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Nation And Identity In The New German Cinema
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Book Synopsis Nation and Identity in the New German Cinema by : Inga Scharf
Download or read book Nation and Identity in the New German Cinema written by Inga Scharf and published by Routledge. This book was released on 2008-06-30 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates the construction of national identity in films of the New German Cinema using – for the first time – an explicitly cultural studies methodology.
Book Synopsis Nation and Identity in the New German Cinema by : Inga Scharf
Download or read book Nation and Identity in the New German Cinema written by Inga Scharf and published by Routledge. This book was released on 2008-06-30 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this original study, Scharf investigates issues of national identity in films of the New German Cinema. Using a cultural studies analysis, Scharf argues that the conflict between this generation of critical filmmakers and their ‘German-ness’ translate into feature films that construct, and are pervaded by, a sense of "homelessness" at home. As the first cultural studies investigation of this cinematic movement, the book challenges existing film studies accounts by analyzing the New German Cinema within its social, temporal, and spatial contexts. Furthermore, with its broad concerns for the West German production context, the New German Cinema’s reception both nationally and internationally, as well as issues of representation, narration, and ‘Othering,’ Nation and Identity in the New German Cinema offers an interdisciplinary contribution to the ongoing debate on national cinema.
Book Synopsis Deterritorializing the New German Cinema by : John E. Davidson
Download or read book Deterritorializing the New German Cinema written by John E. Davidson and published by U of Minnesota Press. This book was released on 1993 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis German Film after Germany by : Randall Halle
Download or read book German Film after Germany written by Randall Halle and published by University of Illinois Press. This book was released on 2008-06-25 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the work of film in the age of transnational production? To answer that question, Randall Halle focuses on the film industry of Germany, one of Europe's largest film markets and one of the world's largest film-producing nations. In the 1990s Germany experienced an extreme transition from a state-subsidized mode of film production that was free of anxious concerns about profit and audience entertainment to a mode dominated by private interest and big capital. At the same time, the European Union began actively drawing together the national markets of Germany and other European nations, sublating their individual significances into a synergistic whole. This book studies these changes broadly, but also focuses on the transformations in their particular national context. It balances film politics and film aesthetics, tracing transformations in financing along with analyses of particular films to describe the effects on the film object itself. Halle concludes that we witness currently the emergence of a new transnational aesthetic, a fundamental shift in cultural production with ramifications for communal identifications, state cohesion, and national economies.
Book Synopsis Cinema in Democratizing Germany by : Heide Fehrenbach
Download or read book Cinema in Democratizing Germany written by Heide Fehrenbach and published by Univ of North Carolina Press. This book was released on 2000-11-09 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt: Heide Fehrenbach analyzes the important role cinema played in the reconstruction of German cultural and political identity between 1945 and 1962. Concentrating on the former West Germany, she explores the complex political uses of film--and the meanings attributed to film representation and spectatorship--during a period of abrupt transition to democracy. According to Fehrenbach, the process of national redefinition made cinema and cinematic control a focus of heated ideological debate. Moving beyond a narrow political examination of Allied-German negotiations, she investigates the broader social nexus of popular moviegoing, public demonstrations, film clubs, and municipal festivals. She also draws on work in gender and film studies to probe the ways filmmakers, students, church leaders, local politicians, and the general public articulated national identity in relation to the challenges posed by military occupation, American commercial culture, and redefined gender roles. Thus highlighting the links between national identity and cultural practice, this book provides a richer picture of what German reconstruction entailed for both women and men.
Book Synopsis The New German Cinema by : Caryl Flinn
Download or read book The New German Cinema written by Caryl Flinn and published by Univ of California Press. This book was released on 2003-11-19 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity—national, political, personal, and sexual—music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation. Caryl Flinn’s study reverses this trend, identifying styles of historical remembrance in which music participates. Flinn concentrates on those styles that urge listeners to interact with difference—including that embodied in Germany’s difficult history—rather than to "master" or "get past" it. Flinn breaks new ground by considering contemporary reception frameworks of the New German Cinema, a generation after its end. She discusses transnational, cultural, and historical contexts as well as the sexual, ethnic, national, and historical diversity of audiences. Through detailed case studies, she shows how music helps filmgoers engage with a range of historical subjects and experiences. Each chapter of The New German Cinema examines a particular stylistic strategy, assessing music’s role in each. The study also examines queer strategies like kitsch and camp and explores the movement’s charged construction of human bodies on which issues of ruination, survival, memory, and pleasure are played out.
Book Synopsis The New German Cinema by : Caryl Flinn
Download or read book The New German Cinema written by Caryl Flinn and published by Univ of California Press. This book was released on 2004 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of New German cinema identifies different styles of historical remembrance in which music participates. It concentrates on how listeners are urged to interact with difference - including Germany's difficult past - rather than try to 'master' or 'get past' it.
Download or read book New German Cinema written by Julia Knight and published by Wallflower Press. This book was released on 2004 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comprising a discussion of 'Alice in the Cities', 'The Bitter Tears of Petra von Kant', 'Heimat' and 'The American Friend', Julia Knight's study examines the American dominance of German film, the framework of European art cinema and how German cinema engages with contemporary German reality.
Download or read book Re-Imagining DEFA written by Séan Allan and published by Berghahn Books. This book was released on 2016-09-01 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: By the time the Berlin Wall collapsed, the cinema of the German Democratic Republic—to the extent it was considered at all—was widely regarded as a footnote to European film history, with little of enduring value. Since then, interest in East German cinema has exploded, inspiring innumerable festivals, books, and exhibits on the GDR’s rich and varied filmic output. In Re-Imagining DEFA, leading international experts take stock of this vibrant landscape and plot an ambitious course for future research, one that considers other cinematic traditions, brings genre and popular works into the fold, and encompasses DEFA’s complex post-unification “afterlife.”
Book Synopsis Post-Wall German Cinema and National History by : Mary-Elizabeth O'Brien
Download or read book Post-Wall German Cinema and National History written by Mary-Elizabeth O'Brien and published by Boydell & Brewer. This book was released on 2014 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: German history films that focus on utopianism and political dissent and their effect on German identity since 1989. Since unification, a radical shift has taken place in Germans' view of their country's immediate past, with 1989 replacing 1945 as the primary caesura. The cold-war division, the failed socialist state, the '68 student movement, and the Red Army Faction -- historical flashpoints involving political oppression, civil disobedience, and the longing for utopian solutions to social injustice -- have come to be seen as decisive moments in a collective history that unites East and West even as it divides them. Telling stories about a shared past, establishing foundational myths, and finding commonalities of experience are pivotal steps in the construction of national identity. Such nation-building is always incomplete, but the cinema provides an important forum in which notions of German history and national identity can be consumed, negotiated, and contested. This book looks at history films made since 1989, exploring how utopianism and political dissent have shaped German identity. It studies the genre - including popular successes, critical successes, and perceived failures - as a set of texts and a discursive network, gauging which conventions and storylines are resilient. At issue is the overriding question: to what extent do these films contribute to a narrative that legitimizes the German nation-state? Mary-Elizabeth O'Brien is Professor of Germanand The Courtney and Steven Ross Chair in Interdisciplinary Studies at Skidmore College.
Book Synopsis The German Cinema Book by : Tim Bergfelder
Download or read book The German Cinema Book written by Tim Bergfelder and published by Bloomsbury Publishing. This book was released on 2020-02-20 with total page 625 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensively revised, updated and significantly extended edition introduces German film history from its beginnings to the present day, covering key periods and movements including early and silent cinema, Weimar cinema, Nazi cinema, the New German Cinema, the Berlin School, the cinema of migration, and moving images in the digital era. Contributions by leading international scholars are grouped into sections that focus on genre; stars; authorship; film production, distribution and exhibition; theory and politics, including women's and queer cinema; and transnational connections. Spotlight articles within each section offer key case studies, including of individual films that illuminate larger histories (Heimat, Downfall, The Lives of Others, The Edge of Heaven and many more); stars from Ossi Oswalda and Hans Albers, to Hanna Schygulla and Nina Hoss; directors including F.W. Murnau, Walter Ruttmann, Wim Wenders and Helke Sander; and film theorists including Siegfried Kracauer and Béla Balázs. The volume provides a methodological template for the study of a national cinema in a transnational horizon.
Book Synopsis Cinema and National Identity in a Divided Germany, 1979-1989 by : Hans Joachim Meurer
Download or read book Cinema and National Identity in a Divided Germany, 1979-1989 written by Hans Joachim Meurer and published by . This book was released on 2000 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study provides a comparative analysis of the political, economic and ideological determinants shaping East and West German feature films during the so-called established phase of the two states between 1979 and 1989. The author provides a theoretical framework for comparing the two film cultures on an abstract ideological level, and analyzes the extent to which the poitical systems of the FRG and GDR shaped production, distribution and exhibition in order to establish a particular type of film culture. He also investigates in greater detail how political, economic and cultural debates surrounding the question of an East and West German identity were translated into filmic discourse.
Book Synopsis Transnational German Cinema by : Irina Herrschner
Download or read book Transnational German Cinema written by Irina Herrschner and published by Springer Nature. This book was released on 2021-08-31 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the notion of German cinema as both a national and increasingly transnational entity. It brings together chapters that analyse the international circuits of development and distribution that shape the emerging films as part of a contemporary “German cinema”, the events and spectacles that help frame and re-frame national cinemas and their discoverability, and the well-known filmmakers who sit at the vanguard of the contemporary canon. Thereby, it explores what we understand as German cinema today and the many points where this idea of national cinema can be interrogated, expanded and opened up to new readings. At the heart of this interrogation is a keen awareness of the technological, social, economic and cultural changes that have an impact on global cinemas more broadly: new distribution channels such as streaming platforms and online film festivals, and audience engagement that transcends national borders as well as the cinema space. International film production and financing further heightens the transnational aspects of cinema, a quality that is often neglected in marketing and branding of the filmic product. With particular focus on film festivals, this volume explores the tensions between the national and transnational in film, but also in the events that sit at the heart of global cinema culture. It includes contributions from filmmakers, cultural managers and other professionals in the field of film and cinema, as well as scholarly contributions from academics researching popular culture, film, and events in relation to Germany.
Book Synopsis No Place Like Home by : Johannes von Moltke
Download or read book No Place Like Home written by Johannes von Moltke and published by Univ of California Press. This book was released on 2005-09-06 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first comprehensive account of Germany's most enduring film genre, the Heimatfilm, which has offered idyllic variations on the idea that "there is no place like home" since cinema's early days. Charting the development of this popular genre over the course of a century in a work informed by film studies, cultural history, and social theory, Johannes von Moltke focuses in particular on its heyday in the 1950s, a period that has been little studied. Questions of what it could possibly mean to call the German nation "home" after the catastrophes of World War II are anxiously present in these films, and von Moltke uses them as a lens through which to view contemporary discourses on German national identity.
Book Synopsis German National Cinema by : Sabine Hake
Download or read book German National Cinema written by Sabine Hake and published by Routledge. This book was released on 2013-01-11 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake discusses film-making in economic, political, social, and cultural terms, and considers the contribution of Germany's most popular films to changing definitions of genre, authorship, and film form. The book traces the central role of cinema in the nation’s turbulent history from the Wilhelmine Empire to the Berlin Republic, with special attention paid to the competing demands of film as art, entertainment, and propaganda. Hake also explores the centrality of genre films and the star system to the development of a filmic imaginary. This fully revised and updated new edition will be required reading for everyone interested in German film and the history of modern Germany.
Book Synopsis Weimar Cinema and After by : Thomas Elsaesser
Download or read book Weimar Cinema and After written by Thomas Elsaesser and published by Routledge. This book was released on 2013-04-15 with total page 486 pages. Available in PDF, EPUB and Kindle. Book excerpt: German cinema of the 1920s is still regarded as one of the 'golden ages' of world cinema. Films such as The Cabinet of Dr Caligari, Dr Mabuse the Gambler, Nosferatu, Metropolis, Pandora's Box and The Blue Angel have long been canonised as classics, but they are also among the key films defining an image of Germany as a nation uneasy with itself. The work of directors like Fritz Lang, F.W. Murnau and G.W. Pabst, which having apparently announced the horrors of fascism, while testifying to the traumas of a defeated nation, still casts a long shadow over cinema in Germany, leaving film history and political history permanently intertwined. Weimar Cinema and After offers a fresh perspective on this most 'national' of national cinemas, re-evaluating the arguments which view genres and movements such as 'films of the fantastic', 'Nazi Cinema', 'film noir' and 'New German Cinema' as typically German contributions to twentieth century visual culture. Thomas Elsaesser questions conventional readings which link these genres to romanticism and expressionism, and offers new approaches to analysing the function of national cinema in an advanced 'culture industry' and in a Germany constantly reinventing itself both geographically and politically. Elsaesser argues that German cinema's significance lies less in its ability to promote democracy or predict fascism than in its contribution to the creation of a community sharing a 'historical imaginary' rather than a 'national identity'. In this respect, he argues, German cinema anticipated some of the problems facing contemporary nations in reconstituting their identities by means of media images, memory, and invented traditions.
Book Synopsis From Hitler to Heimat by : Anton Kaes
Download or read book From Hitler to Heimat written by Anton Kaes and published by Harvard University Press. This book was released on 1989 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines changing attitudes among Germans as evident in films of the modern German era, leading away from guilt and atonement and seeking national identity.
