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Music Travel And Imperial Encounter In 19th Century France
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Book Synopsis Music, Travel, and Imperial Encounter in 19th-Century France by : Ruth Rosenberg
Download or read book Music, Travel, and Imperial Encounter in 19th-Century France written by Ruth Rosenberg and published by Routledge. This book was released on 2014-09-19 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book considers the activities and writings of early song collectors and proto-ethnomusicologists, memoirists, and other "musical travelers" in 19th-century France. Each of the book’s discrete but interrelated chapters is devoted to a different geographic and discursive site of empire, examining French representations of musical encounters in North America, the Middle East, as well as in contested areas within the borders of metropolitan France. Rosenberg highlights intersections between an emergent ethnographie musicale in France and narratives of musical encounter found in French travel literature, connecting both phenomena to France’s imperial aspirations and nationalist anxieties in the period from the Revolution to the late-nineteenth century. It is therefore an excellent research tool for scholars in the fields of ethnomusicology, musicology, cultural studies, literary history, and postcolonial studies.
Book Synopsis Music, Travel, and Imperial Encounter in 19th-century France by : Ruth E. Rosenberg
Download or read book Music, Travel, and Imperial Encounter in 19th-century France written by Ruth E. Rosenberg and published by . This book was released on 2015 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music, Travel, and Imperial Encounter in 19th-Century France by : Ruth Rosenberg
Download or read book Music, Travel, and Imperial Encounter in 19th-Century France written by Ruth Rosenberg and published by Routledge. This book was released on 2014-09-19 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book considers the activities and writings of early song collectors and proto-ethnomusicologists, memoirists, and other "musical travelers" in 19th-century France. Each of the book’s discrete but interrelated chapters is devoted to a different geographic and discursive site of empire, examining French representations of musical encounters in North America, the Middle East, as well as in contested areas within the borders of metropolitan France. Rosenberg highlights intersections between an emergent ethnographie musicale in France and narratives of musical encounter found in French travel literature, connecting both phenomena to France’s imperial aspirations and nationalist anxieties in the period from the Revolution to the late-nineteenth century. It is therefore an excellent research tool for scholars in the fields of ethnomusicology, musicology, cultural studies, literary history, and postcolonial studies.
Book Synopsis New Orleans and the Creation of Transatlantic Opera, 1819–1859 by : Charlotte Bentley
Download or read book New Orleans and the Creation of Transatlantic Opera, 1819–1859 written by Charlotte Bentley and published by University of Chicago Press. This book was released on 2022-12-06 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of nineteenth-century New Orleans and the people who made it a vital, if unexpected, part of an emerging operatic world. New Orleans and the Creation of Transatlantic Opera, 1819–1859 explores the thriving operatic life of New Orleans in the first half of the nineteenth century, drawing out the transatlantic connections that animated it. By focusing on a variety of individuals, their extended webs of human contacts, and the materials that they moved along with them, this book pieces together what it took to bring opera to New Orleans and the ways in which the city’s operatic life shaped contemporary perceptions of global interconnection. The early chapters explore the process of bringing opera to the stage, taking a detailed look at the management of New Orleans’s Francophone theater, the Théâtre d’Orléans, as well as the performers who came to the city and the reception they received. But opera’s significance was not confined to the theater, and later chapters of the book examine how opera permeated everyday life in New Orleans, through popular sheet music, novels, magazines and visual culture, and dancing in its many ballrooms. Just as New Orleans helped to create transatlantic opera, opera in turn helped to create the city of New Orleans.
Book Synopsis America in the French Imaginary, 1789-1914 by : Diana R. Hallman
Download or read book America in the French Imaginary, 1789-1914 written by Diana R. Hallman and published by Boydell & Brewer. This book was released on 2022-05-17 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following the American Revolution, French observers often viewed the United States as a laboratory for the forging of new practices of liberté and égalité, in affinity with and divergence from France's own Revolutionary ideals and experiences. The volume examines French views through musical/theatrical portrayals of the American Revolution and Republic, soundscapes of the Statue of Liberty, and homages to the glorified figures of Washington, Franklin and Lafayette. Essays investigate paradoxical depictions of slavery in the United States and French Caribbean colonies of 'Amérique'. French critiques of American music and musicians, including the reception of Americanized or Creolized adaptations of European art traditions as well as American popular music and dance, are also presented. The subject of race features prominently in French interpretations of American music and identity. These interpretations see French constructions of the Indigenous American and African American "exotic" that intersect with tropes of noble, pastoral savagery, menacing barbarism, and the "civilizing" potency of French culture. The French reinterpretation of African American music and dance reveals both a revulsion of Black alterity and an attraction to the expressive freedom, and even subversiveness, of these "foreign" forms of music and dance. Contributions include essays by music, dance, theatre and opera scholars, and the volume will be essential reading for students and scholars of these disciplines.
Book Synopsis French Musical Life by : Katharine Ellis
Download or read book French Musical Life written by Katharine Ellis and published by Oxford University Press. This book was released on 2022 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explicitly or not, the historical musicology of post-Revolutionary France has focused on Paris as a proxy for the rest of the country. This distorting lens is the legacy of political and cultural struggle during the long nineteenth century, indicating a French Revolution unresolved both then and now. In light of the capital's power as the seat of a centralizing French state (which provincials found 'colonizing') and as a cosmopolitan musical crossroads of nineteenth-century Europe, the struggles inherent in creating sustainable musical cultures outside Paris, and in composing local and regionalist music, are ripe for analysis. Replacement of 'France' with Paris has encouraged normative history-writing articulated by the capital's opera and concert life. Regional practices have been ignored, disparaged or treated piecemeal. This book is a study of French musical centralization and its discontents during the period leading up to and beyond the "provincial awakening" of the Belle Époque. The book explains how different kinds of artistic decentralization and regionalism were hard won (or not) across a politically turbulent century from the 1830s to World War II. In doing so it redraws the historical map of musical power relations in mainland France. Based on work in over 70 archives, chapters on conservatoires, concert life, stage music, folk music and composition reveal how tensions of State and locality played out differently depending on the structures and funding mechanisms in place, the musical priorities of different communities, and the presence or absence of galvanizing musicians. Progressively, the book shifts from musical contexts to musical content, exploring the pressure point of folk music and its translation into "local color" for officials who perpetually feared national division. Control over composition on the one hand, and the emotional intensity of folk-based musical experience on the other, emerges as a matter of consistent official praxis. In terms of "French music" and its compositional styles, what results is a surprising new historiography of French neoclassicism, bound into and growing out of a study of diversity and its limits in daily musical life.
Book Synopsis Operatic Geographies by : Suzanne Aspden
Download or read book Operatic Geographies written by Suzanne Aspden and published by University of Chicago Press. This book was released on 2019-04-22 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since its origin, opera has been identified with the performance and negotiation of power. Once theaters specifically for opera were established, that connection was expressed in the design and situation of the buildings themselves, as much as through the content of operatic works. Yet the importance of the opera house’s physical situation, and the ways in which opera and the opera house have shaped each other, have seldom been treated as topics worthy of examination. Operatic Geographies invites us to reconsider the opera house’s spatial production. Looking at opera through the lens of cultural geography, this anthology rethinks the opera house’s landscape, not as a static backdrop, but as an expression of territoriality. The essays in this anthology consider moments across the history of the genre, and across a range of geographical contexts—from the urban to the suburban to the rural, and from the “Old” world to the “New.” One of the book’s most novel approaches is to consider interactions between opera and its environments—that is, both in the domain of the traditional opera house and in less visible, more peripheral spaces, from girls’ schools in late seventeenth-century England, to the temporary arrangements of touring operatic troupes in nineteenth-century Calcutta, to rural, open-air theaters in early twentieth-century France. The essays throughout Operatic Geographies powerfully illustrate how opera’s spatial production informs the historical development of its social, cultural, and political functions.
Book Synopsis Stories of Tonality in the Age of François-Joseph Fétis by : Thomas Christensen
Download or read book Stories of Tonality in the Age of François-Joseph Fétis written by Thomas Christensen and published by University of Chicago Press. This book was released on 2019-05-27 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stories of Tonality in the Age of François-Joseph Fétis explores the concept of musical tonality through the writings of the Belgian musicologist François-Joseph Fétis (1784–1867), who was singularly responsible for theorizing and popularizing the term in the nineteenth century. Thomas Christensen weaves a rich story in which tonality emerges as a theoretical construct born of anxiety and alterity for Europeans during this time as they learned more about “other” musics and alternative tonal systems. Tonality became a central vortex in which French musicians thought—and argued—about a variety of musical repertoires, be they contemporary European musics of the stage, concert hall, or church, folk songs from the provinces, microtonal scale systems of Arabic and Indian music, or the medieval and Renaissance music whose notational traces were just beginning to be deciphered by scholars. Fétis’s influential writings offer insight into how tonality ingrained itself within nineteenth-century music discourse, and why it has continued to resonate with uncanny prescience throughout the musical upheavals of the twentieth and twenty-first centuries.
Book Synopsis A Generic History of Travel Writing in Anglophone and Polish Literature by : Grzegorz Moroz
Download or read book A Generic History of Travel Writing in Anglophone and Polish Literature written by Grzegorz Moroz and published by BRILL. This book was released on 2020-08-31 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Generic History of Travel Writing in Anglophone and Polish Literature offers a comprehensive, comparative and generic analysis of developments of travel writing in Anglophone and Polish literature from the Late Medieval Period to the twenty-first century. These developments are depicted in a wider context of travel narratives written in other European languages.
Book Synopsis The Voice of the Rural by : Alessandra Ciucci
Download or read book The Voice of the Rural written by Alessandra Ciucci and published by University of Chicago Press. This book was released on 2022-05-25 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: "If you Google Umbria, you'll likely see picturesque rolling hills and medieval villages perched on them. But in The Voice of the Rural, ethnomusicologist Alessandra Ciucci introduces us to the Moroccan migrant workers that labor in the province's Alta Valle del Tevere region, which has been transformed by agrobusiness. These migrants working in Umbria's tobacco fields and on its construction sites have been coming to the region for decades, and while some eventually save enough money to buy some land and build a house back home, most are only able to scrape together what little they can from season to season. Marginalized in Italy and far from their homes, these men turn to Moroccan traditions of music and poetry that romanticize the Moroccan countryside they have left, l-'arubiya, or the rural. Ciucci's ethnography is a rich analysis of l-'arubiya that unpacks how these men share the music and sound of the rural to create a culture of belonging in a foreign and inhospitable nation, gathering in groups to listen to recordings of the musical style and creating community that springs from the very particular Moroccan narratives and identity depicted in the music. The poetry conjures up local images, history, and tradition, evoking a personhood that allows these men to momentarily preserve a particular form of manhood inaccessible to them in Italian culture. In Italy, these men are perceived as threatening and sexually violent. But the sound of l-'arubiya signifies a different kind of masculinity, of what it means to be a "real man", someone virtuous, generous, and strong both physically and morally. Through close fieldwork with migrant men and careful analysis of the lives they live through music, Ciucci uncovers an important social dimension of Europe's evolving migration crisis: how migrants preserve a sense of self and of home in an inhospitable country, allowing them to endure in the face of incredible hardship"--
Book Synopsis The Routledge Companion to Ethics and Research in Ethnomusicology by : Jonathan P. J. Stock
Download or read book The Routledge Companion to Ethics and Research in Ethnomusicology written by Jonathan P. J. Stock and published by Taylor & Francis. This book was released on 2022-11-30 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to Ethics and Research in Ethnomusicology is an in-depth survey of the moral challenges and imperatives of conducting research on people making music. It focuses on fundamental and compelling ethical questions that have challenged and shaped both the history of this discipline and its current practices. In 26 representative cases from across a broad spectrum of geographical, societal, and musical environments, authors collectively reflect on the impacts of ethnomusicological research, exploring the ways our work may instantiate privilege or risk bringing harm, as well as the means that are available to provide recognition, benefit, and reciprocation to the musicians and others who contribute to our studies. In a world where differing ethical values are often in conflict, and where music itself is meanwhile a powerful tool in projecting moral claims, we aim to uncover the conditions and consequences of the ethical choices we face as ethnomusicologists, thereby contributing to building a more engaged, restructured discipline and a more globally responsible music studies. The volume comprises four parts: (1) sound practices and philosophies of ethics; (2) fieldwork encounters; (3) environment, trauma, collaboration; and (4) research in public domains.
Book Synopsis Sonic Ruins of Modernity by : Edwin Seroussi
Download or read book Sonic Ruins of Modernity written by Edwin Seroussi and published by Taylor & Francis. This book was released on 2022-06-30 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sonic Ruins of Modernity shows how social, cultural and cognitive phenomena interact in the making and distribution of folksongs beyond their time. Through Judeo-Spanish (or Ladino) folksongs, the author illustrates a methodology for the interplay of individual memories, artistic initiatives, political and media policies, which ultimately shape “tradition” for the past century. He fleshes out in a series of case studies how folksongs can be conceived, performed and circulated in the post-tradition era – constituting each song as a “sonic ruin,” as an imagined place. At the same time, the book overall provides a unique perspective on the history of the Judeo-Spanish folksong.
Book Synopsis John Dewey and the Notion of Trans-action by : Christian Morgner
Download or read book John Dewey and the Notion of Trans-action written by Christian Morgner and published by Springer Nature. This book was released on 2019-10-09 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: Engaging with several emerging and interconnected approaches in the social sciences, including pragmatism, system theory, processual thinking and relational thinking, this book leverages John Dewey and Arthur Bentley’s often misunderstood concept of trans-action to revisit and redefine our perceptions of social relations and social life. The contributors gathered here use trans-action in a more specific sense, showing why and how social scientists and philosophers might use the concept to better understand our social life and social problems. As the first collective sociological attempt to apply the concept of trans-action to contemporary social issues, this volume is a key reference for the growing audience of relational and processual thinkers in the social sciences and beyond.
Book Synopsis Music Commodities, Markets, and Values by : Jayson Beaster-Jones
Download or read book Music Commodities, Markets, and Values written by Jayson Beaster-Jones and published by Routledge. This book was released on 2016-05-12 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines music stores as sites of cultural production in contemporary India. Analyzing social practices of selling music in a variety of retail contexts, it focuses upon the economic and social values that are produced and circulated by music retailers in the marketplace. Based upon research conducted over a volatile ten-year period of the Indian music industry, Beaster-Jones discusses the cultural histories of the recording industry, the social changes that have accompanied India’s economic liberalization reforms, and the economic realities of selling music in India as digital circulation of music recordings gradually displaced physical distribution. The volume considers the mobilization of musical, economic, and social values as a component of branding discourses in neoliberal India, as a justification for new regimes of legitimate use and intellectual property, as a scene for the performance of cosmopolitanism by shopping, and as a site of anxiety about transformations in the marketplace. It relies upon ethnographic observation and interviews from a variety of sources within the Indian music industry, including perspectives of executives at music labels, family-run and corporate music stores, and hawkers in street markets selling counterfeit recordings. This ethnography of the practices, spaces, and anxieties of selling music in urban India will be an important resource for scholars in a wide range of fields, including ethnomusicology, anthropology, popular music studies, and South Asian studies.
Book Synopsis Qupai in Chinese Music by : Alan R Thrasher
Download or read book Qupai in Chinese Music written by Alan R Thrasher and published by Routledge. This book was released on 2016-03-31 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presenting the latest research in the area, this volume explores the fundamental concept of qupai 曲牌, melodic models upon which most traditional Chinese instrumental music (and some vocal music) is based. The greater part of the traditional instrumental repertoire has emerged from qupai models by way of well-established 'variation' techniques. These melodies and techniques are alive today and still performed in 'silk-bamboo' types of ensemble music, zheng 箏, pipa 琵琶 and other solo traditions, all opera types, narrative songs, and Buddhist and Daoist ritual music. With a view toward explaining qupai as a musical system, contributors explore the concept from multiple directions, notably its historic development, patterns of structural organization, compositional usage in Kunqu classical opera, influence on the growth of traditional ensemble and solo repertoires, and indeed on 19th-century European music as well. Related essays examine the use of shan'ge 山歌 folksongs as qupai models in one local opera tradition and the controversial relationship between qupai forms and the metrically-organized banqiang 板腔 forms of organization in Beijing opera. The final three essays are focused upon traditional suite forms in which qupai and non-qupai tunes are mixed, examples drawn from the Minnan nanguan 南管 repertoire, Jiangnan 'silk-bamboo' tradition and the ritual music of North China.This is the first Western-language study on the nature and background of the qupai tradition, and the methods by which model melodies have been varied in creation of repertoire. The volume is essential reading for East Asian music specialists and contributes to the fields of ethnomusicology, musicology, music theory, music composition, and Chinese music and performing arts.
Author :University of London Katharine Ellis Reader in Music Royal Holloway Publisher :Oxford University Press, USA ISBN 13 :0199710856 Total Pages :322 pages Book Rating :4.1/5 (997 download)
Book Synopsis Interpreting the Musical Past : Early Music in Nineteenth-Century France by : University of London Katharine Ellis Reader in Music Royal Holloway
Download or read book Interpreting the Musical Past : Early Music in Nineteenth-Century France written by University of London Katharine Ellis Reader in Music Royal Holloway and published by Oxford University Press, USA. This book was released on 2005-08-24 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of the French early music revival gives us a vivid sense of how music's cultural meanings were contested in the nineteenth century. It surveys the main patterns of revivalist activity while also providing in-depth studies of repertories stretching from Adam de la Halle to Rameau.
Book Synopsis Musical Encounters at the 1889 Paris World's Fair by : Annegret Fauser
Download or read book Musical Encounters at the 1889 Paris World's Fair written by Annegret Fauser and published by Boydell & Brewer. This book was released on 2005 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 1889 Exposition universelle in Paris is famous as a turning point in the history of French music, and modern music generally. This book explores the ways in which music was used, exhibited, listened to, and written about during the Exposition universelle. It also reveals the sociopolitical uses of music in France during the 19th century.
