Music, Patronage and Printing in Late Renaissance Florence

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Author :
Publisher : Taylor & Francis
ISBN 13 : 1040246818
Total Pages : 307 pages
Book Rating : 4.0/5 (42 download)

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Book Synopsis Music, Patronage and Printing in Late Renaissance Florence by : Tim Carter

Download or read book Music, Patronage and Printing in Late Renaissance Florence written by Tim Carter and published by Taylor & Francis. This book was released on 2024-10-28 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of reprinted essays starts from the author's doctoral research on Jacopo Peri and the rise of opera and solo song in late sixteenth- and early seventeenth-century Florence. It extends to broader issues concerning music and patronage in the city as they affected individual composers, patrons and institutions, and thence to the commerce of music printing and the book trade. It concludes with an attempt to suggest a broader view of these various issues as they impact upon musical life in the 'provinces' in Tuscany. There is a great deal of new documentary and other information here, but the aim is also to expand methodological horizons so as to prompt new ways of thinking about music in its contexts.

Music, Patronage and Printing in Late Renaissance Florence

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Author :
Publisher : Routledge
ISBN 13 :
Total Pages : 312 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Music, Patronage and Printing in Late Renaissance Florence by : Tim Carter

Download or read book Music, Patronage and Printing in Late Renaissance Florence written by Tim Carter and published by Routledge. This book was released on 2000 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of reprinted essays starts from the author's doctoral research on Jacopo Peri and the rise of opera and solo song in late sixteenth- and early seventeenth-century Florence. It extends to broader issues concerning music and patronage in the city as they affected individual composers, patrons and institutions, and thence to the commerce of music printing and the book trade. It concludes with an attempt to suggest a broader view of these various issues as they impact upon musical life in the 'provinces' in Tuscany. There is a great deal of new documentary and other information here, but the aim is also to expand methodological horizons so as to prompt new ways of thinking about music in its contexts.

Printing Music in Renaissance Rome

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Author :
Publisher : Oxford University Press
ISBN 13 : 0197669638
Total Pages : 297 pages
Book Rating : 4.1/5 (976 download)

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Book Synopsis Printing Music in Renaissance Rome by : Jane A. Bernstein

Download or read book Printing Music in Renaissance Rome written by Jane A. Bernstein and published by Oxford University Press. This book was released on 2024-02-16 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: In sixteenth-century Italy, Rome ranked second only to Venice as an important center for music book production. Throughout the century, printers in the Eternal City experimented more readily and more consistently with the materiality of the book than their Venetian counterparts, who, by standardizing their printing methods, came to dominate the international marketplace. The Romans' ingenuity and willingness to meet individual clients' needs resulted in music editions in a broader array of shapes and sizes, employing a wider range of printing techniques. They became "boutique" printers, eschewing the run-of-the-mill in favor of tailoring production to varied market demands. Accommodating the diverse requirements of their clientele, they supplied customized volumes, which Venetian presses either could not--or would not--produce. In Printing Music in Renaissance Rome, author Jane A. Bernstein offers a panoramic view of the cultures of music and the book in Rome from the beginning of printing in 1476 through the early seventeenth century. Emphasizing the exceptionalism of Roman music publishing, she highlights the innovative printing technologies and book forms devised by Roman bookmen. She also analyzes the Church's predominant influence on the book industry and, in turn, the Roman press's impact on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri. Drawing on innovative publications, Bernstein reveals a synergistic relationship between music repertories and the materiality of the book. In particular, she focuses on the post-Tridentine period, when musical idioms, both new and old, challenged printers to employ alternative printing methods and modes of book presentation in the creation of their music editions. Of interest to musicologists, art historians, and book historians alike, this book builds on Bernstein's previous work as she continues to chart the course of music and the book in Renaissance Italy.

Music in Seventeenth-Century Naples

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Author :
Publisher : Routledge
ISBN 13 : 1351557351
Total Pages : 331 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Music in Seventeenth-Century Naples by : Dinko Fabris

Download or read book Music in Seventeenth-Century Naples written by Dinko Fabris and published by Routledge. This book was released on 2017-07-05 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt: The most important figure of seventeenth-century Neapolitan music, Francesco Provenzale (1624-1704) spent his long life in the service of a number of Neapolitan conservatories and churches, culminating in his appointment as maestro of the Tesoro di S. Gennaro and the Real Cappella. Provenzale was successful in generating significant profit from a range of musical activities promoted by him with the participation of his pupils and trusted collaborators. Dinko Fabris draws on newly discovered archival documents to reconstruct the career of a musician who became the leader of his musical world, despite his relatively small musical output. The book examines Provenzale's surviving works alongside those of his most important Neapolitan contemporaries (Raimo Di Bartolo, Sabino, Salvatore and Caresana) and pupils (Fago, Greco, Veneziano and many others), revealing both stylistic similarities and differences, particularly in terms of new harmonic practices and the use of Neapolitan language in opera. Fabris provides both a life and works study of Provenzale and a conspectus of Neapolitan musical life of the seventeenth century which so clearly laid the groundwork for Naples' later status as one of the great musical capitals of Europe.

Music in Golden-Age Florence, 1250–1750

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Author :
Publisher : University of Chicago Press
ISBN 13 : 0226822796
Total Pages : 512 pages
Book Rating : 4.2/5 (268 download)

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Book Synopsis Music in Golden-Age Florence, 1250–1750 by : Anthony M. Cummings

Download or read book Music in Golden-Age Florence, 1250–1750 written by Anthony M. Cummings and published by University of Chicago Press. This book was released on 2023-05-10 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive account of music in Florence from the late Middle Ages until the end of the Medici dynasty in the mid-eighteenth century. Florence is justly celebrated as one of the world’s most important cities. It enjoys mythic status and occupies an enviable place in the historical imagination. But its musico-historical importance is not as well understood as it should be. If Florence was the city of Dante, Michelangelo, and Galileo, it was also the birthplace of the madrigal, opera, and the piano. Music in Golden-Age Florence, 1250–1750 recounts Florence’s principal contributions to music and the history of how music was heard and cultivated in the city, from civic and religious institutions to private patronage and the academies. This book is an invaluable complement to studies of the art, literature, and political thought of the late-medieval and early-modern eras and the quasi-legendary figures in the Florentine cultural pantheon.

Dramatic Experience

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Author :
Publisher : BRILL
ISBN 13 : 9004329765
Total Pages : 327 pages
Book Rating : 4.0/5 (43 download)

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Book Synopsis Dramatic Experience by : Katja Gvozdeva

Download or read book Dramatic Experience written by Katja Gvozdeva and published by BRILL. This book was released on 2016-10-11 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (eds.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic theory, theatrical practice, and various modes of audience experience — among both theatregoers and readers of drama — contribute, during the sixteenth to eighteenth centuries, to the emergence of symbolic, social, and cultural space(s) we call ‘public sphere(s)’? Developing a post-Habermasian understanding of the public sphere, the articles in this collection demonstrate that related, if diverging, conceptions of the ‘public’ existed in a variety of forms, locations, and cultures across early modern Europe — and in Asia.

Orpheus in the Marketplace

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Author :
Publisher : Harvard University Press
ISBN 13 : 0674727932
Total Pages : 314 pages
Book Rating : 4.6/5 (747 download)

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Book Synopsis Orpheus in the Marketplace by : Tim Carter

Download or read book Orpheus in the Marketplace written by Tim Carter and published by Harvard University Press. This book was released on 2013-11-04 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Florentine musician Jacopo Peri (1561-1633) is known as the composer of the first operas--they include the earliest to survive complete, Euridice (1600), in which Peri sang the role of Orpheus. A large collection of recently discovered account books belonging to him and his family allows for a greater exploration of Peri's professional and personal life. Richard Goldthwaite, an economic historian, and Tim Carter, a musicologist, have done much more, however, than write a biography: their investigation exposes the remarkable value of such financial documents as a primary source for an entire period. This record of Peri's wide-ranging investments and activities in the marketplace enables the first detailed account of the Florentine economy in the late sixteenth and early seventeenth centuries, and also opens a completely new perspective on one of Europe's principal centers of capitalism. His economic circumstances reflect continuities and transformations in Florentine society, and the strategies for negotiating them, under the Medici grand dukes. At the same time they allow a reevaluation of Peri the singer and composer that elucidates the cultural life of a major artistic center even in changing times, providing a quite different view of what it meant to be a musician in late Renaissance Italy.

“Music’s Obedient Daughter”

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Author :
Publisher : Rodopi
ISBN 13 : 9401210551
Total Pages : 505 pages
Book Rating : 4.4/5 (12 download)

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Book Synopsis “Music’s Obedient Daughter” by : Sabine Lichtenstein

Download or read book “Music’s Obedient Daughter” written by Sabine Lichtenstein and published by Rodopi. This book was released on 2014-03-01 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: A libretto is an indispensable part of an opera as a musical genre: with few exceptions, operas have been the subject of musicological studies, and instrumental versions of sung or unsung opera numbers may be heard, but we never listen to libretto texts being performed without the music. Thus as a literary form the libretto is a highly specific genre with its own particular attributes. This volume offers an approach to the libretto through the discussion of these attributes in many different examples. It explores what may be expected of a librettist in response to the demands of the genre’s characteristics, his trials and tribulations, his exchanges with the composer while adapting or converting a source, almost always a literary source, into the eventual libretto, and about the different musical ways of dealing with the text. In this way the volume clarifies the fundamental differences between the libretto and other literary genres.

The Cambridge Companion to Seventeenth-Century Opera

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Author :
Publisher : Cambridge University Press
ISBN 13 : 1108915914
Total Pages : 723 pages
Book Rating : 4.1/5 (89 download)

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Book Synopsis The Cambridge Companion to Seventeenth-Century Opera by : Jacqueline Waeber

Download or read book The Cambridge Companion to Seventeenth-Century Opera written by Jacqueline Waeber and published by Cambridge University Press. This book was released on 2022-12-22 with total page 723 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cambridge Companion to Seventeenth-Century Opera is a much-needed introduction to one of the most defining areas of Western music history - the birth of opera and its developments during the first century of its existence. From opera's Italian foundations to its growth through Europe and the Americas, the volume charts the changing landscape – on stage and beyond – which shaped the way opera was produced and received. With a range from opera's sixteenth-century antecedents to the threshold of the eighteenth century, this path breaking book is broad enough to function as a comprehensive introduction, yet sufficiently detailed to offer valuable insights into most of early opera's many facets; it guides the reader towards authoritative written and musical sources appropriate for further study. It will be of interest to a wide audience, including undergraduate and graduate students in universities and equivalent institutions, and amateur and professional musicians.

The Cambridge Companion to Seventeenth-Century Opera

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Author :
Publisher : Cambridge University Press
ISBN 13 : 0521823595
Total Pages : 379 pages
Book Rating : 4.5/5 (218 download)

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Book Synopsis The Cambridge Companion to Seventeenth-Century Opera by :

Download or read book The Cambridge Companion to Seventeenth-Century Opera written by and published by Cambridge University Press. This book was released on with total page 379 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Printing and the Book: Oxford Bibliographies Online Research Guide

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Author :
Publisher : Oxford University Press
ISBN 13 : 019981080X
Total Pages : 52 pages
Book Rating : 4.1/5 (998 download)

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Book Synopsis Printing and the Book: Oxford Bibliographies Online Research Guide by : Mark Wilson

Download or read book Printing and the Book: Oxford Bibliographies Online Research Guide written by Mark Wilson and published by Oxford University Press. This book was released on 2010-06 with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt: This ebook is a selective guide designed to help scholars and students of Islamic studies find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated related. This ebook is a static version of an article from Oxford Bibliographies Online: Renaissance and Reformation, a dynamic, continuously updated, online resource designed to provide authoritative guidance through scholarship and other materials relevant to the study of European history and culture between the 14th and 17th centuries. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.oxfordbibliographies.com.

Chant and Notation in South Italy and Rome before 1300

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Author :
Publisher : Routledge
ISBN 13 : 135121764X
Total Pages : 442 pages
Book Rating : 4.3/5 (512 download)

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Book Synopsis Chant and Notation in South Italy and Rome before 1300 by : John Boe

Download or read book Chant and Notation in South Italy and Rome before 1300 written by John Boe and published by Routledge. This book was released on 2017-09-29 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fifteen studies assembled here grew out of research on south-Italian ordinary chants and tropes for the multi-volume series Beneventanum Troporum Corpus II, edited by John Boe in collaboration with Alejandro Planchart. In the present essays, clerical and ordinary chants and tropes of the Mass (especially when derived from paraliturgical hymns and poems), certain aspects of chant notation and particular facets of the old Beneventan and the old Roman chant repertories are examined in relation to the three main cultic centres of the Italian south - Benevento, Montecassino and Rome - and as they relate to their European context, namely Frankish and Norman chant and the varieties of chant sung in Italy north of Rome. The volume includes one previously unpublished study, on the Roman introit Salus Populi.

Dedicating Music, 1785-1850

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Publisher :
ISBN 13 : 1580469493
Total Pages : 262 pages
Book Rating : 4.5/5 (84 download)

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Book Synopsis Dedicating Music, 1785-1850 by : Emily Green

Download or read book Dedicating Music, 1785-1850 written by Emily Green and published by . This book was released on 2019 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why dedicate music? What did dedications mean to their readers and writers, especially after 1785, when more works were offered to fellow composers as well as to patrons? Borrowing from book history and sociological theory, Dedicating Music, 1785-1850 is a large-scale study of patterns of dedications. Emily H. Green argues that the kinds of offerings printed in the late eighteenth through mid-nineteenth centuries reflect a changing financial and aesthetic landscape in which patronage was waning and independent artistry surging. Dedications labeled written music as a gift while presenting composers with an opportunity for self-promotion. They also contributed to a new kind of branding of music by communicating composers' friendships and artistic allegiances.. Dedicating Music considers dedications issued in print between 1785 and 1850 in sets of overlapping corpuses: offerings to peers (as in Mozart's string quartets dedicated to Haydn); to patrons (as in Ignaz Pleyel's string quartets for Count Erd dy); to friends (as in Ferdinand Ries's offerings for Beethoven); and dedications issued by publishers (as in Beethoven's song "In questa tomba oscura," included in publisher Tranquillo Mollo's collection offered to Prince Lobkowitz). The result is a synchronic study that highlights the importance of printed packaging, rather than notes on the page, to the complex relationship between composers, publishers, and consumers of music. EMILY H. GREEN is Assistant Professor of Music at George Mason University. The University of Rochester Press gratefully acknowledges generous support from the Claire and Barry Brook Endowment of the American Musicological Society and the AMS 75 PAYS Endowment of the American Musicological Society, both funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.

Giovanni Gabrieli and His Contemporaries

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Publisher : Taylor & Francis
ISBN 13 : 1000951464
Total Pages : 355 pages
Book Rating : 4.0/5 (9 download)

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Book Synopsis Giovanni Gabrieli and His Contemporaries by : Richard Charteris

Download or read book Giovanni Gabrieli and His Contemporaries written by Richard Charteris and published by Taylor & Francis. This book was released on 2023-05-31 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: For more than three decades Richard Charteris has researched European music, sources and collections, focusing particularly on late Renaissance England, Germany and Italy. This group of essays, many concerning previously unknown or unexplored works and materials, covers the 16th and early to mid 17th centuries. The studies involve variously 'new' compositions, music manuscripts and editions, and documents that relate to figures such as the Italians Giovanni Gabrieli, Claudio Monteverdi and Alfonso Ferrabosco the Elder, the Germans Hans Leo Hassler and Adam Gumpelzhaimer, as well as the Englishmen John Coprario, John Dowland, John Jenkins, Henry Lawes, William Lawes, Peter Philips, and the French composer Marin Marais. In addition, Charteris elucidates contemporary performance practice in relation to works by Gabrieli, investigates printed music editions that originated from the Church of St Anna, Augsburg, and evaluates materials in collections, inlcuding ones in Berlin, Hamburg, Kraków, London, Regensburg and Warsaw.

From Madrigal to Opera

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Author :
Publisher : Univ of California Press
ISBN 13 : 0520267680
Total Pages : 342 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis From Madrigal to Opera by : Mauro Calcagno

Download or read book From Madrigal to Opera written by Mauro Calcagno and published by Univ of California Press. This book was released on 2012-04-18 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this bold, highly original book, Mauro Calcagno ventures into areas where no other scholar has tread. He explores the Petrarchian view of the self over a century-long arc from the early madrigal to the beginnings of opera, with Monteverdi's masterpieces taking center stage. A brilliant tour de force, From Madrigal to Opera proffers a remarkable new way to look at music, performance, and reception that rings true not only for the early modern period but also for our own age. A must read for scholars, performers, and lovers of early music."—Jane A. Bernstein, author of Print Culture and Music in Sixteenth-Century Venice "The mini-renaissance of early modern music studies continues apace, and Mauro Calcagno's From Madrigal to Opera is its latest, particularly impressive installment. Drawing on methodological impulses from a variety of sources—linguistics, phenomenology, narratology, and, above all, performance studies—Calcagno pays close attention to the interplay of the abstract text and live performance in both early opera and late madrigal. Common strategies, rooted in Petrarch's poetic practice, indeed united the two genres. This book will shape the discussion of early modern vocal music in the coming years."—Karol Berger is the author of Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity. "In this pathbreaking study, Calcagno offers a new and dynamic interpretation of the relationship between Monteverdi's madrigals and operas based on perceptions of subjectivity expressed in Renaissance literature—the poetry of Petrarch in particular. Calcagno interprets Monteverdi's work as realizing a Petrarchan notion of the dialogical self, a concept that extends well beyond the early modern period to illuminate and enrich our own experience of virtually any vocal work in performance. This book should be required reading not only for those interested in music and text of the Early Modern period, but for anyone involved in performance studies."—Ellen Rosand, author of Monteverdi's Last Operas: A Venetian Trilogy.

The Cambridge History of Seventeenth-Century Music

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Author :
Publisher : Cambridge University Press
ISBN 13 : 9780521792738
Total Pages : 636 pages
Book Rating : 4.7/5 (927 download)

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Book Synopsis The Cambridge History of Seventeenth-Century Music by : Tim Carter

Download or read book The Cambridge History of Seventeenth-Century Music written by Tim Carter and published by Cambridge University Press. This book was released on 2005-12-22 with total page 636 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2005, this title provides extensive knowledge on seventeenth-century music.

Warrior, Courtier, Singer

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Author :
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1409493652
Total Pages : 364 pages
Book Rating : 4.4/5 (94 download)

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Book Synopsis Warrior, Courtier, Singer by : Dr Richard Wistreich

Download or read book Warrior, Courtier, Singer written by Dr Richard Wistreich and published by Ashgate Publishing, Ltd.. This book was released on 2013-01-28 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Giulio Cesare Brancaccio was a Neapolitan nobleman with long practical experience of military life, first in the service of Charles V and later as both soldier and courtier in France and then at the court of Alfonso II d'Este at Ferrara. He was also a virtuoso bass singer whose performances were praised by both Tasso and Guarini - he was even for a while the only male member of the famous Ferrarese court Concerto delle dame, who established a legendary reputation during the 1580s. Richard Wistreich examines Brancaccio's life in detail and from this it becomes possible to consider the mental and social world of a warrior and courtier with musical skills in a broader context. A wide-ranging study of bass singing in sixteenth- and early seventeenth-century Italy provides a contextual basis from which to consider Brancaccio's reputation as a performer. Wistreich illustrates the use of music in the process of 'self-fashioning' and the role of performance of all kinds in the construction of male noble identity within court culture, including the nature and currency of honour, chivalric virtù and sixteenth-century notions of gender and virility in relation to musical performance. This fascinating examination of Brancaccio's social world significantly expands our understanding of noble culture in both France and Italy during the sixteenth century, and the place of music-making within it.