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Musik Aesthetik
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Download or read book Contemplating music written by Ruth Katz and published by Pendragon Press. This book was released on 1989 with total page 818 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A History of Western Musical Aesthetics by : Edward A. Lippman
Download or read book A History of Western Musical Aesthetics written by Edward A. Lippman and published by U of Nebraska Press. This book was released on 1994-01-01 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt: Among the fine arts music has always held a paramount position. "Musical training is a more potent instrument than any other, because rhythm and harmony find their way into the inward places of the soul, " wrote Plato. From the "music of the spheres" of Pythagoras to the "Future Music" of Wagner, from churches, courts, cathedrals, and concert halls to amateur recitals, military marches, and electronic records, music has commanded the perpetual attention of every civilization in history. This book follows through the centuries the debates about the place and function of music, the perceived role of music as a good or bad influence on the development of character, as a magical art or a domestic entertainment, and as a gateway to transcendental truths. Edward Lippman describes the beginnings of musical tradition in the myths and philosophies of antiquity. He shows how music theory began to take on new dimensions and intensity in the seventeenth century, how musical aesthetics was specifically defined and elaborated in the eighteenth century, and how, by the nineteenth century, music became the standard by which other arts were judged. The twentieth century added problems, pressure, and theories as music continued to diversify and as cultures viewed each other with more respect.
Book Synopsis Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries by : Peter le Huray
Download or read book Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries written by Peter le Huray and published by CUP Archive. This book was released on 1988-04-07 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is an abridged, paperback edition of Peter le Huray and James Day's invaluable anthology of writings concerned with the role of music in eighteenth- and early-nineteenth-century aesthetics. This volume retains all the most important and significant items from the original hardcover edition. Over fifty writers are represented here, including such major figures as Rousseau, Kant, Schlegel, Schopenhauer and Hegel, and the useful introductions and biographical details of the original are also retained. The aesthetic literature of the period is profuse but this carefully edited volume offers a balanced selection which illuminates the ways people experienced music and how they came to an understanding in particular of the new music of their day.
Book Synopsis Finding List for the Music Library. 1909 by : Princeton University. Library
Download or read book Finding List for the Music Library. 1909 written by Princeton University. Library and published by . This book was released on 1909 with total page 114 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Mission and Message of Music by : Michal Smoira Cohn
Download or read book The Mission and Message of Music written by Michal Smoira Cohn and published by Cambridge Scholars Publishing. This book was released on 2010-01-08 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is an English re-writing of the original Hebrew edition, published by Dvir Publishing House, in 2007, and written jointly with the late Herzl Shmueli. The book probes into the nature and quality of the beauty and meaning of music. According to the authors, these have to be found within the musical phenomena themselves and serve as the basis for the aesthetical criteria of all music. They maintain that similar to every linguistic phenomena, music is a message in sound that moves, within a certain time limit, from musician to listener. The musician on the one hand, and the listener on the other, are the two focal points between which the musical process takes place. Music is thus a covenant between the musician and the listener. One sends the musical message, the other takes it up and internalizes it; one is the initiator, the other proves the successful outcome of the artistic process. The book is intended for music connoisseurs and for all who are intersted in artistic thought, in general, and in musical thoughts in particular. Every professional concept that had to be included in the book is duly explained, so that any interested reader is able to broaden the scope of his/her outlook.
Book Synopsis Philosophy in a New Key by : Susanne K. Langer
Download or read book Philosophy in a New Key written by Susanne K. Langer and published by Harvard University Press. This book was released on 2009-07-01 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modern theories of meaning usually culminate in a critique of science. This book presents a study of human intelligence beginning with a semantic theory and leading into a critique of music. By implication it sets up a theory of all the arts; the transference of its basic concepts to other arts than music is not developed, but it is sketched, mainly in the chapter on artistic import. Thoughtful readers of the original edition discovered these far-reaching ideas quickly enough as the career of the book shows: it is as applicable to literature, art and music as to the field of philosophy itself. The topics it deals with are many: language, sacrament, myth, music, abstraction, fact, knowledge--to name only the main ones. But through them all goes the principal theme, symbolic transformation as the essential activity of human minds. This central idea, emphasizing as it does the notion of symbolism, brings Mrs. Langer's book into line with the prevailing interest in semantics. All profound issues of our age seem to center around the basic concepts of symbolism and meaning. The formative, creative, articulating power of symbols is the tonic chord which thinkers of all schools and many diverse fields are unmistakably striking; the surprising, far-reaching implications of this new fundamental conception constitute what Mrs. Langer has called "philosophy in a new key." Mrs. Langer's book brings the discussion of symbolism into a wider general use than criticism of word meaning. Her volume is vigorous, effective, and well written and will appeal to everyone interested in the contemporary problems of philosophy.
Book Synopsis B. Systematic philosophy. C. Logic. D. Aesthetics. E. Philosophy of religion. F. Ethics. G. Psychology by :
Download or read book B. Systematic philosophy. C. Logic. D. Aesthetics. E. Philosophy of religion. F. Ethics. G. Psychology written by and published by . This book was released on 1905 with total page 666 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Aesthetic Legacy of Eduard Hanslick by : Lee Rothfarb
Download or read book The Aesthetic Legacy of Eduard Hanslick written by Lee Rothfarb and published by Taylor & Francis. This book was released on 2024-11-20 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book addresses the complex conceptual, historical, and philosophical questions posed by Eduard Hanslick’s influential aesthetic treatise, On the Musically Beautiful (1854). The contributions reveal the philosophical foundations and subtleties of his aesthetic approach. The collection features original essays written by leading scholars in philosophical aesthetics and musicology. It covers many of Hanslick’s overarching themes, such as the relationship between beauty and form, between music and emotion, and the role of imagination and performance in music, which have recently gained prominence in Hanslick scholarship. The chapters, divided into five thematic sections, will provide a better scholarly foundation for a deeper understanding of On the Musically Beautiful and its arguments. In bringing together the various approaches and accounts of the different textual, historical, conceptual, and philosophical challenges posed by Hanslick’s aesthetics, The Aesthetic Legacy of Eduard Hanslick will appeal to philosophers of music, historians of aesthetics, musicologists specializing in 19th-century studies, and music theorists working on aesthetic issues.
Book Synopsis Brahms and His World by : Walter Frisch
Download or read book Brahms and His World written by Walter Frisch and published by Princeton University Press. This book was released on 2009-07-06 with total page 479 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since its first publication in 1990, Brahms and His World has become a key text for listeners, performers, and scholars interested in the life, work, and times of one of the nineteenth century's most celebrated composers. In this substantially revised and enlarged edition, the editors remain close to the vision behind the original book while updating its contents to reflect new perspectives on Brahms that have developed over the past two decades. To this end, the original essays by leading experts are retained and revised, and supplemented by contributions from a new generation of Brahms scholars. Together, they consider such topics as Brahms's relationship with Clara and Robert Schumann, his musical interactions with the "New German School" of Wagner and Liszt, his influence upon Arnold Schoenberg and other young composers, his approach to performing his own music, and his productive interactions with visual artists. The essays are complemented by a new selection of criticism and analyses of Brahms's works published by the composer's contemporaries, documenting the ways in which Brahms's music was understood by nineteenth- and early twentieth-century audiences in Europe and North America. A new selection of memoirs by Brahms's friends, students, and early admirers provides intimate glimpses into the composer's working methods and personality. And a catalog of the music, literature, and visual arts dedicated to Brahms documents the breadth of influence exerted by the composer upon his contemporaries.
Book Synopsis Music Theory in the Age of Romanticism by : Ian Bent
Download or read book Music Theory in the Age of Romanticism written by Ian Bent and published by Cambridge University Press. This book was released on 1996-08-28 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twelve brilliant historians of theory probe the mind of the Romantic era in its thinking about music.
Book Synopsis Music in European Thought 1851-1912 by : Bojan Bujic
Download or read book Music in European Thought 1851-1912 written by Bojan Bujic and published by Cambridge University Press. This book was released on 1988 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume, in the series Cambridge Readings in the Literature of Music, is an anthology of original German, French and English writings from the period 1851-1912. Throughout the second half of the nineteenth century music continued to be a subject to which philosophers, psychologists, scientists and critics repeatedly addressed themselves. Some of the philosophical approaches followed the tradition of the German speculative philosophy of the late eighteenth and early nineteenth centuries. Elsewhere the new 'scientific' climate of the nineteenth century left its mark on the work of scientists and psychologists interested in the impact of acoustical stimuli on the human mind or in the role of music and song in the prehistory of mankind.
Download or read book Absolute Music written by Mark Evan Bonds and published by Oxford University Press. This book was released on 2014-05-09 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is music, and why does it move us? From Pythagoras to the present, writers have struggled to isolate the essence of "pure" or "absolute" music in ways that also account for its profound effect. In Absolute Music: The History of an Idea, Mark Evan Bonds traces the history of these efforts across more than two millennia, paying special attention to the relationship between music's essence and its qualities of form, expression, beauty, autonomy, as well as its perceived capacity to disclose philosophical truths. The core of this book focuses on the period between 1850 and 1945. Although the idea of pure music is as old as antiquity, the term "absolute music" is itself relatively recent. It was Richard Wagner who coined the term, in 1846, and he used it as a pejorative in his efforts to expose the limitations of purely instrumental music. For Wagner, music that was "absolute" was isolated, detached from the world, sterile. His contemporary, the Viennese critic Eduard Hanslick, embraced this quality of isolation as a guarantor of purity. Only pure, absolute music, he argued, could realize the highest potential of the art. Bonds reveals how and why perceptions of absolute music changed so radically between the 1850s and 1920s. When it first appeared, "absolute music" was a new term applied to old music, but by the early decades of the twentieth century, it had become-paradoxically--an old term associated with the new music of modernists like Schoenberg and Stravinsky. Bonds argues that the key developments in this shift lay not in discourse about music but rather the visual arts. The growing prestige of abstraction and form in painting at the turn of the twentieth century-line and color, as opposed to object-helped move the idea of purely abstract, absolute music to the cutting edge of musical modernism. By carefully tracing the evolution of absolute music from Ancient Greece through the Middle Ages to the twentieth-century, Bonds not only provides the first comprehensive history of this pivotal concept but also provokes new thoughts on the essence of music and how essence has been used to explain music's effect. A long awaited book from one of the most respected senior scholars in the field, Absolute Music will be essential reading for anyone interested in the history, theory, and aesthetics of music.
Book Synopsis Recognizing Music as an Art Form by : Barbara Titus
Download or read book Recognizing Music as an Art Form written by Barbara Titus and published by Leuven University Press. This book was released on 2016-03-21 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: The impact of Hegelian philosophy on 19th-century music criticism Music’s status as an art form was distrusted in the context of German idealist philosophy which exerted an unparalleled influence on the entire nineteenth century. Hegel insisted that the content of a work of art should be grasped in concepts in order to establish its spiritual substantiality (Geistigkeit), and that no object, word or image could accurately represent the content and meaning of a musical work. In the mid-nineteenth century, Friedrich Theodor Vischer and other Hegelian aestheticians kept insisting on art's conceptual clarity, but they adapted the aesthetic system on which this requirement had been based. Their adaptations turned out to be decisive for the development of music criticism, to such an extent that music critics used them to point out musical content and to confirm music’s autonomy as an art form. This book unravels the network of music critics and philosophers, including not only Hegel but also Franz Liszt, Franz Brendel, and Eduard Hanslick, whose works shaped public opinions of music.
Book Synopsis Johannes Brahms, Free But Alone by : Constantin Floros
Download or read book Johannes Brahms, Free But Alone written by Constantin Floros and published by Peter Lang. This book was released on 2010 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Johannes Brahms was until now widely regarded as the archetype of the «absolute musician». Based on new research, the study shows how close autobiographic and poetic elements are in fact linked to his oeuvre. Like Robert Schumann, Brahms subscribed to an aesthetic of «poetic» music. In many of his compositions he got his inspiration from personal experiences, poems or images, as is shown by hitherto unpublished documents, letters, and diary entries, as well as from close analyses of individual works. Brahms's personality, too, is seen in a new way. He adopted Joseph Joachim's motto «Frei, aber einsam», «Free but Alone». The tonal code F - A - E, the musical symbol of this, recurs frequently in his works. Not least, the English version of the book, originally published in German in 1997, includes four additional chapters that investigate novel aspects by dealing in detail with the First Symphony, the German Requiem, Nänie and the Four Serious Songs. The American Brahms Society stressed the importance of the study for all those who want to come to know the unknown Brahms.
Book Synopsis The Encyclopaedia Britannica: Mun to Pay by :
Download or read book The Encyclopaedia Britannica: Mun to Pay written by and published by . This book was released on 1911 with total page 1054 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Encyclopaedia Britannica written by and published by . This book was released on 1911 with total page 1070 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Encyclopaedia Britannica by : Hugh Chisholm
Download or read book The Encyclopaedia Britannica written by Hugh Chisholm and published by . This book was released on 1911 with total page 1058 pages. Available in PDF, EPUB and Kindle. Book excerpt: This eleventh edition was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time and it is considered to be a landmark encyclopaedia for scholarship and literary style.