Read Books Online and Download eBooks, EPub, PDF, Mobi, Kindle, Text Full Free.
Download Quartet E Flat Major Opus 19 No 3 full books in PDF, epub, and Kindle. Read online Quartet E Flat Major Opus 19 No 3 ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author : Karl Stamitz
Publisher :
ISBN 13 :
Total Pages : 44 pages
Book Rating : 4.3/5 (91 download)
Download or read book Quartet, E flat major, op. 19, no. 3 written by Karl Stamitz and published by . This book was released on 1970 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Quartet E-flat Major, Opus 19 No. 3 written by and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Karl Stamitz
Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (845 download)
Download or read book Quartet E-flat Major, Opus 19 No. 3 written by Karl Stamitz and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Benedict Taylor
Publisher : Cambridge University Press
ISBN 13 : 131651384X
Total Pages : 133 pages
Book Rating : 4.3/5 (165 download)
Download or read book Hensel: String Quartet in E flat written by Benedict Taylor and published by Cambridge University Press. This book was released on 2023-11-30 with total page 133 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the unique qualities of Fanny Hensel's String Quartet and how it sits within wider scholarly discussion about female composers.
Author : Theodor W. Adorno
Publisher : John Wiley & Sons
ISBN 13 : 0745694527
Total Pages : 249 pages
Book Rating : 4.7/5 (456 download)
Download or read book Towards a Theory of Musical Reproduction written by Theodor W. Adorno and published by John Wiley & Sons. This book was released on 2014-11-05 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the beginning of his career in the 1920s, Adorno sketched a plan to write a major work on the theory of musical reproduction, a task he returned to time and again throughout his career but never completed. The choice of the word reproduction as opposed to interpretation indicates a primary supposition: that there is a clearly defined musical text whose precision exceeds what is visible on the page, and that the performer has the responsibility to reproduce it as accurately as possible, beyond simply playing what is written. This task, according to Adorno, requires a detailed understanding of all musical parameters in their historical context, and his reflections upon this task lead to a fundamental study of the nature of notation and musical sense. In the various notes and texts brought together in Towards a Theory of Musical Reproduction, one finds Adorno constantly circling around an irresolvable paradox: interpretation can only fail the work, yet only through it can musics true essence be captured. While he at times seems more definite in his pronouncement of a musical scores absolute value just as a book is read silently, not aloud his discourse repeatedly displays his inability to cling to that belief. It is this quality of uncertainty in his reflections that truly indicates the scope of the discourse and its continuing relevance to musical thought and practice today.
Author : Styra Avins
Publisher : Boydell & Brewer
ISBN 13 : 1783276541
Total Pages : 376 pages
Book Rating : 4.7/5 (832 download)
Download or read book The Creative Worlds of Joseph Joachim written by Styra Avins and published by Boydell & Brewer. This book was released on 2021 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines Joseph Joachim's vital legacy through a range of philological, philosophical and critical approaches.Joseph Joachim (1831-1907), violinist, composer, teacher, and founding director of Berlin's Royal Academy of Music, was one of the most eminent and influential musicians of the long nineteenth century. Born in a tiny Jewish community on the Austro-Hungarian border, he rose to a position of unsurpassed prominence in European cultural life. This timely collection of essays explores important yet little-known aspects of Joachim's life and art. Studies of his Jewish background, early assimilation into Christian society, Felix Mendelssohn's mentorship, and the influence of Hungarian vernacular music on the formation of his musical style elucidate the roots of Joachim's identity. The later chapters focus on his personal and creative responses to the contentious and rapidly evolving cultural milieu in which he lived: his choice of instruments as his musical "voice," his performances as sites of (re)enchantment in the modern age, his pathbreaking British career, his calling and sway as a quartet player, his pedagogical legacy, his influence on the establishment of the musical canon, and several of his most distinctive and original compositions. With a wide variety of approaches-analytical, philological, archival, philosophical, and critical-this collection will prove enlightening to scholars, performers, and others interested in this brilliant artist and the musical aesthetics, culture, and styles of his time.ent in the modern age, his pathbreaking British career, his calling and sway as a quartet player, his pedagogical legacy, his influence on the establishment of the musical canon, and several of his most distinctive and original compositions. With a wide variety of approaches-analytical, philological, archival, philosophical, and critical-this collection will prove enlightening to scholars, performers, and others interested in this brilliant artist and the musical aesthetics, culture, and styles of his time.ent in the modern age, his pathbreaking British career, his calling and sway as a quartet player, his pedagogical legacy, his influence on the establishment of the musical canon, and several of his most distinctive and original compositions. With a wide variety of approaches-analytical, philological, archival, philosophical, and critical-this collection will prove enlightening to scholars, performers, and others interested in this brilliant artist and the musical aesthetics, culture, and styles of his time.ent in the modern age, his pathbreaking British career, his calling and sway as a quartet player, his pedagogical legacy, his influence on the establishment of the musical canon, and several of his most distinctive and original compositions. With a wide variety of approaches-analytical, philological, archival, philosophical, and critical-this collection will prove enlightening to scholars, performers, and others interested in this brilliant artist and the musical aesthetics, culture, and styles of his time.
Author : Janet Schmalfeldt
Publisher : Oxford University Press
ISBN 13 : 0190656123
Total Pages : 350 pages
Book Rating : 4.1/5 (96 download)
Download or read book In the Process of Becoming written by Janet Schmalfeldt and published by Oxford University Press. This book was released on 2017-02-03 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: With their insistence that form is a dialectical process in the music of Beethoven, Theodor Adorno and Carl Dahlhaus emerge as the guardians of a long-standing critical tradition in which Hegelian concepts have been brought to bear on the question of musical form. Janet Schmalfeldt's ground-breaking account of the development of this Beethoven-Hegelian tradition restores to the term "form" some of its philosophical associations in the early nineteenth century, when profound cultural changes were yielding new relationships between composers and their listeners, and when music itself-in particular, instrumental music-became a topic for renewed philosophical investigation. Precedents for Adorno's and Dahlhaus's concept of form as process arise in the Athenäum Fragments of Friedrich Schlegel and in the Encyclopaedia Logic of Hegel. The metaphor common to all these sources is the notion of becoming; it is the idea of form coming into being that this study explores in respect to music by Beethoven, Schubert, Mendelssohn, Chopin, and Schumann. A critical assessment of Dahlhaus's preoccupation with the opening of Beethoven's "Tempest" Sonata serves as the author's starting point for the translation of philosophical ideas into music-analytical terms-ones that encourage listening "both forward and backward," as Adorno has recommended. Thanks to the ever-growing familiarity of late eighteenth-century audiences with formal conventions, composers could increasingly trust that performers and listeners would be responsive to striking formal transformations. The author's analytic method strives to capture the dynamic, quasi-narrative nature of such transformations, rather than only their end results. This experiential approach to the perception of form invites listeners and especially performers to participate in the interpretation of processes by which, for example, a brooding introduction-like opening must inevitably become the essential main theme in Schubert's Sonata, Op. 42, or in which tremendous formal expansions in movements by Mendelssohn offer a dazzling opportunity for multiple retrospective reinterpretations. Above all, In the Process of Becoming proposes new ways of hearing beloved works of the romantic generation as representative of their striving for novel, intensely self-reflective modes of communication.
Author : Stephen Hefling
Publisher : Routledge
ISBN 13 : 1135887624
Total Pages : 404 pages
Book Rating : 4.1/5 (358 download)
Download or read book Nineteenth-Century Chamber Music written by Stephen Hefling and published by Routledge. This book was released on 2004-03-01 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.
Author : Julie Hedges Brown
Publisher : Oxford University Press
ISBN 13 : 0197749461
Total Pages : 225 pages
Book Rating : 4.1/5 (977 download)
Download or read book Robert Schumann's Leipzig Chamber Works written by Julie Hedges Brown and published by Oxford University Press. This book was released on 2024 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the multi-movement Leipzig chamber works composed by Robert Schumann (1810-56). It adopts a two-pronged approach. On the one hand, it shows how this repertory illuminates Schumann's response to certain past and contemporary composers; to his own youthful, experimental past; and to various literary and cultural influences. At the same time, the book explores how different people have heard this music: listeners in Schumann's own day and beyond, in both Germanic and non-Germanic regions, and comprising the voices of critics, performers, audiences, even figures in disciplines outside of music.
Author : Georges Jean-Aubry
Publisher :
ISBN 13 :
Total Pages : 488 pages
Book Rating : 4.:/5 (31 download)
Download or read book The Chesterian written by Georges Jean-Aubry and published by . This book was released on 1925 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Mark Ferraguto
Publisher : Oxford University Press
ISBN 13 : 0190947209
Total Pages : 256 pages
Book Rating : 4.1/5 (99 download)
Download or read book Beethoven 1806 written by Mark Ferraguto and published by Oxford University Press. This book was released on 2019-08-27 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between early 1806 and early 1807, Ludwig van Beethoven completed a remarkable series of instrumental works. But critics have struggled to reconcile the music of this banner year with Beethoven's "heroic style," the paradigm through which his middle-period works have typically been understood. Drawing on theories of mediation and a wealth of primary sources, Beethoven 1806 explores the specific contexts in which the music of this year was conceived, composed, and heard. As author Mark Ferraguto argues, understanding this music depends on appreciating the relationships that it both creates and reflects. Not only did Beethoven depend on patrons, performers, publishers, critics, and audiences to earn a living, but he also tailored his compositions to suit particular sensibilities, proclivities, and technologies.
Author : Christopher Fifield
Publisher : Boydell Press
ISBN 13 : 9781843831365
Total Pages : 416 pages
Book Rating : 4.8/5 (313 download)
Download or read book Max Bruch written by Christopher Fifield and published by Boydell Press. This book was released on 2005 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Richly documented account of Bruch's career'. TIMES LITERARY SUPPLEMENT
Author : Stephen Downes
Publisher : Routledge
ISBN 13 : 131701443X
Total Pages : 382 pages
Book Rating : 4.3/5 (17 download)
Download or read book The Szymanowski Companion written by Stephen Downes and published by Routledge. This book was released on 2016-03-09 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Polish composer Karol Szymanowski is one of the most fascinating musical figures of the early twentieth century. His works included four symphonies, two violin concertos, the operas Hagith and King Roger, the ballet-pantomime Harnasie, the oratorio Stabat Mater, as well as numerous piano, violin, vocal and choral compositions. The profile and popularity of Szymanowski's music outside Poland has never been higher and continues to grow. The Szymanowski Companion constitutes the most significant and comprehensive reference source to the composer in English. Edited by two of the leading scholars in the field, Paul Cadrin and Stephen Downes, the collection consists of over 50 contributions from an international array of contributors, including recognized Polish experts. The Companion thus provides a systematic, authoritative and up-to-date compilation of information concerning the composer's life, thought and works.
Author : Jan Smaczny
Publisher : Cambridge University Press
ISBN 13 : 9780521669030
Total Pages : 134 pages
Book Rating : 4.6/5 (69 download)
Download or read book Dvorák: Cello Concerto written by Jan Smaczny and published by Cambridge University Press. This book was released on 1999-09-28 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dvorák's Cello Concerto, composed during his second stay in America, is one of the most popular works in the orchestral repertoire. This guide explores Dvorák's reasons for composing a concerto for an instrument which he at one time considered unsuitable for solo work, its relationship to his American period compositions and how it forms something of a bridge with his operatic interests. A particular focus is the concerto's unique qualities: why it stands apart in terms of form, melodic character and texture from the rest of Dvorák's orchestral music. The role of the dedicatee of the work, Hanus Wihan, in its creation is also considered, as are performing traditions as they have developed in the twentieth century. In addition the guide explores the extraordinary emotional background to the work which links it intimately to the woman who was probably Dvorák's first love.
Author : Lucy Miller Murray
Publisher : Rowman & Littlefield
ISBN 13 : 1442243430
Total Pages : 463 pages
Book Rating : 4.4/5 (422 download)
Download or read book Chamber Music written by Lucy Miller Murray and published by Rowman & Littlefield. This book was released on 2015-04-09 with total page 463 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Chamber Music: An Extensive Guide for Listeners,Lucy Miller Murray transforms her decades of program notes for some of the world’s most distinguished artists and presenters into the go-to guide for the chamber music novice and enthusiast. Offering practical information on the broad array of chamber music works from the Classical, Romantic, and Modern periods—and an artful selection from the Baroque period of Johann Sebastian Bach’s works—Chamber Music: An Extensive Guide for Listeners is both the perfect reference resource and chamber music primer for listeners. Covering over 500 works, Murray surveys in clear and simple language the historical and musical impact of some 130 composers—20 of them living. Notably, Chamber Music includes the complete string quartets of Beethoven, Bartok, and Shostakovich, as well as 35 piano trios of Haydn. It also provides critical information and assessments of works by composers not nearly so well known, both past and present. Entries appear in alphabetical order by composer, and, in every instance, give a brief introduction to the composer’s life and work. Of particular interest are the brief spotlight contributions, from well-known figures in the chamber music world, who focus on the performance experience or offer special knowledge of the works. This work is an ideal introduction and reference for students and scholars, new listeners, and enthusiasts of the chamber music tradition in Western music. Special contributors include: ·Charles Abramovic ·James Bonn ·Michael Brown ·Eugene Drucker ·James Dunham ·Daniel Epstein ·Ralph Evans ·Jeremy Gill ·Jake Heggie ·Paul Katz ·Bert Lucarelli ·Stuart Malina ·Robert Martin ·Peter Orth ·Jann Pasler ·Susan Salm ·David Shifrin ·Peter Sirotin/Ya-Ting Chang ·Arnold Steinhardt ·Kenneth Woods ·David Yang Phillip Ying
Author : A. Peter Brown
Publisher : Indiana University Press
ISBN 13 : 9780253334886
Total Pages : 1050 pages
Book Rating : 4.3/5 (348 download)
Download or read book The Symphonic Repertoire, Volume IV written by A. Peter Brown and published by Indiana University Press. This book was released on 2003-08-07 with total page 1050 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume contains the symphonies of Brahms, Bruckner, Dvorák and Mahler, covering the period from roughly 1860 to 1930. Other contemporaries are discussed including Goldmark, Zemlinsky and Berg.
Author : Robin Wallace
Publisher : University of Chicago Press
ISBN 13 : 0226815366
Total Pages : 294 pages
Book Rating : 4.2/5 (268 download)
Download or read book Hearing Beethoven written by Robin Wallace and published by University of Chicago Press. This book was released on 2021-10-06 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: We're all familiar with the image of a fierce and scowling Beethoven, struggling doggedly to overcome his rapidly progressing deafness. That Beethoven continued to play and compose for more than a decade after he lost his hearing is often seen as an act of superhuman heroism. But the truth is that Beethoven's response to his deafness was entirely human. And by demystifying what he did, we can learn a great deal about Beethoven's music. Perhaps no one is better positioned to help us do so than Robin Wallace, who not only has dedicated his life to the music of Beethoven but also has close personal experience with deafness. One day, at the age of forty-four, Wallace's late wife, Barbara, found she couldn't hear out of her right ear-the result of radiation administered to treat a brain tumor early in life. Three years later, she lost hearing in her left ear as well. Over the eight and a half years that remained of her life, despite receiving a cochlear implant, Barbara didn't overcome her deafness or ever function again like a hearing person. Wallace shows here that Beethoven didn't do those things, either. Rather than heroically overcoming his deafness, as we're commonly led to believe, Beethoven accomplished something even more difficult and challenging: he adapted to his hearing loss and changed the way he interacted with music, revealing important aspects of its very nature in the process. Creating music became for Beethoven a visual and physical process, emanating from visual cues and from instruments that moved and vibrated. His deafness may have slowed him down, but it also led to works of unsurpassed profundity.
