyrus, Claire Fontijn, Catherine E. Gordon, Laura Jeppesen, Eva Kuhn, Anne MacNeil, Jason Stoessel, Elizabeth Randell Upton, and Laurence Wuidar. An invaluable book for college students and scholars interested in the social and cultural meanings of women in early music.
