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Music In The Restoration Theatre
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Book Synopsis Music in the Restoration Theatre by : Curtis Alexander Price
Download or read book Music in the Restoration Theatre written by Curtis Alexander Price and published by . This book was released on 1979 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Cambridge Companion to English Restoration Theatre by : Deborah Payne Fisk
Download or read book The Cambridge Companion to English Restoration Theatre written by Deborah Payne Fisk and published by Cambridge University Press. This book was released on 2000-05-11 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fourteen specially commissioned essays provide essential information about staging, playwrights, themes and genres in the drama of the Restoration.
Book Synopsis Musical Creativity in Restoration England by : Rebecca Herissone
Download or read book Musical Creativity in Restoration England written by Rebecca Herissone and published by Cambridge University Press. This book was released on 2013 with total page 568 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition - such as concepts of originality, inspiration and genius - were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation.
Book Synopsis The Business of English Restoration Theatre, 1660–1700 by : Deborah C. Payne
Download or read book The Business of English Restoration Theatre, 1660–1700 written by Deborah C. Payne and published by Cambridge University Press. This book was released on 2024-05-31 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: Deborah C. Payne explores how the duopoly of 1660 impacted company practices, stagecraft, the box office, and actors and writers.
Book Synopsis Music and Musicians on the London Stage, 1695-1705 by : Kathryn Lowerre
Download or read book Music and Musicians on the London Stage, 1695-1705 written by Kathryn Lowerre and published by Routledge. This book was released on 2017-07-05 with total page 429 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.
Book Synopsis "Music and Musicians on the London Stage, 1695?705 " by : Kathryn Lowerre
Download or read book "Music and Musicians on the London Stage, 1695?705 " written by Kathryn Lowerre and published by Routledge. This book was released on 2017-07-05 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.
Book Synopsis Restoration Comedy in Performance by : J. L. Styan
Download or read book Restoration Comedy in Performance written by J. L. Styan and published by Cambridge University Press. This book was released on 1986-08-29 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of the ways in which Restoration comedy was performed, using the costume, customs, manners and behaviour of the age as a way of understanding its theatre and drama. It also considers problems encountered in early twentieth century revivals of plays by authors such as Etherege, Dryden, Congreve and Farquhar.
Download or read book Acting in Restoration Comedy written by and published by Hal Leonard Corporation. This book was released on 1991 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Applause Acting Series). The art of acting in restoration comedy, the buoyant, often bowdy romps which celebrated the reopening of the English theatres after Cromwell's dour reign, is the subject of Simon Callow's bold investigation. There is cause again to celebrate as Callow, one of Britain's foremost actors, aims to restore the form to all its original voluptuous vigor. Callow shows the way to attain clarity and hilarity in some of the most delightful roles ever conceived for the theatre.
Book Synopsis Prologues and Epilogues of Restoration Theater by : Diana Solomon
Download or read book Prologues and Epilogues of Restoration Theater written by Diana Solomon and published by University of Delaware. This book was released on 2013-04-11 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a taxonomy of prologues and epilogues with a corresponding appendix, and demonstrates through case studies of Anne Bracegirdle and Anne Oldfield how the study of prologues and epilogues enriches Restoration theater scholarship.
Book Synopsis Music and the Benefit Performance in Eighteenth-Century Britain by : Matthew Gardner
Download or read book Music and the Benefit Performance in Eighteenth-Century Britain written by Matthew Gardner and published by Cambridge University Press. This book was released on 2019-10-31 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.
Book Synopsis English Dramatick Opera, 1661–1706 by : Andrew R. Walkling
Download or read book English Dramatick Opera, 1661–1706 written by Andrew R. Walkling and published by Routledge. This book was released on 2019-03-19 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).
Book Synopsis The Ashgate Research Companion to Henry Purcell by : Rebecca Herissone
Download or read book The Ashgate Research Companion to Henry Purcell written by Rebecca Herissone and published by Routledge. This book was released on 2016-04-01 with total page 558 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Ashgate Research Companion to Henry Purcell provides a comprehensive and authoritative review of current research into Purcell and the environment of Restoration music, with contributions from leading experts in the field. Seen from the perspective of modern, interdisciplinary approaches to scholarship, the companion allows the reader to develop a rounded view of the environment in which Purcell lived, the people with whom he worked, the social conditions that influenced his activities, and the ways in which the modern perception of him has been affected by reception of his music after his death. In this sense the contributions do not privilege the individual over the environment: rather, they use the modern reader's familiarity with Purcell's music as a gateway into the broader Restoration world. Topics include a reassessment of our understanding of Purcell's sources and the transmission of his music; new ways of approaching the study of his creative methods; performance practice; the multi-faceted theatre environment in which his work was focused in the last five years of his life; the importance of the political and social contexts of late seventeenth-century England; and the ways in which the performance history and reception of his music have influenced modern appreciation of the composer. The book will be essential reading for anyone studying the music and culture of the seventeenth century.
Book Synopsis Historical Dictionary of English Music by : Charles Edward McGuire
Download or read book Historical Dictionary of English Music written by Charles Edward McGuire and published by Scarecrow Press. This book was released on 2011-04-08 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Historical Dictionary of English Music seeks to identify and briefly annotate a wide range of subjects relating to English musical culture, largely from the early 15th century through 1958, dates that reflect the coalescence of an identifiable English style in the early Renaissance and the death of the iconic Ralph Vaughan Williams in the mid-20th century. This book is an excellent access point for students, researchers, and anyone wanting to know more about English music.
Book Synopsis The Restoration Theatre by : Montague Summers
Download or read book The Restoration Theatre written by Montague Summers and published by Dalcassian Publishing Company. This book was released on 1934-01-01 with total page 425 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis O Let Us Howle Some Heavy Note by : Amanda Eubanks Winkler
Download or read book O Let Us Howle Some Heavy Note written by Amanda Eubanks Winkler and published by Indiana University Press. This book was released on 2006-11 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the 17th century, harmonious sounds were thought to represent the well-ordered body of the obedient subject, and, by extension, the well-ordered state; conversely, discordant, unpleasant music represented both those who caused disorder (murderers, drunkards, witches, traitors) and those who suffered from bodily disorders (melancholics, madmen, and madwomen). While these theoretical correspondences seem straightforward, in theatrical practice the musical portrayals of disorderly characters were multivalent and often ambiguous. O Let Us Howle Some Heavy Note focuses on the various ways that theatrical music represented disorderly subjects—those who presented either a direct or metaphorical threat to the health of the English kingdom in 17th-century England. Using theater music to examine narratives of social history, Winkler demonstrates how music reinscribed and often resisted conservative, political, religious, gender, and social ideologies.
Book Synopsis Music in English Children's Drama of the Later Renaissance by : Linda Phyllis Austern
Download or read book Music in English Children's Drama of the Later Renaissance written by Linda Phyllis Austern and published by Taylor & Francis. This book was released on 2024-09-30 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1992, Music in English Children’s Drama of the Later Renaissance is the first book-length study to examine the Elizabethan and Jacobean children’s drama, not only from a musicological perspective, but also drawing on the histories of literature, culture, and the theater. It gives the children’s companies new historical significance, showing that they were an integral and ultimately influential part of the London theatrical world. These companies originated important features of later drama, such as music before and between acts, and the exploitation of different timbres for specific effects. Those interested in music history, English literature, theater history, and cultural history will find this a comprehensive and fascinating study. Of special note are the appendices, which offer a unique and important reference source by providing the only definitive list of the plays and songs used by the children.
Book Synopsis The Oxford Handbook of the Georgian Theatre 1737-1832 by : Julia Swindells
Download or read book The Oxford Handbook of the Georgian Theatre 1737-1832 written by Julia Swindells and published by Oxford Handbooks. This book was released on 2014 with total page 786 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of the Georgian Theatre 1737-1832 provides a comprehensive guide to theatre of the Georgian era across the range of dramatic forms.