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Author : David Chambers
Publisher : Springer
ISBN 13 : 1349006238
Total Pages : 252 pages
Book Rating : 4.3/5 (49 download)
Download or read book Patrons and Artists in the Italian Renaissance written by David Chambers and published by Springer. This book was released on 1970-06-18 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author :
Publisher : Penn State Press
ISBN 13 : 9780271048147
Total Pages : 304 pages
Book Rating : 4.0/5 (481 download)
Download or read book Changing Patrons: Social Identity and the Visual Arts in Renaissance Florence written by and published by Penn State Press. This book was released on with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.
Author : D. S. Chambers
Publisher :
ISBN 13 : 9781349006250
Total Pages : pages
Book Rating : 4.0/5 (62 download)
Download or read book Patrons and Artists in the Italian Renaissance written by D. S. Chambers and published by . This book was released on 1970 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Guy Fitch Lytle
Publisher : Princeton University Press
ISBN 13 : 1400855918
Total Pages : 406 pages
Book Rating : 4.4/5 (8 download)
Download or read book Patronage in the Renaissance written by Guy Fitch Lytle and published by Princeton University Press. This book was released on 2014-07-14 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fourteen essays in this collection explore the dominance of patronage in Renaissance politics, religion, theatre, and artistic life. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author : David Sanderson Chambers
Publisher : MacMillan
ISBN 13 : 9780333111390
Total Pages : 220 pages
Book Rating : 4.1/5 (113 download)
Download or read book Patrons and Artists in the Italian Renaissance written by David Sanderson Chambers and published by MacMillan. This book was released on 1970-01-01 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Clerical patronage - Guild patronage - Civic patronage - Princely and private patronage - Letters of artists & patrons.
Author : Jonathan K. Nelson
Publisher : Princeton University Press
ISBN 13 : 0691161941
Total Pages : 255 pages
Book Rating : 4.6/5 (911 download)
Download or read book The Patron's Payoff written by Jonathan K. Nelson and published by Princeton University Press. This book was released on 2014-03-10 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: An analysis of Italian Renaissance art from the perspective of the patrons who made 'conspicuous commissions', this text builds on three concepts from the economics of information - signaling, signposting, and stretching - to develop a systematic methodology for assessing the meaning of patronage.
Author : Professor Mary Hollingsworth
Publisher :
ISBN 13 : 9781910198551
Total Pages : 672 pages
Book Rating : 4.1/5 (985 download)
Download or read book Patronage in Renaissance Italy written by Professor Mary Hollingsworth and published by . This book was released on 2014-12-02 with total page 672 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'A superb, information-packed book' The Art Book 'A vivid, lively account of a complex society in which art was made to express the wealth, status, worldly concerns and religious aspirations of its patrons.' Art Quarterly 'She writes authoritatively, drawing on a vast store of knowledge.' Frances Spalding, The Sunday Times 'A refreshing contrast to the abstraction and intellectual constipation that characterise much of the cultural history written in Italy.' Apollo A comprehensive study of the patrons of fifteenth-century Italian art, this book investigates the role they played in the evolution of the Renaissance and the revival of the styles and themes of the art of ancient Rome. This process was far from uniform: the classical tradition provided flattering models not only for absolute rulers of Italy's many principalities, but also for the republican governments of Florence and Venice, and even for the pope in Rome. Above all, these fifteenth-century patrons were Christian, and much of the art they commissioned gave visual expression to their religious beliefs and duties. This book examines how and why they financed their projects, what factors lay behind their choice of themes and styles, and the extent to which they themselves were involved in the final appearance of these palaces, churches, statues, altarpieces and fresco cycles which form a landmark in the history of European art.
Author : John T. Paoletti
Publisher : Perigee Trade
ISBN 13 :
Total Pages : 580 pages
Book Rating : 4.F/5 ( download)
Download or read book Art, Power, and Patronage in Renaissance Italy written by John T. Paoletti and published by Perigee Trade. This book was released on 2005 with total page 580 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Art, Power, and Patronage in Renaissance Italy has a freshness and breadth of approach that sets the art in its context, exploring why it was created and who commissioned the palaces, cathedrals, paintings, and sculptures. For, as the authors claim, Italian Renaissance artists were no more solitary geniuses than are most architects and commercial artists today." "This book covers not only the foremost artistic centers of Rome and Florence. Here too are Venice and the Veneto, Assisi, Siena, Milan, Pavia, Genoa, Padua, Mantua, Verona, Ferrara, Urbino, and Naples - each city revealing unique political and social structures that influenced its artistic styles." "The book includes genealogies of influential families, listings of popes and doges, plans of cities, a time chart, a bibliography, a glossary, and an index."--BOOK JACKET.
Author : Mary Hollingsworth
Publisher :
ISBN 13 :
Total Pages : 392 pages
Book Rating : 4.:/5 (318 download)
Download or read book Patronage in Renaissance Italy written by Mary Hollingsworth and published by . This book was released on 1994 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first comprehensive study of patrons in the Italian quattrocento. It will be of great interest to art historians and their students and to lovers of Renaissance art and civilization. At the start of the fifteenth century the patron, not the artist, was seen as the creator and he carefully controlled both subject and medium. In a competitive and voilent age, image and ostentation were essential statements of power. Buildings, bronze or tapestry were much more eloquent statements than the cheaper marble or fresco. The artistic quality that concerns us was less important than perceived cost. The arts in any case were just part of a pattern of conspicuous expenditure which would have included for instance holy relics, manuscripts and jewels - all of which had the added advantage that they were portable and could be used as collateral for bank loans. Since Christian teaching frowned on wealth and power, money had also to be spent on religious endowments made in expiation. But here too the patron was in control, and used the arts and other means to express religious belief, not aesthetic sensibility. Thus artists in the Early Renaissance were employed as craftsmen. Only late in the century did their relations with patrons start to adopt a pattern we might recognize today. This book, which also discusses the important differences between mercantile republics like Florence and Venice, the princely states such as Naples and Milan, and the papal court in Rome, is essential for a full understanding of why the works of this seminal period take the forms they do. --inside cover.
Author : DavidJ. Drogin
Publisher : Routledge
ISBN 13 : 1351554891
Total Pages : 286 pages
Book Rating : 4.3/5 (515 download)
Download or read book Patronage and Italian Renaissance Sculpture written by DavidJ. Drogin and published by Routledge. This book was released on 2017-07-05 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book to be dedicated to the topic, Patronage and Italian Renaissance Sculpture reappraises the creative and intellectual roles of sculptor and patron. The volume surveys artistic production from the Trecento to the Cinquecento in Rome, Pisa, Florence, Bologna, and Venice. Using a broad range of approaches, the essayists question the traditional concept of authorship in Italian Renaissance sculpture, setting each work of art firmly into a complex socio-historical context. Emphasizing the role of the patron, the collection re-assesses the artistic production of such luminaries as Michelangelo, Donatello, and Giambologna, as well as lesser-known sculptors. Contributors shed new light on the collaborations that shaped Renaissance sculpture and its reception.
Author : Francis William Kent
Publisher : Clarendon Press
ISBN 13 :
Total Pages : 368 pages
Book Rating : 4.3/5 (91 download)
Download or read book Patronage, Art, and Society in Renaissance Italy written by Francis William Kent and published by Clarendon Press. This book was released on 1987 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Patronage, in its broadest sense, has been established as one of the dominant social processes of pre-industrial Europe and has more recently been examined by historians as a comprehensive system of patron-client structures which permeated society and social relations. Focusing specifically on the city of Florence, these essays explore the new understanding of Renaissance Italy as a 'patronage society.'
Author : Dale V. Kent
Publisher :
ISBN 13 : 0300081286
Total Pages : 537 pages
Book Rating : 4.3/5 ( download)
Download or read book Cosimo De' Medici and the Florentine Renaissance written by Dale V. Kent and published by . This book was released on 2000 with total page 537 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Cosimo de'Medici (1389-1464), the fabulously wealthy banker who became the leading citizen of Florence in the fifteenth century, spent lavishly as the city's most important patron of art and literature. This book is the first comprehensive examination of the whole body of works of art and architecture commissioned by Cosimo and his sons. By looking closely at this spectacular group of commissions, we gain an entirely new picture of their patron, and of the patron's point of view. Recurrent themes in the commissions - from Fra Angelico's San Marco altarpiece to the Medici palace - indicate the main interests to which Cosimo's patronage gave visual expression. Dale Kent offers new insights and perspectives on the individual objects comprising the Medici oeuvre by setting them within the context of civic and popular culture in early Renaissance Florence, and of Cosimo's life as the leader of the Medici lineage and the dominant force in the governing elite." "From the wealth of available documentation illuminating Cosimo de'Medici's life, the author considers how his own experience influenced his patronage; how the culture of Renaissance Florence provided a common idiom for the patron, his artists, and his audience; what he preferred and intended as a patron; and how focussing on his patronage of art alters the image of him that is based on his roles as banker and politician. Cosimo was as much a product as a shaper of Florentine society, Kent concludes. She identifies civic patriotism and devotion as the main themes of his oeuvre and argues that religious imperatives may well have been more important than political ones in shaping the art for which he was responsible and its reception."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author : Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
ISBN 13 : 1588393003
Total Pages : 394 pages
Book Rating : 4.5/5 (883 download)
Download or read book Art and Love in Renaissance Italy written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 2008 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET.
Author : Evelyn S. Welch
Publisher : Oxford University Press, USA
ISBN 13 : 9780192842794
Total Pages : 356 pages
Book Rating : 4.8/5 (427 download)
Download or read book Art in Renaissance Italy, 1350-1500 written by Evelyn S. Welch and published by Oxford University Press, USA. This book was released on 2000 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Focuses primarliy on the social and historical context in which art was made and used"--Bibliographic essay (p. 326).
Author : Mary Hollingsworth
Publisher : Independently Published
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.7/5 (431 download)
Download or read book Patronage in Renaissance Italy written by Mary Hollingsworth and published by Independently Published. This book was released on 2021-04-23 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'In a subject of this magnitude, the author's coverage is impeccable ... Patronage in Renaissance Italy is an absolute must.' - The Art Book A perfect read for art historians and their students and for lovers of Renaissance art and civilization. In this first comprehensive study of patrons in the Italian quattrocento, Mary Hollingsworth shows how the patron - rather than the artist - carefully controlled both subject and medium in artistic creation. In a competitive and violent age, she explains, image and ostentation were essential statements of the patron's power. As a result, perceived cost became more important than artistic quality (and buildings, bronze, or tapestry were considered more eloquent statements than cheaper marble or fresco). Since Christian teaching frowned on wealth and power, money also had to be spent on religious endowments made in expiation. But here too the patron was in control, and used the arts and other means to express religious belief, not aesthetic sensibility. Artists in the early Renaissance were employed as craftsmen, Hollingsworth concludes, and only late in the century did their relations with patrons start to adopt a pattern we might recognize today. Praise for Mary Hollingsworth: 'Many readers, specialists and non-specialists alike, will welcome this book as a reliable and straightforward introduction to an important and interesting subject' - Literary Review 'She writes authoritatively, drawing on a vast store of knowledge' - Frances Spalding, The Sunday Times 'A thorough, readable and skilfully crafted survey' - Burlington Magazine 'This book will be of interest to anyone who looks at art in fifteenth-century Italy [and] will be particularly salutary for anyone who teaches or studies art history.' - Apollo Mary Hollingsworth is an academic and an expert in Renaissance art and architecture. Her published works include The Medici, The Borgias, and The Cardinal's Hat.
Author : John T. Paoletti
Publisher : Prentice Hall Press
ISBN 13 : 9780131833357
Total Pages : 512 pages
Book Rating : 4.8/5 (333 download)
Download or read book Art in Renaissance Italy written by John T. Paoletti and published by Prentice Hall Press. This book was released on 1997-01-01 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Bram Kempers
Publisher : Penguin Group USA
ISBN 13 : 9780140124880
Total Pages : 401 pages
Book Rating : 4.1/5 (248 download)
Download or read book Painting, Power and Patronage written by Bram Kempers and published by Penguin Group USA. This book was released on 1994 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: The art of Renaissance Italy remains arguably the touchstone of Western art. It has produced many of the icons by which we define European culture, and our subsequent view of the role of art and of the artist in society has been profoundly influenced and shaped by the ideas of the period. In this stimulating and controversial book, a bestseller in the author's native Holland, Bram Kempers shows the period as a process of the developing 'professionalization' of the artist. Tracing the history of patronage - successively of the mendicant orders and city-states, the merchant families, the princely and ducal rulers and, finally, the great papal patrons, Julius II, Pius II and Sixtus IV - Kempers follows the story from Sienna to Florence, then to the court of Federico da Montefeltro in Urbino and, ultimately, to the heyday of the papal courts in Rome and the ducal court of Cosimo de Medici in Florence, which witnessed the supremacy of Michelangelo and the birth of the great Florentine Academy. A painter and sociologist at the University of Amsterdam, Dr Kempers shows how the unprecedented - and perhaps unsurpassed - creativity of Renaissance art was born of the dynamics of patronage and professional competition. This bred a fruitful balance between individual originality and social control, and out of a creative alliance of art and power a crowning period in the history of art flourished. With over seventy illustrations, including works from Duccio, Lorenzetti and Simone Martini through to Fra Angelico and Masaccio, Piero della Francesca and Raphael, the book is a major contribution to our understanding of the relationship between art and society. It demonstrates, to scholars and laymenalike, the profound influence of the Renaissance on Western ideas of art over five hundred years.
