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Painting And Private Life In Eleventh Century China
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Book Synopsis Painting and Private Life in Eleventh-century China by : Robert E. Harrist
Download or read book Painting and Private Life in Eleventh-century China written by Robert E. Harrist and published by Princeton University Press. This book was released on 1998 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the eleventh century, the focus of Chinese painting shifted dramatically. The subject matter of most earlier works of art was drawn from a broadly shared heritage of political, religious, and literary themes. Late in the century, however, a group of scholar-artists began to make paintings that reflected the private experiences of their own lives. Robert Harrist argues here that no work illuminates this development more vividly than Mountain Villa, a handscroll by the renowned artist Li Gonglin (ca. 1041-1106). Through a detailed reading of the painting and an analysis of its place in the visual culture of Li's time, the author offers a new explanation for the emergence of autobiographic content in Chinese art. Harrist proposes that the subject of Li's painting--his garden in the Longmian Mountains--was itself a form of self-representation, since a garden was then considered a reflection of its owner's character and values. He demonstrates also that Li's turn toward the imagery of private life was inspired by the conventions of Chinese lyric poetry, in which poets recorded and responded to the experiences of their lives. The book draws the reader into the artistic, scholarly, and political world of Li Gonglin and shows the profound influence of Buddhism on Chinese painting and poetry. It offers important insights not just into Chinese art, but also into Chinese literature and intellectual history.
Book Synopsis Painting and Private Life in Eleventh-century China by : Robert E. Harrist
Download or read book Painting and Private Life in Eleventh-century China written by Robert E. Harrist and published by . This book was released on 1998 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In the eleventh century, the focus of Chinese painting shifted dramatically. The subject matter of most earlier works of art was drawn from a broadly shared heritage of political, religious, and literary themes. Late in the century, however, a group of scholar-artists began to make paintings that reflected the private experiences of their own lives. Robert Harrist argues here that no work illuminates this development more vividly than Mountain Villa, a handscroll by the renowned artist Li Gonglin (ca. 1041-1106). Through a detailed reading of the painting and an analysis of its place in the visual culture of Li's time, the author offers a new explanation for the emergence of autobiographic content in Chinese art. Harrist proposes that the subject of Li's painting-- his garden in the Longmian Mountains-- was itself a form of self-representation, since a garden was then considered a reflection of its owner's character and values. He demonstrates also that Li's turn toward the imagery of private life was inspired by the conventions of Chinese lyric poetry, in which poets recorded and responded to the experiences of their lives. The book draws the reader into the artistic, scholarly, and political world of Li Gonglin and shows the profound influence of Buddhism on Chinese painting and poetry. It offers important insights not just into Chinese art, but also into Chinese literature and intellectual history"--Publisher's description.
Book Synopsis Experiences in Painting (Tʻu-hua Chien-wên Chih) by : Ruoxu Guo
Download or read book Experiences in Painting (Tʻu-hua Chien-wên Chih) written by Ruoxu Guo and published by . This book was released on 1951 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Mirror of Morality by : Julia K. Murray
Download or read book Mirror of Morality written by Julia K. Murray and published by University of Hawaii Press. This book was released on 2007-01-31 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mirror of Morality takes an interdisciplinary look at an important form of pictorial art produced during two millennia of Chinese imperial rule. Ideas about individual morality and state ideology were based on the ancient teachings of Confucius with modifications by later interpreters and government institutions. Throughout the imperial period, members of the elite made, sponsored, and inscribed or used illustrations of themes taken from history, literature, and recent events to promote desired conduct among various social groups. This dimension of Chinese art history has never before been broadly covered or investigated in historical context. The first half of the study examines the nature of narrative illustration in China and traces the evolution of its functions, conventions, and rhetorical strategies from the second century BCE through the eleventh century. Under the stimulus of Buddhism, sophisticated techniques developed for representing stories in visual form. While tracing changes in the social functions and cultural positions of narrative illustration, the second half of the book argues that narrative illustration continued to play a vital role in elite visual culture.
Book Synopsis The Bloomsbury Research Handbook of Chinese Aesthetics and Philosophy of Art by : Marcello Ghilardi
Download or read book The Bloomsbury Research Handbook of Chinese Aesthetics and Philosophy of Art written by Marcello Ghilardi and published by Bloomsbury Publishing. This book was released on 2021-07-15 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: For anyone working in aesthetics interested in understanding the richness of the Chinese aesthetic tradition this handbook is the place to start. Comprised of general introductory overviews, critical reflections and contextual analysis, it covers everything from the origins of aesthetics in China to the role of aesthetics in philosophy today. Beginning in early China (1st millennium BCE), it traces the Chinese aesthetic tradition, exploring the import of the term aesthetics into Chinese thought via Japan around the end of the 19th century. It looks back to early practices of art and craftsmanship, showing how the history of Chinese thought provides a multitude of artefacts and texts that give rise to a wide range of aesthetic creations and notions. Introducing various perspectives on traditional arts in China, including painting, ceramics, calligraphy, poetry, music and theatre, it explores those aesthetic traditions not included in “canonic” art forms, such as martial arts, rock gardening, and ritual performance. Written by Chinese, European, and American theoreticians and practitioners, this authoritative research resource enhances contemporary aesthetics by revealing the possibilities of a Chinese philosophy of art.
Author :Garret Pagenstecher Olberding Publisher :Walter de Gruyter GmbH & Co KG ISBN 13 :3110749920 Total Pages :272 pages Book Rating :4.1/5 (17 download)
Book Synopsis The Exercise of the Spatial Imagination in Pre-Modern China by : Garret Pagenstecher Olberding
Download or read book The Exercise of the Spatial Imagination in Pre-Modern China written by Garret Pagenstecher Olberding and published by Walter de Gruyter GmbH & Co KG. This book was released on 2022-02-07 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is distinctive for its extraordinarily interdisciplinary investigations into a little discussed topic, the spatial imagination. It probes the exercise of the spatial imagination in pre-modern China across five general areas: pictorial representation, literary description, cartographic mappings, and the intertwining of heavenly and earthly space. It recommends that the spatial imagination in the pre-modern world cannot adequately be captured using a linear, militarily framed conceptualization. The scope and varying perspectives on the spatial imagination analyzed in the volume’s essays reveal a complex range of aspects that informs how space was designed and utilized. Due to the complexity and advanced scholarly level of the papers, the primary readership will be other scholars and advanced graduate students in history, history of science, geography, art history, religious studies, literature, and, broadly, sinology.
Download or read book Painting Faith written by An-yi Pan and published by BRILL. This book was released on 2007-08-31 with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing from previously untapped Buddhist sources, this book contextualizes Li Gonglin’s Buddhist faith and art through the Chan environment in his hometown (Longmian) and the prevailing Tiantai, Pure Land, Huayan and Chan schools of the Northern Song Dynasty.
Book Synopsis Li Kung-lin's Classic of Filial Piety by : Richard M. Barnhart
Download or read book Li Kung-lin's Classic of Filial Piety written by Richard M. Barnhart and published by Metropolitan Museum of Art. This book was released on 1993 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: The subject is a 15.5-foot handscroll painted by Li Kung-lin, the preeminent figure painter of 11th-century China, illustrating a work that dates to between 350 and 200 B.C.--a dialog between Confucius and a disciple on the meaning and application of filial piety in the affairs of the individual and of the state. Barnhart's (art history, Yale) elucidation is accompanied by contributed chapters on the calligraphy of the work and on the conservation and remounting of the scroll. Generously illustrated. 9.25x12.25" Annotation copyright by Book News, Inc., Portland, OR
Download or read book All Mine! written by Stephen Owen and published by Columbia University Press. This book was released on 2021-12-14 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt: Under the Song Dynasty, China experienced rapid commercial growth and monetization of the economy. In the same period, the austere ethical turn that led to neo-Confucianism was becoming increasingly prevalent in the imperial bureaucracy and literati culture. Tracing the influences of these trends in Chinese intellectual history, All Mine! explores the varied ways in which eleventh-century writers worked through the conflicting values of this new world. Stephen Owen contends that in the new money economy of the Song, writers became preoccupied with the question of whether material things can bring happiness. Key thinkers returned to this problem, weighing the conflicting influences of worldly possessions and material comfort against Confucian ideology, which locates true contentment in the Way and disdains attachment to things. In a series of essays, Owen examines the works of writers such as the prose master Ouyang Xiu, who asked whether tranquility could be found in the backwater to which he had been exiled; the poet and essayist Su Dongpo, who was put on trial for slandering the emperor; and the historian Sima Guang, whose private garden elicited reflections on private ownership. Through strikingly original readings of major eleventh-century figures, All Mine! inquires not only into the material conditions of happiness but also the broader conditions of knowledge.
Download or read book Xuanhe Catalogue of Paintings written by and published by Cornell University Press. This book was released on 2019-05-31 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: Xuanhe Catalogue of Paintings is the first complete translation of the well-known document produced at the court of Emperor Huizong (r. 1100–1125). Dated to 1120, the Catalogue is divided into ten categories of subject matter. Under Daoist and Buddhist Subjects, Figural Subjects, Architecture, Barbarian Tribes, Dragons and Fish, Landscape, Domestic and Wild Animals, Flowers and Birds, Ink Bamboo, and Vegetables and Fruit are biographies of 231 painters, ranging from famous early masters, such as Wu Daozi (ca. 685-758) and Li Cheng (919-967), to otherwise unknown artists of the Song-dynasty court, including fourteen eunuch officials and sixteen male and female members of the royal family. Titles of their pictures held in the palace collection are listed for each artist. These 6,396 paintings testify to the visual culture experienced by viewers of the twelfth century. The author's Introduction analyzes the Catalogue as a source of evidence about the formation of the Song-dynasty palace collection and argues that the majority of its pictures were already in the collection before Huizong's reign, as a result of conquest, confiscation, tribute, gift culture, collecting by earlier emperors, and the production of academy artists and regular officials at the Song court. Under Huizong's reign, around a thousand other pictures were added to the Catalogue through acquisition and reattribution. Open access edition funded by the National Endowment for the Humanities.
Book Synopsis Issues of Authenticity in Chinese Painting by : Judith G. Smith
Download or read book Issues of Authenticity in Chinese Painting written by Judith G. Smith and published by Metropolitan Museum of Art. This book was released on 1999 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published in conjunction with a December 1999 symposium held at the Metropolitan Museum of Art, New York, and an exhibition, "The Artist as Collector: Masterpieces of Chinese Painting from the C.C. Wang Family Collection." Twelve contributions give dissenting opinions regarding a book recently published by The Museum titled Along the Riverbank, which seeks to attribute the painting called "Riverbank" to the 10th-century landscape master Dong Yuan--an attribution that would call for the rewriting of early Chinese painting history. This volume contains 239 bandw illustrations to support the contributors' efforts to explain their opinions. Annotation copyrighted by Book News, Inc., Portland, OR
Book Synopsis Role of Japan in Modern Chinese Art by : Joshua A. Fogel
Download or read book Role of Japan in Modern Chinese Art written by Joshua A. Fogel and published by Univ of California Press. This book was released on 2012 with total page 503 pages. Available in PDF, EPUB and Kindle. Book excerpt: The modern histories of China and Japan are inexorably intertwined. Their relationship is perhaps most obvious in the fields of political, economic, and military history, but it is no less true in cultural and art history. Yet the traffic in artistic practices and practitioners between China and Japan remains an understudied field. In this volume, an international group of scholars investigates Japan’s impact on Chinese art from the mid-nineteenth century through the 1930s. Individual essays address a range of perspectives, including the work of individual Chinese and Japanese painters, calligraphers, and sculptors, as well as artistic associations, international exhibitions, the collotype production or artwork, and the emergence of a modern canon.
Book Synopsis A Companion to Chinese Art by : Martin J. Powers
Download or read book A Companion to Chinese Art written by Martin J. Powers and published by John Wiley & Sons. This book was released on 2022-04-26 with total page 596 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the history of art in China from its earliest incarnations to the present day, this comprehensive volume includes two dozen newly-commissioned essays spanning the theories, genres, and media central to Chinese art and theory throughout its history. Provides an exceptional collection of essays promoting a comparative understanding of China’s long record of cultural production Brings together an international team of scholars from East and West, whose contributions range from an overview of pre-modern theory, to those exploring calligraphy, fine painting, sculpture, accessories, and more Articulates the direction in which the field of Chinese art history is moving, as well as providing a roadmap for historians interested in comparative study or theory Proposes new and revisionist interpretations of the literati tradition, which has long been an important staple of Chinese art history Offers a rich insight into China’s social and political institutions, religious and cultural practices, and intellectual traditions, alongside Chinese art history, theory, and criticism
Book Synopsis Three Thousand Years of Chinese Painting by : Richard M. Barnhart
Download or read book Three Thousand Years of Chinese Painting written by Richard M. Barnhart and published by Yale University Press. This book was released on 1997-01-01 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.
Book Synopsis The Efficacious Landscape by : Ping Foong
Download or read book The Efficacious Landscape written by Ping Foong and published by BRILL. This book was released on 2020-05-18 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Ink landscape painting is a distinctive feature of the Northern Song, and painters of this era produced some of the most celebrated artworks in Chinese history. The Efficacious Landscape addresses how landmark works of this pivotal period first came to be identified as potent symbols of imperial authority and later became objects through which exiled scholars expressed disaffection and dissent. In fulfilling these diverse roles, landscape demonstrated its efficacy in communicating through embodiment and in transcending the limitations of the concrete.Building on decades of monographic writings on Song painting, this carefully researched study presents a syncretic vision of how ink landscape evolved within the eleventh-century court community of artists, scholars, and aristocrats. Detailed visual analyses of surviving works and new insight about key landscapes by the court painter Guo Xi support the perspective put forward here and introduce original methodologies for interpreting painting as an integral element of political and cultural history. By focusing on the efforts of emperors, empresses, and eunuchs to cultivate ink landscape and its iconography, this investigation also tackles the social and class dichotomies that have long defined and frustrated existing scholarship on this period’s paintings, highlighting instead the interconnectedness of painting practice’s elite modalities."
Book Synopsis Windows on the Chinese World by : Clara Wing-chung Ho
Download or read book Windows on the Chinese World written by Clara Wing-chung Ho and published by Lexington Books. This book was released on 2009 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Each chapter of this collection addresses a problem in Chinese history that is both interesting and important, as well as offering new ideas and interpretations, plus a methodological example that might inspire other scholars. The collective nature of this volume and the variety of its approaches and topics, plus the high quality of each chapter, make it accessible to scholars in a wide range of intellectual fields who may use from one to all chapters."--BOOK JACKET.
Download or read book Beyond Representation written by Wen Fong and published by Metropolitan Museum of Art. This book was released on 1992 with total page 571 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beyond Representation surveys Chinese painting and calligraphy from the eighth to the fourteenth century, a period during which Chinese society and artistic expression underwent profound changes. A fourteenth-century Yuan dynasty (1279 - 1368) literati landscape painting presents a world that is totally different from that portrayed in the monumental landscape images of the early Sung dynasty (960 - 1279). To chronicle and explain the evolution from formal representation to self-expression is the purpose of this book. Wen C. Fong, one of the world's most eminent scholars of Chinese art, takes the reader through this evolution, drawing on the outstanding collection of Chinese painting and calligraphy in The Metropolitan Museum of Art, New York. Focusing on 118 works, each illustrated in full color, the book significantly augments the standard canon of images used to describe the period, enhancing our sense of the richness and complexity of artistic expression during this six-hundred-year era.
