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Shin Hanga
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Download or read book Shin Hanga written by Barry Till and published by Pomegranate Communications. This book was released on 2007 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt: The shin hanga ("new print") movement flourished in Japan for almost fifty years after being set in motion and nurtured by publisher Watanabe Shozaburo (1885–1962). Employing the traditional "ukiyo-e quartet"—a production system consisting of artists, carvers, printers, and publishers—shin hanga attracted Western as well as native artists. The studio teams created woodblock prints that updated traditional ukiyo-e ("pictures of the floating world") prints by including Kabuki actor portraits, "beauties," and landscapes and other nature themes, often birds and flowers. With lavish illustrations and expert commentary, Shin Hanga: The New Print Movement of Japan details the shin hanga movement and presents splendid reproductions of works by its principal artists.
Download or read book Shin-hanga written by Kendall H. Brown and published by University of Washington Press. This book was released on 1996 with total page 126 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chronicles the 20th-century shin-hanga ("new prints") movement of Japanese woodblock printing, based on an exhibition at the Los Angeles County Museum of Art between January and June 1996. Includes many high-quality color and bandw illustrations, and essays on specific images, the cultural and historical context of the images, and the history of critical evaluation of shin-hanga, plus an exhibition checklist. Annotation copyrighted by Book News, Inc., Portland, OR
Download or read book Ukiyo-e written by Amy Reigle Newland and published by . This book was released on 1999-03 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The art of Japanese woodblock printing from the 16th century to the 18th century is beautifully celebrated in this book. Explains the cultural traditions of Japan as well as interprets the prints.
Book Synopsis The Women of Shin Hanga by : Allen Hockley
Download or read book The Women of Shin Hanga written by Allen Hockley and published by Hood Museum of Art Darmouth College. This book was released on 2013 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tradition confronts modernity in early-twentieth-century Japanese woodblock print depictions of women
Book Synopsis Guide to Modern Japanese Woodblock Prints by : Helen Merritt
Download or read book Guide to Modern Japanese Woodblock Prints written by Helen Merritt and published by University of Hawaii Press. This book was released on 1995-01-01 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: "[An] impressive volume, with a valuable amount of information not otherwise available in one source." --Choice Companion volume to Merritt's Modern Japanese Woodblock Prints. This volume is a reference work that is both comprehensive and rigorously chronological.
Book Synopsis Modern Japanese Prints - Statler by : Oliver Statler
Download or read book Modern Japanese Prints - Statler written by Oliver Statler and published by Tuttle Publishing. This book was released on 2012-10-09 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Featuring over 100 unique prints, Modern Japanese Prints is a testament to the continuity of Japanese art and creativity. By far the most vitally creative group of artists working in Japan today, modern print-makers are truly international in appeal. Although they owe much of their heritage to the famous ukiyoe techniques of the past, they depart from their forebears in at least two important respects. In the first place, whereas in the ancient ukiyoe tradition a print was the joint production of three men— the artist-designer, the artisan who carved the blocks, and the printer—these modern artists perform all these functions themselves, thus satisfying their demands for individual artistic expression at every step of the creative process. Another distinguishing feature of this artistic school is that its inspiration is derived neither solely from its own Japanese past nor solely from the West. This book carefully traces the history of the modern print movement through detailed discussions of the life and work of twenty-nine of its most noteworthy and representative artists. It describes vicissitudes which the movement has undergone and the high artistic ideals which have motivated its members in spite of public apathy and the hostility of the traditionalists.
Book Synopsis Color Woodcut International by : Chazen Museum of Art
Download or read book Color Woodcut International written by Chazen Museum of Art and published by Chazen Museum of Art. This book was released on 2006 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt: Color woodcut printmaking was not new to Britain, America, or Japan in the late eighteenth century. Yet after Japan was opened to the West in 1854 and deeper cultural exchange began, Japanese prints captured the European and American imagination. The fresh colors, simplicity of materials, and departure from traditional compositions entranced western artists and the public alike. Likewise, Japanese audiences and artists were intrigued by the styles and techniques of western art, which was broadly available in Japan by the end of the nineteenth century. Artists there created images of the strange foreigners and imagined what American cities looked like. By the beginning of the twentieth century, artists were not content to merely imagine what the other side of the world looked like. As prints traveled around the globe for study so did artists, and with them spread the tricks and techniques of color woodblock printmaking as well as appreciation for the prints. Woodblock printmakers in the West started to investigate Japanese processes, and Japanese publishers began to seriously seek out the print market outside of Japan. Important themes began to emerge; scenes of nature and old-fashioned architecture outnumbered modern city views, and images of animals were nearly as popular as those of human figures. Imagery was often idyllic and beautiful, attractive to an international audience. Twentieth-century art, however, moves at a furious pace, and the ferment of the international woodcut style quickly ran its course. Artists appropriated what they needed from the color woodcut, then developed techniques, subjects, and styles in their own ways. An ever-expanding range of prints became indebted to the artists of the previous generation who had reinvigorated woodblock printmaking styles and practices around the world. This full-color catalogue includes many prints from this colorful exhibition and shows how the progression of styles became more similar as international artists learned from and competed with each other, then stylistically diverged as artists of each country took what they learned in new directions. The three essays each focus on the influences and contributions made to the international style by three countries: Japan, Britain, and America.
Download or read book Visions of Japan written by Hasui Kawase and published by Hotei Publishing. This book was released on 2004 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt: A selection of one hundred masterpieces by Kawase Hasui (1883-1957), one of the most important Japanese landscape artists of the twentieth century. Large full colour illustrations show the enormous variety of snow, moon and rain scenes for which Hasui became famous. Introduction to Kawase Hasui by Ken Brown. (See also our publication 'Kawase Hasui The complete woodblock prints', 2003). Kawase Hasui (1883-1957) is considered one of the most important Japanese landscape artists of the 20th century. His prints, produced under the guidance and stern eye of his publisher, Watanabe Shôzaburô, are the modern continuation of the unforgettable works by Hiroshige and Hokusai, the 19th-century masters of this genre. As none other, he could evoke Japan of the eventful interwar period. Hasui's work enjoyed huge popularity from his very first print of 1918. In contrast to his illustrious 19th-century predecessors, his work was immediately successful in the rest of the world. His publisher, Watanabe Shôzaburô, recognised the enormous potential of the American market, which resulted in Hasui's prints fetching high prices at auctions in New York as early as the 1920s. After the Second World War, his prints were highly desired and sought after collectible items among the American occupying forces in Japan. Hasui's work has always been greatly appreciated in Japan: He was acknowledged as a 'Living National Treasure' in 1956.
Download or read book Hanga written by Chiaki Ajioka and published by Art Media Resources. This book was released on 2000 with total page 116 pages. Available in PDF, EPUB and Kindle. Book excerpt: This exhibition investigates the theme of Western inspiration in the arts of Japan and also raises the notion of individuality in a culture known for its conformity. The examples shown here encompass five decades (1900-1950) representing a panorama in Japanese creative prints (sosaku hanga).
Book Synopsis Japanese Print-making by : Tōshi Yoshida
Download or read book Japanese Print-making written by Tōshi Yoshida and published by . This book was released on 1966 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Modern Japanese Prints by : Carnegie Museum of Art
Download or read book Modern Japanese Prints written by Carnegie Museum of Art and published by . This book was released on 2009 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: A selection of exemplary 20th-century Japanese woodblock prints from the collection of the Carnegie Museum of Art This volume presents more than 1,000 exemplary twentieth-century Japanese woodblock prints, from the collection of Carnegie Museum of Art in Pittsburgh. Taken together, the collection reflects the stylistic movements, aesthetic directions and historic changes of the past century, with particular emphasis on two significant movements: sosakuhanga (creative prints), represented by in-depth selections by Hiratsuka Un'ichi, Onchi Koshiro and Munakata Shiko; and shin-hanga (new prints), with works by Kawase Hasui and Hashiguchi Goyo. Carnegie Museum of Art also possesses several complete series of prints produced in such limited numbers that they are rarely seen today, including One Hundred Views of New Tokyo created between 1929 and 1932. In addition, an essay on the history and significance of the collection provides a brief introduction to Japanese printmaking in the twentieth century, making this illustrated guide an invaluable reference for researchers, curators, collectors and general enthusiasts of Japanese art.
Book Synopsis Japanese Prints by : Christie, Manson & Woods International Inc
Download or read book Japanese Prints written by Christie, Manson & Woods International Inc and published by . This book was released on 1991 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis 50 Art Ideas You Really Need to Know by : Susie Hodge
Download or read book 50 Art Ideas You Really Need to Know written by Susie Hodge and published by Greenfinch. This book was released on 2023-05-05 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Romanesque to Realism; Pop Art to Pluralism, in this series, Susie Hodge introduces the most important art ideas and concepts that form the foundations of Western art.
Book Synopsis The Hotei Encyclopedia of Japanese Woodblock Prints by : Amy Reigle Newland
Download or read book The Hotei Encyclopedia of Japanese Woodblock Prints written by Amy Reigle Newland and published by . This book was released on 2005 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: V.1. Historical perspectives. The Edo period, 1603-1868 / Harold Bolitho ; The Meiji to Taisho ; eras, 1868-1926 / Ann Waswo -- The history of Japanese prints -- The Edo period, 1603-1868. The roots of ukiyo-e: its beginnings to the mid-eighteenth century / Donald Jenkins ; Ukiyo-e book illustration / Yu-Ying Brown ; Shunga in the Edo period / Timon Screech ; The Kanbun Bijin: setting the stage for ukiyo-e bijinga / Kobayashi Tadashi ; Chinese woodblock prints and their influence on Japanese ukiyo-e / Hans Bjarne Thomsen ; The birth of the full-color print: Suzuki Harunobu and his age, early 1740s to early 1780s / David Waterhouse ; The Yoshiwara and ukiyo-e / Cecilia Segawa Seigle ; Mitate in ukiyo-e prints / Ellis Tinios ; Kabuki: its history as seen in ukiyo-e / Samuel L. Leiter ; Kitagawa Utamaro and his contemporaries, 1780-1804 / Julie Nelson Davis ; Sumo prints / Lawrence Bickford ; Kyōka and ukiyo-e print designers / John T. Carpenter ; The publisher Tsutaya Jūzaburō and ukiyo-e publishing / Suzuki Toshiyuki ; Ukiyo-e meisho-e / Gary Hickey ; Diversification and further popularization of the full-colour woodblock print, c. 1804-68 / Ellis Tinios ; Surimono / Roger S. Keyes ; Nagasaki-e / Martha Chaiklin ; Kamigata-e: the prints of Osaka and Kyoto / Kitagawa Hiroko ; Shini-e / Melinda Takeuchi ; Warrior prints of the first half of the nineteenth century and the Suikoden / B.W. Robinson -- The Meiji era, 1868-1912. Woodblock prints of the Meiji era / Helen Merritt ; The maintenance of tradition in the face of contemporary demands: a reassessment of Meiji prints / Oikawa Shigeru ; Yokahama-e / Helen Merritt, Oikawa Shigeru ; Photography and ukiyo-e prints / Margarita Winkel ; Woodblock prints as a medium of reportage: the Sino-Japanese and Russo-Japanese Wars / Louise Virgin -- The late Meiji to Taishō eras, 1900s to 1926. Prints and modernity: developments in the early twentieth century / Kendall Brown ; The publisher Watanabe Shozoburo and the Shin-hanga movement: its beginnings until the 1930s / Abe Setsuko ; Creative print (Sosaku-hanga) magazines / Chiaki Ajioka -- Commerce and constraint in the world of publishing. The publishing trade / P.F. Kornicki ; Censorship and ukiyo-e prints / Sarah E. Thompson -- Materials and techniques: issues of conservation and collecting. Materials and techniques / Shiho Sasaki ; The care of Japanese prints / Pauline Webber ; Collecting ukiyo-e prints: issues of quality, condition and rarity / Chris Uhlenbeck ; The original versus the genuine / Chris Uhlenbeck -- The history of collecting Japanese prints. Ukiyo-e collecting in Japan / Oikawa Shigeru ; Japanese prints in Europe, 1860-1930 / Max Put ; Postwar ukiyo-e collecting in Europe / Robert Schaap ; Ukiyo-e print collecting in America / Julia Meech.V.2. Reference section -- Artist index -- Lineage charts -- Chronological/historical tables -- Map of former Japanese provinces and the Gokaido -- Signature facsimiles -- Censor seals -- Publisher seals -- Appendices. List of works released by Shin-hanga publisher Watanabe Shozaburo ; Pre-nishiki-e and Nishiki-e formats ; Elements of a print -- Concordance of artists' names (with Japanese characters).505.
Book Synopsis Making Woodblock Prints by : Merlyn Chesterman
Download or read book Making Woodblock Prints written by Merlyn Chesterman and published by Crowood. This book was released on 2015-02-23 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Woodblock printing is an ancient art form, which produces beautiful, subtle and lively pieces with just a few simple materials. This book introduces the art, and shares technical information and ideas for those with more experience. A wide range of exciting examples of printed woodcuts are shown along with advice on materials and tools, and a step-by-step guide to sharpening. Techniques to achieve quality prints and perfect registration are covered too. Drawing on the vibrant living traditions from China and Japan, it is both a technical guide and an inspiration. Beautifully illustrated with 160 colour photographs.
Download or read book Quiet Elegance written by Betsy Franco and published by Tuttle Publishing. This book was released on 1997 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: Joel Stewart's watercolors and etchings depict the ageless beauty of a traditional Japan that is slowly disappearing, while one of Carol Jessen's prints depicts a modern scene in the style of a Hiroshige print.
Book Synopsis Shin Hanga by : CHRIS. DWINGER UHLENBECK (JIM. OUWELEEN, PHILO.)
Download or read book Shin Hanga written by CHRIS. DWINGER UHLENBECK (JIM. OUWELEEN, PHILO.) and published by . This book was released on 2022-04-27 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: - Japanese prints, and Japan in general, are highly popular nowadaysbr- Japanese printmaking in the first half of the 20th century is relatively unknownbr- Growing number of collectors of the genre of shin hanga [modern prints] in the US and in Europe- Book contains a unique selection of prints, drawn from two private collections, and from the family of publisher Watanabe, who was the driving force behind the new print movement- Accompanies a traveling exhibition in 3 countriesTwentieth-century Japanese printmaking has come in for relatively little attention. Classic Hokusai and Hiroshige landscapes and Utamaro's beautiful images of women remain the dominant form. All the same, since the 1990s museums and private collectors have shown a growing interest in shin hanga ('new prints'): balanced designs printed on luxurious paper, with the finest pigments and in smaller editions. They are the fruit of the traditional yet highly successful collaboration between artist, publisher, block-cutter and printer. It is not so much in their subject matter as their visual language that shin hanga prints set themselves apart from their traditional precursors. Where the classically depicted women were stylized and idealized, their more recent counterparts are based on real models, individually recognizable and full of emotion. The modern landscapes, meanwhile, are impressionistic rather than figurative, using a range of color nuances to achieve highly atmospheric results. This book offers a unique selection with which to explore 20th-century Japanese printmaking. The prints it reproduces are mostly drawn from two large private collections, and, by way of great exception, items from the family collection of the publisher Watanabe, the man who started it all.
