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Musical Uproar In Moscow
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Book Synopsis Such Freedom, If Only Musical by : Peter J Schmelz
Download or read book Such Freedom, If Only Musical written by Peter J Schmelz and published by OUP USA. This book was released on 2009-03-04 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following Stalin's death in 1953, students at Soviet conservatories were able to use various channels to acquire and hear music that had previously been forbidden. This book traces the changing compositional styles and politically charged reception of the music.
Book Synopsis Twentieth-Century Music and Politics by : Pauline Fairclough
Download or read book Twentieth-Century Music and Politics written by Pauline Fairclough and published by Routledge. This book was released on 2016-02-17 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: When considering the role music played in the major totalitarian regimes of the century it is music's usefulness as propaganda that leaps first to mind. But as a number of the chapters in this volume demonstrate, there is a complex relationship both between art music and politicised mass culture, and between entertainment and propaganda. Nationality, self/other, power and ideology are the dominant themes of this book, whilst key topics include: music in totalitarian regimes; music as propaganda; music and national identity; émigré communities and composers; music's role in shaping identities of 'self' and 'other' and music as both resistance to and instrument of oppression. Taking the contributions together it becomes clear that shared experiences such as war, dictatorship, colonialism, exile and emigration produced different, yet clearly inter-related musical consequences.
Book Synopsis Recomposing German Music by : Elizabeth Janik
Download or read book Recomposing German Music written by Elizabeth Janik and published by BRILL. This book was released on 2005 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a social history of musical life in Berlin; it investigates the tangled relationship between music and politics in 20th-century Germany, emphasizing the division of Berlin's musical community between east and west in the early Cold War era.
Download or read book Whose Music? written by and published by Transaction Publishers. This book was released on with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whose Music? combines historical, musicological, and sociological materials and styles of analysis in ways that connect to the field of sociology. The analyses of social class systems presented here speak in translatable ways to analyses of musical forms. Not only that, both are connected to an understanding of the organizations through which works are distributed to their audiences. Perhaps most importantly for the contemporary reader, this book depicts the part of the process by which dominant class groups justify their domination--cultural and otherwise.
Book Synopsis The International Cyclopedia of Music and Musicians by : Oscar Thompson
Download or read book The International Cyclopedia of Music and Musicians written by Oscar Thompson and published by . This book was released on 1975 with total page 2506 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Lutoslawski and His Music by : Steven Stucky
Download or read book Lutoslawski and His Music written by Steven Stucky and published by Cambridge University Press. This book was released on 1981-06-11 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: The composer Witold Lutostawski (born 1913) is one of the outstanding musical personalities of the twentieth century. In this critical biography Steven Stucky traces Lutostawski's development from the Stravinsky-influenced music of his student days to his emergence in the 1960s as a leading avant-gardist. Since the vicissitudes of cultural life in his native Poland have profoundly affected the composer's career, the book includes detailed accounts of Lutostawski's official censure for 'formalism' in the late 1940s and the leading role he later played in a flourishing Polish modernist movement. Both well-known works, such as the Concerto for Orchestra, Trois poemes d'Henri Michaux and the Second Symphony, and the lesser-known early music are considered in detail. Fragments of many compositions never before published in the West are included. There are also analytical summaries of each major work from Jeux véitiens (1961) to Mi-parti (1976).
Book Synopsis Music Divided by : Danielle Fosler-Lussier
Download or read book Music Divided written by Danielle Fosler-Lussier and published by Univ of California Press. This book was released on 2007-05-24 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music Divided explores how political pressures affected musical life on both sides of the iron curtain during the early years of the cold war. In this groundbreaking study, Danielle Fosler-Lussier illuminates the pervasive political anxieties of the day through particular attention to artistic, music-theoretical, and propagandistic responses to the music of Hungary’s most renowned twentieth-century composer, Béla Bartók. She shows how a tense period of political transition plagued Bartók’s music and imperiled those who took a stand on its aesthetic value in the emerging socialist state. Her fascinating investigation of Bartók’s reception outside of Hungary demonstrates that Western composers, too, formulated their ideas about musical style under the influence of ever-escalating cold war tensions. Music Divided surveys Bartók’s role in provoking negative reactions to “accessible” music from Pierre Boulez, Hermann Scherchen, and Theodor Adorno. It considers Bartók’s influence on the youthful compositions and thinking of Bruno Maderna and Karlheinz Stockhausen, and it outlines Bartók’s legacy in the music of the Hungarian composers András Mihály, Ferenc Szabó, and Endre Szervánszky. These details reveal the impact of local and international politics on the selection of music for concert and radio programs, on composers’ choices about musical style, on government radio propaganda about music, on the development of socialist realism, and on the use of modernism as an instrument of political action.
Book Synopsis Classics for the Masses by : Pauline Fairclough
Download or read book Classics for the Masses written by Pauline Fairclough and published by Yale University Press. This book was released on 2016-05-28 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musicologist Pauline Fairclough explores the evolving role of music in shaping the cultural identity of the Soviet Union in a revelatory work that counters certain hitherto accepted views of an unbending, unchanging state policy of repression, censorship, and dissonance that existed in all areas of Soviet artistic endeavor. Newly opened archives from the Leninist and Stalinist eras have shed new light on Soviet concert life, demonstrating how the music of the past was used to help mold and deliver cultural policy, how “undesirable” repertoire was weeded out during the 1920s, and how Russian and non-Russian composers such as Mozart, Tchaikovsky, Wagner, Bach, and Rachmaninov were “canonized” during different, distinct periods in Stalinist culture. Fairclough’s fascinating study of the ever-shifting Soviet musical-political landscape identifies 1937 as the start of a cultural Cold War, rather than occurring post-World War Two, as is often maintained, while documenting the efforts of musicians and bureaucrats during this period to keep musical channels open between Russia and the West.
Book Synopsis Music in the Late Twentieth Century by : Richard Taruskin
Download or read book Music in the Late Twentieth Century written by Richard Taruskin and published by Oxford University Press. This book was released on 2006-08-14 with total page 609 pages. Available in PDF, EPUB and Kindle. Book excerpt: The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Late Twentieth Century is the final installment of the set, covering the years from the end of World War II to the present. In these pages, Taruskin illuminates the great compositions of recent times, offering insightful analyses of works by Aaron Copland, John Cage, Milton Babbitt, Benjamin Britten, Steve Reich, and Philip Glass, among many others. He also looks at the impact of electronic music and computers, the rise of pop music and rock 'n' roll, the advent of postmodernism, and the contemporary music of Laurie Anderson, John Zorn, and John Adams. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.
Book Synopsis Sergey Prokofiev and His World by : Simon Morrison
Download or read book Sergey Prokofiev and His World written by Simon Morrison and published by Princeton University Press. This book was released on 2018-06-26 with total page 595 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sergey Prokofiev (1891-1953), arguably the most popular composer of the twentieth century, led a life of triumph and tragedy. The story of his prodigious childhood in tsarist Russia, maturation in the West, and rise and fall as a Stalinist-era composer is filled with unresolved questions. Sergey Prokofiev and His World probes beneath the surface of his career and contextualizes his contributions to music on both sides of the nascent Cold War divide. The book contains previously unknown documents from the Russian State Archive of Literature and Art in Moscow and the Prokofiev Estate in Paris. The literary notebook of the composer's mother, Mariya Grigoryevna, illuminates her involvement in his education and is translated in full, as are ninety-eight letters between the composer and his business partner, Levon Atovmyan. The collection also includes a translation of Sigizmund Krzhizhanovsky's unperformed stage adaptation of Eugene Onegin, for which Prokofiev composed incidental music in 1936. The essays in the book range in focus from musical sketches to Kremlin decrees. The contributors explore Prokofiev's time in America; evaluate his working methods in the mid-1930s; document the creation of his score for the film Lieutenant Kizhe; tackle how and why Prokofiev rewrote his 1930 Fourth Symphony in 1947; detail his immortalization by Soviet bureaucrats, composers, and scholars; and examine Prokofiev's interest in Christian Science and the paths it opened for his music. The contributors are Mark Aranovsky, Kevin Bartig, Elizabeth Bergman, Leon Botstein, Pamela Davidson, Caryl Emerson, Marina Frolova-Walker, Nelly Kravetz, Leonid Maximenkov, Stephen Press, and Peter Schmelz.
Book Synopsis Music after Hitler, 1945-1955 by : Toby Thacker
Download or read book Music after Hitler, 1945-1955 written by Toby Thacker and published by Routledge. This book was released on 2017-07-05 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: The political control of music in the Third Reich has been analysed from several perspectives, and with ever increasing sophistication. However, music in Germany after 1945 has not received anything like the same treatment. Rather, there is an assumption that two separate musical cultures emerged in East and West alongside the division of Germany into two states with differing economic and political systems. There is a widely accepted view of music in West Germany as 'free', and in the East subject to party control. Toby Thacker challenges these assumptions, asking how and why music was controlled in Germany under Allied Occupation from 1945-1949, and in the early years of 'semi-sovereignty' between 1949 and 1955. The 're-education' of Germany after the Hitler years was a unique historical experiment and the place of music within this is explored here for the first time. While emphasizing political, economic and broader social structures that influenced the production and reception of different musical forms, the book is informed by a sense of human agency, and explores the role of salient individuals in the reconstruction of music in post-war Germany. The focus is not restricted to any one kind of music, but concentrates on those aspects of music, professional and amateur, live and recorded, which appeared to be the mostly highly charged politically to contemporaries. Particular attention is given to 'denazification' and to the introduction of international music. Thacker traces the development of a divide between Communist and liberal-democratic understandings of the place of music in society. The contested celebrations of the Bach Year in 1950 are used to highlight the role of music in the broader cultural confrontation between East and West. Thacker examines the ways in which central governments in East and West Germany sought to control and influence music through mechanisms of censorship and positive support. The book will therefore be of interest not only
Book Synopsis Music on the Frontline by : Ian Wellens
Download or read book Music on the Frontline written by Ian Wellens and published by Routledge. This book was released on 2017-07-05 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt: The story of Nicolas Nabokov's involvement with the CIA-funded Congress for Cultural Freedom (CCF) is a story of the politics and sociology of culture; how music was used for political ends and how intellectual groups formed and functioned during the Cold War. The seemingly independent CCF, established to counteract apparent Soviet successes in the fields of the arts and intellectual life, appointed Nabokov (a Russian emigre and minor composer) as its Secretary General in 1951.Over the next ten years he gave music a high profile in the work of the organisation, producing four international musical festivals, the first and most ambitious of which was 1952's L'Oeuvre du XXe siècle in Paris, an event which showcased the work of no less than 62 composers. As Ian Wellens reveals, Nabokov's musical involvement with the CCF was in fact a struggle on two fronts.Apparently a defence of Western modernism against 'backward', 'provincial' Soviet music, Nabokov's writings show this to have meshed closely with the domestic concern- shared by many intellectuals -that high culture was being undermined by an increasingly culturally aware middle class. His attacks on Soviet cultural policy, and his unflattering assessments of Shostakovich, are seen to be not merely salvos in the cold war but part of a broader campaign aimed at securing the authority and prestige of intellectuals.
Book Synopsis Music Under the Soviets by : Andrey Olkhovsky
Download or read book Music Under the Soviets written by Andrey Olkhovsky and published by Taylor & Francis. This book was released on 2024-11-26 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music Under the Soviets (1955) examines the concept of Soviet music, its special characteristics and its differences from the musical tradition of the West. As the musical practice under the Soviet totalitarian dictatorship, it should be viewed as the musical policy of that regime, a policy which aims at the ‘reconstruction’ of not only the historically developed musical forms but the essence of music itself as artistic creation. It was during the years of Stalin that Soviet music acquired its peculiar features, developed its most characteristic distinguishing marks, and determined the paths of its evolution.
Book Synopsis Polish Music since Szymanowski by : Adrian Thomas
Download or read book Polish Music since Szymanowski written by Adrian Thomas and published by Cambridge University Press. This book was released on 2008-02-01 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book looks at Polish music since 1937 and its interaction with political and cultural turmoil. In Part I musical developments are placed in the context of the socio-political upheavals of inter-war Poland, Nazi occupation, and the rise and fall of the Stalinist policy of socialist realism (1948–54). Part II investigates the nature of the 'thaw' between 1954 and 1959, focusing on the role of the 'Warsaw Autumn' Festival. Part III discusses how composers reacted to the onset of serialism by establishing increasingly individual voices in the 1960s. In addition to a discussion of 'sonorism' (from Penderecki to Szalonek), it considers how different generations responded to the modernist aesthetic (Bacewicz and Lutoslawski, Baird and Serocki, Górecki and Krauze). Part IV views Polish music since the 1970s, including the issue of national identity and the arrival of a talented generation and its ironic, postmodern slant on the past.
Book Synopsis Russian Formalism by : Victor Erlich
Download or read book Russian Formalism written by Victor Erlich and published by Walter de Gruyter. This book was released on 2012-02-13 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Oxford History of Western Music by : Richard Taruskin
Download or read book Oxford History of Western Music written by Richard Taruskin and published by Oxford University Press. This book was released on 2009-07-27 with total page 6390 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford History of Western Music is a magisterial survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time. This text illuminates, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age. Taking a critical perspective, this text sets the details of music, the chronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. Written by an authoritative, opinionated, and controversial figure in musicology, The Oxford History of Western Music provides a critical aesthetic position with respect to individual works, a context in which each composition may be evaluated and remembered. Taruskin combines an emphasis on structure and form with a discussion of relevant theoretical concepts in each age, to illustrate how the music itself works, and how contemporaries heard and understood it. It also describes how the c
Book Synopsis The Split in Stalin's Secretariat, 1939-1948 by : Jonathan Harris
Download or read book The Split in Stalin's Secretariat, 1939-1948 written by Jonathan Harris and published by Lexington Books. This book was released on 1955-01-01 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jonathan Harris demonstrates that the leaders of Stalin's Secretariat clashed sharply over the nature of the Communist party's 'leadership' of the Soviet state in the period between 1939 and 1948. The term 'party leadership' is generally misunderstood; it does not refer to the activities of the party as a whole, but to the efforts of its full time officials (the 'inner party') to direct the activities of the members of the party who manned the Soviet state (the 'outer party'). This study argues that A. Zhdanov and G. Malenkov, the two junior Secretaries of the CC/VKP(B) who directed the two major bureaucratic divisions of the Secretariat for most of the period under review, supported diametrically opposed conceptions of the leadership to be provided by the party's officials. A. Zhdanov argued that they should give priority to the ideological education of all members of the party and should allow the Communists who manned the state considerable autonomy in their administration of the five-year plans. In direct contrast, G. Malenkov, who directed the cadres directorate for most of the period under review, had little sympathy for ideological education and urged party officials to engage in close and detailed direction of the Communists who directly administered the five-year plans. This study contends that it is possible to illustrate this never-ending conflict by a careful examination of the public discussion of this issue in the various publications controlled by the major divisions of the Secretariat. When examined in conjunction with recently published archival materials, it is possible to pinpoint the linkages between the leadership conflict within the Secretariat, the shifts in the ongoing public discussion, and Stalin's role as the final arbiter in the dispute.
