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Music And Soviet Power 1917 1932
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Book Synopsis Music and Soviet Power, 1917-1932 by : Marina Frolova-Walker
Download or read book Music and Soviet Power, 1917-1932 written by Marina Frolova-Walker and published by . This book was released on 2012 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book offers unprecedented access to primary sources that have been unavailable in English, or which lay unknown on archival shelves. Music and Soviet Power offers cultural history told through documents - both colourful and representative - with an extensive commentary and annotation throughout.
Book Synopsis Music for the Revolution by : Amy Nelson
Download or read book Music for the Revolution written by Amy Nelson and published by Penn State Press. This book was released on 2010-02-24 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mention twentieth-century Russian music, and the names of three &"giants&"&—Igor Stravinsky, Sergei Prokofiev, and Dmitrii Shostakovich&—immediately come to mind. Yet during the turbulent decade following the Bolshevik Revolution, Stravinsky and Prokofiev lived abroad and Shostakovich was just finishing his conservatory training. While the fame of these great musicians is widely recognized, little is known about the creative challenges and political struggles that engrossed musicians in Soviet Russia during the crucial years after 1917. Music for the Revolution examines musicians&’ responses to Soviet power and reveals the conditions under which a distinctively Soviet musical culture emerged in the early thirties. Given the dramatic repression of intellectual freedom and creativity in Stalinist Russia, the twenties often seem to be merely a prelude to Totalitarianism in artistic life. Yet this was the decade in which the creative intelligentsia defined its relationship with the Soviet regime and the aesthetic foundations for socialist realism were laid down. In their efforts to deal with the political challenges of the Revolution, musicians grappled with an array of issues affecting musical education, professional identity, and the administration of musical life, as well as the embrace of certain creative platforms and the rejection of others. Nelson shows how debates about these issues unfolded in the context of broader concerns about artistic modernism and elitism, as well as the more expansive goals and censorial authority of Soviet authorities. Music for the Revolution shows how the musical community helped shape the musical culture of Stalinism and extends the interpretive frameworks of Soviet culture presented in recent scholarship to an area of artistic creativity often overlooked by historians. It should be broadly important to those interested in Soviet history, the cultural roots of Stalinism, Russian and Soviet music, and the place of music and the arts in revolutionary change.
Book Synopsis Music of the Soviet Era: 1917-1991 by : Levon Hakobian
Download or read book Music of the Soviet Era: 1917-1991 written by Levon Hakobian and published by Routledge. This book was released on 2016-11-25 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a comprehensive and detailed survey of music and musical life of the entire Soviet era, from 1917 to 1991, which takes into account the extensive body of scholarly literature in Russian and other major European languages. In this considerably updated and revised edition of his 1998 publication, Hakobian traces the strikingly dramatic development of the music created by outstanding and less well-known, ‘modernist’ and ‘conservative’, ‘nationalist’ and ‘cosmopolitan’ composers of the Soviet era. The book’s three parts explore, respectively, the musical trends of the 1920s, music and musical life under Stalin, and the so-called ’Bronze Age’ of Soviet music after Stalin’s death. Music of the Soviet Era: 1917–1991 considers the privileged position of music in the USSR in comparison to the written and visual arts. Through his examination of the history of the arts in the Soviet state, Hakobian’s work celebrates the human spirit’s wonderful capacity to derive advantage even from the most inauspicious conditions.
Book Synopsis Music and Musical Life in Soviet Russia by : Boris Schwarz
Download or read book Music and Musical Life in Soviet Russia written by Boris Schwarz and published by . This book was released on 1983 with total page 744 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music to the Masses by : Neil Edmund Edmunds
Download or read book Music to the Masses written by Neil Edmund Edmunds and published by . This book was released on 1994 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book 1917 and Beyond written by Philip Bullock and published by . This book was released on 2019-03-05 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking inspiration from a body of scholarship which has problematized the question of how the aesthetic values of the 1920s gave way to what became Socialist Realism, this collection ranges widely over musical and invokes not only the October Revolution, but other widely cited turning points in Russian history to suggest significant continuities.
Book Synopsis Russian Music Since 1917 by : Patrick Zuk
Download or read book Russian Music Since 1917 written by Patrick Zuk and published by Proceedings of the British Aca. This book was released on 2017 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: This ground-breaking collection of essays, which arises from a unique collaboration between leading scholars based on either side of the former Iron Curtain, is the first attempt to appraise the current state of research on the development of Russian art music since the 1917 Revolution. Part I provides a comprehensive critical overview of recent research both in Russia itself and outside it, outlining the principal changes in approach and emphasis. The remaining essays engage with topics of key importance, including: the envisionings of music's place in Soviet and post-Soviet cultural life; the effects of state controls on musical creativity and performance; musical institutions; the Russian musical diaspora; and the transition to the post-Soviet period. The contributions vividly illustrate the transformation of scholarship in the field since glasnost. In the USSR, scholarship had been seriously hindered by censorship, while in the West, Soviet music and musical life tended to be assessed from entrenched aesthetic and ideological standpoints engendered by the Cold War. The dramatically changed climate of the post-Soviet period has made possible a more objective and informed discussion of many issues, and has led scholars to question the validity of 'top-down' models of the interaction between musicians and the state that had previously been predominant. The book will be not only be a valuable resource for university courses on Russian music at undergraduate and postgraduate level, but essential reading for all those interested in Soviet and post-Soviet culture.
Book Synopsis Soviet Music and Society Under Lenin and Stalin by : Neil Edmunds
Download or read book Soviet Music and Society Under Lenin and Stalin written by Neil Edmunds and published by Routledge. This book was released on 2004-06 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates the place of music in Soviet society during the eras of Lenin and Stalin. It examines the different strategies adopted by composers and musicians in their attempts to carve out careers in a rapidly evolving society, discusses the role of music in Soviet society and people's lives, and shows how political ideology proved an inspiration as well as an inhibition. It explores how music and politics interacted in the lives of two of the twentieth century's greatest composers - Shostakovich and Prokofiev - and also in the lives of less well-known composers. In addition it considers the specialist composers of early Soviet musical propaganda, amateur music making, and musical life in the non-Russian republics. The book will appeal to specialists in Soviet music history, those with an interest in twentieth century music in general, and also to students of the history, culture and politics of the Soviet Union.
Book Synopsis Music of the Soviet Era: 1917-1991 by : Levon Hakobian
Download or read book Music of the Soviet Era: 1917-1991 written by Levon Hakobian and published by Taylor & Francis. This book was released on 2016-11-25 with total page 529 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a comprehensive and detailed survey of music and musical life of the entire Soviet era, from 1917 to 1991, which takes into account the extensive body of scholarly literature in Russian and other major European languages. In this considerably updated and revised edition of his 1998 publication, Hakobian traces the strikingly dramatic development of the music created by outstanding and less well-known, ‘modernist’ and ‘conservative’, ‘nationalist’ and ‘cosmopolitan’ composers of the Soviet era. The book’s three parts explore, respectively, the musical trends of the 1920s, music and musical life under Stalin, and the so-called ’Bronze Age’ of Soviet music after Stalin’s death. Music of the Soviet Era: 1917–1991 considers the privileged position of music in the USSR in comparison to the written and visual arts. Through his examination of the history of the arts in the Soviet state, Hakobian’s work celebrates the human spirit’s wonderful capacity to derive advantage even from the most inauspicious conditions.
Book Synopsis Soviet Music and Society under Lenin and Stalin by : Neil Edmunds
Download or read book Soviet Music and Society under Lenin and Stalin written by Neil Edmunds and published by Routledge. This book was released on 2004-06-01 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates the place of music in Soviet society during the eras of Lenin and Stalin. It examines the different strategies adopted by composers and musicians in their attempts to carve out careers in a rapidly evolving society, discusses the role of music in Soviet society and people's lives, and shows how political ideology proved an inspiration as well as an inhibition. It explores how music and politics interacted in the lives of two of the twentieth century's greatest composers - Shostakovich and Prokofiev - and also in the lives of less well-known composers. In addition it considers the specialist composers of early Soviet musical propaganda, amateur music making, and musical life in the non-Russian republics. The book will appeal to specialists in Soviet music history, those with an interest in twentieth century music in general, and also to students of the history, culture and politics of the Soviet Union.
Book Synopsis The Three Apostles of Russian Music by : Gregor Tassie
Download or read book The Three Apostles of Russian Music written by Gregor Tassie and published by Rowman & Littlefield. This book was released on 2021-11-11 with total page 399 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Three Apostles of Russian Music looks at three figures in the Soviet avant-garde who led modernist music in the 1920s. Mosolov, Popov, and Roslavets were popular composers who are now unfortunately forgotten. These remarkable musicians produced compositions like the sensational machine music Foundry by Mosolov. The first symphony by Popov attracted musicians in Europe and America but was banned after the premiere, while Roslavets discovered serialism before Schoenberg, opening up a new trend in modernism. This book is the first study in English of the work, lives, and legacies of these “apostles” of the Russian avant-garde.
Book Synopsis Music and Power in the Soviet 1930s by : Simo Mikkonen
Download or read book Music and Power in the Soviet 1930s written by Simo Mikkonen and published by . This book was released on 2009 with total page 447 pages. Available in PDF, EPUB and Kindle. Book excerpt: The existing literature on music in Soviet society primarily discusses specific works or composers rather than the context within which music was produced. This book examines the relationship of art and politics in the Soviet Union during the early Stalinist phase, 1930s, leaning on extensive archival work.
Book Synopsis Russian Music and Nationalism by : Marina Frolova-Walker
Download or read book Russian Music and Nationalism written by Marina Frolova-Walker and published by . This book was released on 2007 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenging what is widely regarded as the distinguishing feature of Russian music--its ineffable "Russianness"--Marina Frolova-Walker examines the history of Russian music from the premiere of Glinka's opera A Life for the Tsar in 1836 to the death of Stalin in 1953, the years in which musical nationalism was encouraged and endorsed by the Russian state and its Soviet successor. The author identifies and discusses two central myths that dominated Russian culture during this period--that art revealed the Russian soul, and that this nationalist artistic tradition was founded by Glinka and Pushkin. The author also offers a critical account of how the imperatives of nationalist thought affected individual composers. In this way Frolova-Walker provides a new perspective on the brilliant creativity, innovation, and eventual stagnation within the tradition of Russian nationalist music.
Book Synopsis Musical Models of Democracy by : Robert Adlington
Download or read book Musical Models of Democracy written by Robert Adlington and published by Oxford University Press. This book was released on 2023-10-20 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music's role in animating democracy--whether through protests and demonstrations, as a vehicle for political identity, or as a means of overcoming social divides--is well understood. Yet musicians have also been drawn to the potential of embodying democracy itself through musical processes and relationships. In this book, author Robert Adlington uses modern democratic theory to explore what he terms the 'musical modelling of democracy' as manifested in modern and experimental music of the global North. Throughout the book, Adlington demonstrates how composers and musicians have taken strikingly different approaches to this kind of musical modelling. For some, democratic principles inform the textural relationships inscribed into musical scores, as in the case of Elliott Carter's 'polyvocal' compositions. Pioneers of musical indeterminacy sought to democratise the relationship between composer and performers by leaving open key decisions about the realisation of a work. Musicians have involved audiences in active participation to liberate them from the passivity of spectatorship. Free improvisation groups have experimented with new kinds of egalitarian relationships between performers to reject old hierarchies. In examining these different approaches, Adlington illuminates the achievements and ambiguities of musical models of democracy. As a result, this book not only offers an important new perspective on modern musicians' engagement with a central political idea of the past century, but it also encourages a deeper and more critical engagement with the idea of democracy within present-day musical life.
Book Synopsis The Soviet Writers' Union and Its Leaders by : Carol Any
Download or read book The Soviet Writers' Union and Its Leaders written by Carol Any and published by Northwestern University Press. This book was released on 2020-10-15 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner, University of Southern California Book Prize in Literary and Cultural Studies The Soviet Writers’ Union offered writers elite status and material luxuries in exchange for literature that championed the state. This book argues that Soviet ruler Joseph Stalin chose leaders for this crucial organization, such as Maxim Gorky and Alexander Fadeyev, who had psychological traits he could exploit. Stalin ensured their loyalty with various rewards but also with a philosophical argument calculated to assuage moral qualms, allowing them to feel they were not trading ethics for self‐interest. Employing close textual analysis of public and private documents including speeches, debate transcripts, personal letters, and diaries, Carol Any exposes the misgivings of Writers’ Union leaders as well as the arguments they constructed when faced with a cognitive dissonance. She tells a dramatic story that reveals the interdependence of literary policy, communist morality, state‐sponsored terror, party infighting, and personal psychology. This book will be an important reference for scholars of the Soviet Union as well as anyone interested in identity, the construction of culture, and the interface between art and ideology.
Book Synopsis Classics for the Masses by : Pauline Fairclough
Download or read book Classics for the Masses written by Pauline Fairclough and published by Yale University Press. This book was released on 2016-05-28 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musicologist Pauline Fairclough explores the evolving role of music in shaping the cultural identity of the Soviet Union in a revelatory work that counters certain hitherto accepted views of an unbending, unchanging state policy of repression, censorship, and dissonance that existed in all areas of Soviet artistic endeavor. Newly opened archives from the Leninist and Stalinist eras have shed new light on Soviet concert life, demonstrating how the music of the past was used to help mold and deliver cultural policy, how “undesirable” repertoire was weeded out during the 1920s, and how Russian and non-Russian composers such as Mozart, Tchaikovsky, Wagner, Bach, and Rachmaninov were “canonized” during different, distinct periods in Stalinist culture. Fairclough’s fascinating study of the ever-shifting Soviet musical-political landscape identifies 1937 as the start of a cultural Cold War, rather than occurring post-World War Two, as is often maintained, while documenting the efforts of musicians and bureaucrats during this period to keep musical channels open between Russia and the West.
Book Synopsis Dostoevsky in the Arts and Beyond by : Olga Tabachinkova
Download or read book Dostoevsky in the Arts and Beyond written by Olga Tabachinkova and published by Ethics International Press. This book was released on 2024-08-30 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book is a substantial contribution to international Dostoevsky research, exploring Dostoevsky’s contemporary relevance from a multicultural and multidisciplinary perspective. It offers some fresh readings of Dostoevsky’s texts, presenting new complex studies on the writer and his works in the mirror of several arts of the last three decades. The book is divided into three Parts, featuring researchers from Bulgaria, Great Britain, Russia and Ukraine. Part One deals with conceptual issues, treating Dostoevsky above all as a prophet and philosopher, and thus determines the ideological system of coordinates for the studies presented in the rest of the book. Part Two examines Dostoevsky’s legacy through the lenses of literary theory, music, and Illustration art, and Part Three, via world cinema and theatre. The volume has gathered together an array of original and innovative studies from world leading experts in Dostoevsky’s creative universe, to make an authoritative input into the field.
