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Opera And Modern Spectatorship In Late Nineteenth Century Italy
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Book Synopsis Opera and Modern Spectatorship in Late Nineteenth-Century Italy by : Alessandra Campana
Download or read book Opera and Modern Spectatorship in Late Nineteenth-Century Italy written by Alessandra Campana and published by Cambridge University Press. This book was released on 2015-01-22 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alessandra Campana explores how operas and their stage manuals participated in the making of a modern public in late nineteenth-century Italy.
Book Synopsis Opera and Modern Spectatorship in Late Nineteenth-Century Italy by : Alessandra Campana
Download or read book Opera and Modern Spectatorship in Late Nineteenth-Century Italy written by Alessandra Campana and published by Cambridge University Press. This book was released on 2015-01-22 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the turn of the twentieth century Italian opera participated to the making of a modern spectator. The Ricordi stage manuals testify to the need to harness the effects of operatic performance, activating opera's capacity to cultivate a public. This book considers how four operas and one film deal with their public: one that in Boito's Mefistofele is entertained by special effects, or that in Verdi's Simon Boccanegra is called upon as a political body to confront the specters of history. Also a public that in Verdi's Otello is subjected to the manipulation of contemporary acting, or one that in Puccini's Manon Lescaut is urged to question the mechanism of spectatorship. Lastly, the silent film Rapsodia satanica, thanks to the craft and prestige of Pietro Mascagni's score, attempts to transform the new industrial medium into art, addressing its public's search for a bourgeois pan-European cultural identity, right at the outset of the First World War.
Book Synopsis Italian Opera in Global and Transnational Perspective by : Axel Körner
Download or read book Italian Opera in Global and Transnational Perspective written by Axel Körner and published by Cambridge University Press. This book was released on 2022-03-24 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianit...) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.
Book Synopsis Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments by : Rachel N. Becker
Download or read book Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments written by Rachel N. Becker and published by Taylor & Francis. This book was released on 2024-03-29 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book approaches opera fantasias – instrumental works that use themes from a single opera as the body of their virtuosic and flamboyant material – both historically and theoretically, concentrating on compositions for and by woodwind-instrument performers in Italy in the nineteenth century. Important overlapping strands include the concept of virtuosity and its gradual demonization, the strong gendered overtones of individual woodwind instruments and of virtuosity, the distinct Italian context of these fantasias, the presentation and alteration of opera narratives in opera fantasias, and the technical and social development of woodwind instruments. Like opera itself, the opera fantasia is a popular art form, stylistically predictable yet formally flexible, based heavily on past operatic tradition and prefabricated materials. Through archival research in Italy, theoretical analysis, and exploration of European cultural contexts, this book clarifies a genre that has been consciously stifled and societal resonances that still impact music reception and performance today.
Book Synopsis Gender, Writing, Spectatorships by : Katharine Mitchell
Download or read book Gender, Writing, Spectatorships written by Katharine Mitchell and published by Routledge. This book was released on 2021-11-29 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: This original study makes a valuable contribution to Italian feminist/women’s history, spectatorship studies, and cultural history by examining women as protagonists, producers and consumers of literature, theatre, opera and film. Drawing on archival material – female correspondence, life-writings and journalism – as well as an impressive range of canonical texts, it brings together detailed engagement with female performance and with female spectators’ material responses to "women’s opera, theatre and film," placing these in the context of melodrama from the 1880s to the 1920s in Italy, France, the US, and elsewhere. It is unique in its interdisciplinary approach and in its consideration of female relationships based on admiration among performers and writers – the embodiment of a vibrant, mobile and successful Italian female culture industry during the first wave of feminism.
Book Synopsis Vincenzo Bellini and the Aesthetics of Early Nineteenth-Century Italian Opera by : Simon Maguire
Download or read book Vincenzo Bellini and the Aesthetics of Early Nineteenth-Century Italian Opera written by Simon Maguire and published by Routledge. This book was released on 2018-11-05 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1989. This study explores Italian attitudes to opera while Vincenzo Bellini was studying and composing. It draws mainly on Italian critical and aesthetic writing dating from the end of an era that was still dominated by the Italian bel canto. Many of the writers considered are unfamiliar today, but they express the accepted views on music, opera, and singing that dominated a particularly insular tradition. This title will be of interest to students of Italian and Music History.
Download or read book Opera Acts written by Karen Henson and published by Cambridge University Press. This book was released on 2015-01-15 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Karen Henson explores a wealth of new historical material about singers and opera performance in the late nineteenth century.
Book Synopsis Networking Operatic Italy by : Francesca Vella
Download or read book Networking Operatic Italy written by Francesca Vella and published by University of Chicago Press. This book was released on 2022-01-26 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stagecrafting the City -- Florence, Opera, and Technological Modernity -- Funeral Entrainments -- Errico Petrella's Jone and the Band -- Global Voices -- Adelina Patti, Multilingualism, and Bel Canto (as) Listening -- "Ito per Ferrovia" -- Opera Productions on the Tracks -- Aida, Media, and Temporal Politics circa 1871-72.
Author : Publisher : ISBN 13 :0520276256 Total Pages : pages Book Rating :4.5/5 (22 download)
Book Synopsis The Cambridge Companion to Eighteenth-Century Opera by : Anthony R. DelDonna
Download or read book The Cambridge Companion to Eighteenth-Century Opera written by Anthony R. DelDonna and published by Cambridge University Press. This book was released on 2009-06-25 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.
Book Synopsis Digital Scenography in Opera in the Twenty-First Century by : Caitlin Vincent
Download or read book Digital Scenography in Opera in the Twenty-First Century written by Caitlin Vincent and published by Routledge. This book was released on 2021-09-15 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: Digital Scenography in Opera in the Twenty-First Century is the first definitive study of the use of digital scenography in Western opera production. The book begins by exploring digital scenography’s dramaturgical possibilities and establishes a critical framework for identifying and comparing the use of digital scenography across different digitally enhanced opera productions. The book then investigates the impacts and potential disruptions of digital scenography on opera’s longstanding production conventions, both on and off the stage. Drawing on interviews with major industry practitioners, including Paul Barritt, Mark Grimmer, Donald Holder, Elaine J. McCarthy, Luke Halls, Wendall K. Harrington, Finn Ross, S. Katy Tucker, and Victoria ‘Vita’ Tzykun, author Caitlin Vincent identifies key correlations between the use of digital scenography in practice and subsequent impacts on creative hierarchies, production design processes, and organisational management. The book features detailed case studies of digitally enhanced productions premiered by Dutch National Opera, Komische Oper Berlin, Opéra de Lyon, The Royal Opera, Covent Garden, San Francisco Opera, Santa Fe Opera, Théâtre Royal de la Monnaie, The Metropolitan Opera, Victorian Opera, and Washington National Opera.
Book Synopsis Donizetti and the World of Opera in Italy, Paris and Vienna in the First Half of the Nineteenth Century by : Herbert Weinstock
Download or read book Donizetti and the World of Opera in Italy, Paris and Vienna in the First Half of the Nineteenth Century written by Herbert Weinstock and published by . This book was released on 1967 with total page 458 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Dance and Drama in French Baroque Opera by : Rebecca Harris-Warrick
Download or read book Dance and Drama in French Baroque Opera written by Rebecca Harris-Warrick and published by Cambridge University Press. This book was released on 2016-10-27 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. Dance and Drama in French Baroque Opera exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement - present in every act of every opera - is essential to understanding the work. The book considers the operas of Lully - his lighter works as well as his tragedies - and the 46-year period between the death of Lully and the arrival of Rameau, when influences from the commedia dell'arte and other theatres began to inflect French operatic practices. It explores the intersections of musical, textual, choreographic and staging practices at a complex institution - the Académie Royale de Musique - which upheld as a fundamental aesthetic principle the integration of dance into opera.
Book Synopsis Foreign Opera at the London Playhouses by : Christina Fuhrmann
Download or read book Foreign Opera at the London Playhouses written by Christina Fuhrmann and published by Cambridge University Press. This book was released on 2015-09-24 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early nineteenth century over forty operas by foreign composers, including Mozart, Rossini, Weber and Bellini, were adapted for London playhouses, often appearing in drastically altered form. Such changes have been denigrated as 'mutilations'. The operas were translated into English, fitted with spoken dialogue, divested of much of their music, augmented with interpolations and frequently set to altered libretti. By the end of the period, the radical changes of earlier adaptations gave way to more faithful versions. In the first comprehensive study of these adaptations, Christina Fuhrmann shows how integral they are to our understanding of early nineteenth-century opera and the transformation of London's theatrical and musical life. This book reveals how these operas accelerated repertoire shifts in the London theatrical world, fostered significant changes in musical taste, revealed the ambiguities and inadequacies of copyright law and sparked intense debate about fidelity to the original work.
Book Synopsis Opera in Postwar Venice by : Harriet Boyd-Bennett
Download or read book Opera in Postwar Venice written by Harriet Boyd-Bennett and published by Cambridge University Press. This book was released on 2018-09-13 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning from the unlikely vantage point of Venice in the aftermath of fascism and World War II, this book explores operatic production in the city's nascent postwar culture as a lens onto the relationship between opera and politics in the twentieth century. Both opera and Venice in the middle of the century are often talked about in strikingly similar terms: as museums locked in the past and blind to the future. These clichés are here overturned: perceptions of crisis were in fact remarkably productive for opera, and despite being physically locked in the past, Venice was undergoing a flourishing of avant-garde activity. Focusing on a local musical culture, Harriet Boyd-Bennett recasts some of the major composers, works, stylistic categories and narratives of twentieth-century music. The study provides fresh understandings of works by composers as diverse as Stravinsky, Prokofiev, Verdi, Britten and Nono.
Book Synopsis Technology and the Diva by : Karen Henson
Download or read book Technology and the Diva written by Karen Henson and published by Cambridge University Press. This book was released on 2016-09-12 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focuses on the operatic soprano as the diva and her relationships with technology from the 1820s to the digital age.
Book Synopsis Saint-Saëns and the Stage by : Hugh Macdonald
Download or read book Saint-Saëns and the Stage written by Hugh Macdonald and published by Cambridge University Press. This book was released on 2019-03-14 with total page 449 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first major study of Saint-Saëns's stage music, timed to coincide with revivals of his operas on stage.
