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Self Study Module For History Of Music In The Middle Ages
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Book Synopsis Self-study Module for History of Music in the Middle Ages by : Theodore Karp
Download or read book Self-study Module for History of Music in the Middle Ages written by Theodore Karp and published by . This book was released on 1981 with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Self-study Module for History of Music in the Renaissance by : Jeffrey Wasson
Download or read book Self-study Module for History of Music in the Renaissance written by Jeffrey Wasson and published by . This book was released on 1981 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music in the Middle Ages by : Suzanne Lord
Download or read book Music in the Middle Ages written by Suzanne Lord and published by Bloomsbury Publishing USA. This book was released on 2008-09-30 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music both influences and reflects the times in which it was created. In the Middle Ages, the previous Dark Ages, the Crusades, and the feudal system all impacted the types and forms of music in the period. Charlemagne standardized the church mass and promoted the Gregorian chant, to the point of threatening excommunication if any other were performed. Musical notation — the staff line — was developed during the period. The troubadours of France, Meistersingers of Germany,the Cantus Firmus of Italy, and the instruments that played the music are all included in this thorough guide to music of the middle ages. Topics include: the British Isles, Dance Music, Eastern Europe, France, Germanic Lands, Harps, Italy, the Low Countries, Spain, and more.
Author :Judith Ann Peraino Publisher :American Institute of Musicology, Gmbh ISBN 13 :9781595515094 Total Pages :0 pages Book Rating :4.5/5 (15 download)
Book Synopsis Medieval Music in Practice by : Judith Ann Peraino
Download or read book Medieval Music in Practice written by Judith Ann Peraino and published by American Institute of Musicology, Gmbh. This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Richard Crocker once wrote "we understand many things about the history of music--specifically its development--better from the earlier periods." Since his first publications in 1958, Crocker pioneered a radically phenomenological and critical approach to the study of early music and musical style. Medieval Music in Practice: Studies in Honor of Richard Crocker brings together eleven essays that take up Crocker's call to consider the continuity of medieval and later musical practices in performance, composition, and pedagogy. Two introductory essays open this collection. Judith Peraino surveys the disciplinary questions that emerge in Crocker's work: What constitutes a coherent category of music? What are the "ruling ideas" of musicology? Richard Taruskin pays tribute to Crocker's remarkable prescience in the 1960s of anti-essentialist and anti-universalist arguments that characterized "new musicology" in the 1980s. Nine further essays focus on repertories from the eleventh century to the sixteenth century, reflecting different facets of Crocker's scholarly legacy: Lori Kruckenberg, James Grier, and Margot Fassler explore the use of medieval chant in the crafting of personal and institutional histories; Sarah Fuller, Margaret Hasselman, and Julie Cumming consider pedagogy, continuity, and intertextuality in Medieval and Renaissance compositions; Sean Curran, Anna Maria Busse Berger, and Dorit Tanay examine the material, written artifacts of Medieval music for information about its contexts and meanings. Scholars of early music and those interested in the intellectual history of musicology will find in these essays new historical discoveries and critical insights that enrich our view of the practice of medieval music as well as our practice of musicology. For more information, see http: //www.corpusmusicae.com/misc/misc_cc008.htm
Book Synopsis Music as Concept and Practice in the Late Middle Ages by : Reinhard Strohm
Download or read book Music as Concept and Practice in the Late Middle Ages written by Reinhard Strohm and published by . This book was released on 2001 with total page 522 pages. Available in PDF, EPUB and Kindle. Book excerpt: This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.
Book Synopsis Medieval Music and the Art of Memory by : Anna Maria Busse Berger
Download or read book Medieval Music and the Art of Memory written by Anna Maria Busse Berger and published by Univ of California Press. This book was released on 2005-06-13 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory. Since some of the polyphonic music from the twelfth century and later was written down, scholars have long assumed that it was all composed and transmitted in written form. Our understanding of medieval music has been profoundly shaped by German philologists from the beginning of the last century who approached medieval music as if it were no different from music of the nineteenth century. But Medieval Music and the Art of Memory deftly demonstrates that the fact that a piece was written down does not necessarily mean that it was conceived and transmitted in writing. Busse Berger's new model, one that emphasizes the interplay of literate and oral composition and transmission, deepens and enriches current understandings of medieval music and opens the field for fresh interpretations.
Book Synopsis Music History : Medieval & Renaissance Period. Study Guide by : April, Jocelyne
Download or read book Music History : Medieval & Renaissance Period. Study Guide written by April, Jocelyne and published by St. Albert, Alta. : Concertino. This book was released on 1996 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Cambridge History of Medieval Music by : Mark Everist
Download or read book The Cambridge History of Medieval Music written by Mark Everist and published by Cambridge University Press. This book was released on 2018-08-09 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Book Synopsis The Cultural Context of Medieval Music by : Nancy Van Deusen
Download or read book The Cultural Context of Medieval Music written by Nancy Van Deusen and published by Bloomsbury Publishing USA. This book was released on 2011-11-02 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: An urgently needed guide to understanding medieval music to be used as a text for the university undergraduate, graduate students in music and interdisciplinary medieval studies, and for the professional musicologist and medievalist. This book will also be appreciated by everyone interested in early music. Nancy van Deusen's The Cultural Context of Medieval Music addresses the mental landscape surrounding music that, especially, was sung and experienced in the Middle Ages. Largely anonymous in its composition, and apparently lacking the motivation of fame and commerce, music within a well thought-out system of education served a purpose that goes far beyond casual entertainment or personal professional advancement. Offering experience through performance, music exemplified the basic principles not only of the material and possible measurements of the visible world—such as of objects, relationships, and movement—but also of the invisible materials of sound and time, making it an ideal medium for working with unseen substances such as concepts, imaginations, and ideas. St. Augustine in the late fourth century reinforced the importance of music for the process of learning when he wrote that nothing could be truly understood without music. This book shows how this, in fact, is the case—a message of great relevance today.
Book Synopsis Music in the Middle Ages and the Renaissance by : Harold Gleason
Download or read book Music in the Middle Ages and the Renaissance written by Harold Gleason and published by Alfred Music Publishing. This book was released on 1981 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a complete revision of the second edition, designed as a guide and resource in the study of music from the earliest times through the Renaissance period. The authors have completely revised and updated the bibliographies; in general they are limited to English language sources. In order to facilitate study of this period and to use materials efficiently, references to facsimiles, monumental editions, complete composers' works and specialized anthologies are given. The authors present this systematic organization in this volume in the hope that students, teachers, and performers may find in it a ready tool for developing a comprehensive understanding of the music of this period.
Book Synopsis Study Guide : Music History : Medieval & Renaissance Period by : Jocelyne April
Download or read book Study Guide : Music History : Medieval & Renaissance Period written by Jocelyne April and published by . This book was released on 1996 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Well-Trained Mind: A Guide to Classical Education at Home (The Essential Edition) by : Susan Wise Bauer
Download or read book The Well-Trained Mind: A Guide to Classical Education at Home (The Essential Edition) written by Susan Wise Bauer and published by W. W. Norton & Company. This book was released on 2024-04-02 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt: The classic handbook on home schooling updated for a new generation of parents and students. Is your child getting lost in the system, becoming bored, losing his or her natural eagerness to learn? If so, it may be time to take charge of your child’s education by doing it yourself The Well-Trained Mind will instruct you, step by step, on how to give your child an academically rigorous, comprehensive education from preschool through high school—one that will train him or her to read, to think, to understand, to be well-rounded and curious about learning. Veteran home educator Susan Wise Bauer outlines the classical pattern of education called the trivium, which organizes learning around the maturing capacity of the child’s mind and comprises three stages: the elementary school “grammar stage,” when the building blocks of information are absorbed through memorization and rules; the middle school “logic stage,” in which the student begins to think more analytically; and the high-school “rhetoric stage,” where the student learns to write and speak with force and originality. Using this theory as your model, you’ll be able to instruct your child—whether full-time or as a supplement to classroom education—in all levels of reading, writing, history, geography, mathematics, science, foreign languages, rhetoric, logic, art, and music, regardless of your own aptitude in those subjects. A new optional Resource Recommendations Portal provides subscribers with curated lists of the best curricula for every grade level and learning style. Thousands of parents have already used the methods described in The Well-Trained Mind to create a truly superior education for children in their care. You do have control over what and how your child learns. The Well-Trained Mind will give you the tools you’ll need to teach your child with confidence and success.
Book Synopsis Words and Music in the Middle Ages by : John Stevens
Download or read book Words and Music in the Middle Ages written by John Stevens and published by Cambridge University Press. This book was released on 1986-10-16 with total page 582 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the relation of words and music in England and France during the three centuries following the Norman Conquest. The basic material of the study includes the chansons of the troubadours and trouvères and the varied Latin songs of the period. In addition to these 'lyric' forms, the author discusses the relations of music and poetry in dance-song, in narrative and in the ecclesiastical drama. Professor Stevens examines the ready-made, often unconscious, and misleading assumptions we bring to the study and performance of early music. In particular he affirms the importance of Number, in more than one sense, as a clue to the 'aesthetic' of the greater part of repertoire, to the relation of words and melody. and to the baffling problem of their rhythmic interpretation. This is the first wide-ranging study of words and music in this period in any language. It will be essential reading for scholars of the music and the literature of medieval Europe and will provide a basic and comprehensive introduction to the repertoire for students.
Book Synopsis The Oxford Handbook of Music and Medievalism by : Stephen C. Meyer
Download or read book The Oxford Handbook of Music and Medievalism written by Stephen C. Meyer and published by Oxford University Press. This book was released on 2020-03-02 with total page 844 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo Pärt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.
Book Synopsis The Use of Music and Recordings for Teaching about the Middle Ages by : John W. Barker
Download or read book The Use of Music and Recordings for Teaching about the Middle Ages written by John W. Barker and published by . This book was released on 1988 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author :David Fenwick Wilson Publisher :New York : Schirmer Books ; Toronto : Collier Macmillan Canada ISBN 13 : Total Pages :440 pages Book Rating :4.3/5 (91 download)
Book Synopsis Music of the Middle Ages by : David Fenwick Wilson
Download or read book Music of the Middle Ages written by David Fenwick Wilson and published by New York : Schirmer Books ; Toronto : Collier Macmillan Canada. This book was released on 1990 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music of the Middle Ages provides a comprehensive, chronological survey of musical style and compositional technique from early plainchant to the flourishing of fourteenth-century polyphony.--From publisher description.
Book Synopsis Medieval Music by : Richard H. Hoppin
Download or read book Medieval Music written by Richard H. Hoppin and published by New York : W. W. Norton. This book was released on 1978 with total page 566 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book will prove interesting and helpful to the increasing number of amateurs who, through both live and recorded performances, have come to know and love the strangely beguiling qualities of medieval music. Perhaps, in addition, it may contribute to a wider realization that the Middle Ages produced music worthy of the same careful study and admiration long accorded to its masterpieces of literature, art, and architecture.