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Psalmes Songs And Sonnets 1611
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Book Synopsis Collected Vocal Works: Psalmes, songs, and sonnets (1611) by : William Byrd
Download or read book Collected Vocal Works: Psalmes, songs, and sonnets (1611) written by William Byrd and published by . This book was released on 1949 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Bibliotheca Madrigaliana by : Edward Francis Rimbault
Download or read book Bibliotheca Madrigaliana written by Edward Francis Rimbault and published by Burt Franklin. This book was released on 1847 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Dictionary of Music and Musicians (A.D. 1450-1880) by Eminent Writers, English and Foreign by : George Grove
Download or read book A Dictionary of Music and Musicians (A.D. 1450-1880) by Eminent Writers, English and Foreign written by George Grove and published by . This book was released on 1879 with total page 788 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The World of William Byrd by : John Harley
Download or read book The World of William Byrd written by John Harley and published by Routledge. This book was released on 2016-02-17 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The World of William Byrd John Harley builds on his previous work, William Byrd: Gentleman of the Chapel Royal (Ashgate, 1997), in order to place the composer more clearly in his social context. He provides new information about Byrd's youthful musical training, and reveals how in his adult life his music emerged from a series of overlapping family, business and social networks. These networks and Byrd's navigation within and between them are examined, as are the lives of a number of the individuals comprising them.
Book Synopsis Poetry and Music in Seventeenth-Century England by : Diane Kelsey McColley
Download or read book Poetry and Music in Seventeenth-Century England written by Diane Kelsey McColley and published by Cambridge University Press. This book was released on 1997-12-11 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study explores the relationship between the poetic language of Donne, Herbert, Milton and other British poets, and the choral music and part-songs of composers including Tallis, Byrd, Gibbons, Weelkes and Tomkins. The seventeenth century was the time in English literary history when music was most consciously linked to words, and when the mingling of Renaissance and 'new' philosophy opened new discovery routes for the interpretation of art. McColley offers close readings of poems and the musical settings of analogous texts, and discusses the philosophy, performance, and disputed political and ecclesiastical implications of polyphony. She also enters into the discourse about the nature of language, relating poets' use of language and composers' use of music to larger questions concerning the arts, politics and theology.
Book Synopsis A Dictionary of Music and Musicians (A.D. 1450-1889) by Eminent Writers, English and Foreign by : John Alexander Fuller-Maitland
Download or read book A Dictionary of Music and Musicians (A.D. 1450-1889) by Eminent Writers, English and Foreign written by John Alexander Fuller-Maitland and published by . This book was released on 1900 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Dictionary of Music and Musicians by : George Grove
Download or read book A Dictionary of Music and Musicians written by George Grove and published by . This book was released on 1879 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Bibliotheca Madrigaliana; a Bibliographical Account of the Musical and Poetical Works Pub. in England During the 16th-17th Centuries Under the Titles of Madrigals, Ballads, Ayres, Canzonets by : Edward Francis Rimbault
Download or read book Bibliotheca Madrigaliana; a Bibliographical Account of the Musical and Poetical Works Pub. in England During the 16th-17th Centuries Under the Titles of Madrigals, Ballads, Ayres, Canzonets written by Edward Francis Rimbault and published by . This book was released on 1847 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Fleuron Bibliotheca madrigaliana, a bibliographical account of the musical and poetical works published in England during the sixteenth and seventeenth centuries, under the titles of madrigals, ballets, ayres, canzonets, etc by : Edward Francis Rimbault
Download or read book Fleuron Bibliotheca madrigaliana, a bibliographical account of the musical and poetical works published in England during the sixteenth and seventeenth centuries, under the titles of madrigals, ballets, ayres, canzonets, etc written by Edward Francis Rimbault and published by . This book was released on 1847 with total page 114 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The International Cyclopedia of Music and Musicians by : Oscar Thompson
Download or read book The International Cyclopedia of Music and Musicians written by Oscar Thompson and published by . This book was released on 1975 with total page 2506 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Orlando Gibbons and the Gibbons Family of Musicians by : John Harley
Download or read book Orlando Gibbons and the Gibbons Family of Musicians written by John Harley and published by Routledge. This book was released on 2018-12-21 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1999, this volume is the first full-length study to deal with the life and music of Orlando Gibbons since E.H. Fellowes’s short book, originally published in 1923. John Harley investigates in detail the family and musical background from which Orlando Gibbons emerged, and gives a fascinating account of the activities of his father, William Gibbons, as a wait in Oxford and Cambridge. He traces, too, the activities of Orlando’s brothers – Edward, who was the master of the choristers at King’s College, Cambridge and later at Exeter Cathedral; Ferdinando, who may have taken over from his father as head of the Cambridge waits, and who became a wait in Lincoln; and Ellis, who contributed two madrigals to Thomas Morley’s collection of 1601, The Triumphs of Oriana. Attention naturally focuses principally on Orlando Gibbons. A full record is given of his remarkably youthful appointment as an organist of the Chapel Royal (he was probably less than twenty at the time) and of his life at court. His additional appointments as one of Prince Charles’s musicians and as organist of Westminster Abbey are also described, as is his sudden and premature death in his early forties. Gibbons’s music is carefully examined in a series of chapters dealing with his pieces for keyboard and for viols, his songs, his full and verse anthems, and his works for the Anglican liturgy. His development as a composer within these genres is followed, and the character of particular pieces is considered. John Harley concludes that whereas, at one time, Gibbons ‘tended to be admired as a successor to Tallis and Byrd, working in a style not essentially different from theirs’, it is now ‘easier to view him as a pioneer, whose work was cut short by his untimely death’. Orlando Gibbons’s son Christopher was only a child when his father died, but he became one of the foremost composers and keyboard players of his generation, writing and performing chamber works and music for the stage during the Commonwealth. Following the Restoration of King Charles II, Christopher Gibbons gained his father’s former posts at the Chapel Royal and Westminster Abbey, for which establishments he wrote a number of anthems. His importance is recognized by the inclusion of a long chapter on his life and works.
Book Synopsis Early English Viols: Instruments, Makers and Music by : Michael Fleming
Download or read book Early English Viols: Instruments, Makers and Music written by Michael Fleming and published by Routledge. This book was released on 2016-11-18 with total page 475 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.
Book Synopsis Byrd Studies in the Twenty-First Century by : Samantha Bassler
Download or read book Byrd Studies in the Twenty-First Century written by Samantha Bassler and published by Liverpool University Press. This book was released on 2023-11-15 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: 2023 marks 400 years since the death of English renaissance composer, William Byrd. Byrd's rich musical oeuvre and storied career has long captured the attention of audiences and scholars alike. This all-new collected edition marks his anniversary with thirteen brand-new essays from leading scholars on Byrd's musical life and legacy.
Book Synopsis A Bibliographical Catalogue of Italian Books Printed in England 1603–1642 by : Soko Tomita
Download or read book A Bibliographical Catalogue of Italian Books Printed in England 1603–1642 written by Soko Tomita and published by Routledge. This book was released on 2016-12-05 with total page 603 pages. Available in PDF, EPUB and Kindle. Book excerpt: A sequel to Tomita’s A Bibliographical Catalogue of Italian Books Printed in England 1558-1603, this volume provides the data for the succeeding 40 years (during the reign of King James I and Charles I) and contributes to the study of Anglo-Italian relations in literature through entries on 187 Italian books (335 editions) printed in England. The Catalogue starts with the books published immediately after the death of Queen Elizabeth I on 24 March 1603, and ends in 1642 with the closing of English theatres. It also contains 45 Elizabethan books (75 editions), which did not feature in the previous volume. Formatted along the lines of Mary Augusta Scott's Elizabethan Translations from the Italian (1916), and adopting Philip Gaskell's scientific method of bibliographical description, this volume provides reliable and comprehensive information about books and their publication, viewed in a general perspective of Anglo-Italian transactions in Jacobean and part of Caroline England.
Book Synopsis Music and the Reformation in England 1549-1660 by : Peter Le Huray
Download or read book Music and the Reformation in England 1549-1660 written by Peter Le Huray and published by CUP Archive. This book was released on 1978-12-14 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents issues that affected the course of music within the church of England during the reformation.
Download or read book William Byrd written by Roger Bowers and published by Routledge. This book was released on 2012 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book surveys the most significant published materials relating to William Byrd. It presents a collection of all-new original essays covering everything from feminist to postcolonial readings of his play as well as source queries and analysis of historical performances of the play.
Book Synopsis Manuscript Inscriptions in Early English Printed Music by : David Greer
Download or read book Manuscript Inscriptions in Early English Printed Music written by David Greer and published by Routledge. This book was released on 2016-03-03 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: Who were the first owners of the music published in England in the sixteenth and early seventeenth centuries? Who went to ‘the dwelling house of ... T. East, by Paules wharfe’ and bought a copy of Byrd’s Psalmes, sonets, & songs when it appeared in 1588? Who purchased a copy of Dowland’s First booke of songes in 1597? What other books formed part of their music library? In this survey of surviving books of music published before 1640, David Greer has gleaned information about the books’ early and subsequent owners by studying the traces they left in the books themselves: handwritten inscriptions, including names and other marks of ownership - even the scribbles and drawings a child of the family might put into a book left lying about. The result is a treasure trove of information about musical culture in early modern England. From inscriptions and marks of ownership Greer has been able to re-assemble early sets of partbooks, as well as collections of books once bound together. The search has also turned up new music. At a time when paper was expensive, new pieces were copied into blank spaces in printed books. In these jottings we find a ‘hidden repertory’ of music, some of it otherwise undiscovered music by known composers. In other cases, we see owners altering the words of songs, to suit new and personal purposes: a love-song in praise of Daphne becomes a heartfelt song to ‘my Jesus’; and ‘Faire Leonilla’ becomes Ophelia (perhaps the first mention of this character in Hamlet outside the play itself). On a more practical level, the users of the music sometimes made corrections to printing errors, and there are indications that some of these were last-minute corrections made in the printing-house (a useful guide for the modern editor). The temptation to ‘scribble in books’ was as irresistible to some Elizabethans as it is to some of us today. In doing so they left us clues to their identity, how they kept their music, how they used it, and the multifarious ways in which it played a part in their lives.