Perspectives On The Music Of Christopher Fox

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Perspectives on the Music of Christopher Fox

Author : Rose Dodd
Publisher : Routledge
ISBN 13 : 1317081676
Total Pages : 193 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis Perspectives on the Music of Christopher Fox by : Rose Dodd

Download or read book Perspectives on the Music of Christopher Fox written by Rose Dodd and published by Routledge. This book was released on 2016-07-15 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: Christopher Fox (1955) has emerged as one of the most fascinating composers of the post-war generation. His spirit of experimentalism pervades an oeuvre in which he has blithely created his own version of a range of contemporary musical practices. In his work many of the major expressions of European cultural activity - Darmstadt, Fluxus, spectralism, postminimalism and more - are assimilated to produce a voice which is uniquely resonant and multifaceted. In this, the first major study of his work, musicologists, composers, thinkers and practitioners scrutinize aspects of Christopher Fox's music, each exploring elements that relate to their own distinct areas of practice, tracing Fox's compositional trajectory and situating it within post-war contemporary European music practice. Above all this book addresses the question: How can one person dip his fingers into so many paint pots and yet retain a coherent compositional vision? The range of Fox's musical concerns make his work of interest to anyone who wants to study the development of so-called new music spanning the latter twentieth century into the twenty first century.

Critical Perspectives on Michael Finnissy

Author : Ian Pace
Publisher : Routledge
ISBN 13 : 135103152X
Total Pages : 425 pages
Book Rating : 4.3/5 (51 download)

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Book Synopsis Critical Perspectives on Michael Finnissy by : Ian Pace

Download or read book Critical Perspectives on Michael Finnissy written by Ian Pace and published by Routledge. This book was released on 2019-05-24 with total page 425 pages. Available in PDF, EPUB and Kindle. Book excerpt: The composer and pianist Michael Finnissy (b. 1946) is an unmistakeable presence in the British and international new music scene, both for his immeasurable generosity as prolific composer for many different types of musicians, major advocate for the works of others, and performer and conductor who has also been a driving force behind ensembles; he was also President of the International Society for Contemporary Music from 1990 to 1996. His vast and enormously varied output confounds those who seek easy categorisations: once associated strongly with the ‘new complexity’, Finnissy is equally known as composer regularly engaged with many different folk musics, for working with amateur and community musicians, for a long-term engagement with sacred music, or as an advocate of Anglo-American ‘experimental’ music. Twenty years ago, a large-scale volume entitled Uncommon Ground: The Music of Michael Finnissy gave the first major overview of the output of any ‘complex’ composer. This new volume brings a greater plurality of perspectives and critical sensibility to bear upon an output which is almost twice as large as it was when the earlier book was published. A range of leading contributors – musicologists, composers, performers and others – each grapple with particular questions relating to Finnissy’s music, often in ways which raise questions relating more widely to new music, and provide theoretical foundations for further of study both of Finnissy and other composers.

The Cambridge Companion to Composition

Author : Toby Young
Publisher : Cambridge University Press
ISBN 13 : 1108831699
Total Pages : 359 pages
Book Rating : 4.1/5 (88 download)

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Book Synopsis The Cambridge Companion to Composition by : Toby Young

Download or read book The Cambridge Companion to Composition written by Toby Young and published by Cambridge University Press. This book was released on 2024-05-30 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: This wide-ranging guide offers insights for musicians and students on how to be a composer.

Changing the System: The Music of Christian Wolff

Author : Stephen Chase
Publisher : Routledge
ISBN 13 : 1317168488
Total Pages : 289 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Changing the System: The Music of Christian Wolff by : Stephen Chase

Download or read book Changing the System: The Music of Christian Wolff written by Stephen Chase and published by Routledge. This book was released on 2016-04-08 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Christian Wolff is a composer who has followed a distinctive path often at the centre of avant-garde activity working alongside figures such as John Cage, Merce Cunningham, and Cornelius Cardew. In a career spanning sixty years, he has produced a significant and influential body of work that has aimed to address, in a searching and provocative manner, what it means to be an experimental and socially aware artist. This book provides a wide-ranging introduction to a composer often overlooked despite his influence upon many of the major figures in new music since the 1950s from Cage to John Zorn to the new wave of experimentalists across the globe. As the first detailed analysis of the music of this prolific and highly individual composer, Changing the System: The Music of Christian Wolff contains contributions from leading experts in the field of new and experimental music, as well as from performers and composers who have worked with Wolff. The reception of Wolff's music is discussed in relation to the European avant-garde and also within the context of Wolff's association with Cage and Feldman. Music from his earliest compositions of the 1950s, the highly indeterminate scores, the politically-inspired pieces up to the most recent works are discussed in detail, both in relation to their compositional techniques, general aesthetic development, and matters of performance. The particular challenges and aesthetic issues arising from Wolff's idiosyncratic notations and the implications for performers are a central theme. Likewise, the ways in which Wolff's political persuasions - which arguably account for some of the notational methods he chooses - have been worked out through his music, are examined. With a foreword by his close associate Michael Parsons, this is a valuable addition to experimental music literature.

Musical Modernism in Global Perspective

Author : Björn Heile
Publisher : Cambridge University Press
ISBN 13 : 1009491687
Total Pages : 285 pages
Book Rating : 4.0/5 (94 download)

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Book Synopsis Musical Modernism in Global Perspective by : Björn Heile

Download or read book Musical Modernism in Global Perspective written by Björn Heile and published by Cambridge University Press. This book was released on 2024-05-30 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the first study of the global dimensions of musical modernism, Björn Heile proposes a novel theory according to which musical modernism is constituted by a global diasporic network of composers, musicians and institutions. In a series of historical and analytical case studies from different parts of the world, this book overcomes the respective limitations of both Eurocentric and postcolonial, revisionist accounts, focusing instead on the transnational entanglements between the West and other world regions. Key topics include migration, the transnational reception and transfer of musical works and ideas, institutions such as the International Society for Contemporary Music (ISCM) and composers who are rarely discussed in Western academia, such as the Nigerian-born Akin Euba and the Korean-German Younghi Pagh-Paan. Influenced by the interdisciplinary notion of 'entangled histories', Heile critiques established dichotomies, all the while highlighting the unequal power relations on which the existing global order is founded.

Music in the Late Twentieth Century

Author : Richard Taruskin
Publisher : Oxford University Press
ISBN 13 : 0199795932
Total Pages : 608 pages
Book Rating : 4.1/5 (997 download)

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Book Synopsis Music in the Late Twentieth Century by : Richard Taruskin

Download or read book Music in the Late Twentieth Century written by Richard Taruskin and published by Oxford University Press. This book was released on 2006-08-14 with total page 608 pages. Available in PDF, EPUB and Kindle. Book excerpt: The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Late Twentieth Century is the final installment of the set, covering the years from the end of World War II to the present. In these pages, Taruskin illuminates the great compositions of recent times, offering insightful analyses of works by Aaron Copland, John Cage, Milton Babbitt, Benjamin Britten, Steve Reich, and Philip Glass, among many others. He also looks at the impact of electronic music and computers, the rise of pop music and rock 'n' roll, the advent of postmodernism, and the contemporary music of Laurie Anderson, John Zorn, and John Adams. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.

Oxford History of Western Music

Author : Richard Taruskin
Publisher : Oxford University Press
ISBN 13 : 0199813698
Total Pages : 3856 pages
Book Rating : 4.1/5 (998 download)

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Book Synopsis Oxford History of Western Music by : Richard Taruskin

Download or read book Oxford History of Western Music written by Richard Taruskin and published by Oxford University Press. This book was released on 2009-07-27 with total page 3856 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford History of Western Music is a magisterial survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time. This text illuminates, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age. Taking a critical perspective, this text sets the details of music, the chronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. Written by an authoritative, opinionated, and controversial figure in musicology, The Oxford History of Western Music provides a critical aesthetic position with respect to individual works, a context in which each composition may be evaluated and remembered. Taruskin combines an emphasis on structure and form with a discussion of relevant theoretical concepts in each age, to illustrate how the music itself works, and how contemporaries heard and understood it. It also describes how the c

Rethinking Brahms

Author : Nicole Grimes
Publisher : Oxford University Press
ISBN 13 : 0197541739
Total Pages : 585 pages
Book Rating : 4.1/5 (975 download)

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Book Synopsis Rethinking Brahms by : Nicole Grimes

Download or read book Rethinking Brahms written by Nicole Grimes and published by Oxford University Press. This book was released on 2022 with total page 585 pages. Available in PDF, EPUB and Kindle. Book excerpt: As one of the most significant and widely performed composers of the nineteenth century, Brahms continues to command our attention. Rethinking Brahms counterbalances prevailing scholarly assumptions that position him as a conservative composer (whether musically or politically) with a wide-ranging exploration and re-evaluation of his significance today. Drawing on German- and English-language scholarship, it deploys original approaches to his music and pursues innovative methodologies to interrogate the historical, cultural, and artistic contexts of his creativity. Empowered by recent theoretical work on form and tonality, it offers fresh analytical insights into his music, including a number of corpus studies that interrogate the relationships between Brahms and other composers, past and present. The book brings into sharp focus the productive tension that exists between the perceived fixedness of musical texts and the ephemerality of performance by considering how historical and modern performers shape established understandings of Brahms and his music. Rethinking Brahms invites the reader to hear familiar pieces anew as they are refracted through historical, artistic, and philosophical prisms. Bringing us up to the present day, it also gives sustained attention to the resounding impact of Brahms's compositions on new music by exploring works by recent composers who have engaged deeply with his oeuvre. Combining awareness of overarching contexts with perceptive insights into Brahms's music, this book enlivens our understanding of Brahms, providing a dynamic, multifaceted, complex, and invigoratingly fresh portrait of the composer.

Critical Musicological Reflections

Author : Stan Hawkins
Publisher : Routledge
ISBN 13 : 1317157184
Total Pages : 282 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Critical Musicological Reflections by : Stan Hawkins

Download or read book Critical Musicological Reflections written by Stan Hawkins and published by Routledge. This book was released on 2016-04-22 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of original essays is in tribute to the work of Derek Scott on the occasion of his sixtieth birthday. As one of the leading lights in Critical Musicology, Scott has helped shape the epistemological direction for music research since the late 1980s. There is no doubt that the path taken by the critical musicologist has been a tricky one, leading to new conceptions, interactions, and heated debates during the past two decades. Changes in musicology during the closing decades of the twentieth century prompted the establishment of new sets of theoretical methods that probed at the social and cultural relevance of music, as much as its self-referentiality. All the scholars contributing to this book have played a role in the general paradigmatic shift that ensued in the wake of Kerman's call for change in the 1980s. Setting out to address a range of approaches to theorizing music and promulgating modes of analysis across a wide range of repertories, the essays in this collection can be read as a coming of age of critical musicology through its active dialogue with other disciplines such as sociology, feminism, ethnomusicology, history, anthropology, philosophy, cultural studies, aesthetics, media studies, film music studies, and gender studies. The volume provides music researchers and graduate students with an up-to-date authoritative reference to all matters dealing with the state of critical musicology today.

Researching and Writing on Contemporary Art and Artists

Author : Christopher Wiley
Publisher : Springer Nature
ISBN 13 : 3030392333
Total Pages : 285 pages
Book Rating : 4.0/5 (33 download)

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Book Synopsis Researching and Writing on Contemporary Art and Artists by : Christopher Wiley

Download or read book Researching and Writing on Contemporary Art and Artists written by Christopher Wiley and published by Springer Nature. This book was released on 2020-06-27 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: Researching and writing about contemporary art and artists present unique challenges for scholars, students, professional critics and creative practitioners alike. This collection of essays from across the arts disciplines—music, literature, dance, theatre and the visual arts—explores the challenges and complexities raised by engaging in researching and writing on living or recently deceased subjects and their output. Different sections explore critical perspectives and case studies in relation to innovative, distinctive or otherwise leading work, as well as offering innovative modes of discourse such as a visual essay and a music composition. Subjects addressed include recent scandals of Canadian literary celebrity, late-career output, the written element of music composition PhDs, and the boundaries between ethnography and hagiography, with case studies ranging from Howard Barker to Adrian Piper to Sylvie Guillem and Misty Copeland.

Thomas Adès in Five Essays

Author : Drew Massey
Publisher : Oxford University Press, USA
ISBN 13 : 0199374961
Total Pages : 209 pages
Book Rating : 4.1/5 (993 download)

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Book Synopsis Thomas Adès in Five Essays by : Drew Massey

Download or read book Thomas Adès in Five Essays written by Drew Massey and published by Oxford University Press, USA. This book was released on 2020 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction. The Informal Adès -- The Glossary -- The Twelve Tones -- The Song Inside Your Mind : The "New Object" of The Tempest -- The Dilemmas of Musical Surrealism -- The Great Beyond.

Partners in suspense

Author : Steven Rawle
Publisher : Manchester University Press
ISBN 13 : 1526107724
Total Pages : 329 pages
Book Rating : 4.5/5 (261 download)

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Book Synopsis Partners in suspense by : Steven Rawle

Download or read book Partners in suspense written by Steven Rawle and published by Manchester University Press. This book was released on 2016-12-18 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of spellbinding essays explores the tense relationship between Alfred Hitchcock and Bernard Herrmann, providing new perspectives on their collaboration. Featuring chapters by leading scholars of Hitchcock's work, including Richard Allen, Charles Barr, Murray Pomerance, Sidney Gottlieb and Jack Sullivan, the collection examines the working relationship between the pair and the contribution that Herrmann's work brings to Hitchcock's idiom. Examining key works, including The Man Who Knew Too Much, Psycho, Marnie and Vertigo, the essays explore approaches to sound, music, collaborative authorship and the distinctive contribution that Herrmann's work with Hitchcock brought to this body of films, examining the significance, meanings, histories and enduring legacies of one of film history's most important partnerships. By engaging with the collaborative work of Hitchcock and Herrmann, the book explores the ways in which film directors and composers collaborate, how this collaboration is experienced in the film text, and the ways in which such partnerships inspire later work.

Music in Germany since 1968

Author : Alastair Williams
Publisher : Cambridge University Press
ISBN 13 : 1107067103
Total Pages : 293 pages
Book Rating : 4.1/5 (7 download)

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Book Synopsis Music in Germany since 1968 by : Alastair Williams

Download or read book Music in Germany since 1968 written by Alastair Williams and published by Cambridge University Press. This book was released on 2013-07-18 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music in Germany since 1968 modifies the dominant historiography of music in post-war Germany by shifting its axis from the years of reconstruction after 1945 to the era following the events of 1968. Arguing that the social transformations of 1968 led to a new phase of music in Germany, Alastair Williams examines the key topics, including responses to serialism, music and politics, and the re-evaluation of tradition. The book devotes central chapters to Helmut Lachenmann and Wolfgang Rihm, as focal points for areas such as postmodernism, musical semiotics and action-based gestures. Further chapters widen the scope by considering the precursors and contemporaries of Rihm and Lachenmann, especially in relation to the idea of historical inclusion. Williams's study also assesses the development of the Darmstadt summer courses, addresses the significance of German reunification, and considers the role of Germany in a new stage of musical modernism.

New Music at Darmstadt

Author : Martin Iddon
Publisher : Cambridge University Press
ISBN 13 : 1107067758
Total Pages : 355 pages
Book Rating : 4.1/5 (7 download)

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Book Synopsis New Music at Darmstadt by : Martin Iddon

Download or read book New Music at Darmstadt written by Martin Iddon and published by Cambridge University Press. This book was released on 2013-04-18 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: New Music at Darmstadt explores the rise and fall of the so-called 'Darmstadt School', through a wealth of primary sources and analytical commentary. Martin Iddon's book examines the creation of the Darmstadt New Music Courses and the slow development and subsequent collapse of the idea of the Darmstadt School, showing how participants in the West German new music scene, including Herbert Eimert and a range of journalistic commentators, created an image of a coherent entity, despite the very diverse range of compositional practices on display at the courses. The book also explores the collapse of the seeming collegiality of the Darmstadt composers, which crystallised around the arrival there in 1958 of the most famous, and notorious, of all post-war composers, John Cage, an event Carl Dahlhaus opined 'swept across the European avant-garde like a natural disaster'.

Singers, Scores and Sounds

Author : Ellen Hooper
Publisher : Taylor & Francis
ISBN 13 : 100082506X
Total Pages : 268 pages
Book Rating : 4.0/5 (8 download)

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Book Synopsis Singers, Scores and Sounds by : Ellen Hooper

Download or read book Singers, Scores and Sounds written by Ellen Hooper and published by Taylor & Francis. This book was released on 2022-12-30 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book develops ways of discussing musical practices to articulate a new approach to understanding connections between recordings, singers, and singing. Centred around materials from the mid-twentieth century, this book focuses on a time when composers and performers were questioning the idea of authorship within their musical practice. Materials drawn upon include recordings, scores, archival content, visual art, interviews, and liner notes to develop a rich conception of practices of performance. Analysis of performances include recordings of singers such as Cathy Berberian, Linda Hirst, Loré Lixenberg, Angelika Luz, and Meredith Monk. Compositions by Cathy Berberian, Luciano Berio, John Cage, and Manuel De Falla are considered. The book utilizes these sources to examine the collective way in which singers and composers form practices as multiple, transforming, emergent, and not hierarchical. The book articulates – with a detailed, close consideration of specific instances in recordings and scores – a relational understanding of performance. This book will be useful reading for students and scholars of music analysis, musicology, performance practice, and twentieth century vocal music.

The Ashgate Research Companion to Minimalist and Postminimalist Music

Author : Keith Potter
Publisher : Routledge
ISBN 13 : 1317042549
Total Pages : 551 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis The Ashgate Research Companion to Minimalist and Postminimalist Music by : Keith Potter

Download or read book The Ashgate Research Companion to Minimalist and Postminimalist Music written by Keith Potter and published by Routledge. This book was released on 2016-03-23 with total page 551 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years the music of minimalist composers such as La Monte Young, Terry Riley, Steve Reich and Philip Glass has, increasingly, become the subject of important musicological reflection, research and debate. Scholars have also been turning their attention to the work of lesser-known contemporaries such as Phill Niblock and Eliane Radigue, or to second and third generation minimalists such as John Adams, Louis Andriessen, Michael Nyman and William Duckworth, whose range of styles may undermine any sense of shared aesthetic approach but whose output is still to a large extent informed by the innovative work of their minimalist predecessors. Attempts have also been made by a number of academics to contextualise the work of composers who have moved in parallel with these developments while remaining resolutely outside its immediate environment, including such diverse figures as Karel Goeyvaerts, Robert Ashley, Arvo Pärt and Brian Eno. Theory has reflected practice in many respects, with the multimedia works of Reich and Glass encouraging interdisciplinary approaches, associations and interconnections. Minimalism’s role in culture and society has also become the subject of recent interest and debate, complementing existing scholarship, which addressed the subject from the perspective of historiography, analysis, aesthetics and philosophy. The Ashgate Research Companion to Minimalist and Postminimalist Music provides an authoritative overview of established research in this area, while also offering new and innovative approaches to the subject.

Intertextuality in Music

Author : Violetta Kostka
Publisher : Routledge
ISBN 13 : 1000397327
Total Pages : 233 pages
Book Rating : 4.0/5 (3 download)

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Book Synopsis Intertextuality in Music by : Violetta Kostka

Download or read book Intertextuality in Music written by Violetta Kostka and published by Routledge. This book was released on 2021-06-17 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: The concept of intertextuality – namely, the meaning generated by interrelations between different texts – was coined in the 1960s among literary theorists and has been widely applied since then to many other disciplines, including music. Intertextuality in Music: Dialogic Composition provides a systematic investigation of musical intertextuality not only as a general principle of musical creativity but also as a diverse set of devices and techniques that have been consciously developed and applied by many composers in the pursuit of various artistic and aesthetic goals. Intertextual techniques, as this collection reveals, have borne a wide range of results, such as parody, paraphrase, collage and dialogues with and between the past and present. In the age of sampling and remix culture, the very notion of intertextuality seems to have gained increased momentum and visibility, even though the principle of creating new music on the basis of pre-existing music has a long history both inside and outside the Western tradition. The book provides a general survey of musical intertextuality, with a special focus on music from the second half of the twentieth century, but also including examples ranging from the nineteenth century to the second decade of the twenty-first century. The volume is intended to inspire and stimulate new work in intertextual studies in music.