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Symphonie Nr 1 In C Dur Op 21 Critical Commentary
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Book Synopsis Symphonie Nr. 1 in C-Dur by : Ludwig van Beethoven
Download or read book Symphonie Nr. 1 in C-Dur written by Ludwig van Beethoven and published by . This book was released on 1997 with total page 54 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Critical Reception of Beethoven's Compositions by His German Contemporaries by : Wayne M. Senner
Download or read book The Critical Reception of Beethoven's Compositions by His German Contemporaries written by Wayne M. Senner and published by U of Nebraska Press. This book was released on 1999-05-25 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Compiled here are reviews, reports, notes, and essays found in German-language periodicals published between 1783 and 1830. The documents are translated into English with copious notes and annotations, an introductory essay, and indexes of names, subjects, and works. This volume contains a general section and documents on specific opus numbers up to opus 54, with musical examples redrawn from the original publications. ø The collection brings to light contemporary perceptions of Beethoven?s music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven?s music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, present a wide spectrum of insights into the perceptions that Beethoven?s contemporaries had of his monumental music.
Book Synopsis The Critical Reception of Beethoven's Compositions by His German Contemporaries, Volume 2 by : Wayne M. Senner
Download or read book The Critical Reception of Beethoven's Compositions by His German Contemporaries, Volume 2 written by Wayne M. Senner and published by U of Nebraska Press. This book was released on 1999-01-01 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volumes in The Critical Reception of Beethoven's Compositions by His German Contemporaries bring to light contemporary perceptions of Beethoven's music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven's music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, have been compiled from German-language periodicals published between 1783 and 1830. They present a wide spectrum of insights into the perceptions that Beethoven's contemporaries had of his monumental music. This is the second in a projected four-volume series. It begins with Opus 55, the Eroica, and ends with Opus 72, Fidelio.
Book Synopsis Notes by : Music Library Association
Download or read book Notes written by Music Library Association and published by . This book was released on 2004 with total page 624 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Chamber Arrangements of Beethoven's Symphonies, Part 1 by : Nancy November
Download or read book Chamber Arrangements of Beethoven's Symphonies, Part 1 written by Nancy November and published by A-R Editions, Inc.. This book was released on 2019-01-01 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: The three selections in this edition of quartet arrangements of Beethovens symphonies are chosen to represent the diversity of quartets as a medium for arrangement in the early nineteenth century. Only the arrangement by Carl Zulehner, of Beethovens first symphony, is a string quartet. The arrangement by Johann Nepomuk Hummel of Beethovens fifth symphony, for pianoforte, flute, violin, and violoncello (or pianoforte alone), is part of an extensive collection of arrangements that he made for that grouping, while the arrangement for piano quartet by Ferdinand Ries of the Eroica Symphony represents the particular popularity of chamber groupings involving stringed instruments and piano.
Book Synopsis Beethoven String Quartet No. 4 by : Ludwig Van Beethoven
Download or read book Beethoven String Quartet No. 4 written by Ludwig Van Beethoven and published by Performer's Edition. This book was released on 2009-02-18 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beethoven's String Quartet No. 4 (Opus 18, No. 4), is part of the set of 6 quartets that Beethoven wrote between 1798 and 1800. This is the Performer's Edition of the quartet, with clean print and easy to read markings designed for the performer. This version is a pocket score, sized at approximately half a standard sheet of paper for easy transport and use for performing musicians and students.
Download or read book The British Catalogue of Music written by and published by . This book was released on 2004 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Anthology of Musical Forms - Structure & Style (Expanded Edition) by : Leon Stein
Download or read book Anthology of Musical Forms - Structure & Style (Expanded Edition) written by Leon Stein and published by Alfred Music. This book was released on 1999-11-27 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Structure and Style, first published in 1962 and expanded in 1979, fills the need for new ways of analysis that put 20th-century music in perspective. It spans forms in use before 1600 through forms and techniques in use today. Anthology of Musical Forms provides musical examples of forms treated in Structure and Style. Some examples are analyzed throughout. Most are left for the student to analyze. These books reflect Leon Stein's impressive background as student, musician, and composer. Stein studied composition with Leo Sowerby, Frederick Stock (conductor of the Chicago Symphony) and orchestration with Eric DeLamarter, his assistant. He earned M. Mus and Ph.D degrees at DePaul University and was associated with its School of Music as director of the Graduate Division and chairman of the Department of Theory and Composition until his retirement in 1976. He has composed a wide variety of works, including compositions for orchestra, chamber combinations, two operas, and a violin concerto.
Book Synopsis University of California Union Catalog of Monographs Cataloged by the Nine Campuses from 1963 Through 1967: Authors & titles by : University of California (System). Institute of Library Research
Download or read book University of California Union Catalog of Monographs Cataloged by the Nine Campuses from 1963 Through 1967: Authors & titles written by University of California (System). Institute of Library Research and published by . This book was released on 1972 with total page 876 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The National Union Catalog written by and published by . This book was released on 1968 with total page 816 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book National Union Catalog written by and published by . This book was released on 1983 with total page 788 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Cambridge Companion to Beethoven by : Glenn Stanley
Download or read book The Cambridge Companion to Beethoven written by Glenn Stanley and published by Cambridge University Press. This book was released on 2000-05-11 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Companion, first published in 2000, provides a comprehensive view of Beethoven and his work. The first part of the book presents the composer as a private individual, as a professional, and at the work-place, discussing biographical problems, Beethoven's professional activities when not composing and his methods as a composer. In the heart of the book, individual chapters are devoted to all the major genres cultivated by Beethoven and to the elements of style and structure that cross all genres. The book concludes by looking at the ways that Beethoven and his music have been interpreted by performers, writers on music, and in the arts, literature, and philosophy. The essays in this volume, written by leading Beethoven specialists, maintain traditional emphases in Beethoven studies while incorporating other developments in musicology and theory.
Book Synopsis The Cambridge Companion to the Symphony by : Julian Horton
Download or read book The Cambridge Companion to the Symphony written by Julian Horton and published by Cambridge University Press. This book was released on 2013-05-02 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: Few genres of the last 250 years have proved so crucial to the course of music history, or so vital to public musical experience, as the symphony. This Companion offers an accessible guide to the historical, analytical and interpretative issues surrounding this major genre of Western music, discussing an extensive variety of works from the eighteenth century to the present day. The book complements a detailed review of the symphony's history with focused analytical essays from leading scholars on the symphonic music of both mainstream composers, including Haydn, Mozart and Beethoven and lesser-known figures, including Carter, Berio and Maxwell Davies. With chapters on a comprehensive range of topics, from the symphony's origins to the politics of its reception in the twentieth century, this is an invaluable resource for anyone with an interest in the history, analysis and performance of the symphonic repertoire.
Book Synopsis Music in Boston by : Bill F. Faucett
Download or read book Music in Boston written by Bill F. Faucett and published by Lexington Books. This book was released on 2016-04-29 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music in Boston: Composers, Events, and Ideas, 1852–1918 is a history of the city’s classical-music culture in the period that begins a decade before the American Civil War and extends to the close of the Great War. The book provides insights into the intellectual foundation of Boston's musical development as revealed in the writings of its significant critics and thinkers, including John Sullivan Dwight, John Knowles Paine, William Foster Apthorp, and others. It also examines the influence of outsiders—Patrick Gilmore, Theodore Thomas, Richard Wagner, New York’s Metropolitan Opera, and Richard Strauss—on Boston’s performance and composition scene while also considering events that affected music in Boston, such as the building of the Music Hall, the acquisition of its Great Organ, the National Peace Jubilee, Chicago’s Columbian Exposition, Boston’s first Wagner Festival, and the rise and fall of the Boston Opera Company. Music in Boston also accounts for the ascent of the Second New England School of composers—John Knowles Paine, Edward MacDowell, George Whitefield Chadwick, Amy Beach and others—and discusses their key compositions and legacy. Finally, the book explores Boston itself: its transformations via immigration, its ever-changing topography, and its economy.
Book Synopsis The Music Theory of Godfrey Winham by : Leslie David Blasius
Download or read book The Music Theory of Godfrey Winham written by Leslie David Blasius and published by Princeton University Press. This book was released on 2014-07-14 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book serves as an introduction to the work of Godfrey Winham, an influential figure in American music theory circles in the 1960s. Little published in his lifetime, Winham left behind, at his premature death in 1974, a massive collection of notes: correspondence, unfinished articles, sketches for books, etc. These notes were transcribed and deposited in the Special Collections of Firestone Library at Princeton University. They cover a fascinating range of subjects: exercises in analytical logic, thoughts on the construction of a formally consistent music theory, studies of particular pieces, and an epistemological reconception of Schenker's analysis. In The Music Theory of Godfrey Winham, Leslie David Blasius attempts to synthesize the various aspects of the theorist's thinking into a single coherent, if unfinished, endeavor. Blasius concentrates in particular on Winham's attempts to define formally the basic terms of music theory, his axiomatic phenomenology of pitch and harmonic relations, his tentative steps towards an axiomatic phenomenology of rhythm, and his fresh consideration of the reciprocal relationship between theory and analysis. In so doing, Blasius gives a clear picture of the materials in the archives, particularly when they exhibit Winham's multiple attempts to come to terms with a specific problem. The volume includes a set of complete excerpts of materials cited in Blasius's text and an index for the entire collection. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Book Synopsis The Oxford Handbook of Critical Concepts in Music Theory by : Alexander Rehding
Download or read book The Oxford Handbook of Critical Concepts in Music Theory written by Alexander Rehding and published by Oxford University Press. This book was released on 2019-11-19 with total page 849 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music Theory has a lot of ground to cover. Especially in introductory classes a whole range of fundamental concepts are introduced at fast pace that can never be explored in depth or detail, as other new topics become more pressing. The short time we spend with them in the classroom belies the complexity (and, in many cases, the contradictions) underlying these concepts. This book takes the time to tarry over these complexities, probe the philosophical assumptions on which these concepts rest, and shine a light on all their iridescent facets. This book presents music-theoretical concepts as a register of key terms progressing outwards from smallest detail to discussions of the music-theoretical project on the largest scale. The approaches individual authors take range from philosophical, historical, or analytical to systematic, cognitive, and critical-theorical-covering the whole diverse spectrum of contemporary music theory. In some cases authors explore concepts that have not yet been widely added to the theorist's toolkit but deserve to be included; in other cases concepts are expanded beyond their core repertory of application. This collection does not shy away from controversy. Taken in their entirety, the essays underline that music theory is on the move, exploring new questions, new repertories, and new approaches. This collection is an invitation to take stock of music theory in the early twenty-first century, to look back and to encourage discussion about its future directions. Its chapters open up a panoramic view of the contemporary music-theoretical landscape with its expanding repertories and changing guiding questions, and offers suggestions as to where music theory is headed in years to come.
Book Synopsis Historical Musicology by : Stephen A. Crist
Download or read book Historical Musicology written by Stephen A. Crist and published by University Rochester Press. This book was released on 2008 with total page 443 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seventeen studies by noted experts that demonstrate recent approaches toward the creative interpretation of primary sources regarding Renaissance and Baroque music, Mozart, Beethoven, Mendelssohn, Verdi, Debussy, and beyond.