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Author : Charles Townsend
Publisher :
ISBN 13 :
Total Pages : 112 pages
Book Rating : 4.3/5 (91 download)
Download or read book Negro Minstrels written by Charles Townsend and published by . This book was released on 1969 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Jack Haverly
Publisher :
ISBN 13 :
Total Pages : 142 pages
Book Rating : 4.F/5 ( download)
Download or read book Negro Minstrels written by Jack Haverly and published by . This book was released on 1902 with total page 142 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Stephen Collins Foster
Publisher :
ISBN 13 :
Total Pages : 78 pages
Book Rating : 4.M/5 ( download)
Download or read book Negro Minstrel Melodies written by Stephen Collins Foster and published by . This book was released on 1910 with total page 78 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Annemarie Bean
Publisher : Wesleyan University Press
ISBN 13 : 9780819563002
Total Pages : 332 pages
Book Rating : 4.5/5 (63 download)
Download or read book Inside the Minstrel Mask written by Annemarie Bean and published by Wesleyan University Press. This book was released on 1996-11-29 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: A sourcebook of contemporary and historical commentary on America's first popular mass entertainment.
Author : William L. Van Deburg
Publisher : Univ of Wisconsin Press
ISBN 13 : 9780299096342
Total Pages : 284 pages
Book Rating : 4.0/5 (963 download)
Download or read book Slavery & Race in American Popular Culture written by William L. Van Deburg and published by Univ of Wisconsin Press. This book was released on 1984 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning more than three centuries, from the colonial era to the present, Van Deburg's overview analyzes the works of American historians, dramatists, novelists, poets, lyricists, and filmmakers -- and exposes, through those artists' often disquieting perceptions, the cultural underpinnings of American current racial attitudes and divisions. Crucial to Van Deburg's analysis is his contrast of black and white attitudes toward the Afro-American slave experience. There has, in fact, been a persistent dichotomy between the two races' literary, historical, and theatrical representations of slavery. If white culture-makers have stressed the "unmanning" of the slaves and encouraged such steteotypes as the Noble Savage and the comic minstrel to justify the blacks' subordination, Afro-Americans have emphasized a counter self-image that celebrates the slaves' creativity, dignity, pride, and assertiveness. ISBN 0-299-09634-3 (pbk.) : $12.50.
Author : Jack Haverly
Publisher : Forgotten Books
ISBN 13 : 9780259407515
Total Pages : 136 pages
Book Rating : 4.4/5 (75 download)
Download or read book Negro Minstrels written by Jack Haverly and published by Forgotten Books. This book was released on 2017-05-16 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Negro Minstrels: A Complete Guide to Negro Minstrelsy, Containing Recitations, Jokes, Crossfires, Conundrums, Riddles, Stump Speeches, Ragtime and Sentimental Songs, Etc., Including Hints on Organizing and Successfully Presenting a Performance Nothing gives the amateur such rare opportunities for displaying talent as a negro minstrel performance. Any one with but little study and practice can successfully entertain an audience and keep them in roars of laughter for hours by the aid of this volume. Negro minstrels can be easily organized and with but a small expense. Nothing can give an audience a more highly pleasing entertainment than a minstrel show. It is always appreciated to such an extent that everyone is more than satisfied for the amount paid for the price of admission. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author : Nicholas Sammond
Publisher : Duke University Press
ISBN 13 : 0822375788
Total Pages : 400 pages
Book Rating : 4.8/5 (223 download)
Download or read book Birth of an Industry written by Nicholas Sammond and published by Duke University Press. This book was released on 2015-08-27 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Birth of an Industry, Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He charts the industrialization of animation in the early twentieth century, its representation in the cartoons themselves, and how important blackface minstrels were to that performance, standing in for the frustrations of animation workers. Cherished cartoon characters, such as Mickey Mouse and Felix the Cat, were conceived and developed using blackface minstrelsy's visual and performative conventions: these characters are not like minstrels; they are minstrels. They play out the social, cultural, political, and racial anxieties and desires that link race to the laboring body, just as live minstrel show performers did. Carefully examining how early animation helped to naturalize virulent racial formations, Sammond explores how cartoons used laughter and sentimentality to make those stereotypes seem not only less cruel, but actually pleasurable. Although the visible links between cartoon characters and the minstrel stage faded long ago, Sammond shows how important those links are to thinking about animation then and now, and about how cartoons continue to help to illuminate the central place of race in American cultural and social life.
Author : Jack Haverly
Publisher :
ISBN 13 :
Total Pages : 176 pages
Book Rating : 4.3/5 (91 download)
Download or read book Negro Minstrels written by Jack Haverly and published by . This book was released on 1969 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Lena McPhatter Gore
Publisher : Bloomsbury Publishing USA
ISBN 13 : 0313033323
Total Pages : 332 pages
Book Rating : 4.3/5 (13 download)
Download or read book The African American Theatre Directory, 1816-1960 written by Lena McPhatter Gore and published by Bloomsbury Publishing USA. This book was released on 1997-05-28 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive directory of more than 600 entries, this detailed ready reference features professional, semi-professional, and academic stage organizations and theatres that have been in the forefront in pioneering most of the advances that African Americans have made in the theatre. It includes groups from the early 19th century to the dawn of the revolutionary Black theatre movement of the 1960s. It is an effort to bring together into one volume information that has hitherto been scattered throughout a number of different sources. The volume begins with an illuminating foreword by Errol Hill, a noted critic, playwright, scholar and Willard Professor of Drama Emeritus, Dartmouth College. A comprehensive directory of more than 600 entries, this detailed ready reference features professional, semi-professional, and academic stage organizations and theatres that have been in the forefront in pioneering most of the advances that African Americans have made in the theatre. It includes groups from the early 19th century to the dawn of the revolutionary Black theatre movement of the 1960s. It is an effort to bring together into one volume information that has hitherto been scattered throughout a number of different sources. The volume begins with an illuminating foreword by Errol Hill, a noted critic, playwright, scholar and Willard Professor of Drama Emeritus, Dartmouth College. Included in the volume are the earliest organizations that existed before the Civil War, Black minstrel troupes, pioneer musical show companies, selected vaudeville and road show troupes, professional theatrical associations, booking agencies, stock companies, significant amateur and little theatre groups, Black units of the WPA Federal Theatre, and semi-professional groups in Harlem after the Federal Theatre. The A-Z entries are supplemented with a classified appendix that also includes additional organizations not listed in the main directory, a bibliography, and three indexes for shows, showpeople, and general subjects. Cross referencing makes related information easy to find.
Author : Charles Townsend
Publisher :
ISBN 13 :
Total Pages : 112 pages
Book Rating : 4.3/5 (9 download)
Download or read book Negro Minstrels written by Charles Townsend and published by . This book was released on 1969 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Robert C. Toll
Publisher : New York : Oxford University Press
ISBN 13 :
Total Pages : 324 pages
Book Rating : 4.3/5 (91 download)
Download or read book Blacking Up written by Robert C. Toll and published by New York : Oxford University Press. This book was released on 1974 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the Peter Neil Isaacs collection.
Author : Jack Haverly
Publisher :
ISBN 13 :
Total Pages : 129 pages
Book Rating : 4.:/5 (953 download)
Download or read book Negro Minstrels written by Jack Haverly and published by . This book was released on 1903 with total page 129 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Harry J. Elam
Publisher : Oxford University Press
ISBN 13 : 9780198029281
Total Pages : 384 pages
Book Rating : 4.0/5 (292 download)
Download or read book African American Performance and Theater History written by Harry J. Elam and published by Oxford University Press. This book was released on 2001-01-18 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: African American Performance and Theater History is an anthology of critical writings that explores the intersections of race, theater, and performance in America. Assembled by two esteemed scholars in black theater, Harry J. Elam, Jr. and David Krasner, and composed of essays from acknowledged authorities in the field, this anthology is organized into four sections representative of the ways black theater, drama, and performance interact and enact continual social, cultural, and political dialogues. Ranging from a discussion of dramatic performances of Uncle Tom's Cabin to the Black Art Movement of the 1960s and early 1970s, articles gathered in the first section, "Social Protest and the Politics of Representation," discuss the ways in which African American theater and performance have operated as social weapons and tools of protest. The second section of the volume, "Cultural Traditions, Cultural Memory and Performance," features, among other essays, Joseph Roach's chronicle of the slave performances at Congo Square in New Orleans and Henry Louis Gates, Jr.'s critique of August Wilson's cultural polemics. "Intersections of Race and Gender," the third section, includes analyses of the intersections of race and gender on the minstrel stage, the plight of black female choreographers at the inception of Modern Dance, and contemporary representations of black homosexuality by PomoAfro Homo. Using theories of performance and performativity, articles in the fourth section, "African American Performativity and the Performance of Race," probe into the ways blackness and racial identity have been constructed in and through performance. The final section is a round-table assessment of the past and present state of African American Theater and Performance Studies by some of the leading senior scholars in the field--James V. Hatch, Sandra L. Richards, and Margaret B. Wilkerson. Revealing the dynamic relationship between race and theater, this volume illustrates how the social and historical contexts of production critically affect theatrical performances of blackness and their meanings and, at the same time, how African American cultural, social, and political struggles have been profoundly affected by theatrical representations and performances. This one-volume collection is sure to become an important reference for those studying black theater and an engrossing survey for all readers of African American literature.
Author : Yuval Taylor
Publisher : W. W. Norton & Company
ISBN 13 : 0393070980
Total Pages : 353 pages
Book Rating : 4.3/5 (93 download)
Download or read book Darkest America: Black Minstrelsy from Slavery to Hip-Hop written by Yuval Taylor and published by W. W. Norton & Company. This book was released on 2012-08-27 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Investigates the origin and heyday of black minstrelsy, which in modern times is considered an embarrassment, and discusses whether or not the art form is actually still alive in the work of contemporary performers--from Dave Chappelle and Flavor Flav to Spike Lee.
Author : Brian Christopher Thompson
Publisher : McGill-Queen's Press - MQUP
ISBN 13 : 0773584161
Total Pages : 448 pages
Book Rating : 4.7/5 (735 download)
Download or read book Anthems and Minstrel Shows written by Brian Christopher Thompson and published by McGill-Queen's Press - MQUP. This book was released on 2015-05-01 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: Calixa Lavallée, the composer of “O Canada,” was the first Canadian-born musician to achieve an international reputation. While primarily remembered for the national anthem, Lavallée and his work extended well beyond Canada, and he played a multitude of roles in North American music as a composer, conductor, administrator, instrumentalist, educator, and critic. In Anthems and Minstrel Shows, Brian Thompson analyzes Lavallée’s music, letters, and published writings, as well as newspapers and music magazines of the time, to provide a detailed account of musical life in nineteenth-century North America and the relationship between music and nation. Leaving Quebec at age sixteen, Lavallée travelled widely for a decade as musical director of a minstrel troupe, and spent a year as a bandsman in the Union Army. Later, as a performer and conductor, he built a repertoire that prepared audiences for the intellectually challenging music of European composers and new music by his US contemporaries. His own music extended from national songs to comic operas, and instrumental music, as he shifted between the worlds of classical and popular music. Previously portrayed as a humble French Canadian forced into exile by ignorance and injustice, Lavallée emerges here as ambitious, radical, bohemian, and fully engaged with the musical, social, and political currents of his time. While nationalism and nation-building are central to this story, Anthems and Minstrel Shows asks to which nation – or nations – Lavallée and “O Canada” really belong.
Author : Tim Brooks
Publisher : McFarland
ISBN 13 : 1476676763
Total Pages : 291 pages
Book Rating : 4.4/5 (766 download)
Download or read book The Blackface Minstrel Show in Mass Media written by Tim Brooks and published by McFarland. This book was released on 2019-11-15 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: The minstrel show occupies a complex and controversial space in the history of American popular culture. Today considered a shameful relic of America's racist past, it nonetheless offered many black performers of the 19th and early 20th centuries their only opportunity to succeed in a white-dominated entertainment world, where white performers in blackface had by the 1830s established minstrelsy as an enduringly popular national art form. This book traces the often overlooked history of the "modern" minstrel show through the advent of 20th century mass media--when stars like Al Jolson, Bing Crosby and Mickey Rooney continued a long tradition of affecting black music, dance and theatrical styles for mainly white audiences--to its abrupt end in the 1950s. A companion two-CD reissue of recordings discussed in the book is available from Archeophone Records at www.archeophone.com.
Author : Department of English University of Virginia Eric Lott Associate Professor
Publisher : Oxford University Press, USA
ISBN 13 : 0199762244
Total Pages : 332 pages
Book Rating : 4.1/5 (997 download)
Download or read book Love and Theft : Blackface Minstrelsy and the American Working Class written by Department of English University of Virginia Eric Lott Associate Professor and published by Oxford University Press, USA. This book was released on 1993-10-28 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: For over two centuries, America has celebrated the very black culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show sometimes usefully intensified them. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a "blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear--a dialectic of "love and theft"--the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery.
