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Mughal Painting
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Book Synopsis Painting for the Mughal Emperor by : Susan Stronge
Download or read book Painting for the Mughal Emperor written by Susan Stronge and published by Victoria & Albert Museum. This book was released on 2002-05 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique blend of Indian, Persian, and Islamic styles, Mughal painting reached its golden age during the reigns of the emperors Akbar, Jahangir, and Shah Jahan in the 16th and 17th centuries. This gloriously illustrated book is the first to examine the Victoria and Albert Museum's remarkable collection of Mughal paintings, one of the finest in the world. Richly detailed battle scenes, scenes of court life, and lively depictions of the hunt were commissioned by the royal courts, along with a remarkable series of portraits, studies of wildlife, and decorative borders. The authoritative text contains much new research, and the beautifully reproduced color illustrations give this stunning volume wide appeal.
Book Synopsis Real Birds in Imagined Gardens by : Kavita Singh
Download or read book Real Birds in Imagined Gardens written by Kavita Singh and published by Getty Publications. This book was released on 2017-03-07 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt: Accounts of paintings produced during the Mughal dynasty (1526–1857) tend to trace a linear, “evolutionary” path and assert that, as European Renaissance prints reached and influenced Mughal artists, these artists abandoned a Persianate style in favor of a European one. Kavita Singh counters these accounts by demonstrating that Mughal painting did not follow a single arc of stylistic evolution. Instead, during the reigns of the emperors Akbar and Jahangir, Mughal painting underwent repeated cycles of adoption, rejection, and revival of both Persian and European styles. Singh’s subtle and original analysis suggests that the adoption and rejection of these styles was motivated as much by aesthetic interest as by court politics. She contends that Mughal painters were purposely selective in their use of European elements. Stylistic influences from Europe informed some aspects of the paintings, including the depiction of clothing and faces, but the symbolism, allusive practices, and overall composition remained inspired by Persian poetic and painterly conventions. Closely examining magnificent paintings from the period, Singh unravels this entangled history of politics and style and proposes new ways to understand the significance of naturalism and stylization in Mughal art.
Book Synopsis Imperial Mughal Painting by : Stuart Cary Welch
Download or read book Imperial Mughal Painting written by Stuart Cary Welch and published by . This book was released on 1978 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Mughal patrons and artists doted on the world and its inhabitants. No pains were spared to record them realistically in life-oriented pictures,usually of people and animals. The people are exceptional--some of mankind's most extraordinary wordlings and wisest saints, shown in depth, to be scrutinized inside and out. All the folios reproduced here were made for the Mughal emperors of India or their immediate families during the sixteenth and seventeenth centuries. They were intense essences of their culture, showing emperors and their courts in elaborate settings, scenes of suspense and excitement depicting huns, demons, and elegant elephants, as well as a group of striking genre scenes in which the subtle rendering of light, learned form European painting, imparts a poetic quality that provides a striking conrast to the highly finished treatment of the royal portraits. The Introduction and Commentaries to the individual folios reproduced here have been provided by Stuart Cary Welch of The Fogg Art Museum at Harvard University."--back cover
Book Synopsis Aesthetic Hybridity in Mughal Painting, 1526-1658 by : Valerie Gonzalez
Download or read book Aesthetic Hybridity in Mughal Painting, 1526-1658 written by Valerie Gonzalez and published by Routledge. This book was released on 2016-03-03 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first specialized critical-aesthetic study to be published on the concept of hybridity in early Mughal painting, this book investigates the workings of the diverse creative forces that led to the formation of a unique Mughal pictorial language. Mughal pictoriality distinguishes itself from the Persianate models through the rationalization of the picture’s conceptual structure and other visual modes of expression involving the aesthetic concept of mimesis. If the stylistic and iconographic results of this transformational process have been well identified and evidenced, their hermeneutic interpretation greatly suffers from the neglect of a methodologically updated investigation of the images’ conceptual underpinning. Valerie Gonzalez addresses this lacuna by exploring the operations of cross-fertilization at the level of imagistic conceptualization resulting from the multifaceted encounter between the local legacy of Indo-Persianate book art, the freshly imported Persian models to Mughal India after 1555 and the influx of European art at the Mughal court in the sixteenth and seventeenth centuries. The author's close examination of the visuality, metaphysical order and aesthetic language of Mughal imagery and portraiture sheds new light on this particular aspect of its aesthetic hybridity, which is usually approached monolithically as a historical phenomenon of cross-cultural interaction. That approach fails to consider specific parameters and features inherent to the artistic practice, such as the differences between doxis and praxis, conceptualization and realization, intentionality and what lies beyond it. By studying the distinct phases and principles of hybridization between the variegated pictorial sources at work in the Mughal creative process at the successive levels of the project/intention, the practice/realization and the result/product, the author deciphers the modalities of appropriation and manipulation of the heterogeneous elements. Her unique
Download or read book Mughal Miniatures written by J. M. Rogers and published by Interlink Books. This book was released on 2006-01-01 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Mughal school of miniature painting flourished in northern India in the sixteenth and seventeenth centuries, chiefly under the patronage of the emperors Akbar, Jahangir and Shah Jahan. Rooted in a diversity of cultural, religious and artistic traditions, it became one of the richest and most productive schools in the whole history of Islamic art. In this beautifully illustrated book the author surveys the development of Mughal painting, from its early beginnings to the masterpieces created by the court studios for the books and albums of their demanding imperial patrons. He describes the historical setting in which the Mughal artists worked and the materials and techniques they used to create their brilliant effects. The paintings reproduced here cover the whole range of Mughal miniature art, from manuscript illustrations of biographical, historical or mythological works to courtly portrait albums, with both human and animal subject.
Book Synopsis Flora and Fauna in Mughal Art by : Som Prakash Verma
Download or read book Flora and Fauna in Mughal Art written by Som Prakash Verma and published by . This book was released on 1999 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Imperial Image by : Milo Cleveland Beach
Download or read book The Imperial Image written by Milo Cleveland Beach and published by Mapin. This book was released on 2012 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Books have been treasured for centuries in the Islamic world, as precious objects worthy of royal admiration. This was especially true in Muslim India, where generations of Mughal emperors commissioned and collected volumes of richly illuminated manuscripts and lavishly illustrated folios. They assembled workshops of the leading artists and calligraphers to produce the books that filled their extensive libraries. Today, those works remain a vibrant part of India's cultural and artistic history in the sixteenth and seventeenth centuries. In this revised and expanded edition of his popular 1981 book, Dr Milo Beach presents the superb collection of Mughal painting in the Freer Gallery of Art. He adds many of the outstanding works that entered the collection with the opening of the Arthur M. Sackler Gallery in 1987. Together, the Freer and Sackler Galleries, the Smithsonian's museums of Asian art, have the distinction of being one of the world's leading repositories of Mughal art. An introductory essay examines the Mughal art of the book and traces the contributions of a succession of rulers in Muslim India. Brief artist biographies and an extensive bibliography complete this updated volume.
Book Synopsis Reflections on Mughal Art and Culture by : Roda Ahluwalia
Download or read book Reflections on Mughal Art and Culture written by Roda Ahluwalia and published by . This book was released on 2021-07-28 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: - Offers fresh insights into the rich aesthetic and cultural legacy of the Imperial Mughal age in the Indian subcontinent - Essays by 13 eminent international scholars draw comparisons between the Mughals, the Safavids and the Ottomans - Over 159 images of Mughal artifacts, paintings, gardens and monuments illustrate the lasting heritage of the Imperial Mughals Enter the splendid world of Mughal India and explore its rich aesthetic and cultural legacy through fresh insights offered by 13 eminent scholars. Recent scholarship in this field has offered deeper analysis into established norms, explored pan-Indian connections and drawn comparisons with contemporaneous regions of the early modern world. Further studies along these lines were encouraged in a seminar held by the K.R. Cama Oriental Institute, Mumbai, and the formidable scholarship presented by contributors forms the content of this volume. The articles in this book explore varied subjects under the Mughal umbrella, challenge long-held ideas and draw comparisons between the artistic expressions and material culture of the powerful Islamicate triumvirate of the early modern period - the Safavids in Iran, the European-based Ottomans and the Mughals in the Indian subcontinent. Themes as diverse as portraits of royal women, sub-imperial patronage of temples, word-image relationship, the lapidary arts and the Imperial Library of the Mughals, a reconsideration of Mughal garden typologies, murals painted on architectural surfaces, the textile culture of the city of Burhanpur, changes in visual language and content of painting, and Imperial objets d'art have been discussed, challenged and analyzed. The final three articles are groundbreaking comparisons across Ottoman, Safavid and Mughal spheres. This beautifully illustrated book is sure to appeal to c
Book Synopsis Indian Miniatures of the Mughal Court by : Amina Okada
Download or read book Indian Miniatures of the Mughal Court written by Amina Okada and published by ABRAMS. This book was released on 1992 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mughal India written by Jeremiah P. Losty and published by . This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Published to accompany a major British Library exhibition, Mughal India showcases the British Library's extensive collection of illustrated manuscripts and paintings commissioned by Mughal emperors and other officials. Depicting the splendor and vibrant color of Mughal life, the exquisitely decorated works span four centuries, from the foundation of the Mughal dynasty by Babur in the sixteenth century, through the heights of the empire and the "Great" Mughal emperors of the seventeenth century, into the decline and eventual collapse in the nineteenth century.The lavish artworks cover a variety of subject matter, from scenes of courtly life to illustrations of works of literature. The development of a Mughal style of art can be traced through the illustrations and paintings, as can the influence of European styles. Many of these works have never before been published, and combined here with the engaging narrative of two experts who place each image within its historical and art historical context, they serve to provide us with a beautiful and illuminating view of the art and culture of Mughal India.--Amazon.com.
Book Synopsis Early Mughal Painting by : Milo Cleveland Beach
Download or read book Early Mughal Painting written by Milo Cleveland Beach and published by Harvard University Press. This book was released on 1987 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the minor miracles of art history is the extraordinary flowering of Indian painting that began in the mid-sixteenth century under the early Mughal emperors of Indian, notably Akbar the Great. Only in recent decades has the consummate artistry of early Mughal painting come to be widely appreciated in the West. Scholars have noted the innovations--departures from both Islamic and native Indian tradition--of the new, highly distinctive school of painting, among them natural history studies, a concern for portraiture, and the documentation of contemporary court events. Milo Beach traces, with an abundance of captivating illustrations, the evolution of the Mughal style. While acknowledging the influence of Akbar's interests and changing tastes (related in turn to historical and biographical circumstances), he shows that many of the new tendencies were evident during the short reign of Akbar's father, the Emperor Humayun, whose role as patron of the arts is thereby reassessed. Beach also stresses the traditionalism of the individual painters, who only gradually changed their concepts and compositions in response to foreign influences and to imperial taste. Mughal art, he affirms, can no longer be regarded as simply a reflection of its imperial patrons. The book takes account of recently discovered material and reproduces for the first time important paintings from unpublished manuscripts and albums. It will appeal to the general reader as well as the scholar.
Book Synopsis After the Great Mughals by : Barbara Schmitz
Download or read book After the Great Mughals written by Barbara Schmitz and published by Performing Arts Mumbai. This book was released on 2002 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although the study of painting under the Great Mughals is one of the most popular topics of Indian art historical research, scant attention has been given to the continuation of this tradition--the painting and illustrated manuscripts produced at the Delhi court and various regional schools from the reign of Bahadur Shah 1 in 1707 to the end of the reign of Bahadur Shah Zafar in 1858. This volume addresses several important themes of the era: the development of the styles of major artists, such as Chitarman, Dip Chand, and Imam Baksh, and their influence on later Mughal painting; the proliferation of regional styles during these years; and finally offered are new appraisals of the European contribution to Indian art of these 150 years.
Author :John William Seyller Publisher :Freer Gallery of Art and Arthur M. Sackler Gallery ISBN 13 : Total Pages :326 pages Book Rating :4.3/5 (97 download)
Book Synopsis The Adventures of Hamza by : John William Seyller
Download or read book The Adventures of Hamza written by John William Seyller and published by Freer Gallery of Art and Arthur M. Sackler Gallery. This book was released on 2002 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Paintings from Mughal India by : Andrew Topsfield
Download or read book Paintings from Mughal India written by Andrew Topsfield and published by . This book was released on 2008 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique style of painting developed in India during the reigns of the Mughal emperors (sixteenth-eighteenth century), which blended Indian, Persian and Islamic styles. Usually confined to book illustrations, these elegant works came to be known as Mughal miniatures. They reflect the splendour of the Mughal empire, depicting its art and architecture, from court scenes to legendary stories, in striking, vivid colours.This book reproduces some of the finest surviving examples of Mughal paintings drawn from a unique collection in the Bodleian Library, many of which have never been seen before in print. They include court paintings from the reign of Akbar to the fall of Shah Jehan (1560-1660), generally regarded as the most inspired century of Mughal painting, and images from the celebrated Bah§rist§n manuscript of 1595, which was prepared for the Emperor Akbar and illustrated by leading artists of the time.Each image is presented as a large-format colour plate on a single page with facing text describing its historical and cultural significance, while the introduction situates the works in the context of the period and its art generally.
Book Synopsis Mughal and Rajput Painting by : Milo Cleveland Beach
Download or read book Mughal and Rajput Painting written by Milo Cleveland Beach and published by Cambridge University Press. This book was released on 1992-09-24 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Mughals - descendants of Timur and Genghiz Khan with strong cultural ties to the Persian world - seized political power in north India in 1526 and became the most important artistically active Muslim dynasty on the subcontinent. In this richly illustrated book, Dr Milo Beach shows how, between 1555 and 1630 in particular, Mughal patronage of the arts was incessant and radically innovative for the Indian context.
Book Synopsis Aesthetic Hybridity in Mughal Painting, 1526–1658 by : Valerie Gonzalez
Download or read book Aesthetic Hybridity in Mughal Painting, 1526–1658 written by Valerie Gonzalez and published by Routledge. This book was released on 2016-03-03 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first specialized critical-aesthetic study to be published on the concept of hybridity in early Mughal painting, this book investigates the workings of the diverse creative forces that led to the formation of a unique Mughal pictorial language. Mughal pictoriality distinguishes itself from the Persianate models through the rationalization of the picture’s conceptual structure and other visual modes of expression involving the aesthetic concept of mimesis. If the stylistic and iconographic results of this transformational process have been well identified and evidenced, their hermeneutic interpretation greatly suffers from the neglect of a methodologically updated investigation of the images’ conceptual underpinning. Valerie Gonzalez addresses this lacuna by exploring the operations of cross-fertilization at the level of imagistic conceptualization resulting from the multifaceted encounter between the local legacy of Indo-Persianate book art, the freshly imported Persian models to Mughal India after 1555 and the influx of European art at the Mughal court in the sixteenth and seventeenth centuries. The author's close examination of the visuality, metaphysical order and aesthetic language of Mughal imagery and portraiture sheds new light on this particular aspect of its aesthetic hybridity, which is usually approached monolithically as a historical phenomenon of cross-cultural interaction. That approach fails to consider specific parameters and features inherent to the artistic practice, such as the differences between doxis and praxis, conceptualization and realization, intentionality and what lies beyond it. By studying the distinct phases and principles of hybridization between the variegated pictorial sources at work in the Mughal creative process at the successive levels of the project/intention, the practice/realization and the result/product, the author deciphers the modalities of appropriation and manipulation of the heterogeneous elements. Her unique
Book Synopsis Jahangir, a Connoisseur of Mughal Art by : Sanjeev Prasad Srivastava
Download or read book Jahangir, a Connoisseur of Mughal Art written by Sanjeev Prasad Srivastava and published by Abhinav Publications. This book was released on 2001 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jahangir : A Connoisseur Of Mughal Art Is Author'S Third Great Work Showing The Character And Personality Of Prince Salim Who Ruled India After The Death Of Akbar. It Tends To Portray The Aesthetic Taste Of Emperor Jahangir As An Unrivalled Connoisseur Of Mughal Art Besides Being A Shrewd Administrator Of Mughal Empire. The Primary Sources Attempts To Present The Artistic Heritage Of His Ancestors Followed By His Own Innovations Known As Muraqqas In Miniature Painting Which Stand Out As Rare Specimens Of Mughal Painting In The Entire Range Of Art History.Jahangir, Who Has Been Depicted As A Great Campaigner Of Wars, Was Also An Avowed Lover Of Natural Phenomena As Also Famous Naturalist Lover Of Mughal Art. What Excelled All Others Styles Of His Reign Was Aspect Of Sophistication And Refinement Which Characterize The Miniatures, Muraqqas Produced In Jahangir'S Atelier.It Was Based On Detailed Analytical Study Of The Trends And Tendencies Patronised By Him. Jahangir Devoted Enough Time To The Study And Enjoyment Of Painting During His Stay At Lahore Which Became A Hub Of Artistic Activity. It Was Here That Most Significant Manuscripts Were Illustrated. Many Noted Artists Worked At Lahore Kingdom. Lahore Became The Second Capital Of The Mughal Empire From Where Radiated Art, Culture, Language And Literature Throughout India.He Was A Man Of Wide Literary Taste, Having Intense Love For Poetry, Music, History, Geography, Architecture, Painting And Fine Arts. A Typical Mughal Culture Would Have Been Impossible Without This Intellectual And Artistic Contribution.
