Black Popular Music in Britain Since 1945

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Author :
Publisher : Routledge
ISBN 13 : 1317173880
Total Pages : 284 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Black Popular Music in Britain Since 1945 by : Jon Stratton

Download or read book Black Popular Music in Britain Since 1945 written by Jon Stratton and published by Routledge. This book was released on 2016-04-15 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Black Popular Music in Britain Since 1945 provides the first broad scholarly discussion of this music since 1990. The book critically examines key moments in the history of black British popular music from 1940s jazz to 1970s soul and reggae, 1990s Jungle and the sounds of Dubstep and Grime that have echoed through the 2000s. While the book offers a history it also discusses the ways black musics in Britain have intersected with the politics of race and class, multiculturalism, gender and sexuality, and debates about media and technology. Contributors examine the impact of the local, the ways that black music in Birmingham, Bristol, Liverpool, Manchester and London evolved differently and how black popular music in Britain has always developed in complex interaction with the dominant British popular music tradition. This tradition has its own histories located in folk music, music hall and a constant engagement, since the nineteenth century, with American popular music, itself a dynamic mixing of African-American, Latin American and other musics. The ideas that run through various chapters form connecting narratives that challenge dominant understandings of black popular music in Britain and will be essential reading for those interested in Popular Music Studies, Black British Studies and Cultural Studies.

Heavy Metal Music in Britain

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Author :
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1409493857
Total Pages : 331 pages
Book Rating : 4.4/5 (94 download)

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Book Synopsis Heavy Metal Music in Britain by : Dr Gerd Bayer

Download or read book Heavy Metal Music in Britain written by Dr Gerd Bayer and published by Ashgate Publishing, Ltd.. This book was released on 2013-01-28 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt: Heavy metal has developed from a British fringe genre of rock music in the late 1960s to a global mass market consumer good in the early twenty-first century. Early proponents of the musical style, such as Black Sabbath, Deep Purple, Judas Priest, Saxon, Uriah Heep and Iron Maiden, were mostly seeking to reach a young male audience. Songs were often filled with violent, sexist and nationalistic themes but were also speaking to the growing sense of deterioration in social and professional life. At the same time, however, heavy metal was seriously indebted to the legacies of blues and classical music as well as to larger literary and cultural themes. The genre also produced mythological concept albums and rewritings of classical poems. In other words, heavy metal tried from the beginning to locate itself in a liminal space between pedestrian mass culture and a rather elitist adherence to complexity and musical craftsmanship, speaking from a subaltern position against the hegemonic discourse. This collection of essays provides a comprehensive and multi-disciplinary look at British heavy metal from its beginning through The New Wave of British Heavy Metal up to the increasing internationalization and widespread acceptance in the late 1980s. The individual chapter authors approach British heavy metal from a textual perspective, providing critical analyses of the politics and ideology behind the lyrics, images and performances. Rather than focus on individual bands or songs, the essays collected here argue with the larger system of heavy metal music in mind, providing comprehensive analyses that relate directly to the larger context of British life and culture. The wide range of approaches should provide readers from various disciplines with new and original ideas about the study of this phenomenon of popular culture.

Imperialism and music

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Author :
Publisher : Manchester University Press
ISBN 13 : 1526121379
Total Pages : 545 pages
Book Rating : 4.5/5 (261 download)

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Book Synopsis Imperialism and music by : Jeffrey Richards

Download or read book Imperialism and music written by Jeffrey Richards and published by Manchester University Press. This book was released on 2017-03-01 with total page 545 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Exhibitions, Music and the British Empire

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Publisher : Boydell & Brewer
ISBN 13 : 1783276738
Total Pages : 264 pages
Book Rating : 4.7/5 (832 download)

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Book Synopsis Exhibitions, Music and the British Empire by : Sarah Kirby

Download or read book Exhibitions, Music and the British Empire written by Sarah Kirby and published by Boydell & Brewer. This book was released on 2022 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: "International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, trading these through the networks of communication that existed within the British Empire at the time. Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into broader debates about music's role in society"--Page 4 of cover.

Music and Empire in Britain and India

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Author :
Publisher : Springer
ISBN 13 : 1137311649
Total Pages : 340 pages
Book Rating : 4.1/5 (373 download)

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Book Synopsis Music and Empire in Britain and India by : Bob van der Linden

Download or read book Music and Empire in Britain and India written by Bob van der Linden and published by Springer. This book was released on 2013-08-20 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music has been neglected by imperial historians, but this book shows that music is an essential aspect of identity formation and cross-cultural exchange. It explores the ways in which rational, moral, and aesthetic motives underlying the institutionalization of "classical" music converged and diverged in Britain and India from 1880-1940.

Music as a Science of Mankind in Eighteenth-century Britain

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Author :
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1409428699
Total Pages : 197 pages
Book Rating : 4.4/5 (94 download)

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Book Synopsis Music as a Science of Mankind in Eighteenth-century Britain by : Maria Semi

Download or read book Music as a Science of Mankind in Eighteenth-century Britain written by Maria Semi and published by Ashgate Publishing, Ltd.. This book was released on 2012 with total page 197 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music as a Science of Mankind offers a philosophical and historical perspective on the intellectual representation of music in British eighteenth-century culture. A particularly rich field of investigation, developed between the seventeenth and eighteenth centuries, was the British philosophy of the mind and of human understanding which looked at music and found in its realm a way of understanding human experience. Maria Semi sheds light on how these reflections moved towards a Science of Music: the discipline that was later to be known as 'musicology'.

Music and Theology in Nineteenth-Century Britain

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Author :
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1409495094
Total Pages : 281 pages
Book Rating : 4.4/5 (94 download)

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Book Synopsis Music and Theology in Nineteenth-Century Britain by : Dr Martin Clarke

Download or read book Music and Theology in Nineteenth-Century Britain written by Dr Martin Clarke and published by Ashgate Publishing, Ltd.. This book was released on 2013-01-28 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: The interrelationship of music and theology is a burgeoning area of scholarship in which conceptual issues have been explored by musicologists and theologians including Jeremy Begbie, Quentin Faulkner and Jon Michael Spencer. Their important work has opened up opportunities for focussed, critical studies of the ways in which music and theology can be seen to interact in specific repertoires, genres, and institutions as well as the work of particular composers, religious leaders and scholars. This collection of essays explores such areas in relation to the religious, musical and social history of nineteenth-century Britain. The book does not simply present a history of sacred music of the period, but examines the role of music in the diverse religious life of a century that encompassed the Oxford Movement, Catholic Emancipation, religious revivals involving many different denominations, the production of several landmark hymnals and greater legal recognition for religions other than Christianity. The book therefore provides a valuable guide to the music of this complex historical period.

Folk Song in England

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Publisher : Faber & Faber
ISBN 13 : 0571309739
Total Pages : 612 pages
Book Rating : 4.5/5 (713 download)

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Book Synopsis Folk Song in England by : Steve Roud

Download or read book Folk Song in England written by Steve Roud and published by Faber & Faber. This book was released on 2017-08-15 with total page 612 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Victorian times, England was famously dubbed the land without music - but one of the great musical discoveries of the early twentieth century was that England had a vital heritage of folk song and music which was easily good enough to stand comparison with those of other parts of Britain and overseas. Cecil Sharp, Ralph Vaughan Williams, Percy Grainger, and a number of other enthusiasts gathered a huge harvest of songs and tunes which we can study and enjoy at our leisure. But after over a century of collection and discussion, publication and performance, there are still many things we don't know about traditional song - Where did the songs come from? Who sang them, where, when and why? What part did singing play in the lives of the communities in which the songs thrived? More importantly, have the pioneer collectors' restricted definitions and narrow focus hindered or helped our understanding? This is the first book for many years to investigate the wider social history of traditional song in England, and draws on a wide range of sources to answer these questions and many more.

The History of Live Music in Britain, 1968-1984

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Author :
Publisher : Lund Humphries Publishers
ISBN 13 : 9781409425892
Total Pages : 242 pages
Book Rating : 4.4/5 (258 download)

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Book Synopsis The History of Live Music in Britain, 1968-1984 by : Simon Frith

Download or read book The History of Live Music in Britain, 1968-1984 written by Simon Frith and published by Lund Humphries Publishers. This book was released on 2019-03-18 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: To date, there has been a significant gap in work on the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism¿that of live music. The key theme of the books is the changing nature of the live music industry in the UK, focused upon popular music but including all musical genres. Via this focus, the books offer new insights into a number of other areas, including the relationship between commercial and public funding of music, changing musical fashions and tastes, the impact of changing technologies, the changing balance of power within the music industries, the role of the state in regulating and promoting various musical activities within an increasingly globalised music economy, and the effects of demographic and other social changes on music culture. Drawing on new archival research, a wide range of academic and non-academic secondary sources, participant observation and a series of interviews with key personnel, the books have the potential to become landmark works within Popular Music Studies and broader cultural history. The second volume covers the period from Hyde Park to the Hacienda (1968¿84).

Music and the Benefit Performance in Eighteenth-Century Britain

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Author :
Publisher : Cambridge University Press
ISBN 13 : 1108492932
Total Pages : 303 pages
Book Rating : 4.1/5 (84 download)

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Book Synopsis Music and the Benefit Performance in Eighteenth-Century Britain by : Matthew Gardner

Download or read book Music and the Benefit Performance in Eighteenth-Century Britain written by Matthew Gardner and published by Cambridge University Press. This book was released on 2019-10-31 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.

How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom

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Author :
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1409493768
Total Pages : 298 pages
Book Rating : 4.4/5 (94 download)

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Book Synopsis How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom by : Dr Roberta Freund Schwartz

Download or read book How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom written by Dr Roberta Freund Schwartz and published by Ashgate Publishing, Ltd.. This book was released on 2013-01-28 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores how, and why, the blues became a central component of English popular music in the 1960s. It is commonly known that many 'British invasion' rock bands were heavily influenced by Chicago and Delta blues styles. But how, exactly, did Britain get the blues? Blues records by African American artists were released in the United States in substantial numbers between 1920 and the late 1930s, but were sold primarily to black consumers in large urban centres and the rural south. How, then, in an era before globalization, when multinational record releases were rare, did English teenagers in the early 1960s encounter the music of Robert Johnson, Blind Boy Fuller, Memphis Minnie, and Barbecue Bob? Roberta Schwartz analyses the transmission of blues records to England, from the first recordings to hit English shores to the end of the sixties. How did the blues, largely banned from the BBC until the mid 1960s, become popular enough to create a demand for re-released material by American artists? When did the British blues subculture begin, and how did it develop? Most significantly, how did the music become a part of the popular consciousness, and how did it change music and expectations? The way that the blues, and various blues styles, were received by critics is a central concern of the book, as their writings greatly affected which artists and recordings were distributed and reified, particularly in the early years of the revival. 'Hot' cultural issues such as authenticity, assimilation, appropriation, and cultural transgression were also part of the revival; these topics and more were interrogated in music periodicals by critics and fans alike, even as English musicians began incorporating elements of the blues into their common musical language. The vinyl record itself, under-represented in previous studies, plays a major part in the story of the blues in Britain. Not only did recordings shape perceptions and listening habits, but which artists were available at any given time also had an enormous impact on the British blues. Schwartz maps the influences on British blues and blues-rock performers and thereby illuminates the stylistic evolution of many genres of British popular music.

The Music Profession in Britain Since the Eighteenth Century

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Author :
Publisher : Oxford University Press, USA
ISBN 13 :
Total Pages : 296 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis The Music Profession in Britain Since the Eighteenth Century by : Cyril Ehrlich

Download or read book The Music Profession in Britain Since the Eighteenth Century written by Cyril Ehrlich and published by Oxford University Press, USA. This book was released on 1985 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explains the vigorous expansion of the music profession in the 19th and early 20th centuries, as the widespread demand for lessons and the revolution in commercialized entertainment created new employment opportunities, and follows the profession through to its subsequent decline as changing leisure patterns, "talkies", and relentless improvements in recording technologies displaced both teachers and performers.

Music and Performance Culture in Nineteenth-Century Britain

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Author :
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1409495531
Total Pages : 518 pages
Book Rating : 4.4/5 (94 download)

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Book Synopsis Music and Performance Culture in Nineteenth-Century Britain by : Professor Bennett Zon

Download or read book Music and Performance Culture in Nineteenth-Century Britain written by Professor Bennett Zon and published by Ashgate Publishing, Ltd.. This book was released on 2013-01-28 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. In four Parts, 'Musical Cultures', 'Societies', 'National Music' and 'Methods', this volume assesses the role music performance plays in articulating significant trends and currents of the cultural life of the period and includes articles on performance and individual instruments; orchestral and choral ensembles; church and synagogue music; music societies; cantatas; vocal albums; the middle-class salon, conducting; church music; and piano pedagogy. An introduction explores Temperley's vast contribution to musicology, highlighting his seminal importance in creating the field of nineteenth-century British music studies, and a bibliography provides an up-to-date list of his publications, including books and monographs, book chapters, journal articles, editions, reviews, critical editions, arrangements and compositions. Fittingly devoted to a significant element in Temperley's research, this book provides scholars of all nineteenth-century musical topics the opportunity to explore the richness of Britain's musical history.

Rhythms of Labour

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Publisher : Cambridge University Press
ISBN 13 : 1107244439
Total Pages : 359 pages
Book Rating : 4.1/5 (72 download)

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Book Synopsis Rhythms of Labour by : Marek Korczynski

Download or read book Rhythms of Labour written by Marek Korczynski and published by Cambridge University Press. This book was released on 2013-04-25 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whether for weavers at the handloom, labourers at the plough or factory workers on the assembly line, music has often been a key texture in people's working lives. This book is the first to explore the rich history of music at work in Britain and charts the journey from the singing cultures of pre-industrial occupations, to the impact and uses of the factory radio, via the silencing effect of industrialisation. The first part of the book discusses how widespread cultures of singing at work were in pre-industrial manual occupations. The second and third parts of the book show how musical silence reigned with industrialisation, until the carefully controlled introduction of Music while You Work in the 1940s. Continuing the analysis to the present day, Rhythms of Labour explains how workers have clung to and reclaimed popular music on the radio in desperate and creative ways.

Britishness, Popular Music, and National Identity

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Author :
Publisher : Routledge
ISBN 13 : 9781032925028
Total Pages : 0 pages
Book Rating : 4.9/5 (25 download)

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Book Synopsis Britishness, Popular Music, and National Identity by : Irene Morra

Download or read book Britishness, Popular Music, and National Identity written by Irene Morra and published by Routledge. This book was released on 2024-10-14 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a major exploration of the social and cultural importance of popular music to contemporary celebrations of Britishness. Rather than providing a history of popular music or an itemization of indigenous musical qualities, it exposes the influential cultural and nationalist rhetoric around popular music and the dissemination of that rhetoric in various forms. Since the 1960s, popular music has surpassed literature to become the dominant signifier of modern British culture and identity. This position has been enforced in popular culture, literature, news and music media, political rhetoric -- and in much popular music itself, which has become increasingly self-conscious about the expectation that music both articulate and manifest the inherent values and identity of the modern nation. This study examines the implications of such practices and the various social and cultural values they construct and enforce. It identifies two dominant, conflicting constructions around popular music: music as the voice of an indigenous English 'folk', and music as the voice of a re-emergent British Empire. These constructions are not only contradictory but also exclusive, prescribing a social and musical identity for the nation that ignores its greater creative, national, and cultural diversity. This book is the first to offer a comprehensive critique of an extremely powerful discourse in England that today informs dominant formulations of English and British national identity, history, and culture.

Folksongs of Britain and Ireland

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Author :
Publisher : Hal Leonard Publishing Corporation
ISBN 13 :
Total Pages : 844 pages
Book Rating : 4.0/5 ( download)

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Book Synopsis Folksongs of Britain and Ireland by : Peter Kennedy

Download or read book Folksongs of Britain and Ireland written by Peter Kennedy and published by Hal Leonard Publishing Corporation. This book was released on 1984 with total page 844 pages. Available in PDF, EPUB and Kindle. Book excerpt: A treasure trove for anyone interested in the folklore of the British Isles. Illustrated throughout, this lovely collection contains 360 folk songs from field recordings. Includes melody lines, lyrics, and chord symbols. Melody line format.

Electric Eden

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Publisher : Faber & Faber
ISBN 13 : 0571258425
Total Pages : 674 pages
Book Rating : 4.5/5 (712 download)

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Book Synopsis Electric Eden by : Rob Young

Download or read book Electric Eden written by Rob Young and published by Faber & Faber. This book was released on 2010-08-19 with total page 674 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rob Young's Electric Eden: Unearthing Britain's Visionary Music is a seminal book on British music and cultural heritage, that spans the visionary classical and folk tradition from the nineteenth-century to the present day. 'A thoroughly enjoyable read and likely to remain the best-written overview for a long time.' GUARDIAN 'A perfectly timed, perfectly pitched alternative history of English folk music . . . wide-ranging, insightful, authoritative, thoroughly entertaining.' NEW STATESMAN 'A stunning achievement.' SIMON REYNOLDS 'A masterpiece.' CAUGHT BY THE RIVER 'Excellent . . . blissfully quotable.' NEW YORK TIMES 'An authoritative account.' THE TIMES 'Consistently absorbing.' INDEPENDENT 'An impassioned and infectious rallying cry of a book.' SUNDAY TIMES In this groundbreaking survey of more than a century of music making in the British Isles, Rob Young investigates how the idea of folk has been handed down and transformed by successive generations - song collectors, composers, Marxist revivalists, folk-rockers, psychedelic voyagers, free festival-goers, experimental pop stars and electronic innovators. In a sweeping panorama of Albion's soundscape that takes in the pioneer spirit of Cecil Sharp; the pastoral classicism of Ralph Vaughan Williams and Peter Warlock; the industrial folk revival of Ewan MacColl and A. L. Lloyd; the folk-rock of Fairport Convention, Sandy Denny, Nick Drake, Shirley Collins, John Martyn and Pentangle; the bucolic psychedelia of The Incredible String Band, The Beatles and Pink Floyd; the acid folk of Comus, Forest, Mr Fox and Trees; The Wicker Man and occult folklore; the early Glastonbury and Stonehenge festivals; and the visionary pop of Kate Bush, Julian Cope and Talk Talk, Electric Eden maps out a native British musical voice that reflects the complex relationships between town and country, progress and nostalgia, radicalism and conservatism. An attempt to isolate the 'Britishness' of British music - a wild combination of pagan echoes, spiritual quest, imaginative time-travel, pastoral innocence and electrified creativity - Electric Eden will be treasured by anyone interested in the tangled story of Britain's folk music and Arcadian dreams. 'A treat.' TIME OUT 'Young is a fine writer.' MOJO 'Young's immense narrative is both educative and gripping.' UNCUT 'A multitudinous, fascinating and beautifully written account.' TLS