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Modest Musorgsky And Boris Godunov
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Book Synopsis Modest Musorgsky and Boris Godunov by : Caryl Emerson
Download or read book Modest Musorgsky and Boris Godunov written by Caryl Emerson and published by Cambridge University Press. This book was released on 2006-11-02 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: Caryl Emerson and Robert Oldani take a comprehensive look at the most famous Russian opera, Modest Musorgsky's Boris Godunov.
Book Synopsis Modest Musorgsky and Boris Godunov by : Caryl Emerson
Download or read book Modest Musorgsky and Boris Godunov written by Caryl Emerson and published by Cambridge University Press. This book was released on 1994-03-10 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Caryl Emerson and Robert Oldani take a comprehensive look at the most famous Russian opera, Modest Musorgsky's Boris Godunov.
Download or read book Musorgsky written by David Brown and published by Oxford University Press, USA. This book was released on 2002 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: When the inspiration was upon him, he could apply himself with superhuman intensity, as he did when composing the initial version of Boris Godunov. Sadly, Musorgsky deteriorated in his final years, suffering periods of inner turmoil, when his alcoholism would be out of control. Finally, unemployed and all but destitute, he died at age forty-two. His failure to complete his two remaining operas, Khovanshchina and Sorochintsy Fair, Brown concludes, is one of music's greatest tragedies."--BOOK JACKET.
Book Synopsis Reader's Guide to Music by : Murray Steib
Download or read book Reader's Guide to Music written by Murray Steib and published by Routledge. This book was released on 2013-12-02 with total page 2624 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Download or read book Boris Godunov written by Caryl Emerson and published by . This book was released on 1986-12-22 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Within a Bakhtinian framework, Caryl Emerson explores these three versions of the Boris Tale, the context of their genesis, and their complex interrelationships.
Book Synopsis The Uncensored Boris Godunov by : Chester Dunning
Download or read book The Uncensored Boris Godunov written by Chester Dunning and published by Univ of Wisconsin Press. This book was released on 2006-04-15 with total page 579 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes the original Russian text and, for the first time, an English translation of that version. “Antony Wood’s translation is fluent and idiomatic; analyses by Dunning et al. are incisive; and the ‘case’ they make is skillfully argued. . . . Highly recommended.”—Choice
Book Synopsis Night on Bald Mountain by : Modest Mussorgsky
Download or read book Night on Bald Mountain written by Modest Mussorgsky and published by Serenissima Music. This book was released on 2018-09-05 with total page 94 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the first Russian tone poems, Night on Bald Mountain had its genesis in the late 1850s when Mussorgsky started sketches for a projected opera: St. John's Eve (1858), later changed to The Witch (1860) - based upon a scenario about a witches' sabbath on St. John's Eve. These were abandonded by the early 1860s but Mussorgsky contemplated a tone poem using the material featuring piano and orchestra along the lines of Liszt's Totentanz. The work was finally completed on St. John's Eve (June 23) of 1867 as an orchestral tone poem entited St. John's Eve on the Bare Mountain. The symphonic poem was never performed in the composer's lifetime. After rejection for performance, Mussorgsky reworked the material two more times for operatic projects that never materialized. After the composer's death his friend Rimsky-Korsakov prepared a new arrangement based on the last version composed for the opera Sorochintsy Fair which was published in 1886. Rimsky's arrangement became very popular, especially after its use in the 1939 Walt Disney film Fantasia in a very bowldwerized orchestration made by Leopold Stowkowski. Rimsky's setting is the work offered here - in a newly engraved edition by Richard W. Sargeant, Jr. It is now often regarded as more of a fantasy on themes by Mussorgsky composed by Rimsky-Korsakov. IMSLP page Wikipedia article
Book Synopsis Khovanschchina by : Modest Mussorgsky
Download or read book Khovanschchina written by Modest Mussorgsky and published by Alma Books. This book was released on 2018-01-01 with total page 131 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mussorgsky's last opera dramatizes the conspiracy of Prince Khovansky against Tsar Peter the Great, and the epic ends with the exile, murder and suicide of all the power groups of old Russia. When Musorgsky died in 1881, it was unfinished, and Rimsky-Korsakov completed it; Ravel and Stravinsky made another version for Diaghilev in 1911; in 1959 Shostakovich went back to the original and rediscovered a masterpiece. Caryl Emerson offers a provocative reading of Mussorgsky's achievement. Gerard McBurney relates the non-European inspiration in the score to Mussorgsky's conception of history, while Rosamund Bartlett describes the cultural impetus for his historical vision.Contents: Apocalypse Then, Now, and (for Us) Never: Reflections on Musorgsky's Other Historical Opera, Caryl Emerson; Musorgsky's Music of Time, Gerard McBurney; 'Khovanshchina' in Context, Rosamund Bartlett; Khovanshchina: Libretto by Modest Musorgsky; The Khovansky Affair: English translation by Carol Borah Palca.
Book Synopsis Musorgsky: Pictures at an Exhibition by : Michael Russ
Download or read book Musorgsky: Pictures at an Exhibition written by Michael Russ and published by Cambridge University Press. This book was released on 1992-08-28 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description
Book Synopsis Simon Boccanegra by : Giuseppe Verdi
Download or read book Simon Boccanegra written by Giuseppe Verdi and published by Ricordi - Bmg Ricordi. This book was released on 1997-02 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire ofBach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.
Book Synopsis Defining Russia Musically by : Richard Taruskin
Download or read book Defining Russia Musically written by Richard Taruskin and published by Princeton University Press. This book was released on 2020-10-06 with total page 594 pages. Available in PDF, EPUB and Kindle. Book excerpt: The world-renowned musicologist Richard Taruskin devoted much of his career to helping listeners appreciate Russian and Soviet music in new and sometimes controversial ways. Defining Russia Musically represents one of his landmark achievements: here Taruskin uses music, together with history and politics, to illustrate the many ways in which Russian national identity has been constructed, both from within Russia and from the Western perspective. He contends that it is through music that the powerful myth of Russia's "national character" can best be understood. Russian art music, like Russia itself, Taruskin writes, has "always [been] tinged or tainted . . . with an air of alterity—sensed, exploited, bemoaned, reveled in, traded on, and defended against both from within and from without." The author's goal is to explore this assumption of otherness in an all-encompassing work that re-creates the cultural contexts of the folksong anthologies of the 1700s, the operas, symphonies, and ballets of the 1800s, the modernist masterpieces of the 1900s, and the hugely fraught but ambiguous products of the Soviet period. Taruskin begins by showing how enlightened aristocrats, reactionary romantics, and the theorists and victims of totalitarianism have variously fashioned their vision of Russian society in musical terms. He then examines how Russia as a whole shaped its identity in contrast to an "East" during the age of its imperialist expansion, and in contrast to two different musical "Wests," Germany and Italy, during the formative years of its national consciousness. The final section focuses on four individual composers, each characterized both as a self-consciously Russian creator and as a European, and each placed in perspective within a revealing hermeneutic scheme. In the culminating chapters—Chaikovsky and the Human, Scriabin and the Superhuman, Stravinsky and the Subhuman, and Shostakovich and the Inhuman—Taruskin offers especially thought-provoking insights, for example, on Chaikovsky's status as the "last great eighteenth-century composer" and on Stravinsky's espousal of formalism as a reactionary, literally counterrevolutionary move.
Book Synopsis Young People's Guide to Classical Music by : Helen Bauer
Download or read book Young People's Guide to Classical Music written by Helen Bauer and published by Hal Leonard Corporation. This book was released on 2009 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music is a powerful art. We sing it, we dance to it, and we listen to it because it moves us as little else can. Classical music in particular has fascinated people for hundreds of years. The works of such composers as Bach, Mozart, and Beethoven have proven so appealing that generations of listeners have returned to them again and again. Young People's Guide to Classical Music invites you to join these listeners.
Download or read book Shostakovich written by Laurel E. Fay and published by . This book was released on 2000 with total page 494 pages. Available in PDF, EPUB and Kindle. Book excerpt: For this biography the author has used many primary documents; Shostakovich's many letters, concert programmes, newspaper articles and diaries of his contemporaries. Showing his life as an example of the paradoxes of living as an artist in Russia.
Book Synopsis The Opera Manual by : Nicholas Ivor Martin
Download or read book The Opera Manual written by Nicholas Ivor Martin and published by Scarecrow Press. This book was released on 2013-10-30 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: You are getting ready for a performance of Donizetti’s L’elisir d’amore and you have a few questions. How many clarinets are in the orchestra? How many orchestra members appear onstage? How many different sets are there? How long does the opera typically run? What are the key arias? Are any special effects or ballet choreography required? Who owns the rights? Where was it premiered? What are the leading and supporting roles? The Opera Manual is the only single source for the answers to these and other important questions. It is the ultimate companion for opera lovers, professionals, scholars, and teachers, featuring comprehensive information about, and plot summaries for, more than 550 operas—including every opera that is likely to be performed today, from standard to rediscovered contemporary works. The book is invaluable, especially for opera professionals, who will find everything they need for choosing and staging operas. But it is also a treasure for listeners. Similar reference books commonly skip over scenes and supporting characters in their plot summaries, lacking even the most basic facts about staging, orchestral, and vocal requirements. The Opera Manual, based on the actual scores of the works discussed, is the only exhaustive, up-to-date opera companion—a “recipe book” that will enable its readers to explore those operas they know and discover new ones to sample and enjoy.
Book Synopsis Collaborative Creative Thought and Practice in Music by : Margaret S. Barrett
Download or read book Collaborative Creative Thought and Practice in Music written by Margaret S. Barrett and published by Routledge. This book was released on 2016-05-23 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: The notion of the individual creator, a product in part of the Western romantic ideal, is now troubled by accounts and explanations of creativity as a social construct. While in collectivist cultures the assimilation (but not the denial) of individual authorship into the complexities of group production and benefit has been a feature, the notion of the lone individual creator has been persistent. Systems theories acknowledge the role of others, yet at heart these are still individual views of creativity - focusing on the creative individual drawing upon the work of others rather than recognizing the mutually constitutive elements of social interactions across time and space. Focusing on the domain of music, the approach taken in this book falls into three sections: investigations of the people, processes, products, and places of collaborative creativity in compositional thought and practice; explorations of the ways in which creative collaboration provides a means of crossing boundaries between disciplines such as music performance and musicology; and studies of the emergence of creative thought and practice in educational contexts including that of the composer and the classroom. The volume concludes with an extended chapter that reflects on the ways in which the studies reported advance understandings of creative thought and practice. The book provides new perspectives to our understandings of the role of collaborative thought and processes in creative work across the domain of music including: composition, musicology, performance, music education and music psychology.
Download or read book Opera written by Guy A. Marco and published by Routledge. This book was released on 2002-05-03 with total page 1037 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
Download or read book Musorgsky written by David Brown and published by Oxford University Press. This book was released on 2010-05-14 with total page 411 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modest Musorgsky was one of the towering figures of nineteenth-century Russian music. Now, in this new volume in the Master Musicians series, David Brown gives us the first life-and-works study of Musorgsky to appear in English for over a half century. Indeed, this is the largest such study of Musorgsky to have appeared outside Russia. Brown shows how Musorgsky, though essentially an amateur with no systematic training in composition, emerged in his first opera, Boris Godunov, as a supreme musical dramatist. Indeed, in this opera, and in certain of his piano pieces in Pictures at an Exhibition, Musorgsky produced some of the most startlingly novel music of the whole nineteenth century. He was also one of the most original of all song composers, with a prodigious gift for uncovering the emotional content of a text. As Brown illuminates Musorgsky's work, he also paints a detailed portrait of the composer's life. He describes how, unlike the systematic and disciplined Tchaikovsky, Musorgsky was a fitful composer. When the inspiration was upon him, he could apply himself with superhuman intensity, as he did when composing the initial version of Boris Godunov. Sadly, Musorgsky deteriorated in his final years, suffering periods of inner turmoil, when his alcoholism would be out of control. Finally, unemployed and all but destitute, he died at age forty-two. His failure to complete his two remaining operas, Khovanshchina and Sorochintsy Fair, Brown concludes, is one of music's greatest tragedies. Written by one of the leading authorities on nineteenth-century Russian composers, Musorgsky is the finest available biography of this giant of Russian music.
