Sonic Modernity

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Author :
Publisher : Edinburgh University Press
ISBN 13 : 0748632565
Total Pages : 224 pages
Book Rating : 4.7/5 (486 download)

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Book Synopsis Sonic Modernity by : Sam Halliday

Download or read book Sonic Modernity written by Sam Halliday and published by Edinburgh University Press. This book was released on 2013-03-14 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reveals the many roles and forms of sound in modernism. Drawing on a wealth of texts and thinkers, the book shows the distinctive nature of sonic cultures in modernity. Arguing that these cultures are not reducible to sound alone, the book further shows that these encompass representations of sound in 'other' media: especially literature; but also, cinema and painting. Figures discussed include canonical writers such as Joyce, Richardson, and Woolf; relatively neglected writers such as Henry Roth and Bryher; and a whole host of musicians, artists, and other commentators, including Wagner, Schoenberg, Kandinsky, Adorno, and Benjamin. Conceptually as well as topically diverse, the book engages issues such as city noise and 'foreign' accents, representations of sound in 'silent' cinema, the relationship of music to language, and the effects of technology on sonic production and reception.

Phonographies

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Publisher : Duke University Press
ISBN 13 : 0822386933
Total Pages : 300 pages
Book Rating : 4.8/5 (223 download)

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Book Synopsis Phonographies by : Alexander Ghedi Weheliye

Download or read book Phonographies written by Alexander Ghedi Weheliye and published by Duke University Press. This book was released on 2005-05-20 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Phonographies explores the numerous links and relays between twentieth-century black cultural production and sound technologies from the phonograph to the Walkman. Highlighting how black authors, filmmakers, and musicians have actively engaged with recorded sound in their work, Alexander G. Weheliye contends that the interplay between sound technologies and black music and speech enabled the emergence of modern black culture, of what he terms “sonic Afro-modernity.” He shows that by separating music and speech from their human sources, sound-recording technologies beginning with the phonograph generated new modes of thinking, being, and becoming. Black artists used these new possibilities to revamp key notions of modernity—among these, ideas of subjectivity, temporality, and community. Phonographies is a powerful argument that sound technologies are integral to black culture, which is, in turn, fundamental to Western modernity. Weheliye surveys literature, film, and music to focus on engagements with recorded sound. He offers substantial new readings of canonical texts by W. E. B. Du Bois and Ralph Ellison, establishing dialogues between these writers and popular music and film ranging from Louis Armstrong’s voice to DJ mixing techniques to Darnell Martin’s 1994 movie I Like It Like That. Looking at how questions of diasporic belonging are articulated in contemporary black musical practices, Weheliye analyzes three contemporary Afro-diasporic musical acts: the Haitian and African American rap group the Fugees, the Afro- and Italian-German rap collective Advanced Chemistry, and black British artist Tricky and his partner Martina. Phonographies imagines the African diaspora as a virtual sounding space, one that is marked, in the twentieth century and twenty-first, by the circulation of culture via technological reproductions—records and tapes, dubbing and mixing, and more.

Modernity's Ear

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Author :
Publisher : NYU Press
ISBN 13 : 147981993X
Total Pages : 208 pages
Book Rating : 4.4/5 (798 download)

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Book Synopsis Modernity's Ear by : Roshanak Kheshti

Download or read book Modernity's Ear written by Roshanak Kheshti and published by NYU Press. This book was released on 2015-10-23 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Inside the global music industry and the racialized and gendered assumptions we make about what we hear Fearing the rapid disappearance of indigenous cultures, twentieth-century American ethnographers turned to the phonograph to salvage native languages and musical practices. Prominent among these early “songcatchers” were white women of comfortable class standing, similar to the female consumers targeted by the music industry as the gramophone became increasingly present in bourgeois homes. Through these simultaneous movements, listening became constructed as a feminized practice, one that craved exotic sounds and mythologized the ‘other’ that made them. In Modernity’s Ear, Roshanak Kheshti examines the ways in which racialized and gendered sounds became fetishized and, in turn, capitalized on by an emergent American world music industry through the promotion of an economy of desire. Taking a mixed-methods approach that draws on anthropology and sound studies, Kheshti locates sound as both representative and constitutive of culture and power. Through analyses of film, photography, recordings, and radio, as well as ethnographic fieldwork at a San Francisco-based world music company, Kheshti politicizes the feminine in the contemporary world music industry. Deploying critical theory to read the fantasy of the feminized listener and feminized organ of the ear, Modernity’s Ear ultimately explores the importance of pleasure in constituting the listening self.

Eardrums

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Publisher : Northwestern University Press
ISBN 13 : 0810140233
Total Pages : 315 pages
Book Rating : 4.8/5 (11 download)

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Book Synopsis Eardrums by : Tyler Whitney

Download or read book Eardrums written by Tyler Whitney and published by Northwestern University Press. This book was released on 2019-06-15 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this innovative study, Tyler Whitney demonstrates how a transformation and militarization of the civilian soundscape in the late nineteenth and early twentieth centuries left indelible traces on the literature that defined the period. Both formally and thematically, the modernist aesthetics of Franz Kafka, Robert Musil, Detlev von Liliencron, and Peter Altenberg drew on this blurring of martial and civilian soundscapes in traumatic and performative repetitions of war. At the same time, Richard Huelsenbeck assaulted audiences in Zurich with his “sound poems,” which combined references to World War I, colonialism, and violent encounters in urban spaces with nonsensical utterances and linguistic detritus—all accompanied by the relentless beating of a drum on the stage of the Cabaret Voltaire. Eardrums is the first book-length study to explore the relationship between acoustical modernity and German modernism, charting a literary and cultural history written in and around the eardrum. The result is not only a new way of understanding the sonic impulses behind key literary texts from the period. It also outlines an entirely new approach to the study of literature as as the interaction of text and sonic practice, voice and noise, which will be of interest to scholars across literary studies, media theory, sound studies, and the history of science.

Sounding Modernism

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Author :
Publisher : Edinburgh University Press
ISBN 13 : 1474416373
Total Pages : 264 pages
Book Rating : 4.4/5 (744 download)

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Book Synopsis Sounding Modernism by : Julian Murphet

Download or read book Sounding Modernism written by Julian Murphet and published by Edinburgh University Press. This book was released on 2017-03-08 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. The individual studies ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions and transferences across media affect the ways in which human subjects attend to modern soundscapes. Script, groove, electrical current, magnetic imprint, phonographic vibration: as the contributors show, sound traverses these and other material platforms to become an insistent ground-note of modern aesthetics, one not yet adequately integrated into critical accounts of the period. This collection also provides a commanding and wide-ranging investigation of the conditions under which modernists tapped technically into the rhythms, echoes and sonic architectures of their worlds.

Kaleidophonic Modernity

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Author :
Publisher : Fordham Univ Press
ISBN 13 : 1531501508
Total Pages : 207 pages
Book Rating : 4.5/5 (315 download)

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Book Synopsis Kaleidophonic Modernity by : Brett Brehm

Download or read book Kaleidophonic Modernity written by Brett Brehm and published by Fordham Univ Press. This book was released on 2023-02-21 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: What stories remain hidden behind one of the most significant inventions of the nineteenth century? Kaleidophonic Modernity reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and artists in France and the United States. Working between comparative literature, the history of science, and urban studies, Brehm builds a bridge between visual culture and sound studies. Kaleidophonic Modernity places the poet and inventor Charles Cros and his lover, the celebrated concert pianist and salonnière Nina de Villard at the heart of modern aesthetic and scientific vanguards. Cros's scientific endeavors ranged from color photography, to telecommunications, to mechanical sound reproducibility. In his poetry the Surrealists found an ancestor and inspiration. His literary and scientific works prove startling and relevant to predicaments of technological media in his own time and ours. For nearly twenty years Nina de Villard presided over a supremely daring intellectual salon. There, she welcomed manifold literary, artistic, and musical luminaries into a veritable crucible of the artistic avant-garde and precursor to the famous Chat Noir cabaret. Together, these two forgotten but pivotal figures, Cros and Villard, help reframe our thinking on Edgar Allan Poe, Charles Baudelaire, and Walt Whitman, icons of urban modernity who can now be seen and heard in a kaleidophonic light, one that offers a compelling new perspective on modern mediascapes. In elaborating this transatlantic phenomenon, Kaleidophonic Modernity illuminates the prehistory of the phonograph as it intersects with the aesthetics of sound reproducibility, Franco-American literary exchange, Poe’s aesthetic and intellectual legacy, the sounds of modern cities and technologies, and the genealogy of audiovisual experimentation found in such movements as Dada, Futurism, and the sound art of today.

Contemporary U.S. Latinx Literature in Spanish

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Author :
Publisher : Springer
ISBN 13 : 3030025985
Total Pages : 135 pages
Book Rating : 4.0/5 (3 download)

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Book Synopsis Contemporary U.S. Latinx Literature in Spanish by : Amrita Das

Download or read book Contemporary U.S. Latinx Literature in Spanish written by Amrita Das and published by Springer. This book was released on 2018-11-19 with total page 135 pages. Available in PDF, EPUB and Kindle. Book excerpt: U.S. Latinx Literature in Spanish remains an understudied field despite its large and vibrant corpus. This is partly due to the erroneous impression that this literature is only written in English, and partly due to traditional educational programs focusing on English texts to include non-Spanish speakers and non-Latinx students. This has created a vacuum in research about Latinx literary production in Spanish, leaving the contemporary field wide open for exploration. This volume fills this space by bringing contemporary U.S. Latinx literature in Spanish to the forefront of the field. The essays focus on literary production post-1960 and examine texts by authors from different backgrounds writing from the U.S., providing readers with an opportunity to explore new texts in Spanish within U.S. Latinx literature, and a departure point for starting a meaningful critical discourse about what it means to write and publish in Spanish in the U.S. Through exploring literary production in a language that is both emotionally and politically charged for authors, the academia, and the U.S., this book challenges and enhances our understanding of the term ‘Americas’.

Modernity's Ear

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Author :
Publisher : NYU Press
ISBN 13 : 1479817864
Total Pages : 199 pages
Book Rating : 4.4/5 (798 download)

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Book Synopsis Modernity's Ear by : Roshanak Kheshti

Download or read book Modernity's Ear written by Roshanak Kheshti and published by NYU Press. This book was released on 2015-10-23 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: Inside the global music industry and the racialized and gendered assumptions we make about what we hear Fearing the rapid disappearance of indigenous cultures, twentieth-century American ethnographers turned to the phonograph to salvage native languages and musical practices. Prominent among these early “songcatchers” were white women of comfortable class standing, similar to the female consumers targeted by the music industry as the gramophone became increasingly present in bourgeois homes. Through these simultaneous movements, listening became constructed as a feminized practice, one that craved exotic sounds and mythologized the ‘other’ that made them. In Modernity’s Ear, Roshanak Kheshti examines the ways in which racialized and gendered sounds became fetishized and, in turn, capitalized on by an emergent American world music industry through the promotion of an economy of desire. Taking a mixed-methods approach that draws on anthropology and sound studies, Kheshti locates sound as both representative and constitutive of culture and power. Through analyses of film, photography, recordings, and radio, as well as ethnographic fieldwork at a San Francisco-based world music company, Kheshti politicizes the feminine in the contemporary world music industry. Deploying critical theory to read the fantasy of the feminized listener and feminized organ of the ear, Modernity’s Ear ultimately explores the importance of pleasure in constituting the listening self.

Composing for the Revolution

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Author :
Publisher : University of Hawaii Press
ISBN 13 : 0824885732
Total Pages : 297 pages
Book Rating : 4.8/5 (248 download)

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Book Synopsis Composing for the Revolution by : Joshua H. Howard

Download or read book Composing for the Revolution written by Joshua H. Howard and published by University of Hawaii Press. This book was released on 2020-10-31 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Composing for the Revolution: Nie Er and China’s Sonic Nationalism, Joshua Howard explores the role the songwriter Nie Er played in the 1930s proletarian arts movement and the process by which he became a nationalist icon. Composed only months before his untimely death in 1935, Nie Er’s last song, the “March of the Volunteers,” captured the rising anti-Japanese sentiment and was selected as China’s national anthem with the establishment of the People’s Republic. Nie was quickly canonized after his death and later recast into the “People’s Musician” during the 1950s, effectively becoming a national monument. Howard engages two historical paradigms that have dominated the study of twentieth-century China: revolution and modernity. He argues that Nie Er, active in the leftist artistic community and critical of capitalism, availed himself of media technology, especially the emerging sound cinema, to create a modern, revolutionary, and nationalist music. This thesis stands as a powerful corrective to a growing literature on the construction of a Chinese modernity, which has privileged the mass consumer culture of Shanghai and consciously sought to displace the focus on China’s revolutionary experience. Composing for the Revolution also provides insight into understudied aspects of China’s nationalism—its sonic and musical dimensions. Howard’s analyses highlights Nie’s extensive writings on the political function of music, examination of the musical techniques and lyrics of compositions within the context of left-wing cinema, and also the transmission of his songs through film, social movements, and commemoration. Nie Er shared multiple and overlapping identities based on regionalism, nationalism, and left-wing internationalism. His march songs, inspired by Soviet “mass songs,” combined Western musical structure and aesthetic with elements of Chinese folk music. The songs’ ideological message promoted class nationalism, but his “March of the Volunteers” elevated his music to a universal status thereby transcending the nation. Traversing the life and legacy of Nie Er, Howard offers readers a profound insight into the meanings of nationalism and memory in contemporary China. Composing for the Revolution underscores the value of careful reading of sources and the author’s willingness to approach a subject from multiple perspectives.

Avant-Garde Theatre Sound

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Author :
Publisher : Springer
ISBN 13 : 1137324791
Total Pages : 260 pages
Book Rating : 4.1/5 (373 download)

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Book Synopsis Avant-Garde Theatre Sound by : A. Curtin

Download or read book Avant-Garde Theatre Sound written by A. Curtin and published by Springer. This book was released on 2014-04-02 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sound experimentation by avant-garde theatre artists of the late-nineteenth and early-twentieth centuries is an important but ignored aspect of theatre history. Curtin explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction.

Sound and Modernity in the Literature of London, 1880-1918

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Author :
Publisher : Springer
ISBN 13 : 1137540176
Total Pages : 179 pages
Book Rating : 4.1/5 (375 download)

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Book Synopsis Sound and Modernity in the Literature of London, 1880-1918 by : Patricia Pye

Download or read book Sound and Modernity in the Literature of London, 1880-1918 written by Patricia Pye and published by Springer. This book was released on 2017-10-13 with total page 179 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the literary representation of late Victorian and early Edwardian London from an auditory perspective, arguing that readers should ‘listen’ to impressions of the city, as described by writers such as Conrad, Doyle, Ford and Gissing. It was in this period that London began to ‘sound modern’ and, through a closer hearing of its literature, writers’ wider responses to modernity are revealed. The book is structured into familiar modernist themes, revisiting time and space, social progress and popular culture through an exploration of the sound impressions of some key works. Each chapter is contextualized by these themes, revealing how the sound of the news, social protest, music hall and suburbanization impacted on writers’ literary imaginations. Suitable for students of modernist literature and specialists in sound studies, this book will also appeal to readers with a wider interest in London’s history and popular culture between 1880-1918.

The Soundscape of Modernity

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Author :
Publisher : MIT Press
ISBN 13 : 9780262701068
Total Pages : 518 pages
Book Rating : 4.7/5 (1 download)

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Book Synopsis The Soundscape of Modernity by : Emily Thompson

Download or read book The Soundscape of Modernity written by Emily Thompson and published by MIT Press. This book was released on 2004-09-17 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: A vibrant history of acoustical technology and aural culture in early-twentieth-century America. In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as the culture that enthusiastically consumed it, Thompson recovers a lost dimension of the Machine Age and deepens our understanding of the experience of change that characterized the era. Reverberation equations, sound meters, microphones, and acoustical tiles were deployed in places as varied as Boston's Symphony Hall, New York's office skyscrapers, and the soundstages of Hollywood. The control provided by these technologies, however, was applied in ways that denied the particularity of place, and the diverse spaces of modern America began to sound alike as a universal new sound predominated. Although this sound—clear, direct, efficient, and nonreverberant—had little to say about the physical spaces in which it was produced, it speaks volumes about the culture that created it. By listening to it, Thompson constructs a compelling new account of the experience of modernity in America.

Abstraction in Modernism and Modernity

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Author :
Publisher : Edinburgh University Press
ISBN 13 : 1474461670
Total Pages : 273 pages
Book Rating : 4.4/5 (744 download)

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Book Synopsis Abstraction in Modernism and Modernity by : Jeff Wallace

Download or read book Abstraction in Modernism and Modernity written by Jeff Wallace and published by Edinburgh University Press. This book was released on 2023-04-30 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores abstraction as a keyword in aesthetic modernism and in critical thinking since Marx

The Sonic Color Line

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Author :
Publisher : NYU Press
ISBN 13 : 1479835625
Total Pages : 352 pages
Book Rating : 4.4/5 (798 download)

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Book Synopsis The Sonic Color Line by : Jennifer Lynn Stoever

Download or read book The Sonic Color Line written by Jennifer Lynn Stoever and published by NYU Press. This book was released on 2016-11-15 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see “difference.” At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear—voices, musical taste, volume—as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen—the sonic color line—and exposes the racialized listening practices she figures as “the listening ear.” Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres—the slave narrative, opera, the novel, so-called “dialect stories,” folk and blues, early sound cinema, and radio drama—The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted “race,” so that we may hear our contemporary world differently.

Sound as Popular Culture

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Author :
Publisher : MIT Press
ISBN 13 : 0262334283
Total Pages : 447 pages
Book Rating : 4.2/5 (623 download)

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Book Synopsis Sound as Popular Culture by : Jens Gerrit Papenburg

Download or read book Sound as Popular Culture written by Jens Gerrit Papenburg and published by MIT Press. This book was released on 2016-03-11 with total page 447 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scholars consider sound and its concepts, taking as their premise the idea that popular culture can be analyzed in an innovative way through sound. The wide-ranging texts in this book take as their premise the idea that sound is a subject through which popular culture can be analyzed in an innovative way. From an infant's gurgles over a baby monitor to the roar of the crowd in a stadium to the sub-bass frequencies produced by sound systems in the disco era, sound—not necessarily aestheticized as music—is inextricably part of the many domains of popular culture. Expanding the view taken by many scholars of cultural studies, the contributors consider cultural practices concerning sound not merely as semiotic or signifying processes but as material, physical, perceptual, and sensory processes that integrate a multitude of cultural traditions and forms of knowledge. The chapters discuss conceptual issues as well as terminologies and research methods; analyze historical and contemporary case studies of listening in various sound cultures; and consider the ways contemporary practices of sound generation are applied in the diverse fields in which sounds are produced, mastered, distorted, processed, or enhanced. The chapters are not only about sound; they offer a study through sound—echoes from the past, resonances of the present, and the contradictions and discontinuities that suggest the future. Contributors Karin Bijsterveld, Susanne Binas-Preisendörfer, Carolyn Birdsall, Jochen Bonz, Michael Bull, Thomas Burkhalter, Mark J. Butler, Diedrich Diederichsen, Veit Erlmann, Franco Fabbri, Golo Föllmer, Marta García Quiñones, Mark Grimshaw, Rolf Großmann, Maria Hanáček, Thomas Hecken, Anahid Kassabian, Carla J. Maier, Andrea Mihm, Bodo Mrozek, Carlo Nardi, Jens Gerrit Papenburg, Thomas Schopp, Holger Schulze, Toby Seay, Jacob Smith, Paul Théberge, Peter Wicke, Simon Zagorski-Thomas

Sonic Warfare

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Author :
Publisher : MIT Press
ISBN 13 : 0262266334
Total Pages : 291 pages
Book Rating : 4.2/5 (622 download)

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Book Synopsis Sonic Warfare by : Steve Goodman

Download or read book Sonic Warfare written by Steve Goodman and published by MIT Press. This book was released on 2012-08-24 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of the production, transmission, and mutation of affective tonality—when sound helps produce a bad vibe. Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread—to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture. Goodman concludes with speculations on the not yet heard—the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths.

The Age of Noise in Britain

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Author :
Publisher : University of Illinois Press
ISBN 13 : 0252099117
Total Pages : 264 pages
Book Rating : 4.2/5 (52 download)

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Book Synopsis The Age of Noise in Britain by : James G Mansell

Download or read book The Age of Noise in Britain written by James G Mansell and published by University of Illinois Press. This book was released on 2016-12-08 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sound transformed British life in the "age of noise" between 1914 and 1945. The sonic maelstrom of mechanized society bred anger and anxiety and even led observers to forecast the end of civilization. The noise was, as James G. Mansell shows, modernity itself, expressed in aural form, with immense implications for the construction of the self. Tracing the ideas, feelings, and representations prompted by life in early twentieth century Britain, Mansell examines how and why sound shaped the self. He works at the crux of cultural and intellectual history, analyzing the meanings that were attached to different types of sound, who created these typologies and why, and how these meanings connected to debates about modernity. From traffic noise to air raids, everyday sounds elicited new ways of thinking about being modern. Each individual negotiated his or her own subjective meanings through hopes or fears for sound. As Mansell considers the different ways Britons heard their world, he reveals why we must take sound into account in our studies of cultural and social history.