Soviet Music And Society Under Lenin And Stalin

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Soviet Music and Society under Lenin and Stalin

Author : Neil Edmunds
Publisher : Routledge
ISBN 13 : 1134415621
Total Pages : 350 pages
Book Rating : 4.1/5 (344 download)

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Book Synopsis Soviet Music and Society under Lenin and Stalin by : Neil Edmunds

Download or read book Soviet Music and Society under Lenin and Stalin written by Neil Edmunds and published by Routledge. This book was released on 2004-06-01 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates the place of music in Soviet society during the eras of Lenin and Stalin. It examines the different strategies adopted by composers and musicians in their attempts to carve out careers in a rapidly evolving society, discusses the role of music in Soviet society and people's lives, and shows how political ideology proved an inspiration as well as an inhibition. It explores how music and politics interacted in the lives of two of the twentieth century's greatest composers - Shostakovich and Prokofiev - and also in the lives of less well-known composers. In addition it considers the specialist composers of early Soviet musical propaganda, amateur music making, and musical life in the non-Russian republics. The book will appeal to specialists in Soviet music history, those with an interest in twentieth century music in general, and also to students of the history, culture and politics of the Soviet Union.

Classics for the Masses

Author : Pauline Fairclough
Publisher : Yale University Press
ISBN 13 : 0300219431
Total Pages : 297 pages
Book Rating : 4.3/5 (2 download)

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Book Synopsis Classics for the Masses by : Pauline Fairclough

Download or read book Classics for the Masses written by Pauline Fairclough and published by Yale University Press. This book was released on 2016-05-28 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musicologist Pauline Fairclough explores the evolving role of music in shaping the cultural identity of the Soviet Union in a revelatory work that counters certain hitherto accepted views of an unbending, unchanging state policy of repression, censorship, and dissonance that existed in all areas of Soviet artistic endeavor. Newly opened archives from the Leninist and Stalinist eras have shed new light on Soviet concert life, demonstrating how the music of the past was used to help mold and deliver cultural policy, how “undesirable” repertoire was weeded out during the 1920s, and how Russian and non-Russian composers such as Mozart, Tchaikovsky, Wagner, Bach, and Rachmaninov were “canonized” during different, distinct periods in Stalinist culture. Fairclough’s fascinating study of the ever-shifting Soviet musical-political landscape identifies 1937 as the start of a cultural Cold War, rather than occurring post-World War Two, as is often maintained, while documenting the efforts of musicians and bureaucrats during this period to keep musical channels open between Russia and the West.

Soviet Music and Society Under Lenin and Stalin

Author : Neil Edmunds
Publisher : Routledge
ISBN 13 : 113441563X
Total Pages : 258 pages
Book Rating : 4.1/5 (344 download)

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Book Synopsis Soviet Music and Society Under Lenin and Stalin by : Neil Edmunds

Download or read book Soviet Music and Society Under Lenin and Stalin written by Neil Edmunds and published by Routledge. This book was released on 2004-06 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates the place of music in Soviet society during the eras of Lenin and Stalin. It examines the different strategies adopted by composers and musicians in their attempts to carve out careers in a rapidly evolving society, discusses the role of music in Soviet society and people's lives, and shows how political ideology proved an inspiration as well as an inhibition. It explores how music and politics interacted in the lives of two of the twentieth century's greatest composers - Shostakovich and Prokofiev - and also in the lives of less well-known composers. In addition it considers the specialist composers of early Soviet musical propaganda, amateur music making, and musical life in the non-Russian republics. The book will appeal to specialists in Soviet music history, those with an interest in twentieth century music in general, and also to students of the history, culture and politics of the Soviet Union.

Stalin's Music Prize

Author : Marina Frolova-Walker
Publisher : Yale University Press
ISBN 13 : 0300208847
Total Pages : 382 pages
Book Rating : 4.3/5 (2 download)

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Book Synopsis Stalin's Music Prize by : Marina Frolova-Walker

Download or read book Stalin's Music Prize written by Marina Frolova-Walker and published by Yale University Press. This book was released on 2016-01-01 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: Marina Frolova-Walker's fascinating history takes a new look at musical life in Stalin's Soviet Union. The author focuses on the musicians and composers who received Stalin Prizes, awarded annually to artists whose work was thought to represent the best in Soviet culture. This revealing study sheds new light on the Communist leader's personal tastes, the lives and careers of those honored, including multiple-recipients Prokofiev and Shostakovich, and the elusive artistic concept of "Socialist Realism," offering the most comprehensive examination to date of the relationship between music and the Soviet state from 1940 through 1954.

Iconography of Power

Author : Victoria E. Bonnell
Publisher : Univ of California Press
ISBN 13 : 9780520924062
Total Pages : 404 pages
Book Rating : 4.9/5 (24 download)

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Book Synopsis Iconography of Power by : Victoria E. Bonnell

Download or read book Iconography of Power written by Victoria E. Bonnell and published by Univ of California Press. This book was released on 1998-02-05 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: Masters at visual propaganda, the Bolsheviks produced thousands of vivid and compelling posters after they seized power in October 1917. Intended for a semi-literate population that was accustomed to the rich visual legacy of the Russian autocracy and the Orthodox Church, political posters came to occupy a central place in the regime's effort to imprint itself on the hearts and minds of the people and to remold them into the new Soviet women and men. In this first sociological study of Soviet political posters, Victoria Bonnell analyzes the shifts that took place in the images, messages, styles, and functions of political art from 1917 to 1953. Everyone who lived in Russia after the October revolution had some familiarity with stock images of the male worker, the great communist leaders, the collective farm woman, the capitalist, and others. These were the new icons' standardized images that depicted Bolshevik heroes and their adversaries in accordance with a fixed pattern. Like other "invented traditions" of the modern age, iconographic images in propaganda art were relentlessly repeated, bringing together Bolshevik ideology and traditional mythologies of pre-Revolutionary Russia. Symbols and emblems featured in Soviet posters of the Civil War and the 1920s gave visual meaning to the Bolshevik worldview dominated by the concept of class. Beginning in the 1930s, visual propaganda became more prescriptive, providing models for the appearance, demeanor, and conduct of the new social types, both positive and negative. Political art also conveyed important messages about the sacred center of the regime which evolved during the 1930s from the celebration of the heroic proletariat to the deification of Stalin. Treating propaganda images as part of a particular visual language, Bonnell shows how people "read" them—relying on their habits of seeing and interpreting folk, religious, commercial, and political art (both before and after 1917) as well as the fine art traditions of Russia and the West. Drawing on monumental sculpture and holiday displays as well as posters, the study traces the way Soviet propaganda art shaped the mentality of the Russian people (the legacy is present even today) and was itself shaped by popular attitudes and assumptions. Iconography of Power includes posters dating from the final decades of the old regime to the death of Stalin, located by the author in Russian, American, and English libraries and archives. One hundred exceptionally striking posters are reproduced in the book, many of them never before published. Bonnell places these posters in a historical context and provides a provocative account of the evolution of the visual discourse on power in Soviet Russia.

Music for the Revolution

Author : Amy Nelson
Publisher : Penn State Press
ISBN 13 : 0271046198
Total Pages : 350 pages
Book Rating : 4.2/5 (71 download)

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Book Synopsis Music for the Revolution by : Amy Nelson

Download or read book Music for the Revolution written by Amy Nelson and published by Penn State Press. This book was released on 2010-02-24 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mention twentieth-century Russian music, and the names of three &"giants&"&—Igor Stravinsky, Sergei Prokofiev, and Dmitrii Shostakovich&—immediately come to mind. Yet during the turbulent decade following the Bolshevik Revolution, Stravinsky and Prokofiev lived abroad and Shostakovich was just finishing his conservatory training. While the fame of these great musicians is widely recognized, little is known about the creative challenges and political struggles that engrossed musicians in Soviet Russia during the crucial years after 1917. Music for the Revolution examines musicians&’ responses to Soviet power and reveals the conditions under which a distinctively Soviet musical culture emerged in the early thirties. Given the dramatic repression of intellectual freedom and creativity in Stalinist Russia, the twenties often seem to be merely a prelude to Totalitarianism in artistic life. Yet this was the decade in which the creative intelligentsia defined its relationship with the Soviet regime and the aesthetic foundations for socialist realism were laid down. In their efforts to deal with the political challenges of the Revolution, musicians grappled with an array of issues affecting musical education, professional identity, and the administration of musical life, as well as the embrace of certain creative platforms and the rejection of others. Nelson shows how debates about these issues unfolded in the context of broader concerns about artistic modernism and elitism, as well as the more expansive goals and censorial authority of Soviet authorities. Music for the Revolution shows how the musical community helped shape the musical culture of Stalinism and extends the interpretive frameworks of Soviet culture presented in recent scholarship to an area of artistic creativity often overlooked by historians. It should be broadly important to those interested in Soviet history, the cultural roots of Stalinism, Russian and Soviet music, and the place of music and the arts in revolutionary change.

Russia After Lenin

Author : Vladimir Brovkin
Publisher : Routledge
ISBN 13 : 1134680570
Total Pages : 282 pages
Book Rating : 4.1/5 (346 download)

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Book Synopsis Russia After Lenin by : Vladimir Brovkin

Download or read book Russia After Lenin written by Vladimir Brovkin and published by Routledge. This book was released on 2005-08-04 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following the Russian Revolution, the cultural and political landscape of Russia was strewn with contradictions. The dictatorship, censorship and repression of the Communist party existed alongside private enterprise, the black market and open debates on Socialism. In Russian Society and politics 1921-1929 Vladimir Brovkin offers a comprehensive cultural, political, economic and social history of developments in Russia in the 1920's. By examining the contrast between Bolshevik propaganda claims and social reality, the author explains how Communist representations were variously received and resisted by workers, peasants, students, women, teachers and party officials. He presents a picture of cultural diversity and rejection of Communist constraints through many means including unauthorised protest, religion, jazz music and poetry. In Russian Society and Politics 1921-1929 Vladimir Brovkin argues that these trends, if left unchecked, endangered the Communist Party's monopoly on political power. The Stalinist revolution can thus be seen as a pre-emptive strike against this independent and vibrant society as well as a product of Stalin's personality and communist ideology.

A State of Nations

Author : Ronald Grigor Suny
Publisher : Oxford University Press
ISBN 13 : 0195349350
Total Pages : 320 pages
Book Rating : 4.1/5 (953 download)

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Book Synopsis A State of Nations by : Ronald Grigor Suny

Download or read book A State of Nations written by Ronald Grigor Suny and published by Oxford University Press. This book was released on 2001-11-29 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collected volume, edited by Ron Suny and Terry Martin, shows how the Soviet state managed to create a multiethnic empire in its early years, from the end of the Russian Revolution to the end of World War II. Bringing together the newest research on a wide geographic range, from Russia to Central Asia, this volume is essential reading for students and scholars of Soviet history and politics.

Thank You, Comrade Stalin!

Author : Jeffrey Brooks
Publisher : Princeton University Press
ISBN 13 : 1400843928
Total Pages : 340 pages
Book Rating : 4.4/5 (8 download)

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Book Synopsis Thank You, Comrade Stalin! by : Jeffrey Brooks

Download or read book Thank You, Comrade Stalin! written by Jeffrey Brooks and published by Princeton University Press. This book was released on 2021-04-13 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thank you, our Stalin, for a happy childhood." "Thank you, dear Marshal [Stalin], for our freedom, for our children's happiness, for life." Between the Russian Revolution and the Cold War, Soviet public culture was so dominated by the power of the state that slogans like these appeared routinely in newspapers, on posters, and in government proclamations. In this penetrating historical study, Jeffrey Brooks draws on years of research into the most influential and widely circulated Russian newspapers--including Pravda, Isvestiia, and the army paper Red Star--to explain the origins, the nature, and the effects of this unrelenting idealization of the state, the Communist Party, and the leader. Brooks shows how, beginning with Lenin, the Communists established a state monopoly of the media that absorbed literature, art, and science into a stylized and ritualistic public culture--a form of political performance that became its own reality and excluded other forms of public reflection. He presents and explains scores of self-congratulatory newspaper articles, including tales of Stalin's supposed achievements and virtue, accounts of the country's allegedly dynamic economy, and warnings about the decadence and cruelty of the capitalist West. Brooks pays particular attention to the role of the press in the reconstruction of the Soviet cultural system to meet the Nazi threat during World War II and in the transformation of national identity from its early revolutionary internationalism to the ideology of the Cold War. He concludes that the country's one-sided public discourse and the pervasive idea that citizens owed the leader gratitude for the "gifts" of goods and services led ultimately to the inability of late Soviet Communism to diagnose its own ills, prepare alternative policies, and adjust to new realities. The first historical work to explore the close relationship between language and the implementation of the Stalinist-Leninist program, Thank You, Comrade Stalin! is a compelling account of Soviet public culture as reflected through the country's press.

Europe, 1890–1945

Author : Stephen J. Lee
Publisher : Routledge
ISBN 13 : 1136406603
Total Pages : 436 pages
Book Rating : 4.1/5 (364 download)

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Book Synopsis Europe, 1890–1945 by : Stephen J. Lee

Download or read book Europe, 1890–1945 written by Stephen J. Lee and published by Routledge. This book was released on 2020-03-27 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: Europe, 1890-1945 is a new approach to teaching and learning early twentieth century European history at A level. It meets the needs of teachers and students studying for today's revised AS and A2 exams. In a unique style, Europe, 1890-1945 focuses on the key topics within the period. Each topic is then comprehensively explored to provide background information, essay writing advice and examples, source work, and historical skills exercises. From 1890 to 1945, the key topics featured include: * the origins and impact of the First World War * the Russian Revolution and the rise of Stalin * the Weimar Republic and the rise of Hitler * Mussolini and Fascist Italy * Stalin and the Soviet Union, 1928-41.

Social and Cultural History of the Soviet Union

Author : William G. Rosenberg
Publisher : Articles-Garlan
ISBN 13 :
Total Pages : 544 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Social and Cultural History of the Soviet Union by : William G. Rosenberg

Download or read book Social and Cultural History of the Soviet Union written by William G. Rosenberg and published by Articles-Garlan. This book was released on 1992 with total page 544 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Historical Dictionary of Russian Music

Author : Daniel Jaffé
Publisher : Rowman & Littlefield
ISBN 13 : 1538130084
Total Pages : 563 pages
Book Rating : 4.5/5 (381 download)

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Book Synopsis Historical Dictionary of Russian Music by : Daniel Jaffé

Download or read book Historical Dictionary of Russian Music written by Daniel Jaffé and published by Rowman & Littlefield. This book was released on 2022-02-15 with total page 563 pages. Available in PDF, EPUB and Kindle. Book excerpt: Russian music today has a firm hold around the world in the repertoire of opera houses, ballet companies, and orchestras. The music of Pyotr Tchaikovsky, Nikolai Rimsky-Korsakov, Sergey Rachmaninov, Sergey Prokofiev, and Dmitri Shostakovich is very much today’s lingua franca both in the concert hall and on the soundtracks of international blockbusters from Hollywood. Meanwhile, the innovations of Modest Musorgsky, Alexander Borodin, and Igor Stravinsky have played their crucial role in the development of Western music, influencing the work of virtually every notable composer of the past century. Historical Dictionary of Russian Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries for each of Russia’s major performing organizations and performance venues, and on specific genres such as ballet, film music, symphony and church music. This book is an excellent resource for students, researchers, and anyone wanting to know more about Russian Music.

Russia After Lenin

Author : Vladimir N. Brovkin
Publisher : Taylor & Francis US
ISBN 13 : 9780415179928
Total Pages : 266 pages
Book Rating : 4.1/5 (799 download)

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Book Synopsis Russia After Lenin by : Vladimir N. Brovkin

Download or read book Russia After Lenin written by Vladimir N. Brovkin and published by Taylor & Francis US. This book was released on 1998 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following the Russian Revolution, the cultural and political landscape of Russia was strewn with contradictions. The dictatorship, censorship and repression of the Communist party existed alongside private enterprise, the black market and open debates on Socialism. In Russian Society and politics 1921-1929 Vladimir Brovkin offers a comprehensive cultural, political, economic and social history of developments in Russia in the 1920's. By examining the contrast between Bolshevik propaganda claims and social reality, the author explains how Communist representations were variously received and resisted by workers, peasants, students, women, teachers and party officials. He presents a picture of cultural diversity and rejection of Communist constraints through many means including unauthorised protest, religion, jazz music and poetry. In Russian Society and Politics 1921-1929 Vladimir Brovkin argues that these trends, if left unchecked, endangered the Communist Party's monopoly on political power. The Stalinist revolution can thus be seen as a pre-emptive strike against this independent and vibrant society as well as a product of Stalin's personality and communist ideology.

American–Soviet Cultural Diplomacy

Author : Cadra Peterson McDaniel
Publisher : Lexington Books
ISBN 13 : 0739199315
Total Pages : 308 pages
Book Rating : 4.7/5 (391 download)

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Book Synopsis American–Soviet Cultural Diplomacy by : Cadra Peterson McDaniel

Download or read book American–Soviet Cultural Diplomacy written by Cadra Peterson McDaniel and published by Lexington Books. This book was released on 2014-11-18 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first full-length examination of a Soviet cultural diplomatic effort. In her work, McDaniel focuses on the key role that the Soviets assigned to the arts in transforming societies and demonstrates that the Soviets conceived of the arts as a kind of "artful warfare"; a valuable weapon in winning the Cold War.

A Soviet Credo: Shostakovich's Fourth Symphony

Author : Pauline Fairclough
Publisher : Routledge
ISBN 13 : 1351577964
Total Pages : 296 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis A Soviet Credo: Shostakovich's Fourth Symphony by : Pauline Fairclough

Download or read book A Soviet Credo: Shostakovich's Fourth Symphony written by Pauline Fairclough and published by Routledge. This book was released on 2017-07-05 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Composed in 1935-36 and intended to be his artistic 'credo', Shostakovich's Fourth Symphony was not performed publicly until 1961. Here, Dr Pauline Fairclough tackles head-on one of the most significant and least understood of Shostakovich's major works. She argues that the Fourth Symphony was radically different from its Soviet contemporaries in terms of its structure, dramaturgy, tone and even language, and therefore challenged the norms of Soviet symphonism at a crucial stage of its development. With the backing of prominent musicologists such as Ivan Sollertinsky, the composer could realistically have expected the premiere to have taken place, and may even have intended the symphony to be a model for a new kind of 'democratic' Soviet symphonism. Fairclough meticulously examines the score to inform a discussion of tonal and thematic processes, allusion, paraphrase and reference to musical types, or intonations. Such analysis is set deeply in the context of Soviet musical culture during the period 1932-36, involving Shostakovich's contemporaries Shebalin, Myaskovsky, Kabalevsky and Popov. A new method of analysis is also advanced here, where a range of Soviet and Western analytical methods are informed by the theoretical work of Shostakovich's contemporaries Viktor Shklovsky, Boris Tomashevsky, Mikhail Bakhtin and Ivan Sollertinsky, together with Theodor Adorno's late study of Mahler. In this way, the book will significantly increase an understanding of the symphony and its context.

The Reception of East Slavic Literatures in the West and the East

Author : Shin’ichi Murata
Publisher : Firenze University Press
ISBN 13 :
Total Pages : 328 pages
Book Rating : 4.2/5 (215 download)

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Book Synopsis The Reception of East Slavic Literatures in the West and the East by : Shin’ichi Murata

Download or read book The Reception of East Slavic Literatures in the West and the East written by Shin’ichi Murata and published by Firenze University Press. This book was released on with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume, edited by scholars from diverse backgrounds, stems from the original convergence of various geo-cultural viewpoints on the reception of East Slavic cultures and literatures (Russian, Ukrainian, Belarussian, Soviet): European viewpoints are juxtaposed with those of the Japanese, Chinese, Israeli areas. The volume offers a broad look at the history of the perception of these literatures in Europe, Italy, and East Asia (with special attention to their reception in Japan and China). Contacts, influences, meditations, and difficulties in the perception of literary and cultural phenomena are the subject of original comparative analyses. The vitality with which Slavic-Eastern literatures have found echoes in very distant environments, but also the evolution of the self-perception of Ukrainian literature over time, are among the topics.

Classics for the Masses

Author : Pauline Fairclough
Publisher : Yale University Press
ISBN 13 : 0300217196
Total Pages : 297 pages
Book Rating : 4.3/5 (2 download)

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Book Synopsis Classics for the Masses by : Pauline Fairclough

Download or read book Classics for the Masses written by Pauline Fairclough and published by Yale University Press. This book was released on 2016-01-01 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musicologist Pauline Fairclough explores the evolving role of music in shaping the cultural identity of the Soviet Union in a revelatory work that counters certain hitherto accepted views of an unbending, unchanging state policy of repression, censorship, and dissonance that existed in all areas of Soviet artistic endeavor. Newly opened archives from the Leninist and Stalinist eras have shed new light on Soviet concert life, demonstrating how the music of the past was used to help mold and deliver cultural policy, how “undesirable” repertoire was weeded out during the 1920s, and how Russian and non-Russian composers such as Mozart, Tchaikovsky, Wagner, Bach, and Rachmaninov were “canonized” during different, distinct periods in Stalinist culture. Fairclough’s fascinating study of the ever-shifting Soviet musical-political landscape identifies 1937 as the start of a cultural Cold War, rather than occurring post-World War Two, as is often maintained, while documenting the efforts of musicians and bureaucrats during this period to keep musical channels open between Russia and the West.