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Samurai Shakespeare
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Book Synopsis The Japanese Shakespeare by : Daniel Gallimore
Download or read book The Japanese Shakespeare written by Daniel Gallimore and published by Taylor & Francis. This book was released on 2024-07-24 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering the first book-length study in English on Tsubouchi and Shakespeare, Gallimore offers an overview of the theory and practice of Tsubouchi’s Shakespeare translation and argues for Tsubouchi’s place as "the Japanese Shakespeare." Shakespeare translation is one of the achievements of modern Japanese culture, and no one is more associated with that achievement than the writer and scholar Tsubouchi Shōyō (1859–1935). This book looks at how Tsubouchi received Shakespeare in the context of his native literature and his strategies for bridging the gaps between Shakespeare’s rhetoric and his developing language. Offering a significant contribution to the field of global Shakespeare and literary translation, Gallimore explores dominant stylistic features of the early twentieth-century Shakespeare translations of Tsubouchi and analyses the translations within larger linguistic, historical, and cultural traditions in local Japanese, universal Chinese, and spiritual Western elements. This book will appeal to any student, researcher, or scholar of literary translation, particularly those interested in the complexities of Shakespeare in translation and Japanese language, culture, and society.
Book Synopsis Shakespeare and the Japanese Stage by : Takashi Sasayama
Download or read book Shakespeare and the Japanese Stage written by Takashi Sasayama and published by Cambridge University Press. This book was released on 1998 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Leading Japanese and Western Shakespeare scholars study the interaction of Japanese and Western conceptions of Shakespeare.
Book Synopsis Samurai Shakespeare by : Graham Holderness
Download or read book Samurai Shakespeare written by Graham Holderness and published by . This book was released on 2021-11-30 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This highly original new book by a leading Shakespeare expert and cultural critic argues controversially that the 'samurai Shakespeare' of the Japanese cinematic and theatrical masterpiece-makers Akira Kurosawa and Yukio Ninagawa represents the greatest achievement of Japanese Shakespeare reproduction. Holderness argues that 'samurai Shakespeare' is both consistent with our own western engagement with Japan, and true to the spirit of Japanese culture. / Shakespeare was an exact contemporary of Tokugawa Ieyasu. Yet when he was first imported into Japan, in the late 19th century and early 20th centuries, the plays were performed in contemporary dress, not in the conventional British historical styles, and received as the modern counterpart of Ibsen and Shaw, Gorky and Chekhov. / Today in Japan the Edo past is lovingly preserved, reproduced and displayed. Almost 30 million international tourists enter Japan each year to visit the old capitals of Kyoto and Nara, drawn by the magic of Edo castles, ancient temples, swords and samurai, geishas and sumo, maple leaves and cherry blossom. At the same time Japan represents itself as a society of ultra-modernity, free from the burdens of the past. This book examines why and how early Japanese Shakespeare was assimilated to the modernising and westernising tendencies of the Meiji regime, and kept well away from that very recent but dangerous feudal past of Edo Japan to which at least some of the plays should surely have been seen to belong. / When Shakespeare was finally integrated with the Edo past, it was to a contradictory mixture of acclaim and condemnation. In 1957 Akira Kurosawa released his great film Kumonosujo, known in the west as Throne of Blood, where the plot of Macbeth, without Shakespeare's language, is brilliantly relocated to feudal Japan, and which has been described variously as 'the most complete translation of Shakespeare into film' and as 'not really Shakespeare at all'. Kurosawa followed Kumonosujo much later in 1985 with his samurai version of King Lear, Ran. In the theatre Yukio Ninagawa staged in 1980 what is perhaps the greatest ever Japanese production of Shakespeare, his Macbeth set in mediaeval Japan. Ninagawa produced The Tempest in an equally traditional style, as 'A Rehearsal of a Noh Play on the Island of Sado' (the island to which Zeami, the great playwright of Noh, was exiled). Across a period of 30 years (1957-1987) these great theatre and cinema artists finally resolved the conflicts between Shakespeare and Japan by setting the plays back into their own beloved but disputed past. These 'Samurai Shakespeare' productions were initially received in the west and in Japan with enthusiasm, though not without some critical reflection on the dangers of 'exoticism' and 'orientalism.' / However, after this great florescence of 'samurai Shakespeare' (1957-1987), the theatre in Japan returned to its Shingeki roots, preferring modernity to tradition. The phenomenon of Edo Shakespeare became a definitive cultural moment, and many subsequent productions allude or pay homage to the work of Fukuda, Kurosawa and Ninagawa. However ultra-modern a Japanese Shakespeare production may be, it has had the facility to acknowledge the country's own past as one of Shakespeare's multiple global histories. At the same time 'Samurai Shakespeare' can be found alive and well in other Japanese media, especially Manga. / This is an important study of the complexity and contradictions of crucial cultural and historical moments in Japanese history, and in the relations between Japan and the West. / Contents: Introduction: Shakespeare and Japan / 1 'Show me a samurai' western admiration of Edo culture, 1890-1900. / 2 Modernity and tradition in Japanese theatre 1900-1957. / 3 Tsuneari Fukuda / 4 Akira Kurosawa / 5 Yukio Ninagawa / 6 'Samurai Shakespeare' in Japanese theatre 1980-2000. / 7 Conclusion: Manga Shakespeare. / Bibliography, Index.
Book Synopsis The Oxford Handbook of Shakespeare and Performance by : James C. Bulman
Download or read book The Oxford Handbook of Shakespeare and Performance written by James C. Bulman and published by Oxford University Press. This book was released on 2017-11-16 with total page 656 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespearean performance criticism has undergone a sea change in recent years, and strong tides of discovery are continuing to shift the contours of the discipline. The essays in this volume, written by scholars from around the world, reveal how these critical cross-currents are influencing the ways we now view Shakespeare in performance. The volume is organised in four Parts. Part I interrogates how Shakespeare continues to achieve contemporaneity for Western audiences by exploring modes of performance, acting styles, and aesthetic choices regarded as experimental. Part II tackles the burgeoning field of reception: how and why audiences respond to performances as they do, or actors to the conditions in which they perform; how immersive productions turn spectators into actors; how memory and cognition shape and reshape the performances we think we saw. Part III addresses the ways in which revolutions in technology have altered our views of Shakespeare, both through the mediums of film and sound recording, and through digitalizing processes that have generated a profound reconsideration of what performance is and how it is accessed. The final Part grapples with intercultural Shakespeare, considering not only matters of cultural hegemony and appropriation in a 'global' importation of non-Western productions to Europe and North America, but also how Shakespeare has been made 'local' in performances staged or filmed in African, Asian, and Latin American countries. Together, these ground-breaking essays attest to the richness and diversity of Shakespearean performance criticism as it is practiced today, and they point the way to critical continents not yet explored.
Book Synopsis Shakespeare in Japan by : Tetsuo Kishi
Download or read book Shakespeare in Japan written by Tetsuo Kishi and published by A&C Black. This book was released on 2006-12-19 with total page 167 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the late Meiji period, Shakespeare has held a central place in Japanese literary culture. This work considers the cultural and linguistic problems of translation and includes an illustrated survey of the most significant Shakespearean productions and adaptations, and the contrasting responses of Japanese and Western critics.
Book Synopsis Shakespeare beyond English by : Susan Bennett
Download or read book Shakespeare beyond English written by Susan Bennett and published by Cambridge University Press. This book was released on 2013-08-29 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tackling vital issues of politics, identity and experience in performance, this book asks what Shakespeare's plays mean when extended beyond the English language. From April to June 2012 the Globe to Globe Festival offered the unprecedented opportunity to see all of Shakespeare's plays performed in many different world languages. Thirty-eight productions from around the globe were presented in six weeks as part of the World Shakespeare Festival, which formed a cornerstone of the Cultural Olympics. This book provides the only complete critical record of that event, drawing together an internationally renowned group of scholars of Shakespeare and world theatre with a selection of the UK's most celebrated Shakespearean actors. Featuring a foreword by Artistic Director Dominic Dromgoole and an interview with the Festival Director Tom Bird, this volume highlights the energy and dedication that was necessary to mount this extraordinary cultural experiment.
Book Synopsis Shakespeare and East Asia by : Alexa Alice Joubin
Download or read book Shakespeare and East Asia written by Alexa Alice Joubin and published by Oxford University Press. This book was released on 2021-01-26 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Structured around modes in which one might encounter Asian-themed performances and adaptations, Shakespeare and East Asia identifies four themes that distinguish post-1950s East Asian cinemas and theatres from works in other parts of the world: Japanese formalistic innovations in sound and spectacle; reparative adaptations from China, Taiwan, and Hong Kong; the politics of gender and reception of films and touring productions in South Korea and the UK; and multilingual, diaspora works in Singapore and the UK. These adaptations break new ground in sound and spectacle; they serve as a vehicle for artistic and political remediation or, in some cases, the critique of the myth of reparative interpretations of literature; they provide a forum where diasporic artists and audiences can grapple with contemporary issues; and, through international circulation, they are reshaping debates about the relationship between East Asia and Europe. Bringing film and theatre studies together, this book sheds new light on the two major genres in a comparative context and reveals deep structural and narratological connections among Asian and Anglophone performances. These adaptations are products of metacinematic and metatheatrical operations, contestations among genres for primacy, or experimentations with features of both film and theatre.
Book Synopsis Shakespeare in Hollywood, Asia, and Cyberspace by : Alexander Cheng-Yuan Huang
Download or read book Shakespeare in Hollywood, Asia, and Cyberspace written by Alexander Cheng-Yuan Huang and published by Purdue University Press. This book was released on 2009 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare in Hollywood, Asia, and Cyberspace shows readers how ideas of Asia operate in Shakespeare performances and how Asian and Anglo-European forms of cultural production combine to transcend the mode of inquiry that focuses on fidelity. The result is a new creativity that finds expression in different cultural and virtual locations, including recent films and massively multiplayer online games such as Arden: The World of Shakespeare. The papers in this volume provide a background for these modern developments showing the history of how Shakespeare became a signifier against which Asian and Western cultures definedand continue to definethemselves. Hollywood films, and a century of Asian readings of plays such as Hamlet and Macbeth, are now conjoining in cyberspace making a world of difference in how we experience Shakespeare. The papers, written by experts in the field, provide an introduction to the diverse incarnations and bold sequences of screen and stage that in recent decades have produced new versions of Shakespeare's great comedies and tragedies and new ways of experiencing them. Authors, in the first part of the collection, examine body politics and race in Hollywood Shakespearean films andfilm techniques. It complements the second part of the book, in which the history of Shakespearean readings and stagings in China, Indonesia, Cambodia, Japan, Okinawa, Taiwan, Malaya, Korea, and Hong Kong are discussed. Papers in the third part of the volume contain analyses of the transformation of the idea of Shakespeare in cyberspace, a rapidly expanding world of new rewritings of both Shakespeare and Asia. Together, the three sections of this comparative study show how Asian cultures and Shakespeare affect each other, how one culture is translated to anoth
Book Synopsis Shakespeare in Succession by : Michael Saenger
Download or read book Shakespeare in Succession written by Michael Saenger and published by McGill-Queen's Press - MQUP. This book was released on 2023-02-15 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: It may certainly be said that nothing can be assumed about Shakespeare: on the one hand, the Elizabethan poet seems to be thriving, with more editions, productions, studies, and translations appearing every year; on the other hand, in a time of global crisis and decolonization, the question of why Shakespeare is relevant at all is now more pertinent than ever. Shakespeare in Succession approaches the question of relevance by positioning Shakespeare as a participant as well as an object of adaptive translation, a labour that has always mediated between the foreign and the domestic, between the past and the present, between the arcane and the urgent. The volume situates Shakespeare on a continuum of transfers that can be understood from cultural, spatial, temporal, or linguistic points of view by studying how the text of Shakespeare is transformed into other languages and examining Shakespeare himself as a kind of translator of previous times, older stories, and prior theatrical and linguistic systems. Contending with the poet’s contemporary fate, Shakespeare in Succession asks how Shakespeare’s work can be offered to the multicultural present in which we live, and how we might relate our position to that of the iconic writer.
Book Synopsis The Arden Research Handbook of Shakespeare and Adaptation by : Diana E. Henderson
Download or read book The Arden Research Handbook of Shakespeare and Adaptation written by Diana E. Henderson and published by Bloomsbury Publishing. This book was released on 2022-03-24 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Arden Research Handbook of Shakespeare and Adaptation explores the dynamics of adapted Shakespeare across a range of literary genres and new media forms. This comprehensive reference and research resource maps the field of Shakespeare adaptation studies, identifying theories of adaptation, their application in practice and the methodologies that underpin them. It investigates current research and points towards future lines of enquiry for students, researchers and creative practitioners of Shakespeare adaptation. The opening section on research methods and problems considers definitions and theories of Shakespeare adaptation and emphasises how Shakespeare is both adaptor and adapted.A central section develops these theoretical concerns through a series of case studies that move across a range of genres, media forms and cultures to ask not only how Shakespeare is variously transfigured, hybridised and valorised through adaptational play, but also how adaptations produce interpretive communities, and within these potentially new literacies, modes of engagement and sensory pleasures. The volume's third section provides the reader with uniquely detailed insights into creative adaptation, with writers and practice-based researchers reflecting on their close collaborations with Shakespeare's works as an aesthetic, ethical and political encounter. The Handbook further establishes the conceptual parameters of the field through detailed, practical resources that will aid the specialist and non-specialist reader alike, including a guide to research resources and an annotated bibliography.
Book Synopsis Screen Adaptations: Shakespeare's King Lear by : Yvonne Griggs
Download or read book Screen Adaptations: Shakespeare's King Lear written by Yvonne Griggs and published by Bloomsbury Publishing. This book was released on 2014-09-26 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: This close study of film adaptations of King Lear looks at several different versions (mainstream, art-house and cinematic `offshoots') and discusses: the literary text in its historical context, key themes and dominant readings of the text, how the text is adapted for screen and how adaptations have changed our reading of the original text. There are many references to the literary text and screenplays and the book also features quotations from directors and critics. There is plenty of discursive material here to support student work on both film and literature courses.
Book Synopsis Foreign Shakespeare by : Dennis Kennedy
Download or read book Foreign Shakespeare written by Dennis Kennedy and published by Cambridge University Press. This book was released on 2004-11-11 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection considers contemporary performance of Shakespeare's plays in non-English-speaking theatres.
Book Synopsis Shakespeare, Brecht, and the Intercultural Sign by : Antony Tatlow
Download or read book Shakespeare, Brecht, and the Intercultural Sign written by Antony Tatlow and published by Duke University Press. This book was released on 2001-09-24 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVExamines Asian staging of Western canonical theater, particularly Shakespeare’s plays, arguing that intercultural performance questions the settled assumptions we bring to our interpretations of familiar texts./div
Book Synopsis Shakespeare's History Plays by : A. J. Hoenselaars
Download or read book Shakespeare's History Plays written by A. J. Hoenselaars and published by Cambridge University Press. This book was released on 2004-09-23 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume, with a foreword by Dennis Kennedy, addresses a range of attitudes to Shakespeare's English history plays in Britain and abroad from the early seventeenth century to the present day. It concentrates on the play texts as well as productions, translations and adaptations of them. The essays explore the multiple points of intersection between the English history they recount and the experience of British and other national cultures, establishing the plays as genres not only relevant to the political and cultural history of Britain but also to the history of nearly every nation worldwide. The plays have had a rich international reception tradition but critics and theatre historians abroad, those practising 'foreign' Shakespeare, have tended to ignore these plays in favour of the comedies and tragedies. By presenting the British and foreign Shakespeare traditions side by side, this volume seeks to promote a more finely integrated world Shakespeare.
Book Synopsis Enter a Samurai: Full text and illustrations by : Joseph L. Anderson
Download or read book Enter a Samurai: Full text and illustrations written by Joseph L. Anderson and published by Wheatmark, Inc.. This book was released on 2011 with total page 597 pages. Available in PDF, EPUB and Kindle. Book excerpt: Looking back to the last years of the nineteenth century, veteran producer-director Joseph L. Anderson draws upon a monumental body of research gleaned from libraries and archives in seven countries to introduce the Japanese theatrical impresario Kawakami Otojiro. In 1899, Kawakami, his wife -- the inspired dancer and actress Sadayakko -- and his troupe went on epochal performance tours of the U.S. and Europe, introducing audiences to new forms of dramatic art and dance previously unseen in the West. Possessed of boundless energy and limitless imagination, Kawakami was a pioneer who quite literally viewed the world as his stage. In the closing decade of an all-too-brief life, Kawakami introduced major reforms of Japanese performance and the theatre business. Scholarly, witty, and filled with fascinating insights into the culture and conventions of fin de siecle America, Europe, and Japan, Enter a Samurai opens a door into a little-known, yet vitally important era of modern theatrical history. About the Author Joseph L. Anderson has been enjoying Japanese and American plays and films for over seven decades. During the 1950s and 1960s he wrote for and was an editorial board member on many little film magazines. Later, as professor of film in the Ohio University College of Fine Arts and adjunct in its Comparative Arts doctoral program in the early 1960s, he pioneered university-level studies of Japanese cinema. He has a BA in history from Antioch College and an MA from Ohio State University, and he was a language student at ICU, Tokyo. Anderson is the principal coauthor of The Japanese Film: Art and Industry (in print for fifty years). Anderson was chief advisor for the Tokyo Broadcasting System academic program in Japanese Broadcasting, Media, and Culture and taught at the Tisch School of the Arts, New York University. He has been an assistant director and dialogue coach on American feature films shot in Japan as well as a director of documentary films, a Variety stringer, and a writer of subtitles for Japanese films. In Hollywood and at WGBH Boston, he developed computer-generated subtitles for feature motion pictures (the technique in use today). During his career, he directed two independent American feature films, was an outside producer for ABC and CBS news specials, director of special projects at the [American] Art Theatre Guild, Mid-West producer for the Candid Camera Company, a puppeteer, a neophyte comedian in burlesque, an actor in lesser touring companies, director of a children's theatre, and an English language benshi (live narrator of Japanese silent films). In his teens he was a professional scenic artist, stage carpenter, and minor actor with several Equity summer stock theatres. Anderson is now a retired vice president of WGBH Boston, the organization that for several decades has produced more than a fourth of the television programs seen nationwide on PBS. In 1989, he received the Japan Prize (Nihonsho) for WGBH and was a Japan Foundation senior fellow in 1975.
Book Synopsis The Reel Shakespeare by : Lisa S. Starks
Download or read book The Reel Shakespeare written by Lisa S. Starks and published by Fairleigh Dickinson Univ Press. This book was released on 2002 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection models an approach to Shakespeare and cinema that is concerned with the other side of Shakespeare's Hollywood celebrity, taking the reader on a practical and theoretical tour through important, non-mainstream films and the oppositional messages they convey. The collection includes essays on early silent adaptations of 'Hamlet', Greenway's 'Prospero's Books', Godard's 'King Lear', Hall's 'A Midsummer Night's Dream', Taymor's 'Titus', Polanski's 'Macbeth', Welles 'Chimes at Midnight', and Van Sant's 'My Own Private Idaho'.
Book Synopsis The Routledge Handbook of Shakespeare and Global Appropriation by : Christy Desmet
Download or read book The Routledge Handbook of Shakespeare and Global Appropriation written by Christy Desmet and published by Routledge. This book was released on 2019-08-28 with total page 623 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Handbook of Shakespeare and Global Appropriation brings together a variety of different voices to examine the ways that Shakespeare has been adapted and appropriated onto stage, screen, page, and a variety of digital formats. The thirty-nine chapters address topics such as trans- and intermedia performances; Shakespearean utopias and dystopias; the ethics of appropriation; and Shakespeare and global justice as guidance on how to approach the teaching of these topics. This collection brings into dialogue three very contemporary and relevant areas: the work of women and minority scholars; scholarship from developing countries; and innovative media renderings of Shakespeare. Each essay is clearly and accessibly written, but also draws on cutting edge research and theory. It includes two alternative table of contents, offering different pathways through the book – one regional, the other by medium – which open the book up to both teaching and research. Offering an overview and history of Shakespearean appropriations, as well as discussing contemporary issues and debates in the field, this book is the ultimate guide to this vibrant topic. It will be of use to anyone researching or studying Shakespeare, adaptation, and global appropriation.
