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Author : Edward A. Lippman
Publisher :
ISBN 13 : 9780918728418
Total Pages : pages
Book Rating : 4.7/5 (284 download)
Download or read book Musical Aesthetics written by Edward A. Lippman and published by . This book was released on 1986 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Carl Dahlhaus
Publisher : Univ of California Press
ISBN 13 : 9780520076440
Total Pages : 432 pages
Book Rating : 4.0/5 (764 download)
Download or read book Nineteenth-Century Music written by Carl Dahlhaus and published by Univ of California Press. This book was released on 1989 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: This magnificent survey of the most popular period in music history is an extended essay embracing music, aesthetics, social history, and politics, by one of the keenest minds writing on music in the world today. Dahlhaus organizes his book around "watershed" years--for example, 1830, the year of the July Revolution in France, and around which coalesce the "demise of the age of art" proclaimed by Heine, the musical consequences of the deaths of Beethoven and Schubert, the simultaneous and dramatic appearance of Chopin and Liszt, Berlioz and Meyerbeer, and Schumann and Mendelssohn. But he keeps us constantly on guard against generalization and clich . Cherished concepts like Romanticism, tradition, nationalism vs. universality, the musical culture of the bourgeoisie, are put to pointed reevaluation. Always demonstrating the interest in socio-historical influences that is the hallmark of his work, Dahlhaus reminds us of the contradictions, interrelationships, psychological nuances, and riches of musical character and musical life. Nineteenth-Century Music contains 90 illustrations, the collected captions of which come close to providing a summary of the work and the author's methods. Technical language is kept to a minimum, but while remaining accessible, Dahlhaus challenges, braces, and excites. This is a landmark study that no one seriously interested in music and nineteenth-century European culture will be able to ignore.
Author : Carl Dahlhaus
Publisher : Cambridge University Press
ISBN 13 : 9780521280075
Total Pages : 132 pages
Book Rating : 4.2/5 (8 download)
Download or read book Esthetics of Music written by Carl Dahlhaus and published by Cambridge University Press. This book was released on 1982-02-25 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: An account of developments in the aesthetics of music from the mid-eighteenth century onwards.
Author : Peter le Huray
Publisher : CUP Archive
ISBN 13 : 9780521359016
Total Pages : 420 pages
Book Rating : 4.3/5 (59 download)
Download or read book Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries written by Peter le Huray and published by CUP Archive. This book was released on 1988-04-07 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is an abridged, paperback edition of Peter le Huray and James Day's invaluable anthology of writings concerned with the role of music in eighteenth- and early-nineteenth-century aesthetics. This volume retains all the most important and significant items from the original hardcover edition. Over fifty writers are represented here, including such major figures as Rousseau, Kant, Schlegel, Schopenhauer and Hegel, and the useful introductions and biographical details of the original are also retained. The aesthetic literature of the period is profuse but this carefully edited volume offers a balanced selection which illuminates the ways people experienced music and how they came to an understanding in particular of the new music of their day.
Author : Edward A. Lippman
Publisher : U of Nebraska Press
ISBN 13 : 9780803279513
Total Pages : 564 pages
Book Rating : 4.2/5 (795 download)
Download or read book A History of Western Musical Aesthetics written by Edward A. Lippman and published by U of Nebraska Press. This book was released on 1994-01-01 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt: Among the fine arts music has always held a paramount position. "Musical training is a more potent instrument than any other, because rhythm and harmony find their way into the inward places of the soul, " wrote Plato. From the "music of the spheres" of Pythagoras to the "Future Music" of Wagner, from churches, courts, cathedrals, and concert halls to amateur recitals, military marches, and electronic records, music has commanded the perpetual attention of every civilization in history. This book follows through the centuries the debates about the place and function of music, the perceived role of music as a good or bad influence on the development of character, as a magical art or a domestic entertainment, and as a gateway to transcendental truths. Edward Lippman describes the beginnings of musical tradition in the myths and philosophies of antiquity. He shows how music theory began to take on new dimensions and intensity in the seventeenth century, how musical aesthetics was specifically defined and elaborated in the eighteenth century, and how, by the nineteenth century, music became the standard by which other arts were judged. The twentieth century added problems, pressure, and theories as music continued to diversify and as cultures viewed each other with more respect.
Author : Anja Bunzel
Publisher :
ISBN 13 : 9781783273904
Total Pages : 0 pages
Book Rating : 4.2/5 (739 download)
Download or read book Musical Salon Culture in the Long Nineteenth Century written by Anja Bunzel and published by . This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book reconsiders the significance of the salon as a social and cultural phenomenon and as a source of artistic innovation and exchange in the long nineteenth century. This collection explores the idea of music in the salon during the long nineteenth century, both as a socio-cultural phenomenon, and as a source of artistic innovation and exchange. Drawing on a wide range of scholarly approaches, this book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers fresh considerations of familiar salons in large cultural centres, as well as insights into lesser-known salons in both Europe and the United States. Bringing together an international group of scholars, the collection underscores the enduring impact of the European musical salon. ANJA BUNZEL holds a research position at the Czech Academy of Sciences. She gained her PhD in Musicology from Maynooth University and has published on Johanna Kinkel and nineteenth-century salon culture in both English and German. NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music, London. Her publications include Brahms in the Home and the Concert Hall (Cambridge, 2014) and Brahms and his Poets (Boydell Press, 2017). She is a pianist, broadcaster and critic. Contributors: Maren Bagge, PéterBozó, Anja Bunzel, Katie A. Callam, Beatrix Darmstädter, Mary Anne Garnett, Harald Krebs, Clemens Kreutzfeldt, Veronika Kusz, Natasha Loges, Jennifer Ronyak, Kirsten Santos Rutschman, R. Larry Todd, Katharina Uhde, Michael Uhde, Harry White, Petra Wilhelmy-Dollinger, Susan Youens
Author : Abigail Chantler
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 9780754607069
Total Pages : 222 pages
Book Rating : 4.6/5 (7 download)
Download or read book E.T.A. Hoffmann's Musical Aesthetics written by Abigail Chantler and published by Ashgate Publishing, Ltd.. This book was released on 2006 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whilst E.T.A. Hoffmann (1776-1822) is most widely known as the author of fantastic tales, he was also prolific as a music critic, productive as a composer, and active as a conductor. This book examines Hoffmann's aesthetic thought within the broader context of the history of ideas of the late-18th and early-19th centuries, and explores the relationship between his musical aesthetics and compositional practice. The first three chapters consider his ideas about creativity and aesthetic appreciation in relation to the thought of other German romantic theorists, discussing the central tenets of his musical aesthetic - the idea of a 'religion of art', of the composer as a 'genius', and the listener as a 'passive genius'. In particular the relationship between the multifaceted thought of Hoffmann and Friedrich Schleiermacher is explored, providing some insight into the way in which diverse intellectual traditions converged in early-19th-century Germany.
Author : Alexander Rehding
Publisher : Oxford University Press
ISBN 13 : 0199888892
Total Pages : 522 pages
Book Rating : 4.1/5 (998 download)
Download or read book Music and Monumentality written by Alexander Rehding and published by Oxford University Press. This book was released on 2009-08-19 with total page 522 pages. Available in PDF, EPUB and Kindle. Book excerpt: This critical study locates musical monumentality, a central property of the nineteenth-century German repertoire, at the intersections of aesthetics and memory. In examples including Beethoven, Liszt, Wagner and Bruckner, Rehding explores how monumentality contributes to an experiential music history and how it conveys the sublime to the listening public.
Author : Holly Watkins
Publisher : University of Chicago Press
ISBN 13 : 022659470X
Total Pages : 207 pages
Book Rating : 4.2/5 (265 download)
Download or read book Musical Vitalities written by Holly Watkins and published by University of Chicago Press. This book was released on 2018-11-21 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: Does it make sense to refer to bird song—a complex vocalization, full of repetitive and transformative patterns that are carefully calculated to woo a mate—as art? What about a pack of wolves howling in unison or the cacophony made by an entire rain forest? Redefining music as “the art of possibly animate things,” Musical Vitalities charts a new path for music studies that blends musicological methods with perspectives drawn from the life sciences. In opposition to humanist approaches that insist on a separation between culture and nature—approaches that appear increasingly untenable in an era defined by human-generated climate change—Musical Vitalities treats music as one example of the cultural practices and biotic arts of the animal kingdom rather than as a phenomenon categorically distinct from nonhuman forms of sonic expression. The book challenges the human exceptionalism that has allowed musicologists to overlook music’s structural resemblances to the songs of nonhuman species, the intricacies of music’s physiological impact on listeners, and the many analogues between music’s formal processes and those of the dynamic natural world. Through close readings of Austro-German music and aesthetic writings that suggest wide-ranging analogies between music and nature, Musical Vitalities seeks to both rekindle the critical potential of nineteenth-century music and rejoin the humans at the center of the humanities with the nonhumans whose evolutionary endowments and planetary fates they share.
Author : Paul Watt
Publisher : Oxford University Press
ISBN 13 : 0190616938
Total Pages : 752 pages
Book Rating : 4.1/5 (96 download)
Download or read book The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century written by Paul Watt and published by Oxford University Press. This book was released on 2020-03-02 with total page 752 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines of its music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges Western music history's traditionally sole focus on musical work by treating writings about music as valuable cultural artifacts in themselves. Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.
Author : Carl Dahlhaus
Publisher : Univ of California Press
ISBN 13 : 0520341880
Total Pages : 135 pages
Book Rating : 4.5/5 (23 download)
Download or read book Between Romanticism and Modernism written by Carl Dahlhaus and published by Univ of California Press. This book was released on 2023-11-10 with total page 135 pages. Available in PDF, EPUB and Kindle. Book excerpt: Carl Dahlhaus here treats Nietzsche's youthful analysis of the contradictions in Wagner's doctrine (and, more generally, in romantic musical aesthetics); the question of periodicization in romantic and neo-romantic music; the underlying kinship between Brahms's and Wagner's responses to the central musical problems of their time; and the true significance of musical nationalism. Included in this volume is Walter Kauffman's translation of the previously unpublished fragment, "On Music and Words," by the young Nietzsche.
Author : Marsha Morton
Publisher : Routledge
ISBN 13 : 1135672709
Total Pages : 250 pages
Book Rating : 4.1/5 (356 download)
Download or read book The Arts Entwined written by Marsha Morton and published by Routledge. This book was released on 2013-10-11 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays by musicologists and art historians explores the reciprocal influences between music and painting during the nineteenth century, a critical period of gestation when instrumental music was identified as the paradigmatic expressive art and theoretically aligned with painting in the formulation ut pictura musica (as with music, so with painting). Under music's influence, painting approached the threshold of abstraction; concurrently many composers cultivated pictorial effects in their music. Individual essays address such themes as visualization in music, the literary vs. pictorial basis of the symphonic poem, musical pictorialism in painting and lithography, and the influence of Wagner on the visual arts. In these and other ways, both composers and painters actively participated in interarts discourses in seeking to redefine the very identity and aims of their art. Also includes 17 musical examples.
Author : Edward A. Lippman
Publisher : Pendragon Press
ISBN 13 : 9780918728906
Total Pages : 496 pages
Book Rating : 4.7/5 (289 download)
Download or read book Musical Aesthetics: The nineteenth century written by Edward A. Lippman and published by Pendragon Press. This book was released on 1986 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: The second volume of this anthology of musical aesthetics proceeds from the rational, common-sense examination of the 18th-century artistic experience to the realm of 19th-century expressiveness. The rational foundation of aesthetics gave way to an emphasis on an art form's strength of feeling and expressive power, a purity of the creation and the creator. No longer confined to a restricted sense of beauty, music admitted the violent, the enormous and the ugly into its sphere of emotion, now the era of romanticism and Sturm und Drang. These developments are here detailed in the writings of Wackenroder, Herder, Thibaut, Schelling, Hegel, Schopenhauer, Kirkegaard, Wagner, Hanslick, Ambros, Nietzsche, Spencer, Gurney, and Haussegger. Through them we see the classical province of proportion, educated taste and contained expressiveness recede, and the emotional realism of music come to the fore.
Author : Carlo Caballero
Publisher : Cambridge University Press
ISBN 13 : 9780521543989
Total Pages : 352 pages
Book Rating : 4.5/5 (439 download)
Download or read book Fauré and French Musical Aesthetics written by Carlo Caballero and published by Cambridge University Press. This book was released on 2004-03-11 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: A wide-ranging study of Fauré and his contemporaries.
Author : Susan Bernstein
Publisher : Stanford University Press
ISBN 13 : 9780804735056
Total Pages : 260 pages
Book Rating : 4.7/5 (35 download)
Download or read book Virtuosity of the Nineteenth Century written by Susan Bernstein and published by Stanford University Press. This book was released on 1998 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of the reflexive relationship between music and language in the nineteenth century, this book maintains a discrete historical focus while drawing upon an aesthetic going back to problems of epic delivery in ancient Greece. Reading Romantic reactions to music together with linguistic and economic conflicts brought about by the rise of journalism, the book pursues the tension around performativity that both connects and separates music and writing. Franz Liszt is the organizing figure in this detailed study of music in Heine and Baudelaire. The acclaimed virtuoso functions both as a metaphor for a musical mode of enunciation and as a historical referent. This dual status dramatizes the struggle at the heart of nineteenth-century aesthetics between poetic self-reference and realism’s efforts to report the world accurately. Debates surrounding Liszt pinpoint the conflict between the view that locates sense in the process of its production and the contrary judgment privileging a stable meaning over the exteriority of its execution. This dualism also articulates the problematic relationship of the individual to general social and linguistic structures. The book’s analyses of nineteenth-century theories of correspondence, along with the thematization of the “other arts,” point to the limitations of analogy, the impossibility of a general theory of art, and a crisis of identity—that is, a shared non-identity—that can be the only common property among different discourses, genres, and media. Virtuosity of the Nineteenth Century offers a fresh reading of relatively marginal texts by canonical figures, addressing questions about the relation between the arts, the possibility of critical description, and the function of performativity.
Author : Jon W. Finson
Publisher : Upper Saddle River, N.J. : Prentice Hall
ISBN 13 :
Total Pages : 348 pages
Book Rating : 4.F/5 ( download)
Download or read book Nineteenth-century Music written by Jon W. Finson and published by Upper Saddle River, N.J. : Prentice Hall. This book was released on 2002 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: This up-to-date view of nineteenth-century classical music places a strong emphasis on the history of opera and on schematic representations of musical structure and form. The book presents a highly concise survey of nineteenth-century music tailored for the increasingly limited amount of time available to readers for the study of any one period, and focuses specifically on the central repertory heard today in the concert hall and at the opera house. The volume provides an overview and background information on nineteenth-century music including the Viennese ascendancy, musical drama in the first part of the nineteenth century, the styling of the avant-garde, operatic development from mid century, the life of the concert hall after mid century, the diversity of nationalism and the new language at century's end. For musicians and music lovers interested in an introduction to classical music.
Author : Carl Dahlhaus
Publisher : CUP Archive
ISBN 13 : 9780521261159
Total Pages : 152 pages
Book Rating : 4.2/5 (611 download)
Download or read book Realism in Nineteenth-Century Music written by Carl Dahlhaus and published by CUP Archive. This book was released on 1985-06-13 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: The music of the nineteenth century was - and still is - thought of as a 'romantic' art, whereas the main current of the literature and fine arts of the age was 'realist' from about 1830. Yet some works are consistently described as 'realistic': Nusorgsky's Boris and Bizet's Carmen are only the most frequently cited examples. Professor Dahlhaus sets out the criteria of realism, with particular reference to French and German theorists and examines the extent to which they apply to music too. While his findings do not reverse the verdict that the music of the age was in general romantic, he demonstrates that musical realism consists in much more than imitation of natural sounds or tone-painting. The notes are revised here for the English-speaking reader.
