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Stanford Songs
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Book Synopsis A Decennial of Stanford Song by : Merle Harold Thorpe
Download or read book A Decennial of Stanford Song written by Merle Harold Thorpe and published by . This book was released on 1905 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Stanford Songs by : Stanford University
Download or read book Stanford Songs written by Stanford University and published by . This book was released on 1919 with total page 43 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Decennial of Stanford Song by : Merle Harold Thorpe
Download or read book A Decennial of Stanford Song written by Merle Harold Thorpe and published by . This book was released on 1905 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The James Bond Songs by : Adrian Daub
Download or read book The James Bond Songs written by Adrian Daub and published by Oxford University Press. This book was released on 2015-08-31 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Starting with 1964's Goldfinger, every James Bond film has followed the same ritual, and so has its audience: after an exciting action sequence the screen goes black and the viewer spends three long minutes absorbing abstract opening credits and a song that sounds like it wants to return to 1964. In The James Bond Songs authors Adrian Daub and Charles Kronengold use the genre to trace not only a changing cultural landscape, but also evolving conceptions of what a pop song is. They argue that the story of the Bond song is the story of the pop song more generally, and perhaps even the story of its end. Each chapter discusses a particular segment of the Bond canon and contextualizes it in its era's music and culture. But the book also asks how Bond and his music reflected and influenced our feelings about such topics as masculinity, race, money, and aging. Through these individual pieces the book presents the Bond song as the perfect anthem of late capitalism. The Bond songs want to talk about the fulfillment that comes from fast cars, shaken Martinis and mindless sex, but their unstable speakers, subjects, and addressees actually undercut the logic of the lifestyle James Bond is sworn to defend. The book is an invitation to think critically about pop music, about genre, and about the political aspects of popular culture in the twentieth century and beyond.
Book Synopsis Stanford Football Songs by : Stanford University. Associated Students
Download or read book Stanford Football Songs written by Stanford University. Associated Students and published by . This book was released on 1904 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Stanford Quad written by and published by . This book was released on 1927 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Charles Villiers Stanford by : Paul Rodmell
Download or read book Charles Villiers Stanford written by Paul Rodmell and published by Routledge. This book was released on 2017-07-05 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book devoted to the composer Charles Villiers Stanford (1852-1924) since 1935, this survey provides the fullest account of his life and the most detailed appraisal of his music to date. Renowned in his own lifetime for the rapid rate at which he produced new works, Stanford was also an important conductor and teacher. Paul Rodmell assesses these different roles and considers what Stanford's legacy to British music has been. Born and brought up in Dublin, Stanford studied at Cambridge and was later appointed Professor of Music there. His Irish lineage remained significant to him throughout his life, and this little-studied aspect of his character is examined here in detail for the first time. A man about whom no-one who met him could feel indifferent, Stanford made friends and enemies in equal numbers. Rodmell charts these relationships with people and institutions such as Richter, Parry and the Royal College of Music, and discusses how they influenced Stanford's career. Perhaps not the most popular of teachers, Stanford nevertheless coached a generation of composers who were to revitalize British music, amongst them Coleridge-Taylor, Ireland, Vaughan-Williams, Holst, Bridge and Howells. While their musical styles may not be obviously indebted to Stanford's, it is clear that, without him, British music of the first half of the twentieth century might have taken a very different course.
Book Synopsis Charles Villiers Stanford by : Jeremy Dibble
Download or read book Charles Villiers Stanford written by Jeremy Dibble and published by Oxford University Press, USA. This book was released on 2002 with total page 584 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Jeremy Dibble has written a book which adds substantially to Stanford's reputation and which greatly enriches both British and Irish musical scholarship. It is brilliantly done.' -Irish TimesJeremy Dibble presents the first authoritative, comprehensive study of the life and works of Charles Villiers Stanford (1852-1924), one of the most gifted and influential composers. Dibble reveals how, although perhaps best known for his church music, Stanford was also an eminent symphonist, songwriter, and author of many fine choral works. Cosmopolitan, ambitious, and pragmatic, he was untiring in his efforts to advance the cause of British music during its renaissance at the end of the nineteenth century, promoting the music of his contemporaries, and the many pupils he taught at Cambridge and the Royal College of Music, including Vaughan Williams, Ireland, Howells, Bliss, Holst, and Gurney.
Book Synopsis Tonic to the Nation: Making English Music in the Festival of Britain by : Nathaniel G. Lew
Download or read book Tonic to the Nation: Making English Music in the Festival of Britain written by Nathaniel G. Lew and published by Routledge. This book was released on 2016-07-01 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Long remembered chiefly for its modernist exhibitions on the South Bank in London, the 1951 Festival of Britain also showcased British artistic creativity in all its forms. In Tonic to the Nation, Nathaniel G. Lew tells the story of the English classical music and opera composed and revived for the Festival, and explores how these long-overlooked components of the Festival helped define English music in the post-war period. Drawing on a wealth of archival material, Lew looks closely at the work of the newly chartered Arts Council of Great Britain, for whom the Festival of Britain provided the first chance to assert its authority over British culture. The Arts Council devised many musical programs for the Festival, including commissions of new concert works, a vast London Season of almost 200 concerts highlighting seven centuries of English musical creativity, and several schemes to commission and perform new operas. These projects were not merely directed at bringing audiences to hear new and old national music, but to share broader goals of framing the national repertory, negotiating between the conflicting demands of conservative and progressive tastes, and using music to forge new national definitions in a changed post-war world.
Book Synopsis Five English Folk Songs by : Ralph Vaughan Williams
Download or read book Five English Folk Songs written by Ralph Vaughan Williams and published by . This book was released on 1913 with total page 12 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Catalogue of the Sadie Knowland Coe Music Collection by :
Download or read book Catalogue of the Sadie Knowland Coe Music Collection written by and published by . This book was released on 1916 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis An Imperishable Heritage: British Choral Music from Parry to Dyson by : Stephen Town
Download or read book An Imperishable Heritage: British Choral Music from Parry to Dyson written by Stephen Town and published by Routledge. This book was released on 2016-04-15 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: The rehabilitation of British music began with Hubert Parry and Charles Villiers Stanford. Ralph Vaughan Williams assisted in its emancipation from continental models, while Gerald Finzi, Edmund Rubbra and George Dyson flourished in its independence. Stephen Town's survey of Choral Music of the English Musical Renaissance is rooted in close examination of selected works from these composers. Town collates the substantial secondary literature on these composers, and brings to bear his own study of the autograph manuscripts. The latter form an unparalleled record of compositional process and shed new light on the compositions as they have come down to us in their published and recorded form. This close study of the sources allows Town to identify for the first time instances of similarity and imitation, continuities and connections between the works.
Book Synopsis Journal of the Irish Folk Song Society, London by : Irish Folk Song Society
Download or read book Journal of the Irish Folk Song Society, London written by Irish Folk Song Society and published by . This book was released on 1904 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Henry Stanford's Anthology by : Henry Stanford
Download or read book Henry Stanford's Anthology written by Henry Stanford and published by Taylor & Francis. This book was released on 2019-06-04 with total page 483 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published in 1988: This book is a compilation of 16th century poetry and manuscripts.
Book Synopsis The Provincial Music Festival in England, 1784–1914 by : Dr Pippa Drummond
Download or read book The Provincial Music Festival in England, 1784–1914 written by Dr Pippa Drummond and published by Ashgate Publishing, Ltd.. This book was released on 2013-01-28 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of the English music festival is long overdue. Dr Pippa Drummond argues that these festivals represented the most significant cultural events in provincial England during the nineteenth century and emphasizes their particular importance in the promotion and commissioning of new music. Drawing on material from surviving accounts, committee records, programmes, contemporary pamphlets and reviews, Drummond shows how the festivals responded to and reflected the changing social and economic conditions of their day. Coverage includes a chronological overview documenting the history of individual festivals followed by a detailed exploration of such topics as performers and performance practice, logistics and finance, programmes and commissioning, together with information concerning the composition and provenance of festival choirs and orchestras. Also discussed are the effects of improved transport and new technologies on the festivals, sacred and secular conflicts, gender issues, the role of philanthropy, the nature of patronage and the changing social status of festival audiences. The book will also be of interest to social, economic and local historians.
Book Synopsis Shout to the Lord by : Ari Y. Kelman
Download or read book Shout to the Lord written by Ari Y. Kelman and published by NYU Press. This book was released on 2018-06-19 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: How music makes worship and how worship makes music in Evangelical churches Music is a nearly universal feature of congregational worship in American churches. Congregational singing is so ingrained in the experience of being at church that it is often misunderstood to be synonymous with worship. For those who assume responsibility for making music for congregational use, the relationship between music and worship is both promising and perilous – promise in the power of musical style and collective singing to facilitate worship, peril in the possibility that the experience of the music might eclipse the worship it was written to facilitate. As a result, those committed to making music for worship are constantly reminded of the paradox that they are writing songs for people who wish to express themselves, as directly as possible, to God. This book shines a new light on how people who make music for worship also make worship from music. Based on interviews with more than 75 songwriters, worship leaders, and music industry executives, Shout to the Lord maps the social dimensions of sacred practice, illuminating how the producers of worship music understand the role of songs as both vehicles for, and practices of, faith and identity. This book accounts for the human qualities of religious experience and the practice of worship, and it makes a compelling case for how – sometimes – faith comes by hearing.
Book Synopsis The Sound of Innovation by : Andrew J. Nelson
Download or read book The Sound of Innovation written by Andrew J. Nelson and published by MIT Press. This book was released on 2015-03-06 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: How a team of musicians, engineers, computer scientists, and psychologists developed computer music as an academic field and ushered in the era of digital music. In the 1960s, a team of Stanford musicians, engineers, computer scientists, and psychologists used computing in an entirely novel way: to produce and manipulate sound and create the sonic basis of new musical compositions. This group of interdisciplinary researchers at the nascent Center for Computer Research in Music and Acoustics (CCRMA, pronounced “karma”) helped to develop computer music as an academic field, invent the technologies that underlie it, and usher in the age of digital music. In The Sound of Innovation, Andrew Nelson chronicles the history of CCRMA, tracing its origins in Stanford's Artificial Intelligence Laboratory through its present-day influence on Silicon Valley and digital music groups worldwide. Nelson emphasizes CCRMA's interdisciplinarity, which stimulates creativity at the intersections of fields; its commitment to open sharing and users; and its pioneering commercial engagement. He shows that Stanford's outsized influence on the emergence of digital music came from the intertwining of these three modes, which brought together diverse supporters with different aims around a field of shared interest. Nelson thus challenges long-standing assumptions about the divisions between art and science, between the humanities and technology, and between academic research and commercial applications, showing how the story of a small group of musicians reveals substantial insights about innovation. Nelson draws on extensive archival research and dozens of interviews with digital music pioneers; the book's website provides access to original historic documents and other material.