A Corpus of Rembrandt Paintings VI

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Author :
Publisher : Springer
ISBN 13 : 9401792402
Total Pages : 736 pages
Book Rating : 4.4/5 (17 download)

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Book Synopsis A Corpus of Rembrandt Paintings VI by : Ernst van de Wetering

Download or read book A Corpus of Rembrandt Paintings VI written by Ernst van de Wetering and published by Springer. This book was released on 2014-11-11 with total page 736 pages. Available in PDF, EPUB and Kindle. Book excerpt: A revised survey of Rembrandt’s complete painted oeuvre. The question of which 17th-century paintings in Rembrandt’s style were actually painted by Rembrandt himself had already become an issue during his lifetime. It is an issue that is still hotly disputed among art historians today. The problem arose because Rembrandt had numerous pupils who learned the art of painting by imitating their master or by assisting him with his work as a portrait painter. He also left pieces unfinished, to be completed by others. The question is how to determine which works were from Rembrandt’s own hand. Can we, for example, define the criteria of quality that would allow us to distinguish the master’s work from that of his followers? Do we yet have methods of investigation that would deliver objective evidence of authenticity? To what extent do research techniques used in the physical sciences help? Or are we, after all, still dependent on the subjective, expert eye of the connoisseur? The book provides answers to these questions. Prof. Ernst van de Wetering, the author of our forthcoming book which deals with these questions, has been closely involved in all aspects of this research since 1968, the year the renowned Rembrandt Research Project (RRP) was founded. In particular, he played an important role in developing new criteria for authentication. Van de Wetering was also witness to the way the often overly zealous tendency to doubt the authenticity of Rembrandt’s paintings got out of hand. In this book he re-attributes to the master a substantial number of unjustly rejected Rembrandts. He also was closely involved in the (re)discovery of a considerable number of lost or completely unknown works by Rembrandt. The verdicts of earlier specialists – including the majority of members of the original RRP (up to 1989) – were based on connoisseurship: the self-confidence in one’s ability to recognise a specific artist’s style and ‘hand’. Over the years, Van de Wetering has carried out seminal research into 17th-century studio practice and ideas about art current in Rembrandt’s time. In this book he demonstrates the fallibility of traditional connoisseurship, especially in the case of Rembrandt, who was par excellence a searching artist. The methodological implications of this critical view are discussed in an introductory chapter which relates the history of the developments in this turbulent field of research. Van de Wetering’s account of his own involvement in it makes this book a lively and sometimes unexpectedly personal account. The catalogue section presents a chronologically ordered survey of Rembrandt’s entire painted oeuvre of 336 paintings, richly illustrated and annotated. For all the paintings re-attributed in this book, extensive commentaries have been included that provide a multi-facetted new insight into Rembrandt’s world and the world of art-historical research. Rembrandt’s Paintings Revisited is the concluding sixth volume of A Corpus of Rembrandt Paintings (Volumes I-V; 1982, 1986, 1989, 2005, 2010). It can also be read as a revisionary critique of the first three Volumes published by the old RRP team up till 1989 and of Gerson’s influential survey of Rembrandt’s painted oeuvre of 1968/69. At the same time, the book is designed as an independent overview that can be used on the basis that anyone seeking more detailed information will be referred to the five previous (digital versions of the) Volumes and the detailed catalogues published in the meantime by the various museums with collections of Rembrandt paintings. This work of art history and art research should belong in the library of every serious art historical institute, university or museum.

A Corpus of Rembrandt Paintings

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Author :
Publisher :
ISBN 13 : 9789024726134
Total Pages : 700 pages
Book Rating : 4.7/5 (261 download)

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Book Synopsis A Corpus of Rembrandt Paintings by : J. Bruyn

Download or read book A Corpus of Rembrandt Paintings written by J. Bruyn and published by . This book was released on 1982 with total page 700 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Rembrandt’s Paintings Revisited - A Complete Survey

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Author :
Publisher : Springer
ISBN 13 : 9789402410273
Total Pages : 0 pages
Book Rating : 4.4/5 (12 download)

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Book Synopsis Rembrandt’s Paintings Revisited - A Complete Survey by : Ernst van de Wetering

Download or read book Rembrandt’s Paintings Revisited - A Complete Survey written by Ernst van de Wetering and published by Springer. This book was released on 2017-03-03 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The question of which 17th-century paintings in Rembrandt’s style were actually painted by Rembrandt himself had already become an issue during his lifetime. It is an issue that is still hotly disputed among art historians today. The problem arose because Rembrandt had numerous pupils who learned the art of painting by imitating their master or by assisting him with his work as a portrait painter. He also left pieces unfinished, to be completed by others. The question is how to determine which works were from Rembrandt’s own hand. Can we, for example, define the criteria of quality that would allow us to distinguish the master’s work from that of his followers? Do we yet have methods of investigation that would deliver objective evidence of authenticity? To what extent do research techniques used in the physical sciences help? Or are we, after all, still dependent on the subjective, expert eye of the connoisseur? The present book provides answers to these questions. Prof. Ernst van de Wetering, the author of our forthcoming book which deals with these questions, has been closely involved in all aspects of this research since 1968, the year the renowned Rembrandt Research Project (RRP) was founded. In particular, he played an important role in developing new criteria for authentication. Van de Wetering was also witness to the way the often overly zealous tendency to doubt the authenticity of Rembrandt’s paintings got out of hand. In this book he re-attributes to the master a substantial number of unjustly rejected Rembrandts. He also was closely involved in the (re)discovery of a considerable number of lost or completely unknown works by Rembrandt. The verdicts of earlier specialists – including the majority of members of the original RRP (up to 1989) – were based on connoisseurship: the self-confidence in one’s ability to recognise a specific artist’s style and ‘hand’. Over the years, Van de Wetering has carried out seminal research into 17th-century studio practice and ideas about art current in Rembrandt’s time. In this book he demonstrates the fallibility of traditional connoisseurship, especially in the case of Rembrandt, who was par excellence a searching artist. The methodological implications of this critical view are discussed in an introductory chapter which relates the history of the developments in this turbulent field of research. Van de Wetering’s account of his own involvement in it makes this book a lively and sometimes unexpectedly personal account. The catalogue section presents a chronologically ordered survey of Rembrandt’s entire painted oeuvre of 336 paintings, richly illustrated and annotated. For all the paintings re-attributed in this book, extensive commentaries have been included that provide a multi-facetted new insight into Rembrandt’s world and the world of art-historical research. Rembrandt’s Paintings Revisited is a reprint of the concluding sixth volume of A Corpus of Rembrandt Paintings (Volumes I-V; 1982, 1986, 1989, 2005, 2010). It can also be read as a revisionary critique of the first three Volumes published by the old RRP team up till 1989 and of Gerson’s influential survey of Rembrandt’s painted oeuvre of 1968/69. At the same time, the book is designed as an independent overview that can be used on the basis that anyone seeking more detailed information will be referred to the five previous (digital versions of the) Volumes and the detailed catalogues published in the meantime by the various museums with collections of Rembrandt paintings. This work of art history and art research should belong in the library of every serious art historical institute, university or museum.

A Corpus of Rembrandt Paintings

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Author :
Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (96 download)

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Book Synopsis A Corpus of Rembrandt Paintings by :

Download or read book A Corpus of Rembrandt Paintings written by and published by . This book was released on 2014 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Rembrandt’s Paintings Revisited - A Complete Survey

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Author :
Publisher : Springer
ISBN 13 : 9789402410273
Total Pages : 690 pages
Book Rating : 4.4/5 (12 download)

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Book Synopsis Rembrandt’s Paintings Revisited - A Complete Survey by : Ernst van de Wetering

Download or read book Rembrandt’s Paintings Revisited - A Complete Survey written by Ernst van de Wetering and published by Springer. This book was released on 2017-03-03 with total page 690 pages. Available in PDF, EPUB and Kindle. Book excerpt: The question of which 17th-century paintings in Rembrandt’s style were actually painted by Rembrandt himself had already become an issue during his lifetime. It is an issue that is still hotly disputed among art historians today. The problem arose because Rembrandt had numerous pupils who learned the art of painting by imitating their master or by assisting him with his work as a portrait painter. He also left pieces unfinished, to be completed by others. The question is how to determine which works were from Rembrandt’s own hand. Can we, for example, define the criteria of quality that would allow us to distinguish the master’s work from that of his followers? Do we yet have methods of investigation that would deliver objective evidence of authenticity? To what extent do research techniques used in the physical sciences help? Or are we, after all, still dependent on the subjective, expert eye of the connoisseur? The present book provides answers to these questions. Prof. Ernst van de Wetering, the author of our forthcoming book which deals with these questions, has been closely involved in all aspects of this research since 1968, the year the renowned Rembrandt Research Project (RRP) was founded. In particular, he played an important role in developing new criteria for authentication. Van de Wetering was also witness to the way the often overly zealous tendency to doubt the authenticity of Rembrandt’s paintings got out of hand. In this book he re-attributes to the master a substantial number of unjustly rejected Rembrandts. He also was closely involved in the (re)discovery of a considerable number of lost or completely unknown works by Rembrandt. The verdicts of earlier specialists – including the majority of members of the original RRP (up to 1989) – were based on connoisseurship: the self-confidence in one’s ability to recognise a specific artist’s style and ‘hand’. Over the years, Van de Wetering has carried out seminal research into 17th-century studio practice and ideas about art current in Rembrandt’s time. In this book he demonstrates the fallibility of traditional connoisseurship, especially in the case of Rembrandt, who was par excellence a searching artist. The methodological implications of this critical view are discussed in an introductory chapter which relates the history of the developments in this turbulent field of research. Van de Wetering’s account of his own involvement in it makes this book a lively and sometimes unexpectedly personal account. The catalogue section presents a chronologically ordered survey of Rembrandt’s entire painted oeuvre of 336 paintings, richly illustrated and annotated. For all the paintings re-attributed in this book, extensive commentaries have been included that provide a multi-facetted new insight into Rembrandt’s world and the world of art-historical research. Rembrandt’s Paintings Revisited is a reprint of the concluding sixth volume of A Corpus of Rembrandt Paintings (Volumes I-V; 1982, 1986, 1989, 2005, 2010). It can also be read as a revisionary critique of the first three Volumes published by the old RRP team up till 1989 and of Gerson’s influential survey of Rembrandt’s painted oeuvre of 1968/69. At the same time, the book is designed as an independent overview that can be used on the basis that anyone seeking more detailed information will be referred to the five previous (digital versions of the) Volumes and the detailed catalogues published in the meantime by the various museums with collections of Rembrandt paintings. This work of art history and art research should belong in the library of every serious art historical institute, university or museum.

Rembrandt’s Paintings Revisited - A Complete Survey

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Author :
Publisher : Springer
ISBN 13 : 9789402410273
Total Pages : 690 pages
Book Rating : 4.4/5 (12 download)

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Book Synopsis Rembrandt’s Paintings Revisited - A Complete Survey by : Ernst van de Wetering

Download or read book Rembrandt’s Paintings Revisited - A Complete Survey written by Ernst van de Wetering and published by Springer. This book was released on 2017-03-03 with total page 690 pages. Available in PDF, EPUB and Kindle. Book excerpt: The question of which 17th-century paintings in Rembrandt’s style were actually painted by Rembrandt himself had already become an issue during his lifetime. It is an issue that is still hotly disputed among art historians today. The problem arose because Rembrandt had numerous pupils who learned the art of painting by imitating their master or by assisting him with his work as a portrait painter. He also left pieces unfinished, to be completed by others. The question is how to determine which works were from Rembrandt’s own hand. Can we, for example, define the criteria of quality that would allow us to distinguish the master’s work from that of his followers? Do we yet have methods of investigation that would deliver objective evidence of authenticity? To what extent do research techniques used in the physical sciences help? Or are we, after all, still dependent on the subjective, expert eye of the connoisseur? The present book provides answers to these questions. Prof. Ernst van de Wetering, the author of our forthcoming book which deals with these questions, has been closely involved in all aspects of this research since 1968, the year the renowned Rembrandt Research Project (RRP) was founded. In particular, he played an important role in developing new criteria for authentication. Van de Wetering was also witness to the way the often overly zealous tendency to doubt the authenticity of Rembrandt’s paintings got out of hand. In this book he re-attributes to the master a substantial number of unjustly rejected Rembrandts. He also was closely involved in the (re)discovery of a considerable number of lost or completely unknown works by Rembrandt. The verdicts of earlier specialists – including the majority of members of the original RRP (up to 1989) – were based on connoisseurship: the self-confidence in one’s ability to recognise a specific artist’s style and ‘hand’. Over the years, Van de Wetering has carried out seminal research into 17th-century studio practice and ideas about art current in Rembrandt’s time. In this book he demonstrates the fallibility of traditional connoisseurship, especially in the case of Rembrandt, who was par excellence a searching artist. The methodological implications of this critical view are discussed in an introductory chapter which relates the history of the developments in this turbulent field of research. Van de Wetering’s account of his own involvement in it makes this book a lively and sometimes unexpectedly personal account. The catalogue section presents a chronologically ordered survey of Rembrandt’s entire painted oeuvre of 336 paintings, richly illustrated and annotated. For all the paintings re-attributed in this book, extensive commentaries have been included that provide a multi-facetted new insight into Rembrandt’s world and the world of art-historical research. Rembrandt’s Paintings Revisited is a reprint of the concluding sixth volume of A Corpus of Rembrandt Paintings (Volumes I-V; 1982, 1986, 1989, 2005, 2010). It can also be read as a revisionary critique of the first three Volumes published by the old RRP team up till 1989 and of Gerson’s influential survey of Rembrandt’s painted oeuvre of 1968/69. At the same time, the book is designed as an independent overview that can be used on the basis that anyone seeking more detailed information will be referred to the five previous (digital versions of the) Volumes and the detailed catalogues published in the meantime by the various museums with collections of Rembrandt paintings. This work of art history and art research should belong in the library of every serious art historical institute, university or museum.

A Corpus of Rembrandt Paintings

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Author :
Publisher :
ISBN 13 :
Total Pages : 736 pages
Book Rating : 4.:/5 (318 download)

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Book Synopsis A Corpus of Rembrandt Paintings by : J. Bruyn

Download or read book A Corpus of Rembrandt Paintings written by J. Bruyn and published by . This book was released on 1982 with total page 736 pages. Available in PDF, EPUB and Kindle. Book excerpt: 1. 1625-1631 2. 1631-1634 3. 1635-1642 4. "The self-portraits" 5. Small-scale history paintings, 1642-1669 6. Rembrandt's paintings revisited : a complete survey

Rembrandt: The Painter Thinking

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Author :
Publisher : Univ of California Press
ISBN 13 : 0520290259
Total Pages : 348 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Rembrandt: The Painter Thinking by : Ernst van de Wetering

Download or read book Rembrandt: The Painter Thinking written by Ernst van de Wetering and published by Univ of California Press. This book was released on 2016-04-18 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout his life, Rembrandt van Rijn (1606-1669) was considered an exceptional artist by contemporary art lovers. In this highly original book, Ernst van de Wetering investigates why Rembrandt, from a very early age, was praised by high-placed connoisseurs like Constantijn Huygens. It turns out that Rembrandt, from his first endeavours in painting on, had embarked on a journey past all the 'foundations of the art of painting' which were considered essential in the seventeenth century. In his systematic exploration of these foundations, Rembrandt achieved mastery in all of them, thus becoming the 'pittore famoso' that count Cosimo the Medici visited at the end of his life. Rembrandt never stopped searching for ever better solutions to the pictorial problems he saw himself confronted with; this sometimes led to radical decisions and alterations in his way of working, which cannot simply be explained by attributing them to a 'change in style' or a 'natural development'. In a quest as rigorous and novel as Rembrandt's, Van de Wetering shows us how Rembrandt dealt with the foundations of his art and used them to try and become the best painter the world had ever seen. His book sheds new light both on Rembrandt's exceptional accomplishments and on the practice of painting in the Dutch Golden Age at large.

Rembrandt

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Author :
Publisher : Amsterdam University Press
ISBN 13 : 9789053562390
Total Pages : 378 pages
Book Rating : 4.5/5 (623 download)

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Book Synopsis Rembrandt by : Ernst van de Wetering

Download or read book Rembrandt written by Ernst van de Wetering and published by Amsterdam University Press. This book was released on 1997 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rembrandts paintings have been admired throughout centuries because of their artistic freedom. But Rembrandt was also a craftsman whose painting technique was rooted the tradition. Rembrandt—The Painter at Work is the result of a lifelong search for Rembrandt's working methods, his intellectual approach to the art of painting and the way in which his studio functioned. Ernst van de Wetering demonstrates how this knowledge can be used to tackle questions about authenticity and other art-historical issues. Approximately 350 illustrations, half of which are reproduced in colour, make this book into a monumental tribute to one of the worlds most important painters. "The book is—if one may be allowed to say such a thing about a serious scholarly work—a gripping good-read.' Christopher White, The Burlington Magazine "This is a very rich book, a deeply felt analysis of an artist whom the author knows better than almost any other living scholar." Christopher Brown, Times Literary Supplement

Rembrandt

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Author :
Publisher :
ISBN 13 : 9789089645616
Total Pages : 0 pages
Book Rating : 4.6/5 (456 download)

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Book Synopsis Rembrandt by : Ernst van de Wetering

Download or read book Rembrandt written by Ernst van de Wetering and published by . This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This gorgeously illustrated book explores how Rembrandt achieved mastery by systematic exploration of the 'foundations of the art of painting'.

Rembrandt — Studies in his Varied Approaches to Italian Art

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Author :
Publisher : BRILL
ISBN 13 : 9004431942
Total Pages : 288 pages
Book Rating : 4.0/5 (44 download)

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Book Synopsis Rembrandt — Studies in his Varied Approaches to Italian Art by : Amy Golahny

Download or read book Rembrandt — Studies in his Varied Approaches to Italian Art written by Amy Golahny and published by BRILL. This book was released on 2020-07-20 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rembrandt: Studies in his Varied Approaches to Italian Art explores his engagement with imagery by Italian masters. His references fall into three categories: pragmatic adaptations, critical commentary, and conceptual rivalry. These are not mutually exclusive but provide a strategy for discussion. This study also discusses Dutch artists’ attitudes toward traveling south, surveys contemporary literature praising and/or criticizing Rembrandt, and examines his art collection and how he used it. It includes an examination of the vocabulary used by Italians to describe Rembrandt’s art, with a focus on the patron Don Antonio Ruffo, and closes by considering the reception of his works by Italian artists.

The Road to Justice: The Bible and the law as cornerstones of civilisation and culture

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Author :
Publisher : African Sun Media
ISBN 13 : 1998951413
Total Pages : 133 pages
Book Rating : 4.9/5 (989 download)

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Book Synopsis The Road to Justice: The Bible and the law as cornerstones of civilisation and culture by : Eltjo JH Schrage

Download or read book The Road to Justice: The Bible and the law as cornerstones of civilisation and culture written by Eltjo JH Schrage and published by African Sun Media. This book was released on 2023-10-24 with total page 133 pages. Available in PDF, EPUB and Kindle. Book excerpt: The relationship between art, Christian culture and the law often receives attention. It is trite that law influences all human lives as well as culture and art. The law, however, does not only provide a context within which art and culture can develop, but it is also the cornerstone of civilisation and culture. On the other hand, we must contemplate whether civilisation and culture are necessary conditions for a legal system. This book consists of a compilation of essays narrating the influence of principles from the Bible – on which the Christian belief is premised and practised by Christians worldwide – on law and on culture. Consideration is given to the foundation of the law on different and well-known Biblical texts. The interplay between Christian principles vis-à-vis the law and culture is considered and unpacked in this research. In addition, copies of well-known art depicting scenes from the Bible enhance each chapter. The main author, the late Prof. Eltjo Schrage, passed away shortly before the book was published with the assistance of Prof. Jan Adriaan van der Walt, Dr Glynis van der Walt and Dr Hashali Hamukuaya.

Rembrandt's Passion Series

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Author :
Publisher : Cambridge Scholars Publishing
ISBN 13 : 144387776X
Total Pages : 230 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis Rembrandt's Passion Series by : Simon McNamara

Download or read book Rembrandt's Passion Series written by Simon McNamara and published by Cambridge Scholars Publishing. This book was released on 2015-05-13 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rembrandt’s Passion Series is the name given to five paintings of similar size and format executed over a six year time-frame, 1633–39. The works were commissioned by Frederick Hendrick, Prince of Orange and Stadtholder of the United Provinces, for his gallery at The Hague. Although each of the paintings depicts a traditional scene from the Passion of Christ, they do not form anything like a complete Passion Cycle. Seven years later, Hendrick ordered a further two works of the same size and format of subjects from the Nativity of Christ. Six of the seven paintings now hang in the Alte Pinakothek, Munich. As the works were executed between Rembrandt’s well-documented early Leiden period and his rapid rise to prominence as a portraitist in Amsterdam, the works have not attracted the scholarly attention they might, although the commission was undoubtedly the most prestigious of the young Rembrandt’s career. Rembrandt’s Passion Series is the first monograph to focus solely on this important group of paintings by the most famous artist of the Dutch Golden Age. In it, Simon McNamara traces the history of the commission by way of extant documentation, places the works in a seventeenth-century Dutch religious milieu, and shows how the series is both reflective of contemporary theological exegesis and embedded in theoretical artistic debates of the age. The book also highlights the extraordinary nature of the self-images seen in three of the paintings and discusses the legacy of the series in later graphic works by Rembrandt and in paintings by his pupils. In doing so, Rembrandt’s Passion Series presents a series of unifying factors, both stylistically and thematically, for the works that allows the Passion Series to be properly, and finally, called a “series”.

Michelangelo

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Author :
Publisher : Metropolitan Museum of Art
ISBN 13 : 1588396371
Total Pages : 395 pages
Book Rating : 4.5/5 (883 download)

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Book Synopsis Michelangelo by : Carmen C. Bambach

Download or read book Michelangelo written by Carmen C. Bambach and published by Metropolitan Museum of Art. This book was released on 2017-11-05 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt: Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.

The Primacy of the Image in Northern European Art, 1400–1700

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Author :
Publisher : BRILL
ISBN 13 : 9004354123
Total Pages : 631 pages
Book Rating : 4.0/5 (43 download)

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Book Synopsis The Primacy of the Image in Northern European Art, 1400–1700 by : Debra Cashion

Download or read book The Primacy of the Image in Northern European Art, 1400–1700 written by Debra Cashion and published by BRILL. This book was released on 2017-08-21 with total page 631 pages. Available in PDF, EPUB and Kindle. Book excerpt: An anthology of 42 essays by distinguished scholars on current research and methodology in the art history of the late medieval and early modern periods in Germany, France, the Netherlands, and Belgium, written in tribute to Larry Silver, Farquhar Professor of the History of Art at the University of Pennsylvania.

The Ashgate Research Companion to Dutch Art of the Seventeenth Century

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Author :
Publisher : Routledge
ISBN 13 : 1351546228
Total Pages : 499 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis The Ashgate Research Companion to Dutch Art of the Seventeenth Century by : Wayne Franits

Download or read book The Ashgate Research Companion to Dutch Art of the Seventeenth Century written by Wayne Franits and published by Routledge. This book was released on 2017-07-05 with total page 499 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite the tremendous number of studies produced annually in the field of Dutch art over the last 30 years or so, and the strong contemporary market for works by Dutch masters of the period as well as the public's ongoing fascination with some of its most beloved painters, until now there has been no comprehensive study assessing the state of research in the field. As the first study of its kind, this book is a useful resource for scholars and advanced students of seventeenth-century Dutch art, and also serves as a springboard for further research. Its 19 chapters, divided into three sections and written by a team of internationally renowned art historians, address a wide variety of topics, ranging from those that might be considered "traditional" to others that have only drawn scholarly attention comparatively recently.

Rembrandt and the Inspiration of India

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Author :
Publisher : Getty Publications
ISBN 13 : 1606065521
Total Pages : 162 pages
Book Rating : 4.6/5 (6 download)

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Book Synopsis Rembrandt and the Inspiration of India by : Stephanie Schrader

Download or read book Rembrandt and the Inspiration of India written by Stephanie Schrader and published by Getty Publications. This book was released on 2018-03-20 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt: This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.