Music and Wonder at the Medici Court

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Publisher :
ISBN 13 :
Total Pages : 340 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Music and Wonder at the Medici Court by : Nina Treadwell

Download or read book Music and Wonder at the Medici Court written by Nina Treadwell and published by . This book was released on 2008 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: The role of music and theater in Medicean politics

Music and Wonder at the Medici Court

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Publisher :
ISBN 13 :
Total Pages : 277 pages
Book Rating : 4.:/5 (612 download)

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Book Synopsis Music and Wonder at the Medici Court by :

Download or read book Music and Wonder at the Medici Court written by and published by . This book was released on 2008 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Francesca Caccini at the Medici Court

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Author :
Publisher : University of Chicago Press
ISBN 13 : 022633810X
Total Pages : 482 pages
Book Rating : 4.2/5 (263 download)

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Book Synopsis Francesca Caccini at the Medici Court by : Suzanne G. Cusick

Download or read book Francesca Caccini at the Medici Court written by Suzanne G. Cusick and published by University of Chicago Press. This book was released on 2015-11-07 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt: A contemporary of Shakespeare and Monteverdi, and a colleague of Galileo and Artemisia Gentileschi at the Medici court, Francesca Caccini was a dominant musical figure there for thirty years. Dazzling listeners with the transformative power of her performances and the sparkling wit of the music she composed for more than a dozen court theatricals, Caccini is best remembered today as the first woman to have composed opera. Francesca Caccini at the Medici Court reveals for the first time how this multitalented composer established a fully professional musical career at a time when virtually no other women were able to achieve comparable success. Suzanne G. Cusick argues that Caccini’s career depended on the usefulness of her talents to the political agenda of Grand Duchess Christine de Lorraine, Tuscany’s de facto regent from 1606 to 1636. Drawing on Classical and feminist theory, Cusick shows how the music Caccini made for the Medici court sustained the culture that enabled Christine’s power, thereby also supporting the sexual and political aims of its women. In bringing Caccini’s surprising story so vividly to life, Cusick ultimately illuminates how music making functioned in early modern Italy as a significant medium for the circulation of power.

Francesca Caccini at the Medici Court

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Publisher :
ISBN 13 :
Total Pages : 498 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Francesca Caccini at the Medici Court by : Suzanne G. Cusick

Download or read book Francesca Caccini at the Medici Court written by Suzanne G. Cusick and published by . This book was released on 2009-07-15 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt: A colleague of Galileo and Artemisia Gentileschi at the Medici court, Francesca Caccini was a dominant figure of musical life there for 30 years. She is best remembered today as the first woman to compose opera. This is a study of her life and works.

The Court Musicians in Florence During the Principate of the Medici

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Publisher : Firenze : L.S. Olschki
ISBN 13 :
Total Pages : 784 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis The Court Musicians in Florence During the Principate of the Medici by : Warren Kirkendale

Download or read book The Court Musicians in Florence During the Principate of the Medici written by Warren Kirkendale and published by Firenze : L.S. Olschki. This book was released on 1993 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Desire and Pleasure in Seventeenth-Century Music

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Publisher : Univ of California Press
ISBN 13 : 0520952065
Total Pages : 239 pages
Book Rating : 4.5/5 (29 download)

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Book Synopsis Desire and Pleasure in Seventeenth-Century Music by : Susan McClary

Download or read book Desire and Pleasure in Seventeenth-Century Music written by Susan McClary and published by Univ of California Press. This book was released on 2012-03-06 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states—desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the period. McClary shows how musicians—whether working within the contexts of the Reformation or Counter-Reformation, Absolutists courts or commercial enterprises in Venice—were able to manipulate known procedures to produce radically new ways of experiencing time and the Self.

Music and Embodied Cognition

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Publisher : Indiana University Press
ISBN 13 : 0253021677
Total Pages : 300 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Music and Embodied Cognition by : Arnie Cox

Download or read book Music and Embodied Cognition written by Arnie Cox and published by Indiana University Press. This book was released on 2016-09-06 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox's work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.

Musical Forces

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Publisher : Indiana University Press
ISBN 13 : 0253005493
Total Pages : 243 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Musical Forces by : Steve Larson

Download or read book Musical Forces written by Steve Larson and published by Indiana University Press. This book was released on 2012-01-31 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: Steve Larson drew on his 20 years of research in music theory, cognitive linguistics, experimental psychology, and artificial intelligence—as well as his skill as a jazz pianist—to show how the experience of physical motion can shape one's musical experience. Clarifying the roles of analogy, metaphor, grouping, pattern, hierarchy, and emergence in the explanation of musical meaning, Larson explained how listeners hear tonal music through the analogues of physical gravity, magnetism, and inertia. His theory of melodic expectation goes beyond prior theories in predicting complete melodic patterns. Larson elegantly demonstrated how rhythm and meter arise from, and are given meaning by, these same musical forces.

Studies in Music, Words, and Imagery in Early Modern Europe

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Publisher : Taylor & Francis
ISBN 13 : 1040106773
Total Pages : 344 pages
Book Rating : 4.0/5 (41 download)

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Book Synopsis Studies in Music, Words, and Imagery in Early Modern Europe by : Barbara Russano Hanning

Download or read book Studies in Music, Words, and Imagery in Early Modern Europe written by Barbara Russano Hanning and published by Taylor & Francis. This book was released on 2024-08-20 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Characterized by an interdisciplinary approach, these essays highlight the relationship between music and poetry in Italian secular works of the late sixteenth and early seventeenth centuries, examine the role of images in shedding light on the cultural context in which these and other works came into being (music iconography), and explore the binaries and similarities of the arts in this period. Insights about early opera are complemented by discussions of accompanied solo song, or monody, both genres new to Italian music at the turn of the seventeenth century. Many chapters focus on specific images, ranging from the figure of Apollo and his significance as the earliest operatic protagonist, to an early eighteenth-century representation of a salon concert and its “ensemblisation” of events that likely occurred serially. Others include discussions and analyses of musical poetics, from Tasso’s influence on the Italian madrigal to Rinuccini’s authorship of the earliest opera libretti. Another focuses on history while narrating the circumstances under which opera came into being in late Renaissance Florence. Addressed in large measure to teachers and students, Studies in Music, Words, and Imagery in Early Modern Europe presents a range of subjects that broaden our perspective on the era. Certain essays take a specifically pedagogical approach, while others are more apt to interest music historians or those familiar with Italian versification. All are presented with a view toward making more accessible essays that do not fit neatly into one subject area but cross boundary lines between music, words, and images.

Dramatic Experience

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Publisher : BRILL
ISBN 13 : 9004329765
Total Pages : 327 pages
Book Rating : 4.0/5 (43 download)

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Book Synopsis Dramatic Experience by : Katja Gvozdeva

Download or read book Dramatic Experience written by Katja Gvozdeva and published by BRILL. This book was released on 2016-10-11 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (eds.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic theory, theatrical practice, and various modes of audience experience — among both theatregoers and readers of drama — contribute, during the sixteenth to eighteenth centuries, to the emergence of symbolic, social, and cultural space(s) we call ‘public sphere(s)’? Developing a post-Habermasian understanding of the public sphere, the articles in this collection demonstrate that related, if diverging, conceptions of the ‘public’ existed in a variety of forms, locations, and cultures across early modern Europe — and in Asia.

Histories of Heinrich Schütz

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Publisher : Cambridge University Press
ISBN 13 : 1139502018
Total Pages : 267 pages
Book Rating : 4.1/5 (395 download)

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Book Synopsis Histories of Heinrich Schütz by : Bettina Varwig

Download or read book Histories of Heinrich Schütz written by Bettina Varwig and published by Cambridge University Press. This book was released on 2011-11-03 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bettina Varwig places the music of the celebrated Dresden composer Heinrich Schütz in a richly detailed tapestry of cultural, political, religious and intellectual contexts. Four key events in Schütz's career - the 1617 Reformation centenary, the performance of his Dafne in 1627, the 1636 funeral composition Musikalische Exequien and the publication of his motet collection Geistliche Chormusik (1648) - are used to explore his music's resonances with broader historical themes, including the effects of the Thirty Years' War, contemporary meanings of classical mythology, Lutheran attitudes to death and the afterlife as well as shifting conceptions of time and history in light of early modern scientific advances. These original seventeenth-century circumstances are treated in counterpoint with Schütz's fascinating later reinvention in nineteenth- and twentieth-century German musical culture, providing a new kind of musicological writing that interweaves layers of historical inquiry from the seventeenth century to the present day.

Voice Machines

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Publisher : University of Chicago Press
ISBN 13 : 0226825140
Total Pages : 429 pages
Book Rating : 4.2/5 (268 download)

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Book Synopsis Voice Machines by : Bonnie Gordon

Download or read book Voice Machines written by Bonnie Gordon and published by University of Chicago Press. This book was released on 2023-05-31 with total page 429 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The castrato phenomenon stretched from the late sixteenth century, when castrati first appeared in Italian courts and churches, through the eighteenth century, when they occupied a celebrity status on the operatic stage. Throughout this time, the voice of the castrato--hailed as uniquely strong, flexible and expressive--contributed to a dramatic expansion of the musical vocabulary and to finding new ways to embody the poetic text. For us today, the castrato also highlights the porous relationship of voices and instruments/machines and the inherent materiality of sound. In her revealing study, Bonnie Gordon asks what it meant that the early-modern period produced a caste of technologically altered male singers and she uses the castrato as a critical provocation for asking questions about the interrelated histories of music, technology, sound, the limits of the human body, and what counts as human"--

The Cambridge Companion to Seventeenth-Century Opera

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Publisher : Cambridge University Press
ISBN 13 : 0521823595
Total Pages : 379 pages
Book Rating : 4.5/5 (218 download)

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Book Synopsis The Cambridge Companion to Seventeenth-Century Opera by :

Download or read book The Cambridge Companion to Seventeenth-Century Opera written by and published by Cambridge University Press. This book was released on with total page 379 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Debussy Redux

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Publisher : Indiana University Press
ISBN 13 : 0253357160
Total Pages : 238 pages
Book Rating : 4.2/5 (533 download)

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Book Synopsis Debussy Redux by : Matthew Brown

Download or read book Debussy Redux written by Matthew Brown and published by Indiana University Press. This book was released on 2012-04-09 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In a study that is both scholarly and highly entertaining, Matthew Brown explores pop culture's appropriations of Debussy's music in everything from '30s swing tunes, '40s movie scores, '50s lounge/exotica, '70s rock and animation, '80s action films, and Muzak. The book, however, is far more than a compendium of fascinating borrowings. The author uses these musical transfers to tackle some of the most fundamental aesthetic issues relevant to the music of all composers, not just Debussy." David Grayson -- Book jacket.

Seventeenth-Century Opera and the Sound of the Commedia Dell’Arte

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Publisher : University of Chicago Press
ISBN 13 : 022640157X
Total Pages : 240 pages
Book Rating : 4.2/5 (264 download)

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Book Synopsis Seventeenth-Century Opera and the Sound of the Commedia Dell’Arte by : Emily Wilbourne

Download or read book Seventeenth-Century Opera and the Sound of the Commedia Dell’Arte written by Emily Wilbourne and published by University of Chicago Press. This book was released on 2016-11-21 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Emily Wilbourne boldly traces the roots of early opera back to the sounds of the commedia dell’arte. Along the way, she forges a new history of Italian opera, from the court pieces of the early seventeenth century to the public stages of Venice more than fifty years later. Wilbourne considers a series of case studies structured around the most important and widely explored operas of the period: Monteverdi’s lost L’Arianna, as well as his Il Ritorno d’Ulisse and L’incoronazione di Poppea; Mazzochi and Marazzoli’s L’Egisto, ovvero Chi soffre speri; and Cavalli’s L’Ormindo and L’Artemisia. As she demonstrates, the sound-in-performance aspect of commedia dell’arte theater—specifically, the use of dialect and verbal play—produced an audience that was accustomed to listening to sonic content rather than simply the literal meaning of spoken words. This, Wilbourne suggests, shaped the musical vocabularies of early opera and facilitated a musicalization of Italian theater. Highlighting productive ties between the two worlds, from the audiences and venues to the actors and singers, this work brilliantly shows how the sound of commedia performance ultimately underwrote the success of opera as a genre.

Studies in Seventeenth-Century Opera

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Publisher : Routledge
ISBN 13 : 1351547631
Total Pages : 514 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Studies in Seventeenth-Century Opera by : BethL. Glixon

Download or read book Studies in Seventeenth-Century Opera written by BethL. Glixon and published by Routledge. This book was released on 2017-07-05 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt: The past four decades have seen an explosion in research regarding seventeenth-century opera. In addition to investigations of extant scores and librettos, scholars have dealt with the associated areas of dance and scenery, as well as newer disciplines such as studies of patronage, gender, and semiotics. While most of the essays in the volume pertain to Italian opera, others concern opera production in France, England, Spain and the Germanic countries.

The Rite of Spring at 100

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Publisher : Indiana University Press
ISBN 13 : 0253024447
Total Pages : 615 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis The Rite of Spring at 100 by : Severine Neff

Download or read book The Rite of Spring at 100 written by Severine Neff and published by Indiana University Press. This book was released on 2017-04-27 with total page 615 pages. Available in PDF, EPUB and Kindle. Book excerpt: When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory. This version also includes audio and visual supplements designed to enhance understanding of this classic piece.