Schenkers Argument And The Claims Of Music Theory

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Schenker's Argument and the Claims of Music Theory

Author : Leslie David Blasius
Publisher : Cambridge University Press
ISBN 13 : 0521550858
Total Pages : 176 pages
Book Rating : 4.5/5 (215 download)

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Book Synopsis Schenker's Argument and the Claims of Music Theory by : Leslie David Blasius

Download or read book Schenker's Argument and the Claims of Music Theory written by Leslie David Blasius and published by Cambridge University Press. This book was released on 1996-10-03 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Heinrich Schenker's theoretical and analytical works claim to resubstantiate the unique artistic presence of the canonic work, and thus reject those musical disciplines such as psychoacoustics and systematic musicology which derive from the natural sciences. In this respect his writing reflects the counter-positivism endemic to the German academic discourse of the first decades of the twentieth century. The rhetoric of this stance, however, conceals a sophisticated programme wherein Schenker situates his project in relation to these sciences, arguing his reading of the musical text as a synthesis of a descriptive psychology and an explanatory historiography (which itself embeds both paleographic and philological assumptions). This book rereads Schenker's project as an attempt to reconstruct music theory as a discipline against the background of the empirical musical sciences of the later nineteenth century.

A Topical Guide to Schenkerian Literature

Author : David Carson Berry
Publisher : Pendragon Press
ISBN 13 : 9781576470954
Total Pages : 610 pages
Book Rating : 4.4/5 (79 download)

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Book Synopsis A Topical Guide to Schenkerian Literature by : David Carson Berry

Download or read book A Topical Guide to Schenkerian Literature written by David Carson Berry and published by Pendragon Press. This book was released on 2004 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt: To the growing list of Pendragon Press publications devoted to the work of Heinrich Schenker, we wish to announce the addition of this much-needed bibliography. The author, a student of Allen Forte, has created a work useful to a wide range of researchers music theorists, musicologists, music librarians and teachers. The Guide is the largest Schenkerian reference work ever published. At nearly 600 pages, it contains 3600 entries (2200 principal, 1400 secondary) representing the work of 1475 authors. Fifteen broad groupings encompass seventy topical headings, many of which are divided and subdivided again, resulting in a total of 271 headings under which entries are collected.

Heinrich Schenker

Author : Benjamin Ayotte
Publisher : Routledge
ISBN 13 : 1000143562
Total Pages : 348 pages
Book Rating : 4.0/5 (1 download)

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Book Synopsis Heinrich Schenker by : Benjamin Ayotte

Download or read book Heinrich Schenker written by Benjamin Ayotte and published by Routledge. This book was released on 2020-08-11 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book consists of over 1,500 citations to both primary sources and the burgeoning secondary literature of Heinrich Schenker, annotated and subdivided by category. The citations are supplemented with indices cross-referencing entries according to individual works and analytical topic.

The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg

Author : Matthew Arndt
Publisher : Routledge
ISBN 13 : 135197579X
Total Pages : 282 pages
Book Rating : 4.3/5 (519 download)

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Book Synopsis The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg by : Matthew Arndt

Download or read book The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg written by Matthew Arndt and published by Routledge. This book was released on 2017-09-11 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the origin, content, and development of the musical thought of Heinrich Schenker and Arnold Schoenberg. One of the premises is that Schenker’s and Schoenberg’s inner musical lives are inseparable from their inner spiritual lives. Curiously, Schenker and Schoenberg start out in much the same musical-spiritual place, yet musically they split while spiritually they grow closer. The reception of Schenker’s and Schoenberg’s work has sidestepped this paradox of commonality and conflict, instead choosing to universalize and amplify their conflict. Bringing to light a trove of unpublished material, Arndt argues that Schenker’s and Schoenberg’s conflict is a reflection of tensions within their musical and spiritual ideas. They share a particular conception of the tone as an ideal sound realized in the spiritual eye of the genius. The tensions inherent in this largely psychological and material notion of the tone and this largely metaphysical notion of the genius shape both their musical divergence on the logical (technical) level in theory and composition, including their advocacy of the Ursatz versus twelvetone composition, and their spiritual convergence, including their embrace of Judaism. These findings shed new light on the musical and philosophical worlds of Schenker and Schoenberg and on the profound artistic and spiritual questions with which they grapple.

Teaching Approaches in Music Theory

Author : Michael R. Rogers
Publisher : SIU Press
ISBN 13 : 9780809325955
Total Pages : 276 pages
Book Rating : 4.3/5 (259 download)

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Book Synopsis Teaching Approaches in Music Theory by : Michael R. Rogers

Download or read book Teaching Approaches in Music Theory written by Michael R. Rogers and published by SIU Press. This book was released on 2004 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on decades of teaching experience and the collective wisdom of dozens of the most creative theorists in the country, Michael R. Rogers's diverse survey of music theory--one of the first to comprehensively survey and evaluate the teaching styles, techniques, and materials used in theory courses--is a unique reference and research tool for teachers, theorists, secondary and postsecondary students, and for private study. This revised edition of Teaching Approaches in Music Theory: An Overview of Pedagogical Philosophies features an extensive updated bibliography encompassing the years since the volume was first published in 1984. In a new preface to this edition, Rogers references advancements in the field over the past two decades, from the appearance of the first scholarly journal devoted entirely to aspects of music theory education to the emergence of electronic advances and devices that will provide a supporting, if not central, role in the teaching of music theory in the foreseeable future. With the updated information, the text continues to provide an excellent starting point for the study of music theory pedagogy. Rogers has organized the book very much like a sonata. Part one, "Background," delineates principal ideas and themes, acquaints readers with the author's views of contemporary musical theory, and includes an orientation to an eclectic range of philosophical thinking on the subject; part two, "Thinking and Listening," develops these ideas in the specific areas of mindtraining and analysis, including a chapter on ear training; and part three, "Achieving Teaching Success," recapitulates main points in alternate contexts and surroundings and discusses how they can be applied to teaching and the evaluation of design and curriculum. Teaching Approaches in Music Theory emphasizes thoughtful examination and critique of the underlying and often tacit assumptions behind textbooks, materials, and technologies. Consistently combining general methods with specific examples and both philosophical and practical reasoning, Rogers compares and contrasts pairs of concepts and teaching approaches, some mutually exclusive and some overlapping. The volume is enhanced by extensive suggested reading lists for each chapter.

Reading Renaissance Music Theory

Author : Cristle Collins Judd
Publisher : Cambridge University Press
ISBN 13 : 9780521771443
Total Pages : 370 pages
Book Rating : 4.7/5 (714 download)

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Book Synopsis Reading Renaissance Music Theory by : Cristle Collins Judd

Download or read book Reading Renaissance Music Theory written by Cristle Collins Judd and published by Cambridge University Press. This book was released on 2000-11-30 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: Enth. u.a. "The polyphony of Heinrich Glarean's 'Dodecachordon'" (S. 115-176).

The Schenker Project

Author : Nicholas Cook
Publisher : Oxford University Press on Demand
ISBN 13 : 0195170563
Total Pages : 368 pages
Book Rating : 4.1/5 (951 download)

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Book Synopsis The Schenker Project by : Nicholas Cook

Download or read book The Schenker Project written by Nicholas Cook and published by Oxford University Press on Demand. This book was released on 2007-09-28 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher description

Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951)

Author : Norton Dudeque
Publisher : Routledge
ISBN 13 : 1351557173
Total Pages : 291 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951) by : Norton Dudeque

Download or read book Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951) written by Norton Dudeque and published by Routledge. This book was released on 2017-07-05 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: Arnold Schoenberg's theory of music has been much discussed but his approach to music theory needs a new historical and theoretical assessment in order to provide a clearer understanding of his contributions to music theory and analysis. Norton Dudeque's achievement in this book involves the synthesis of Schoenberg's theoretical ideas from the whole of the composer's working life, including material only published well after his death. The book discusses Schoenberg's rejection of his German music theory heritage and past approaches to music-theory pedagogy, the need for looking at musical structures differently and to avoid aesthetic and stylistic issues. Dudeque provides a unique understanding of the systematization of Schoenberg's tonal-harmonic theory, thematic/motivic-development theory and the links with contemporary and past music theories. The book is complemented by a special section that explores the practical application of the theoretical material already discussed. The focus of this section is on Schoenberg's analytical practice, and the author's response to it. Norton Dudeque therefore provides a comprehensive understanding of Schoenberg's thinking on tonal harmony, motive and form that has hitherto not been attempted.

Becoming Heinrich Schenker

Author : Robert P. Morgan
Publisher : Cambridge University Press
ISBN 13 : 1316061809
Total Pages : 494 pages
Book Rating : 4.3/5 (16 download)

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Book Synopsis Becoming Heinrich Schenker by : Robert P. Morgan

Download or read book Becoming Heinrich Schenker written by Robert P. Morgan and published by Cambridge University Press. This book was released on 2014-07-24 with total page 494 pages. Available in PDF, EPUB and Kindle. Book excerpt: Much controversy surrounds Schenker's mature theory and its attempt to explain musical pitch motion. Becoming Heinrich Schenker brings a new perspective to Schenker's theoretical work, showing that ideas characteristic of his mature theory, although in many respects fundamentally different, developed logically out of his earlier ideas. Robert P. Morgan provides an introduction to Schenker's mature theory and traces its development through all of his major publications, considering each in detail and with numerous music examples. Morgan also explores the relationship between Schenker's theory and his troubled ideology, which crucially influenced the evolution of his ideas and was heavily dependent upon both the empirical and idealist strains of contemporary German philosophical thought. Relying where possible on quotations from Schenker's own words, this book offers a balanced approach to his theory and a unique overview of this central music figure, generally considered to be the most prominent music theorist of the twentieth century.

The Cambridge History of Western Music Theory

Author : Thomas Christensen
Publisher : Cambridge University Press
ISBN 13 : 1316025489
Total Pages : 1033 pages
Book Rating : 4.3/5 (16 download)

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Book Synopsis The Cambridge History of Western Music Theory by : Thomas Christensen

Download or read book The Cambridge History of Western Music Theory written by Thomas Christensen and published by Cambridge University Press. This book was released on 2006-04-20 with total page 1033 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.

The Oxford Handbook of Neo-Riemannian Music Theories

Author : Edward Gollin
Publisher : OUP USA
ISBN 13 : 0195321332
Total Pages : 628 pages
Book Rating : 4.1/5 (953 download)

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Book Synopsis The Oxford Handbook of Neo-Riemannian Music Theories by : Edward Gollin

Download or read book The Oxford Handbook of Neo-Riemannian Music Theories written by Edward Gollin and published by OUP USA. This book was released on 2011-12-22 with total page 628 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years neo-Riemannian theory has established itself as the leading approach of our time, and has proven particularly adept at explaining features of chromatic music. The Oxford Handbook of Neo-Riemannian Music Theories assembles an international group of leading music theory scholars in an exploration of the music-analytical, theoretical, and historical aspects of this new field.

Thinking In and About Music

Author : Zachary Bernstein
Publisher : Oxford University Press
ISBN 13 : 0190949252
Total Pages : 256 pages
Book Rating : 4.1/5 (99 download)

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Book Synopsis Thinking In and About Music by : Zachary Bernstein

Download or read book Thinking In and About Music written by Zachary Bernstein and published by Oxford University Press. This book was released on 2021-04-26 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Milton Babbitt (1916-2011) was, at once, one of the century's foremost composers and a founder of American music theory. These two aspects of his creative life--"thinking in" and "thinking about" music, as he would put it--nourished each other. Theory and analysis inspired fresh compositional ideas, and compositional concerns focused theoretical and analytical inquiry. Accordingly, this book undertakes an excavation of the sources of his theorizing as a guide to analysis of his music. In Thinking In and About Music, author Zachary Bernstein shows how Babbitt's idiosyncratic synthesis of ideas from Heinrich Schenker, analytic philosophy, and cognitive science--at least as much as more obviously relevant predecessors such as Arnold Schoenberg--provide insight into his aesthetics and compositional technique. At the same time, a close look at his music reveals a host of concerns unaccounted for in his theories, some of which seem to directly contradict theoretical expectations. Bernstein argues, therefore, that new analytical models are needed to complement those suggested by Babbitt's theories. Departing from the serial logic of most previous work on the subject--and in an attempt to discuss Babbitt's music as it is actually heard rather than just deciphered--the book brings to bear theories of gesture and embodiment, rhetoric, text setting, and temporality. The result is a richly multi-faceted look at one of the twentieth century's most fascinating musical minds.

Schenkerian Analysis - Analyse nach Heinrich Schenker

Author : Oliver Schwab-Felisch
Publisher : Georg Olms Verlag
ISBN 13 : 3487424797
Total Pages : 495 pages
Book Rating : 4.4/5 (874 download)

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Book Synopsis Schenkerian Analysis - Analyse nach Heinrich Schenker by : Oliver Schwab-Felisch

Download or read book Schenkerian Analysis - Analyse nach Heinrich Schenker written by Oliver Schwab-Felisch and published by Georg Olms Verlag. This book was released on 2021 with total page 495 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dass Heinrich Schenker zu einem der meistdiskutierten Musiktheoretiker des 20. Jahrhunderts wurde, hat im Wesentlichen zwei Gründe: Erstens ermöglicht seine Theorie ebenso vielschichtige wie konsistente Beschreibungen der Stimmführung, Harmonik und Syntax tonaler Werke. Und zweitens fand Schenkers ?Schichtenlehre? in den USA, wohin die meisten Schüler Schenkers nach 1933 emigriert waren, ideale Bedingungen vor - Bedingungen, die sie rasch zur führenden Theorie tonaler Musik aufsteigen ließen. In Österreich, Deutschland und der Schweiz nahm die Schenker-Rezeption vorerst einen anderen Weg: Bis zur Jahrtausendwende blieb Schenkers Theorie Sache weniger Spezialisten. Seither aber stößt sie auch im deutschsprachigen Raum auf wachsendes Interesse. Der vorliegende deutsch-englische Sammelband trägt zur Schenker-Forschung beider Sprachräume und Wissenschaftskulturen bei. Er untersucht theoriegeschichtliche Fragen, beleuchtet unerforschte Aspekte der Schenker-Theorie und erschließt zahlreiche ihrer wissenschaftstheoretischen, rezeptionshistorischen und musikästhetischen Implikationen. Häufig geht er dabei über Schenker hinaus - durch neue Vorstellungen von Rhythmik und Metrik, Bezüge zur Systemtheorie Niklas Luhmanns oder pluralistische Theoriekonzepte. Der separate Notenband enthält analytische Graphiken ebenso wie originale Notentexte. Online abrufbare Hörbeispiele verdeutlichen, wie sich unterschiedliche analytische Interpretationen auf musikalische Aufführungen auswirken können. Glossar und Register schließlich erleichtern vertiefte Lektüren entlang gezielter Fragestellungen. Ein grundlegendes Studienbuch, das Musiktheoretiker:innen wie Interpret:innen zahlreiche Möglichkeiten aufzeigt, sich von Schenkers Denken anregen zu lassen.

Music Theory and Analysis in the Writings of Arnold Schoenberg (1874?951)

Author : Norton Dudeque
Publisher : Routledge
ISBN 13 : 1351557165
Total Pages : 403 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Music Theory and Analysis in the Writings of Arnold Schoenberg (1874?951) by : Norton Dudeque

Download or read book Music Theory and Analysis in the Writings of Arnold Schoenberg (1874?951) written by Norton Dudeque and published by Routledge. This book was released on 2017-07-05 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt: Arnold Schoenberg's theory of music has been much discussed but his approach to music theory needs a new historical and theoretical assessment in order to provide a clearer understanding of his contributions to music theory and analysis. Norton Dudeque's achievement in this book involves the synthesis of Schoenberg's theoretical ideas from the whole of the composer's working life, including material only published well after his death. The book discusses Schoenberg's rejection of his German music theory heritage and past approaches to music-theory pedagogy, the need for looking at musical structures differently and to avoid aesthetic and stylistic issues. Dudeque provides a unique understanding of the systematization of Schoenberg's tonal-harmonic theory, thematic/motivic-development theory and the links with contemporary and past music theories. The book is complemented by a special section that explores the practical application of the theoretical material already discussed. The focus of this section is on Schoenberg's analytical practice, and the author's response to it. Norton Dudeque therefore provides a comprehensive understanding of Schoenberg's thinking on tonal harmony, motive and form that has hitherto not been attempted.

Explaining Tonality

Author : Matthew Brown
Publisher : Boydell & Brewer
ISBN 13 : 1580461603
Total Pages : 318 pages
Book Rating : 4.5/5 (84 download)

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Book Synopsis Explaining Tonality by : Matthew Brown

Download or read book Explaining Tonality written by Matthew Brown and published by Boydell & Brewer. This book was released on 2005 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: A defense of Schenkerian analysis of tonality in music.

Platonism, Music and the Listener's Share

Author : Christopher Norris
Publisher : A&C Black
ISBN 13 : 1847144381
Total Pages : 210 pages
Book Rating : 4.8/5 (471 download)

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Book Synopsis Platonism, Music and the Listener's Share by : Christopher Norris

Download or read book Platonism, Music and the Listener's Share written by Christopher Norris and published by A&C Black. This book was released on 2006-10-09 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is a musical work? What are its identity-conditions and the standards (if any) that they set for a competent, intelligent, and musically perceptive act of performance or audition? Should the work-concept henceforth be dissolved as some New Musicologists would have it into the various, ever-changing socio-cultural or ideological contexts that make up its reception-history to date? Can music be thought of as possessing certain attributes, structural features, or intrinsically valuable qualities that are response-transcendent, i.e., that might always elude or surpass the best state of (current or future) informed opinion? These are some of the questions that Christopher Norris addresses by way of a sustained critical engagement with the New Musicology and other debates in recent philosophy of music. His book puts the case for a qualified Platonist approach that would respect the relative autonomy of musical works as objects of more or less adequate understanding, appreciation, and evaluative judgement. At the same time this approach would leave room for listeners share the phenomenology of musical experience in so far as those works necessarily depend for their repeated realisation from one performance or audition to the next upon certain subjectively salient modalities of human perceptual and cognitive response. Norris argues for a more philosophically and musically informed treatment of these issues that combines the best insights of the analytic and the continental traditions. Perhaps the most distinctive feature of Norris's book, true to this dual orientation, is its way of raising such issues through a constant appeal to the vivid actuality of music as a challenge to philosophic thought. This is a fascinating study of musical understanding from one of the worlds leading contemporary theorists.

Music Theory and Natural Order from the Renaissance to the Early Twentieth Century

Author : Suzannah Clark
Publisher : Cambridge University Press
ISBN 13 : 9780521771917
Total Pages : 262 pages
Book Rating : 4.7/5 (719 download)

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Book Synopsis Music Theory and Natural Order from the Renaissance to the Early Twentieth Century by : Suzannah Clark

Download or read book Music Theory and Natural Order from the Renaissance to the Early Twentieth Century written by Suzannah Clark and published by Cambridge University Press. This book was released on 2001 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music theory of almost all ages has relied on nature in its attempts to explain music. The understanding of what 'nature' is, however, is subject to cultural and historical differences. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. In an array of different approaches, ranging from physical acoustics to theology and Lacanian psychoanalysis, these essays examine how the multifarious conceptions of nature, located variously between scientific reason and divine power, are brought to bear on music theory. They probe the changing representations and functions of nature in the service of music theory and highlight the ever-changing configurations of nature and music, as mediated by the music-theoretical discourse.