Peter Grimes/Gloriana

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Publisher : Alma Books
ISBN 13 : 0714545031
Total Pages : 131 pages
Book Rating : 4.7/5 (145 download)

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Book Synopsis Peter Grimes/Gloriana by : Benjamin Britten

Download or read book Peter Grimes/Gloriana written by Benjamin Britten and published by Alma Books. This book was released on 2018-01-01 with total page 131 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a double volume dedicated to two masterpieces by Benjamin Britten. While Peter Grimes established Britten as a composer of international standing, Gloriana, composed for the coronation of Elizabeth II, has never enjoyed a comparable fame. The variety of mood, characterization and pace, in each, illustrates Britten's exceptional gift for theatre. Commentaries on the scores reveal, for instance, how much the popular concert extracts gain from their context in the dramas. The essay by E.M. Forster - the inspiration for Peter Grimes - is reprinted here, and Michael Holroyd discusses Lytton Strachey's controversial Elizabeth and Essex - the source for Gloriana.Contents: Benjamin Britten's Librettos, Peter Porter; George Crabbe: The Poet and the Man, E.M. Forster; 'Peter Grimes': A Musical Commentary, Stephen Walsh; Peter Grimes: Libretto by Montagu Slater; 'Peter Grimes' and 'Gloriana', Joan Cross, Peter Pears and John Evans; Some Reflections on the Operas of Benjamin Britten, Buxton Orr; 'A daring experiment', Michael Holroyd; The Librettist of 'Gloriana', Rupert Hart-Davis; The Music of 'Gloriana', Christopher Palmer; Notes on the Libretto of 'Gloriana', William Plomer; Gloriana: Libretto by William Plomer

The Cambridge Companion to Benjamin Britten

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Publisher : Cambridge University Press
ISBN 13 : 9780521574761
Total Pages : 372 pages
Book Rating : 4.5/5 (747 download)

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Book Synopsis The Cambridge Companion to Benjamin Britten by : Mervyn Cooke

Download or read book The Cambridge Companion to Benjamin Britten written by Mervyn Cooke and published by Cambridge University Press. This book was released on 1999-06-28 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cambridge Companion to Benjamin Britten is a comprehensive guide to the composer's work, aimed both at the non-specialist and music student. It sheds light on both the composer's stylistic and personal development, offering new interpretations of his operatic works and discussing his characteristic working methods. Topics treated here in detail for the first time include Britten's work in the cinema in the 1930s, his lifelong pacifism and his strong interest in the music of the Far East; other chapters include reassessments of his relationship with W. H. Auden and his attitude towards childhood, comprehensive analyses of major works and a concise history of the Aldeburgh Festival. A distinguished team of contributors include some who worked with the composer during his lifetime, as well as leading representatives of the younger generation of Britten scholars on both sides of the Atlantic.

The Making of Peter Grimes

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Author :
Publisher : Boydell & Brewer
ISBN 13 : 9780851157917
Total Pages : 318 pages
Book Rating : 4.1/5 (579 download)

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Book Synopsis The Making of Peter Grimes by : Paul Banks

Download or read book The Making of Peter Grimes written by Paul Banks and published by Boydell & Brewer. This book was released on 2000 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historic accounts and new material illuminate the creation, early history and artistic intentions of Britten's first opera. The premiere of Peter Grimes on 7 June 1945 announced the emergence of the first great composer of opera in English since Purcell. Surviving documents offer evidence of the complex interaction of differing ideas about the possible shape and content of the new work, most notably the composition draft, which these essays are particularly concerned to illuminate. They juxtapose historic material with fresh studies: three items written by members of theteam involved in the 1945 production are set alongside specially-commissioned articles, with the three-fold intention of presenting the views of some of the creators of the opera, outlining the work's early history, and offeringcontemporary perspectives on its historical context and its message.Professor PAUL BANKS is Research Development Fellow at the Royal College of Music.Contributors: PAUL BANKS, PHILIP BRETT, BENJAMIN BRITTEN, ERIC CROZIER, DONALDMITCHELL, PETER PEARS, PHILIP REED, ROSAMUND STRODE. Packed away in its pages is a very large amount of new information. TIMES LITERARY SUPPLEMENT A fitting tribute to the opera's enduring international stature, and undoubtedly [a] significant achievement in Britten studies. MUSIC AND LETTERS

Britten's Gloriana

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Publisher : Boydell & Brewer Ltd
ISBN 13 : 0851153402
Total Pages : 210 pages
Book Rating : 4.8/5 (511 download)

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Book Synopsis Britten's Gloriana by : Paul Banks

Download or read book Britten's Gloriana written by Paul Banks and published by Boydell & Brewer Ltd. This book was released on 1993 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is based on a selection of papers presented during a study course devoted to Gloriana held at the Britten-Pears School for Advanced Musical Studies in 1991. Glorianahas been a source of controversy since its premire as part of the Coronation celebrations in 1953. It was planned as a national opera of broad appeal by its authors, Benjamin Britten and William Plomer, but, despite wide coverage in the media, the opera failed to establish itself in the repertoire until a new production in 1966 revealed it to be a powerful and stageworthy work. In recent years it has attracted an increasing amount of scholarly attention. This volume offers essays by ROBERT HEWISON, PHILIP REED, ANTONIA MALLOY, DONALD MITCHELL and PETER EVANS which explore the opera's cultural background, the early stages of its creative evolution, the first critical responses, and various aspects of the work itself: these are supplemented by a list of source materials for the opera and the works derived from it, and an extensive bibliography.

Peter Grimes

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Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (472 download)

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Book Synopsis Peter Grimes by : Benjamin Britten

Download or read book Peter Grimes written by Benjamin Britten and published by . This book was released on 1991 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera.

Mid-century gothic

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Publisher : Manchester University Press
ISBN 13 : 1526132796
Total Pages : 344 pages
Book Rating : 4.5/5 (261 download)

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Book Synopsis Mid-century gothic by : Lisa Mullen

Download or read book Mid-century gothic written by Lisa Mullen and published by Manchester University Press. This book was released on 2019-03-01 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mid-Century Gothic offers a fresh perspective on the cultural moment that followed World War II, and discovers a deep sense of unease mingling with optimism about the future. By reassessing the novels, films, visual culture and technologies of the period, the book argues that gothicism itself was redefined by the upstart objects of modernity.

Britten's Unquiet Pasts

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Publisher : Cambridge University Press
ISBN 13 : 1139576429
Total Pages : pages
Book Rating : 4.1/5 (395 download)

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Book Synopsis Britten's Unquiet Pasts by : Heather Wiebe

Download or read book Britten's Unquiet Pasts written by Heather Wiebe and published by Cambridge University Press. This book was released on 2012-10-04 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining the intersections between musical culture and a British project of reconstruction from the 1940s to the early 1960s, this study asks how gestures toward the past negotiated issues of recovery and renewal. In the wake of the Second World War, music became a privileged site for re-enchanting notions of history and community, but musical recourse to the past also raised issues of mourning and loss. How was sound figured as a historical object and as a locus of memory and magic? Wiebe addresses this question using a wide range of sources, from planning documents to journalism, public ceremonial and literature. Its central focus, however, is a set of works by Benjamin Britten that engaged both with the distant musical past and with key episodes of postwar reconstruction, including the Festival of Britain, the Coronation of Elizabeth II and the rebuilding of Coventry Cathedral.

Benjamin Britten Studies

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Publisher : Boydell & Brewer
ISBN 13 : 1783271957
Total Pages : 556 pages
Book Rating : 4.7/5 (832 download)

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Book Synopsis Benjamin Britten Studies by : Vicki P. Stroeher

Download or read book Benjamin Britten Studies written by Vicki P. Stroeher and published by Boydell & Brewer. This book was released on 2017 with total page 556 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing together established authorities and new voices, this book takes off the 'protective arm' around Britten.

Letters from a Life

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Publisher : Boydell Press
ISBN 13 : 9781843833826
Total Pages : 692 pages
Book Rating : 4.8/5 (338 download)

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Book Synopsis Letters from a Life by : Benjamin Britten

Download or read book Letters from a Life written by Benjamin Britten and published by Boydell Press. This book was released on 2008 with total page 692 pages. Available in PDF, EPUB and Kindle. Book excerpt: Letters by the British composer to his friends, family, and colleagues document his life from school days to the end of World War II.

Twentieth-Century British Authors and the Rise of Opera in Britain

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Publisher : Routledge
ISBN 13 : 1317005856
Total Pages : 146 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis Twentieth-Century British Authors and the Rise of Opera in Britain by : Irene Morra

Download or read book Twentieth-Century British Authors and the Rise of Opera in Britain written by Irene Morra and published by Routledge. This book was released on 2016-02-17 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first to examine in depth the contributions of major British authors such as W. H. Auden and E. M. Forster, as critics and librettists, to the rise of British opera in the twentieth century. The perceived literary values of British authors, as much as the musical innovations of British composers, informed the aesthetic development of British opera. Indeed, British opera emerged as a simultaneously literary and musical project. Too often, operatic adaptations are compared superficially to their original sources. This is a particular problem for British opera, which has become increasingly defined artistically by the literary sophistication of its narrative sources. The resulting collaborations between literary figures and composers have crucial implications for the development of both opera and literature. Twentieth-Century British Authors and the Rise of Opera in Britain reveals the importance of this literary involvement in operatic adaptation to literature and literary studies, to music and musicology, and to cultural and theoretical studies.

The Opera Quarterly

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Publisher :
ISBN 13 :
Total Pages : 394 pages
Book Rating : 4.:/5 (37 download)

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Book Synopsis The Opera Quarterly by :

Download or read book The Opera Quarterly written by and published by . This book was released on 1986 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Benjamin Britten

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Publisher : OUP Oxford
ISBN 13 : 0191541710
Total Pages : 186 pages
Book Rating : 4.1/5 (915 download)

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Book Synopsis Benjamin Britten by : Graham Elliott

Download or read book Benjamin Britten written by Graham Elliott and published by OUP Oxford. This book was released on 2005-12-08 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since Britten's death in 1976, numerous articles and books have been written about his life and work. Much has been made of the strong influences of his pacifism and his homosexuality. It is often suggested that Britten felt himself to be an outsider from 'normal' society, and that this accounts for the his concern to portray the 'outsider' in his operas. There is no doubt that this is an important aspect of Britten's art, but the present work attempts to show that his music embraces much wider and more universal concerns, and in addressing those concerns there is a clearly defined pattern of spiritual influence. Part One of the book examines Britten's early life, and the strong presence which the Church had in his childhood and adolescence. It explores the way in which certain spiritual influences were first manifested, and how, like the more specifically musical 'themes' which Donald Mitchell has noted, they can be traced throughout Britten's life and work. The author was privileged to have conversations with two clergymen who were influential in Britten's life, as well as gathering valuable insights through a long series of conversations with Sir Peter Pears. Part Two examines a wide range of the composer's music in which a spiritual dimension can be traced. The specifically liturgical music has received rather less critical notice than Britten's larger works. The music is discussed here, and shown to possess musical characteristics in common with the larger works. Britten could not be described as a conventional Christian; still less is it true to describe him, as Eric Walter White has done, as 'keen, wherever possible, to work within the framework of the Church of England'. Nevertheless, his spirituality was rooted in the religious experience of his childhood. This book seeks to demonstrate that Britten retained a sense of the Christian values absorbed in childhood and adolescence, and that these - along with the specifically Christian heritage of plainsong - were strongly influential in his choice and treatment of themes.

Modernism and Opera

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Publisher : JHU Press
ISBN 13 : 1421420635
Total Pages : 391 pages
Book Rating : 4.4/5 (214 download)

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Book Synopsis Modernism and Opera by : Richard Begam

Download or read book Modernism and Opera written by Richard Begam and published by JHU Press. This book was released on 2016-11-01 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: Many of the greatest works in the operatic repertoire bear the hallmarks of modernism. At first glance, modernism and opera may seem like strange bedfellows—the former hostile to sentiment, the latter wearing its heart on its sleeve. And yet these apparent opposites attract: many operas are aesthetically avant-garde, politically subversive, and socially transgressive. From the proto-modernist strains of Richard Wagner’s Parsifal through the twenty-first-century modernism of Kaija Saariaho’s L’amour de loin, the duet between modernism and opera, at turns harmonious and dissonant, has been one of the central artistic events of modernity. Despite this centrality, scholars of modernist literature only rarely venture into opera, and music scholars generally return the favor by leaving literature to one side. But opera, that grand cauldron of the arts, demands that scholars, too, share the stage with one another. In Modernism and Opera, Richard Begam and Matthew Wilson Smith bring together musicologists, literary critics, and theater scholars for the first time in a mutual endeavor to trace certain key moments in the history of modernism and opera. This innovative volume includes essays from some of the most notable scholars in their fields and covers works as diverse as Debussy’s Pelléas et Mélisande, Bartók’s Bluebeard’s Castle, Berg’s Wozzeck, Janácek’s Makropulos Case, Thomson’s Four Saints in Three Acts, Strauss’s Arabella, Schoenberg’s Moses und Aron, Stravinsky’s The Rake’s Progress, Britten’s Gloriana, and Messiaen’s Saint François d’Assise. A collaborative study of the ultimate collaborative art form, Modernism and Opera reveals how modernism and opera illuminate each other and, more generally, the culture of the twentieth century. It also addresses a number of issues crucial for understanding the relation between modernism and opera, focusing in particular on intermediality (how modernism integrates music, literature, and drama into opera) and anti-theatricality (how opera responds to modernism’s apparent antipathy to theatricality). This captivating book—the first of its kind—will appeal to scholars of literature, music, theater, and modernity as well as to sophisticated opera lovers everywhere.

The Dancer Defects

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Publisher : OUP Oxford
ISBN 13 : 9780191554582
Total Pages : 828 pages
Book Rating : 4.5/5 (545 download)

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Book Synopsis The Dancer Defects by : David Caute

Download or read book The Dancer Defects written by David Caute and published by OUP Oxford. This book was released on 2003-09-04 with total page 828 pages. Available in PDF, EPUB and Kindle. Book excerpt: The cultural Cold War between the Soviet Union and the West was without precedent. At the outset of this original and wide-ranging historical survey, David Caute establishes the nature of the extraordinary cultural competition set up post-1945 between Moscow, New York, London and Paris, with the most intimate frontier war staged in the city of Berlin. Using sources in four languages, the author of The Fellow-Travellers and The Great Fear explores the cultural Cold War as it rapidly penetrated theatre, film, classical music, popular music, ballet, painting and sculpture, as well as propaganda by exhibition. Major figures central to Cold War conflict in the theatre include Brecht, Miller, Sartre, Camus, Havel, Ionesco, Stoppard and Konstantin Simonov, whose inflammatory play, The Russian Question, occupies a chapter of its own based on original archival research. Leading film directors involved included Eisenstein, Romm, Chiarueli, Aleksandrov, Kazan, Tarkovsky and Wajda. In the field of music, the Soviet Union in the Zhdanov era vigorously condemned 'modernism', 'formalism', and the avant-garde. A chapter is devoted to the intriguing case of Dmitri Shostakovich, and the disputed authenticity of his 'autobiography' Testimony. Meanwhile in the West the Congress for Cultural Freedom was sponsoring the modernist composers most vehemently condemned by Soviet music critics; Stravinsky, Schoenberg, Hindemith among them. Despite constant attempts at repression, the Soviet Party was unable to check the appeal of jazz on the Voice of America, then rock music, to young Russians. Visits to the West by the Bolshoi and Kirov ballet companines, the pride of the USSR, were fraught with threats of cancellation and the danger of defection. Considering the case of Rudolf Nureyev, Caute pours cold water on overheated speculations about KGB plots to injure him and other defecting dancers. Turning to painting, where socialist realism prevailed in Russia, and the impressionist heritage was condemned, Caute explores the paradox of Picasso's membership of the French Communist Party. Re-assessing the extent of covert CIA patronage of abstract expressionism (Pollock, De Kooning), Caute finds that the CIA's role has been much exaggerated, likewise the dominance of the New York School. Caute challenges some recent, one-dimensional, American accounts of 'Cold War culture', which ignore not only the Soviet performance but virtually any cultural activity outside the USA. The West presented its cultural avant-garde as evidence of liberty, even through monochrome canvases and dodecaphonic music appealed only to a minority audience. Soviet artistic standards and teaching levels were exceptionally high, but the fear of freedom and innovation virtually guaranteed the moral defeat which accelerated the collapse of the Soviet Union.

Disjecta

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Author :
Publisher : London : J. Calder ; New York : Riverrun
ISBN 13 :
Total Pages : 134 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Disjecta by : Samuel Beckett

Download or read book Disjecta written by Samuel Beckett and published by London : J. Calder ; New York : Riverrun. This book was released on 1983 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renowned Beckett scholar Ruby Cohn has selected some of Beckett's criticisms, reviews, letters, and other unpublished materials that shed new light on his work.

Ticket to the Opera

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Publisher : Ballantine Books
ISBN 13 : 0449005666
Total Pages : 721 pages
Book Rating : 4.4/5 (49 download)

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Book Synopsis Ticket to the Opera by : Phil G. Goulding

Download or read book Ticket to the Opera written by Phil G. Goulding and published by Ballantine Books. This book was released on 1999-08-31 with total page 721 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Ticket to the Opera, Phil G. Goulding finally makes the magic and mystique of opera accessible to all. Here he offers a complete operatic education, including history, definitions of key musical terms, opera lore and gossip, portraits of famous singers and the roles they immortalized, as well as pithy introductions to the greatest operas of Europe and America and their composers. The book's centerpiece is what Goulding terms "the collection"--85 classics, among them Aida, The Marriage of Figaro, Carmen, and Madama Butterfly, that have been packing the world's opera houses for years. This entertaining, meticulously researched book also includes a fascinating chapter on American opera from George Gershwin's Porgy and Bess to Philip Glass's Einstein on the Beach and a discussion of the gems of twentieth-century opera featuring works like Leos Janácek's The Cunning Little Vixen, Alban Berg's Lulu, and Serge Prokofiev's The Love for Three Oranges. Whether you're a curious neophyte, a music lover interested in branching out, or an aficionado eager to compare notes with a brilliant fellow opera buff, you'll prize Ticket to the Opera as an essential volume in your music library.

Benjamin Britten

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Publisher : Penguin UK
ISBN 13 : 0141924306
Total Pages : 688 pages
Book Rating : 4.1/5 (419 download)

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Book Synopsis Benjamin Britten by : Paul Kildea

Download or read book Benjamin Britten written by Paul Kildea and published by Penguin UK. This book was released on 2013-01-28 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published to mark the beginning of the Britten centenary year in 2013, Paul Kildea's Benjamin Britten: A Life in the Twentieth Century is the definitive biography of Britain's greatest modern composer. In the eyes of many, Benjamin Britten was our finest composer since Purcell (a figure who often inspired him) three hundred years earlier. He broke decisively with the romantic, nationalist school of figures such as Parry, Elgar and Vaughan Williams and recreated English music in a fresh, modern, European form. With Peter Grimes (1945), Billy Budd (1951) and The Turn of the Screw (1954), he arguably composed the last operas - from any composer in any country - which have entered both the popular consciousness and the musical canon. He did all this while carrying two disadvantages to worldly success - his passionately held pacifism, which made him suspect to the authorities during and immediately after the Second World War - and his homosexuality, specifically his forty-year relationship with Peter Pears, for whom many of his greatest operatic roles and vocal works were created. The atmosphere and personalities of Aldeburgh in his native Suffolk also form another wonderful dimension to the book. Kildea shows clearly how Britten made this creative community, notably with the foundation of the Aldeburgh Festival and the building of Snape Maltings, but also how costly the determination that this required was. Above all, this book helps us understand the relationship of Britten's music to his life, and takes us as far into his creative process as we are ever likely to go. Kildea reads dozens of Britten's works with enormous intelligence and sensitivity, in a way which those without formal musical training can understand. It is one of the most moving and enjoyable biographies of a creative artist of any kind to have appeared for years. Paul Kildea is a writer and conductor who has performed many of the Britten works he writes about, in opera houses and concert halls from Sydney to Hamburg. His previous books include Selling Britten (2002) and (as editor) Britten on Music (2003). He was Head of Music at the Aldeburgh Festival between 1999 and 2002 and subsequently Artistic Director of the Wigmore Hall in London.