Rival Sisters Art and Music at the Birth of Modernism 1815¿1915

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Publisher :
ISBN 13 : 9781138548091
Total Pages : pages
Book Rating : 4.5/5 (48 download)

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Book Synopsis Rival Sisters Art and Music at the Birth of Modernism 1815¿1915 by : Taylor & Francis Group

Download or read book Rival Sisters Art and Music at the Birth of Modernism 1815¿1915 written by Taylor & Francis Group and published by . This book was released on 2018-02-19 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

"Rival Sisters, Art and Music at the Birth of Modernism, 1815?915 "

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Author :
Publisher : Routledge
ISBN 13 : 1351550713
Total Pages : 590 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis "Rival Sisters, Art and Music at the Birth of Modernism, 1815?915 " by : JamesH. Rubin

Download or read book "Rival Sisters, Art and Music at the Birth of Modernism, 1815?915 " written by JamesH. Rubin and published by Routledge. This book was released on 2017-07-05 with total page 590 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introducing the concept of music and painting as 'rival sisters' during the nineteenth century, this interdisciplinary collection explores the productive exchange-from rivalry to inspiration to collaboration-between the two media in the age of Romanticism and Modernism. The volume traces the relationship between art and music, from the opposing claims for superiority of the early nineteenth century, to the emergence of the concept of synesthesia around 1900. This collection puts forward a more complex history of the relationship between art and music than has been described in earlier works, including an intermixing of models and distinctions between approaches to them. Individual essays from art history, musicology, and literature examine the growing influence of art upon music, and vice versa, in the works of Berlioz, Courbet, Manet, Fantin-Latour, Rodin, Debussy, and the Pre-Raphaelites, among other artists.

"Rival Sisters, Art and Music at the Birth of Modernism, 1815?915 "

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Author :
Publisher : Routledge
ISBN 13 : 1351550721
Total Pages : 415 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis "Rival Sisters, Art and Music at the Birth of Modernism, 1815?915 " by : JamesH. Rubin

Download or read book "Rival Sisters, Art and Music at the Birth of Modernism, 1815?915 " written by JamesH. Rubin and published by Routledge. This book was released on 2017-07-05 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introducing the concept of music and painting as 'rival sisters' during the nineteenth century, this interdisciplinary collection explores the productive exchange-from rivalry to inspiration to collaboration-between the two media in the age of Romanticism and Modernism. The volume traces the relationship between art and music, from the opposing claims for superiority of the early nineteenth century, to the emergence of the concept of synesthesia around 1900. This collection puts forward a more complex history of the relationship between art and music than has been described in earlier works, including an intermixing of models and distinctions between approaches to them. Individual essays from art history, musicology, and literature examine the growing influence of art upon music, and vice versa, in the works of Berlioz, Courbet, Manet, Fantin-Latour, Rodin, Debussy, and the Pre-Raphaelites, among other artists.

Music, Art and Performance from Liszt to Riot Grrrl

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501330144
Total Pages : 288 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis Music, Art and Performance from Liszt to Riot Grrrl by : Diane V. Silverthorne

Download or read book Music, Art and Performance from Liszt to Riot Grrrl written by Diane V. Silverthorne and published by Bloomsbury Publishing USA. This book was released on 2018-10-18 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opening with an account of print portraiture facilitating Franz Liszt's celebrity status and concluding with Riot Grrrl's noisy politics of feminism and performance, this interdisciplinary anthology charts the relationship between music and the visual arts from late Romanticism and the birth of modernism to 'postmodernism', while crossing from Western art to the Middle East. Focused on music as a central experience of art and life, these essays scrutinize 'the musicalisation of art' focusing on the visual and performing arts and detailing significant instances of intra-art relations between c. 1840 and the present day. Essays reflect on the aesthetic relationships of music to painting, performance and installation, sound-and- silence, time-and-space. The insistent influence of Wagner is considered as well as the work and ideas of Manet, Satie and Cage, Thomas Wilfred, La Monte Young and Eliasson. What distinguishes these studies are the convictions that music is never alone and that a full understanding of the “isms” of the last two hundred years is best achieved when music's influential presence in the visual arts is acknowledged and interrogated.

Van Gogh and Music

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Publisher : Yale University Press
ISBN 13 : 0300228333
Total Pages : 185 pages
Book Rating : 4.3/5 (2 download)

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Book Synopsis Van Gogh and Music by : Natascha Veldhorst

Download or read book Van Gogh and Music written by Natascha Veldhorst and published by Yale University Press. This book was released on 2018-01-01 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Ah! . . . to make of painting what the music of Berlioz and Wagner has been before us . . . a consolatory art for distressed hearts!"--Vincent van Gogh This engaging book is the first in-depth investigation of the influential role that music and sound played throughout Vincent van Gogh's (1853-1890) life. From psalms and hymns to the operas of Richard Wagner to simple birdsong, music represented to Van Gogh the ultimate form of artistic expression. And he believed that by emulating music painting could articulate deep truths and impart a lasting emotional impact on its viewers. In Van Gogh and Music Natascha Veldhorst provides close readings of the many allusions to music in the artist's prolific correspondence and examines the period's artistic theory to offer a rich picture of the status of music in late 19th-century culture. Veldhorst shows the extent to which Van Gogh not only admired the ability of music to inspire emotion, but how he incorporated musical subject matter and techniques into his work, with illustrations of celebrated paintings such as Sunflowers in a Vase, which he described as "a symphony in blue and yellow." An expansive inquiry into the significance of sound and music for the artist, including the formative influence of his song-filled upbringing, Van Gogh and Music is full of fascinating new insights into the work of one of history's most venerated artists.

The Bloomsbury Handbook of Music and Art

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501377736
Total Pages : 405 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis The Bloomsbury Handbook of Music and Art by : Sarah Mahler Kraaz

Download or read book The Bloomsbury Handbook of Music and Art written by Sarah Mahler Kraaz and published by Bloomsbury Publishing USA. This book was released on 2023-10-05 with total page 405 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together prominent scholars, artists, composers, and directors to present the latest interdisciplinary ideas and projects in the fields of art history, musicology and multi-media practice. Organized around ways of perceiving, experiencing and creating, the book outlines the state of the field through cutting-edge research case studies. For example, how does art-music practice / thinking communicate activist activities? How do socio-economic and environmental problems affect access to heritage? How do contemporary practitioners interpret past works and what global concerns stimulate new works? In each instance, examples of cross or inter-media works are not thought of in isolation but in a global historical context that shows our cultural existence to be complex, conflicted and entwined. For the first time cross-disciplinary collaborations in ethnomusicology-anthropology, ecomusicology-ecoart-ecomuseology and digital humanities for art history, musicology and practice are prioritized in one volume.

The Total Work of Art

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Publisher : Berghahn Books
ISBN 13 : 178533185X
Total Pages : 300 pages
Book Rating : 4.7/5 (853 download)

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Book Synopsis The Total Work of Art by : David Imhoof

Download or read book The Total Work of Art written by David Imhoof and published by Berghahn Books. This book was released on 2016-07-01 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: For two centuries, Gesamtkunstwerk—the ideal of the “total work of art”—has exerted a powerful influence over artistic discourse and practice, spurring new forms of collaboration and provoking debates over the political instrumentalization of art. Despite its popular conflation with the work of Richard Wagner, Gesamtkunstwerk’s lineage and legacies extend well beyond German Romanticism, as this wide-ranging collection demonstrates. In eleven compact chapters, scholars from a variety of disciplines trace the idea’s evolution in German-speaking Europe, from its foundations in the early nineteenth century to its manifold articulations and reimaginings in the twentieth century and beyond, providing an uncommonly broad perspective on a distinctly modern cultural form.

Art Nouveau

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Publisher : Bloomsbury Publishing
ISBN 13 : 1350061166
Total Pages : 283 pages
Book Rating : 4.3/5 (5 download)

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Book Synopsis Art Nouveau by : Charlotte Ashby

Download or read book Art Nouveau written by Charlotte Ashby and published by Bloomsbury Publishing. This book was released on 2021-10-21 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art Nouveau presents a new overview of the international Art Nouveau movement. Art Nouveau represented the search for a new style for a new age, a sense that the conditions of modernity called for fundamentally new means of expression. Art Nouveau emerged in a world transformed by industrialisation, urbanisation and increasingly rapid means of transnational exchange, bringing about new ways of living, working and creating. This book is structured around key themes for understanding the contexts behind Art Nouveau, including new materials and technologies, colonialism and imperialism, the rise of the 'modern woman', the rise of the professional designer and the role of the patron-collector. It also explores the new ideas that inspired Art Nouveau: nature and the natural sciences, world arts and world religions, psychology and new visions for the modern self. Ashby explores the movement through 41 case studies of artists and designers, buildings, interiors, paintings, graphic arts, glass, ceramics and jewellery, drawn from a wide range of countries.

Debussy's Critics

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Publisher : Oxford University Press
ISBN 13 : 0190847263
Total Pages : 336 pages
Book Rating : 4.1/5 (98 download)

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Book Synopsis Debussy's Critics by : Alexandra Kieffer

Download or read book Debussy's Critics written by Alexandra Kieffer and published by Oxford University Press. This book was released on 2019-06-04 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Debussy's Critics: Sound, Affect, and the Experience of Modernism explores the music of Claude Debussy and its early reception in light of the rise of the empirical human sciences in Western Europe around the turn of the twentieth century. In the midst of a sea change in conceptions of the human person, the critics who wrote about Debussy's music in the Parisian press-continually returning to this music's nebulous relationship to sensation and sensibilité-attempted to articulate a music aesthetic appropriate to the fully embodied, material self of psychological modernism. While scholarship on French music in this period has often emphasized its affinities with other art forms, such as Impressionist painting and Symbolist poetry, Debussy's Critics demonstrates that a preoccupation with the specifically sonic materiality of Debussy's music, informed by late nineteenth-century scientific discourses on affect, perception, and cognition, was central to this music's historical intervention. Foregrounding the dynamic exchange between sounds and ideas, this book reveals the disorienting and bewildering experience of listening to Debussy's music, which compelled its early audiences to reimagine the most fundamental premises of the European art-music tradition.

Exiled in Modernity

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Publisher : Penn State Press
ISBN 13 : 0271082674
Total Pages : 533 pages
Book Rating : 4.2/5 (71 download)

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Book Synopsis Exiled in Modernity by : David O'Brien

Download or read book Exiled in Modernity written by David O'Brien and published by Penn State Press. This book was released on 2018-05-03 with total page 533 pages. Available in PDF, EPUB and Kindle. Book excerpt: Notions of civilization and barbarism were intrinsic to Eugène Delacroix’s artistic practice: he wrote regularly about these concepts in his journal, and the tensions between the two were the subject of numerous paintings, including his most ambitious mural project, the ceiling of the Library of the Chamber of Deputies in the Palais Bourbon. Exiled in Modernity delves deeply into these themes, revealing why Delacroix’s disillusionment with modernity increasingly led him to seek spiritual release or epiphany in the sensual qualities of painting. While civilization implied a degree of control and the constraint of natural impulses for Delacroix, barbarism evoked something uncontrolled and impulsive. Seeing himself as part of a grand tradition extending back to ancient Greece, Delacroix was profoundly aware of the wealth and power that set nineteenth-century Europe apart from the rest of the world. Yet he was fascinated by civilization’s chaotic underbelly. In analyzing Delacroix’s art and prose, David O’Brien illuminates the artist’s effort to reconcile the erudite, tradition-bound aspects of painting with a desire to reach viewers in a more direct, unrestrained manner. Focusing chiefly on Delacroix’s musings about civilization in his famous journal, his major mural projects on the theme of civilization, and the place of civilization in his paintings of North Africa and of animals, O’Brien links Delacroix’s increasingly pessimistic view of modernity to his desire to use his art to provide access to a more fulfilling experience. With more than one hundred illustrations, this original, astute analysis of Delacroix and his work explains why he became an inspiration for modernist painters over the half-century following his death. Art historians and scholars of modernism especially will find great value in O’Brien’s work.

Richard Wagner and the Art of the Avant-Garde, 1860-1910

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Publisher : Rowman & Littlefield
ISBN 13 : 1538180006
Total Pages : 213 pages
Book Rating : 4.5/5 (381 download)

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Book Synopsis Richard Wagner and the Art of the Avant-Garde, 1860-1910 by : Donald A. Rosenthal

Download or read book Richard Wagner and the Art of the Avant-Garde, 1860-1910 written by Donald A. Rosenthal and published by Rowman & Littlefield. This book was released on 2023-08-14 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the responses of leading European avant-garde painters to the operas of Richard Wagner, the most influential composer of the late nineteenth century. The term avant-garde represents a twenty-first century evaluation of certain nineteenth-century artists working in a variety of advanced styles, rather than a phrase the artists applied to themselves. Chapters are on individual artists or groups, rather than an attempt to survey all of nineteenth-century Wagnerian visual art. They deal with paintings and drawings inspired by Wagner and his operas, not with the composer’s larger cultural influence through his writings and personal example. Thus artists such as Vincent Van Gogh and Paul Gauguin, who knew of Wagner’s music and writings but did not depict scenes from his operas, are not discussed in detail. The emphasis is on the diverse effects Wagner had on the works of leading avant-garde artists, varying according to their personalities and stylistic interests. The period beginning in the 1880s, often associated with post-Impressionism, was characterized by a movement away from realist subject matter to more personal or imaginary themes, a general intellectual trend of the fin-de-siècle. Wagner’s remote quasi-historical or mythological subjects fit well with this escapist tendency in the art and culture of the time, in part a return to the Romantic sensibility that was dominant in Wagner’s youth. Wagner’s influence peaked in the period between his death in 1883 and 1900, though a few long-lived artists continued their Wagnerian explorations from this era well into the early twentieth century. There is no “Wagner style” in art, yet Wagner’s pervasive influence is immediately evident in these works. Artists whose works are discussed include Eugène Delacroix, Henri Fantin-Latour, Odilon Redon, Max Klinger, James Ensor, Fernand Khnopff, John Singer Sargent and Aubrey Beardsley, among others. The book features 60 art reproductions, half of them in color.

Light Touches

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Publisher : Taylor & Francis
ISBN 13 : 1315407698
Total Pages : 164 pages
Book Rating : 4.3/5 (154 download)

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Book Synopsis Light Touches by : Alice Barnaby

Download or read book Light Touches written by Alice Barnaby and published by Taylor & Francis. This book was released on 2016-11-10 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: Light Touches: Cultural Practices of Illumination, 1800-1900 explores how urban lives in the nineteenth century were increasingly touched by innovations in the technologies and aesthetics of illumination. Dramatic changes in qualities of light – and darkness – became acutely palpable to the human sensorium; using, seeing, feeling, and being in light were now matters of intense personal and cultural concern. Light gave meaningful vitality to the period’s material culture, and light itself became something to be perceptually consumed. Over the course of six chapters Alice Barnaby traces how light was used in amateur artistic pastimes, interior design and clothing fashions, spectacular public amusements, volatile street demonstrations, and art gallery designs. From these previously unexplored examples a more complex history of light in the period emerges. Society’s fascination with illumination, its desire to work with it and make meaning from it gave rise to a distinctly new set of cultural practices. Through these practices unexpected discoveries about the modern world were revealed. Light proved to be instrumental in everyday acts of experimentation and imaginative enquiry. Barnaby offers an intervention into the dominant scholarly narrative of the nineteenth century which traditionally reads modernity as synonymous with the formation of a spectacular, disembodied visuality. Light Touches, in contrast, returns vision to the body and foregrounds the actively felt - as well as seen - sensation of light. In coming to understand these cultural practices of illumination, the book reconsiders many assumptions about nineteenth-century modernity.

Wagnerism

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Publisher : Farrar, Straus and Giroux
ISBN 13 : 1429944544
Total Pages : 784 pages
Book Rating : 4.4/5 (299 download)

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Book Synopsis Wagnerism by : Alex Ross

Download or read book Wagnerism written by Alex Ross and published by Farrar, Straus and Giroux. This book was released on 2020-09-15 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.

Rival Sisters, Art and Music at the Birth of Modernism, 1815-1915

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Author :
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1409420701
Total Pages : 407 pages
Book Rating : 4.4/5 (94 download)

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Book Synopsis Rival Sisters, Art and Music at the Birth of Modernism, 1815-1915 by : Mr James H Rubin

Download or read book Rival Sisters, Art and Music at the Birth of Modernism, 1815-1915 written by Mr James H Rubin and published by Ashgate Publishing, Ltd.. This book was released on 2014-11-28 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introducing the concept of music and painting as 'rival sisters' during the nineteenth century, this interdisciplinary collection explores the productive exchange - from rivalry to inspiration to collaboration - between the two media in the age of Romanticism and Modernism. The volume traces the relationship between art and music, from the opposing claims for superiority of the early nineteenth century, to the emergence of the concept of synesthesia around 1900.

The Social Worlds of Nineteenth-Century Chamber Music

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Publisher : University of Illinois Press
ISBN 13 : 0252097270
Total Pages : 384 pages
Book Rating : 4.2/5 (52 download)

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Book Synopsis The Social Worlds of Nineteenth-Century Chamber Music by : Marie Sumner Lott

Download or read book The Social Worlds of Nineteenth-Century Chamber Music written by Marie Sumner Lott and published by University of Illinois Press. This book was released on 2015-06-15 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Marie Sumner Lott examines the music available to musical consumers in the nineteenth century, and what that music tells us about their tastes, priorities, and activities. Her social history of chamber music performance places the works of canonic composers such as Schubert, Brahms, and Dvorák in relation to lesser-known but influential peers. The book explores the dynamic relationships among the active agents involved in the creation of Romantic music and shows how each influenced the others' choices in a rich, collaborative environment. In addition to documenting the ways companies acquired and marketed sheet music, Sumner Lott reveals how the publication and performance of chamber music differed from that of ephemeral piano and song genres or more monumental orchestral and operatic works. Several distinct niche markets existed within the audience for chamber music, and composers created new musical works for their use and enjoyment. Insightful and groundbreaking, The Social Worlds of Nineteenth-Century Chamber Music revises prevailing views of middle-class influence on nineteenth-century musical style and presents new methods for interpreting the meanings of musical works for musicians both past and present.

Steampunk and Nineteenth-Century Digital Humanities

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Publisher : Taylor & Francis
ISBN 13 : 1317509110
Total Pages : 230 pages
Book Rating : 4.3/5 (175 download)

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Book Synopsis Steampunk and Nineteenth-Century Digital Humanities by : Roger Whitson

Download or read book Steampunk and Nineteenth-Century Digital Humanities written by Roger Whitson and published by Taylor & Francis. This book was released on 2016-12-01 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Steampunk is more than a fandom, a literary genre, or an aesthetic. It is a research methodology turning history inside out to search for alternatives to the progressive technological boosterism sold to us by Silicon Valley. This book turns to steampunk's quirky temporalities to embrace diverse genealogies of the digital humanities and to unite their methodologies with nineteenth-century literature and media archaeology. The result is nineteenth-century digital humanities, a retrofuturist approach in which readings of steampunk novels like William Gibson and Bruce Sterling's The Difference Engine and Ken Liu's The Grace of Kings collide with nineteenth-century technological histories like Charles Babbage's use of the difference engine to enhance worker productivity and Isabella Bird's spirit photography of alternate history China. Along the way, Steampunk and Nineteenth-Century Digital Humanities considers steampunk as a public form of digital humanities scholarship and activism, examining projects like Kinetic Steam Works's reconstruction of Henri Giffard's 1852 steam-powered airship, Jake von Slatt's use of James Wimshurst's 1880 designs to create an electric influence machine, and the queer steampunk activism of fans appearing at conventions around the globe. Steampunk as a digital humanities practice of repurposing reacts to the growing sense of multiple non-human temporalities mediating our human histories: microtemporal electricities flowing through our computer circuits, mechanical oscillations marking our work days, geological stratifications and cosmic drifts extending time into the millions and billions of years. Excavating the entangled, anachronistic layers of steampunk practice from video games like Bioshock Infinite to marine trash floating off the shore of Los Angeles and repurposed by media artist Claudio Garzón into steampunk submarines, Steampunk and Nineteenth-Century Digital Humanities uncovers the various technological temporalities and multicultural retrofutures illuminating many alternate histories of the digital humanities.

Hendrik Petrus Berlage

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Publisher : Getty Publications
ISBN 13 : 0892363339
Total Pages : 350 pages
Book Rating : 4.8/5 (923 download)

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Book Synopsis Hendrik Petrus Berlage by : Hendrik Petrus Berlage

Download or read book Hendrik Petrus Berlage written by Hendrik Petrus Berlage and published by Getty Publications. This book was released on 1996-01-01 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hendrik Petrus Berlage, the Dutch architect and architectural philosopher, created a series of buildings and a body of writings from 1886 to 1909 that were among the first efforts to probe the problems and possibilities of modernism. Although his Amsterdam Stock Exchange, with its rational mastery of materials and space, has long been celebrated for its seminal influence on the architecture of the 20th century, Berlage's writings are highlighted here. Bringing together Berlage's most important texts, among them "Thoughts on Style in Architecture", "Architecture's Place in Modern Aesthetics", and "Art and Society", this volume presents a chapter in the history of European modernism. In his introduction, Iain Boyd Whyte demonstrates that the substantial contribution of Berlage's designs to modern architecture cannot be fully appreciated without an understanding of the aesthetic principles first laid out in his writings.