Ornamentation And Improvisation In Mozart

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Ornamentation and Improvisation in Mozart

Author : Frederick Neumann
Publisher : Princeton University Press
ISBN 13 : 0691656843
Total Pages : 315 pages
Book Rating : 4.6/5 (916 download)

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Book Synopsis Ornamentation and Improvisation in Mozart by : Frederick Neumann

Download or read book Ornamentation and Improvisation in Mozart written by Frederick Neumann and published by Princeton University Press. This book was released on 2019-01-15 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a sequel to Frederick Neumann's Ornamentation in Baroque and Post-Baroque Music, With Special Emphasis on J.S. Bach (Princeton, 1978). In the present volume, the first work on this subject for Mozart's music, the author continues his important contributions to the search for historically correct performance practices, and to the liberation of the performer from improperly conceived and overly restrictive interpretation of musical scores. The first part of this book attempts to free ornamentation in Mozart from rigorism that has resulted from confusing the pure abstraction of ornament tables with concrete musical situations. The second part deals with pitches that were not written in the score yet often intended to be added when Mozart left "white spots" in his notation. These additions range from single notes to lengthy cadenzas. The problem addressed is the question of where such additions are possible or necessary and how they might best be designed. Professor Neumann draws on an immense knowledge of the literature written during Mozart's time and on his own comprehension of the subtleties of Mozart's music and musical styles. Refusing to interpret the sources dogmatically, he frees performers of Mozart from the rigid princples too often imposed by modern scholars. Frederick Neumann is Professor of Music Emeritus at the University of Richmond. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Ornamentation and Improvisation in Mozart

Author : Frederick Neumann
Publisher :
ISBN 13 :
Total Pages : 630 pages
Book Rating : 4.:/5 (18 download)

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Book Synopsis Ornamentation and Improvisation in Mozart by : Frederick Neumann

Download or read book Ornamentation and Improvisation in Mozart written by Frederick Neumann and published by . This book was released on 1983 with total page 630 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Ornamentation and Improvisation in Mozart

Author : Frederick Neumann
Publisher :
ISBN 13 : 9780608076386
Total Pages : 316 pages
Book Rating : 4.0/5 (763 download)

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Book Synopsis Ornamentation and Improvisation in Mozart by : Frederick Neumann

Download or read book Ornamentation and Improvisation in Mozart written by Frederick Neumann and published by . This book was released on 1986-01-01 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Ornamentation and Improvisation in Mozart

Author : Frederick Neumann
Publisher : Princeton University Press
ISBN 13 : 0691194688
Total Pages : 320 pages
Book Rating : 4.6/5 (911 download)

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Book Synopsis Ornamentation and Improvisation in Mozart by : Frederick Neumann

Download or read book Ornamentation and Improvisation in Mozart written by Frederick Neumann and published by Princeton University Press. This book was released on 2019-01-15 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a sequel to Frederick Neumann's Ornamentation in Baroque and Post-Baroque Music, With Special Emphasis on J.S. Bach (Princeton, 1978). In the present volume, the first work on this subject for Mozart's music, the author continues his important contributions to the search for historically correct performance practices, and to the liberation of the performer from improperly conceived and overly restrictive interpretation of musical scores. The first part of this book attempts to free ornamentation in Mozart from rigorism that has resulted from confusing the pure abstraction of ornament tables with concrete musical situations. The second part deals with pitches that were not written in the score yet often intended to be added when Mozart left "white spots" in his notation. These additions range from single notes to lengthy cadenzas. The problem addressed is the question of where such additions are possible or necessary and how they might best be designed. Professor Neumann draws on an immense knowledge of the literature written during Mozart's time and on his own comprehension of the subtleties of Mozart's music and musical styles. Refusing to interpret the sources dogmatically, he frees performers of Mozart from the rigid princples too often imposed by modern scholars. Frederick Neumann is Professor of Music Emeritus at the University of Richmond. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Ornamentation in Baroque and Post-baroque Music

Author : Frederick Neumann
Publisher : Princeton University Press
ISBN 13 : 9780691027074
Total Pages : 650 pages
Book Rating : 4.0/5 (27 download)

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Book Synopsis Ornamentation in Baroque and Post-baroque Music by : Frederick Neumann

Download or read book Ornamentation in Baroque and Post-baroque Music written by Frederick Neumann and published by Princeton University Press. This book was released on 1983-12-21 with total page 650 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he argues that strict constraints are inconsistent with the freedom enjoyed by musicians of the period. The author takes an entirely new look at ornamentation, and particularly that of J. S. Bach. He draws on extensive research in England, France, Germany, Italy, and the United States to show that prevailing interpretations are based on inadequate evidence. These restrictive interpretations have been far-reaching in their effect on style. By questioning them, this work continues to stimulate a reorientation in our understandiing of Baroque and post-Baroque music.

Mozart: Piano Concertos Nos. 20 and 21

Author : David Grayson
Publisher : Cambridge University Press
ISBN 13 : 9780521484756
Total Pages : 160 pages
Book Rating : 4.4/5 (847 download)

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Book Synopsis Mozart: Piano Concertos Nos. 20 and 21 by : David Grayson

Download or read book Mozart: Piano Concertos Nos. 20 and 21 written by David Grayson and published by Cambridge University Press. This book was released on 1998 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: This guide to Mozart's two most popular piano concertos--the D minor, K. 466, and the C major, K. 467 (the so-called "Elvira Madigan")--presents the historical background of the works, placing them within the context of Mozart's compositional and performance activities at a time when his reputation as both composer and pianist was at its peak. The special nature of the concerto, as both a form and genre, is explored through a selective survey of some of the approaches that various critics have taken in discussing Mozart's concertos. The concluding chapter discusses a wide range of issues of interest to modern performers.

The Cambridge Companion to Mozart

Author : Simon P. Keefe
Publisher : Cambridge University Press
ISBN 13 : 9780521001922
Total Pages : 324 pages
Book Rating : 4.0/5 (19 download)

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Book Synopsis The Cambridge Companion to Mozart by : Simon P. Keefe

Download or read book The Cambridge Companion to Mozart written by Simon P. Keefe and published by Cambridge University Press. This book was released on 2003-05-22 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Table of contents

Studies in Historical Improvisation

Author : Massimiliano Guido
Publisher : Routledge
ISBN 13 : 1317048938
Total Pages : 220 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis Studies in Historical Improvisation by : Massimiliano Guido

Download or read book Studies in Historical Improvisation written by Massimiliano Guido and published by Routledge. This book was released on 2017-01-06 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years, scholars and musicians have become increasingly interested in the revival of musical improvisation as it was known in the Renaissance and Baroque periods. This historically informed practice is now supplanting the late Romantic view of improvised music as a rhapsodic endeavour—a musical blossoming out of the capricious genius of the player—that dominated throughout the twentieth century. In the Renaissance and Baroque eras, composing in the mind (alla mente) had an important didactic function. For several categories of musicians, the teaching of counterpoint happened almost entirely through practice on their own instruments. This volume offers the first systematic exploration of the close relationship among improvisation, music theory, and practical musicianship from late Renaissance into the Baroque era. It is not a historical survey per se, but rather aims to re-establish the importance of such a combination as a pedagogical tool for a better understanding of the musical idioms of these periods. The authors are concerned with the transferral of historical practices to the modern classroom, discussing new ways of revitalising the study and appreciation of early music. The relevance and utility of such an improvisation-based approach also changes our understanding of the balance between theoretical and practical sources in the primary literature, as well as the concept of music theory itself. Alongside a word-centred theoretical tradition, in which rules are described in verbiage and enriched by musical examples, we are rediscovering the importance of a music-centred tradition, especially in Spain and Italy, where the music stands alone and the learner must distil the rules by learning and playing the music. Throughout its various sections, the volume explores the path of improvisation from theory to practice and back again.

Mozart

Author : Colin Lawson
Publisher : Cambridge University Press
ISBN 13 : 9780521479295
Total Pages : 128 pages
Book Rating : 4.4/5 (792 download)

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Book Synopsis Mozart by : Colin Lawson

Download or read book Mozart written by Colin Lawson and published by Cambridge University Press. This book was released on 1996-05-02 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: An analysis of Mozart's Clarinet Concerto - of supreme importance as the composer's last instrumental work.

The Harvard Dictionary of Music

Author : Don Michael Randel
Publisher : Harvard University Press
ISBN 13 : 9780674011632
Total Pages : 1020 pages
Book Rating : 4.0/5 (116 download)

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Book Synopsis The Harvard Dictionary of Music by : Don Michael Randel

Download or read book The Harvard Dictionary of Music written by Don Michael Randel and published by Harvard University Press. This book was released on 2003-11-28 with total page 1020 pages. Available in PDF, EPUB and Kindle. Book excerpt: This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.

Mozart the Performer

Author : Dorian Bandy
Publisher : University of Chicago Press
ISBN 13 : 0226828557
Total Pages : 277 pages
Book Rating : 4.2/5 (268 download)

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Book Synopsis Mozart the Performer by : Dorian Bandy

Download or read book Mozart the Performer written by Dorian Bandy and published by University of Chicago Press. This book was released on 2023 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Mozart today is known as one of the foremost composers in Western music; yet, during his lifetime, his compositional mastery seemed to pale in comparison with his achievements on the concert platform. Mozart knew that his fame was due to his piano playing and improvisations; and, as a result, much of the music he wrote was intended to serve a single aim: to set the stage, quite literally, for compelling and captivating performances. In his piano works, symphonies, and operas he sought to amuse, stir, and ravish an awe-struck public. Mozart the Performer brings to life this elusive side of Mozart's musicianship. Over the course of five "variations," Dorian Bandy traces the influence of showmanship on Mozart's style, imbuing his output with a theatricality and evanescence easily lost behind the scrim of familiarity. This insightful and imaginative book reveals the countless ways performance influenced Mozart's compositional habits, ultimately offering a genuinely novel understanding of why, centuries later, Mozart's music still captivates us and inspiring new ways of listening to it"--

The Improvising Mind

Author : Aaron Berkowitz
Publisher : Oxford University Press
ISBN 13 : 0199590958
Total Pages : 233 pages
Book Rating : 4.1/5 (995 download)

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Book Synopsis The Improvising Mind by : Aaron Berkowitz

Download or read book The Improvising Mind written by Aaron Berkowitz and published by Oxford University Press. This book was released on 2010-06-17 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: The ability to improvise represents one of the highest levels of musical achievement. Yet what musical knowledge is 3equired for improvisation? How does a musician learn to improvise? What are the neural correlates of improvised performance? These are some of the questions explored in this unique and fascinating new book.

Inside Early Music

Author : Bernard D. Sherman
Publisher : Oxford University Press
ISBN 13 : 9780195343656
Total Pages : 436 pages
Book Rating : 4.3/5 (436 download)

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Book Synopsis Inside Early Music by : Bernard D. Sherman

Download or read book Inside Early Music written by Bernard D. Sherman and published by Oxford University Press. This book was released on 2003-10-09 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: The attempt to play music with the styles and instruments of its era--commonly referred to as the early music movement--has become immensely popular in recent years. For instance, Billboard's "Top Classical Albums" of 1993 and 1994 featured Anonymous 4, who sing medieval music, and the best-selling Beethoven recording of 1995 was a period-instruments symphony cycle led by John Eliot Gardiner, who is Deutsche Grammophon's top-selling living conductor. But the movement has generated as much controversy as it has best-selling records, not only about the merits of its results, but also about the validity of its approach. To what degree can we recreate long-lost performing styles? How important are historical period instruments for the performance of a piece? Why should musicians bother with historical information? Are they sacrificing art to scholarship? Now, in Inside Early Music, Bernard D. Sherman has invited many of the leading practitioners to speak out about their passion for early music--why they are attracted to this movement and how it shapes their work. Readers listen in on conversations with conductors Gardiner, William Christie, and Roger Norrington, Peter Phillips of the Tallis Scholars, vocalists Susan Hellauer of Anonymous 4, forte pianist Robert Levin, cellist Anner Bylsma, and many other leading artists. The book is divided into musical eras--Medieval, Renaissance, Baroque, and Classic and Romantic--with each interview focusing on particular composers or styles, touching on heated topics such as the debate over what is "authentic," the value of playing on period instruments, and how to interpret the composer's intentions. Whether debating how to perform Monteverdi's madrigals or comparing Andrew Lawrence-King's Renaissance harp playing to jazz, the performers convey not only a devotion to the spirit of period performance, but the joy of discovery as they struggle to bring the music most truthfully to life. Spurred on by Sherman's probing questions and immense knowledge of the subject, these conversations movingly document the aspirations, growing pains, and emerging maturity of the most exciting movement in contemporary classical performance, allowing each artist's personality and love for his or her craft to shine through. From medieval plainchant to Brahms' orchestral works, Inside Early Music takes readers-whether enthusiasts or detractors-behind the scenes to provide a masterful portrait of early music's controversies, challenges, and rewards.

Mozart

Author : SimonP. Keefe
Publisher : Routledge
ISBN 13 : 1351557920
Total Pages : 586 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Mozart by : SimonP. Keefe

Download or read book Mozart written by SimonP. Keefe and published by Routledge. This book was released on 2018-10-24 with total page 586 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of essays on Wolfgang Amadeus Mozart reflects scholarly advances made over the last thirty years. The studies are broad and focused, demonstrating a large number of viewpoints, methodologies and orientations and the material spans a wide range of subject areas, including biography, vocal music, instrumental music and performance. Written by leading researchers from Europe and North America, these previously published articles and book chapters are representative of both the most frequently discussed and debated issues in Mozart studies and the challenging, exciting nature of Mozart scholarship in general. The volume is essential reading for researchers, students and scholars of Mozart's music.

Singing in Style

Author : Martha Elliott
Publisher : Yale University Press
ISBN 13 : 9780300109320
Total Pages : 380 pages
Book Rating : 4.1/5 (93 download)

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Book Synopsis Singing in Style by : Martha Elliott

Download or read book Singing in Style written by Martha Elliott and published by Yale University Press. This book was released on 2006-01-01 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Muziekhistorisch en musicologisch overzicht van de klassieke solozang vanaf de barok tot heden.

Interpreting Mozart

Author : Eva Badura-Skoda
Publisher : Routledge
ISBN 13 : 1135868506
Total Pages : 579 pages
Book Rating : 4.1/5 (358 download)

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Book Synopsis Interpreting Mozart by : Eva Badura-Skoda

Download or read book Interpreting Mozart written by Eva Badura-Skoda and published by Routledge. This book was released on 2018-12-07 with total page 579 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in German as Interpreting Mozart on the Keyboard in 1957, this definitive work on the performance of Mozart's works has greatly influenced students and scholars of keyboard literature and of Mozart. Now, in a completely updated and revised edition, this book includes the last half century of scholarship on Mozart's music, addressing the elements of performance and problems that may occur in performing Mozart's works on modern instruments.

Mozart's Piano Concertos

Author : John Irving
Publisher : Routledge
ISBN 13 : 1351557890
Total Pages : 297 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Mozart's Piano Concertos by : John Irving

Download or read book Mozart's Piano Concertos written by John Irving and published by Routledge. This book was released on 2017-07-05 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mozart's piano concertos stand alongside his operas and symphonies as his most frequently performed and best loved music. They have attracted the attention of generations of musicologists who have explored their manifold meanings from a variety of viewpoints. In this study, John Irving brings together the various strands of scholarship surrounding Mozart's concertos including analytical approaches, aspects of performance practice and issues of compositional genesis based on investigation of manuscript and early printed editions. Treating the concertos collectively as a repertoire, rather than as individual works, the first section of the book tackles broad thematic issues such as the role of the piano concerto in Mozart's quasi-freelance life in late eighteenth-century Vienna, the origin of his concertos in earlier traditions of concerto writing; eighteenth-century theoretical frameworks for the understanding of movement forms, subsequent historical shifts in the perception of the concerto's form, listening strategies and performance practices. This is followed by a 'documentary register' which proceeds through all 23 original works, drawing together information on the source materials. Accounts of the concertos' compositional genesis, early performance history and reception are also included here, drawing extensively on the Mozart family correspondence and other contemporary reports. Drawing together and synthesizing this wealth of material, Irving provides an invaluable reference source for those already familiar with this repertoire.