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Stages And Playgoers
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Book Synopsis Stages and Playgoers by : Janet Hill
Download or read book Stages and Playgoers written by Janet Hill and published by McGill-Queen's Press - MQUP. This book was released on 2002 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stages and Playgoers demonstrates the long, vital tradition of dialogue between stage and audience from medieval, through Tudor, to Jacobean drama. Janet Hill offers new insights into techniques of addressing playgoers from the stage and how they might have operated under particular staging conditions. Hill calls this dialogue "open address," a term that takes in a range of speeches often called "asides," "monologues," and "soliloquies." She argues that open address is a strategy that challenges playgoers, asking for answers that lie outside the stage in the playgoer/playhouse world.
Book Synopsis Stages of Play by : Michael W. Shurgot
Download or read book Stages of Play written by Michael W. Shurgot and published by University of Delaware Press. This book was released on 1998 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rather than arguing for a "unified response" among spectators, as many scholars do, the book argues that when the plays are performed on thrust stages, the audience's reactions are actually seminal to the plays' intended dramatic effects.
Book Synopsis Theatre in the Round by : Stephen Joseph
Download or read book Theatre in the Round written by Stephen Joseph and published by . This book was released on 1968 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Irish Play on the New York Stage, 1874-1966 by : John P. Harrington
Download or read book The Irish Play on the New York Stage, 1874-1966 written by John P. Harrington and published by University Press of Kentucky. This book was released on 2014-07-11 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the years American—especially New York—audiences have evolved a consistent set of expectations for the "Irish play." Traditionally the term implied a specific subject matter, invariably rural and Catholic, and embodied a reductive notion of Irish drama and society. This view continues to influence the types of Irish drama produced in the United States today. By examining seven different opening nights in New York theaters over the course of the last century, John Harrington considers the reception of Irish drama on the American stage and explores the complex interplay between drama and audience expectations. All of these productions provoked some form of public disagreement when they were first staged in New York, ranging from the confrontation between Shaw and the Society for the Suppression of Vice to the intellectual outcry provoked by billing Waiting for Godot as "the laugh sensation of two continents." The inaugural volume in the series Irish Literature, History, and Culture, The Irish Play on the New York Stage explores the New York premieres of The Shaughraun (1874), Mrs. Warren's Profession (1905), The Playboy of the Western World (1911), Exiles (1925), Within the Gates (1934), Waiting for Godot (1956), and Philadelphia, Here I Come! (1966).
Book Synopsis Shakespeare's Staged Spaces and Playgoers' Perceptions by : D. Farabee
Download or read book Shakespeare's Staged Spaces and Playgoers' Perceptions written by D. Farabee and published by Springer. This book was released on 2014-12-04 with total page 155 pages. Available in PDF, EPUB and Kindle. Book excerpt: This engaging study offers fresh readings of canonical Shakespeare plays, illuminating ways stagecraft and language of movement create meaning for playgoers. The discussions engage materials from the period, present revelatory readings of Shakespeare's language, and demonstrate how these continually popular texts engage all of us in making meaning.
Book Synopsis Enacting Gender on the English Renaissance Stage by : Viviana Comensoli
Download or read book Enacting Gender on the English Renaissance Stage written by Viviana Comensoli and published by University of Illinois Press. This book was released on 1999 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Collection of essays which engages debates over gender in the English Renaissance theater--Cover.
Book Synopsis Gender in Play on the Shakespearean Stage by : Michael Shapiro
Download or read book Gender in Play on the Shakespearean Stage written by Michael Shapiro and published by University of Michigan Press. This book was released on 1994 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cross-dressing in Shakespeare: a context for Elizabethan gender studies
Download or read book Gaming the Stage written by Gina Bloom and published by University of Michigan Press. This book was released on 2018-07-10 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Illuminates the fascinating, intertwined histories of games and the Early Modern theater
Book Synopsis The Stage Year Book by : Lionel Carson
Download or read book The Stage Year Book written by Lionel Carson and published by . This book was released on 1917 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vols. for 1908-10 include the section: The Stage provincial guide; 1950-52: The Stage guide. (Other years published separately).
Book Synopsis Thinking Through Place on the Early Modern English Stage by : Andrew Bozio
Download or read book Thinking Through Place on the Early Modern English Stage written by Andrew Bozio and published by Oxford University Press. This book was released on 2020-02-06 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thinking Through Place on the Early Modern English Stage argues that environment and embodied thought continually shaped one another in the performance of early modern English drama. It demonstrates this, first, by establishing how characters think through their surroundings — not only how they orient themselves within unfamiliar or otherwise strange locations, but also how their environs function as the scaffolding for perception, memory, and other forms of embodied thought. It then contends that these moments of thinking through place theorise and thematise the work that playgoers undertook in reimagining the stage as the setting of the dramatic fiction. By tracing the relationship between these two registers of thought in such plays as The Malcontent, Dido Queen of Carthage, Tamburlaine, King Lear, The Knight of the Burning Pestle, and Bartholomew Fair, this book shows that drama makes visible the often invisible means by which embodied subjects acquire a sense of their surroundings. It also reveals how, in doing so, theatre altered the way that playgoers perceived, experienced, and imagined place in early modern England.
Book Synopsis 'Stage-iana', 1,000 funny stories of the playhouse, the play and the players, compiled and ed. by W. Sapte by : William Sape
Download or read book 'Stage-iana', 1,000 funny stories of the playhouse, the play and the players, compiled and ed. by W. Sapte written by William Sape and published by . This book was released on 1892 with total page 118 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Staging Shakespeare at the New Globe by : P. Kiernan
Download or read book Staging Shakespeare at the New Globe written by P. Kiernan and published by Springer. This book was released on 1999-05-19 with total page 187 pages. Available in PDF, EPUB and Kindle. Book excerpt: What have we learned from the first experiments performed at the reconstructed Globe on Bankside? What light have recent productions shed on the way Shakespeare intended his plays to be seen? Written by the Leverhulme Fellow appointed to study and record actor use of this new-old playhouse, here is the first analytical account of the discoveries that have been made in its important first years, in workshops, rehearsals and performances. It shows how actors, directors and playgoers have responded to the demands of 'historical' constraints (and unexpected freedoms) to provide valuable new insights into the dynamics of Elizabethan theatre.
Book Synopsis The Stage Year Book, with which is Included the Stage Periodical Guide by :
Download or read book The Stage Year Book, with which is Included the Stage Periodical Guide written by and published by . This book was released on 1915 with total page 554 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Renascence of the English drama by : Jones
Download or read book The Renascence of the English drama written by Jones and published by . This book was released on 1895 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The London Stage 1890-1959 by : J. P. Wearing
Download or read book The London Stage 1890-1959 written by J. P. Wearing and published by Rowman & Littlefield. This book was released on 2014-10-30 with total page 1404 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. Spanning 1890 through the 1950s, all seven volumes of The London Stage series have been revised, corrected, and expanded. In addition, approximately 20 percent of the material—in particular, information about adaptations and translations, plot sources, and comment information—is new. Although each volume contains indexes specific to that decade, The London Stage 1890–1959: Accumulated Indexes combines all of the indexes into one comprehensive resource for more efficient research. For example, those wishing to locate all the references to a particular actor, play, or theatre whose history spanned more than one decade will find all of the entries listed in this set. This set includes four key indexes: general, genre, theatre, and title. The general index consists of numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. With approximately 40,000 people listed, this is the largest single source of theatrical personnel on the London stage during this period. The genre index comprises all entries for production types, including comedies, dramas, farces, and tragedies, as well as ballets, operas, adaptations, foreign works, pantomimes, and translations. The theatre index features every building to stage a production, from the Adelphi to Wyndham’s. The title index cites 14,000 productions, identifying every work produced on stage from Domestic Economy in January 1890 to When in Rome in December 1959. As a supplement to the individual volumes, The London Stage 1890–1959: Accumulated Indexes will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Book Synopsis The London Stage 1910-1919 by : J. P. Wearing
Download or read book The London Stage 1910-1919 written by J. P. Wearing and published by Scarecrow Press. This book was released on 2013-12-19 with total page 797 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of relevant newspapers and periodicals. This second edition of The London Stage 1910–1919: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1910 through December 1919. The volume chronicles more than 3,000 productions at 35 major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and closing dates Number of performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as a plot description, first-night audience reception, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Chu Chin Chow, The Gaol Gate, Hindle Wakes, Justice, Kismet, Pygmalion, and Rebecca of Sunnybrook Farm, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information on adaptations and translations, plot sources, and comments—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1910–1919 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Book Synopsis Shakespeare and the History of Soliloquies by : James E. Hirsh
Download or read book Shakespeare and the History of Soliloquies written by James E. Hirsh and published by Fairleigh Dickinson Univ Press. This book was released on 2003 with total page 474 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides the first systematic and comprehensive account of the conventions governing soliloquies in Western drama from ancient times to the twentieth century. Over the course of theatrical history, there have been several kinds of soliloquies. Shakespeare's soliloquies are not only the most interesting and the most famous, but also the most misunderstood, and several chapters examine them in detail. The present study is based on a painstaking analysis of the actual practices of dramatists from each age of theatrical history. This investigation has uncovered evidence that refutes long-standing commonplaces about soliloquies in general, about Shakespeare's soliloquies in particular, and especially about the to be, or not to be episode. 'Shakespeare and the history of Soliloquies' casts new lights on historical changes in the artistic representation of human beings and, because representations cannot be entirely disentangled from perception, on historical changes in the ways human beings have perceived theselves.
