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Modernism And Music
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Book Synopsis Modernism and Music by : Daniel Albright
Download or read book Modernism and Music written by Daniel Albright and published by University of Chicago Press. This book was released on 2004-02-03 with total page 446 pages. Available in PDF, EPUB and Kindle. Book excerpt: If in earlier eras music may have seemed slow to respond to advances in other artistic media, during the modernist age it asserted itself in the vanguard. Modernism and Music provides a rich selection of texts on this moment, some translated into English for the first time. It offers not only important statements by composers and critics, but also musical speculations by poets, novelists, philosophers, and others-all of which combine with Daniel Albright's extensive, interlinked commentary to place modernist music in the full context of intellectual and cultural history.
Book Synopsis Untwisting the Serpent by : Daniel Albright
Download or read book Untwisting the Serpent written by Daniel Albright and published by University of Chicago Press. This book was released on 2000 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modernist art often seems to give more frustration than pleasure to its audience. Daniel Albright shows that this perception arises partly because we usually consider each art form in isolation, rather than collaboration.
Book Synopsis The Routledge Research Companion to Modernism in Music by : Björn Heile
Download or read book The Routledge Research Companion to Modernism in Music written by Björn Heile and published by Routledge. This book was released on 2018-10-29 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modernism in music still arouses passions and is riven by controversies. Taking root in the early decades of the twentieth century, it achieved ideological dominance for almost three decades following the Second World War, before becoming the object of widespread critique in the last two decades of the century, both from critics and composers of a postmodern persuasion and from prominent scholars associated with the ‘new musicology’. Yet these critiques have failed to dampen its ongoing resilience. The picture of modernism has considerably broadened and diversified, and has remained a pivotal focus of debate well into the twenty-first century. This Research Companion does not seek to limit what musical modernism might be. At the same time, it resists any dilution of the term that would see its indiscriminate application to practically any and all music of a certain period. In addition to addressing issues already well established in modernist studies such as aesthetics, history, institutions, place, diaspora, cosmopolitanism, production and performance, communication technologies and the interface with postmodernism, this volume also explores topics that are less established; among them: modernism and affect, modernism and comedy, modernism versus the ‘contemporary’, and the crucial distinction between modernism in popular culture and a ‘popular modernism’, a modernism of the people. In doing so, this text seeks to define modernism in music by probing its margins as much as by restating its supposed essence.
Book Synopsis Music and Ultra-modernism in France by : Barbara L. Kelly
Download or read book Music and Ultra-modernism in France written by Barbara L. Kelly and published by Boydell & Brewer Ltd. This book was released on 2013 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the ideas of consensus, resistance and rupture, this book contributes an important and nuanced reflection to the current debate on modernism in music.
Book Synopsis Transformations of Musical Modernism by : Erling E. Guldbrandsen
Download or read book Transformations of Musical Modernism written by Erling E. Guldbrandsen and published by Cambridge University Press. This book was released on 2015-10-26 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection brings fresh perspectives to bear upon key questions surrounding the composition, performance and reception of musical modernism.
Book Synopsis Modernism and Popular Music by : Ronald Schleifer
Download or read book Modernism and Popular Music written by Ronald Schleifer and published by Cambridge University Press. This book was released on 2011-05-26 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traditionally, ideas about twentieth-century 'modernism' - whether focused on literature, music or the visual arts - have made a distinction between 'high' art and the 'popular' arts of best-selling fiction, jazz and other forms of popular music, and commercial art of one form or another. In Modernism and Popular Music, Ronald Schleifer instead shows how the music of George and Ira Gershwin, Cole Porter, Thomas 'Fats' Waller and Billie Holiday can be considered as artistic expressions equal to those of the traditional high art practices in music and literature. Combining detailed attention to the language and aesthetics of popular music with an examination of its early twentieth-century performance and dissemination through the new technologies of the radio and phonograph, Schleifer explores the 'popularity' of popular music in order to reconsider received and seeming self-evident truths about the differences between high art and popular art and, indeed, about twentieth-century modernism altogether.
Book Synopsis Music and Modernism, C. 1849-1950 by : Charlotte De Mille
Download or read book Music and Modernism, C. 1849-1950 written by Charlotte De Mille and published by Cambridge Scholars Publishing. This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of essays which reevaluates the significant connections between the disciplines of music, fine art and architecture in the period covering the emergence and flowering of modernism, c. 1849-1950.
Book Synopsis Music and Literary Modernism by : Robert P. McParland
Download or read book Music and Literary Modernism written by Robert P. McParland and published by Cambridge Scholars Publishing. This book was released on 2008-12-11 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Music and Literary Modernism, the intersections of music, literature and language are examined by an international group of scholars who engage in studies of modernist art and practice. The essays collected here present the significant place of music in the writing of T.S. Eliot, Ernest Hemingway, James Joyce, James Weldon Johnson, Mina Loy, Stephen Mallarme, Ezra Pound, Marcel Proust, Gertrude Stein,Wallace Stevens and Virginia Woolf, as well as the importance of literary art for composers such as George Antheil, Pierre Boulez, Olivier Messaein, and The Beatles. Contributors explore the role of music and literary modernism in the postmodern sublime, sound and "music" in language, the uneasy alliance of jazz and pop song in high modernist work, the Beatles as modernists, and other topics.
Book Synopsis Essays on Music and Language in Modernist Literature by : Katherine O'Callaghan
Download or read book Essays on Music and Language in Modernist Literature written by Katherine O'Callaghan and published by Routledge. This book was released on 2018-01-12 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the role of music as a source of inspiration and provocation for modernist writers. In its consideration of modernist literature within a broad political, postcolonial, and internationalist context, this book is an important intervention in the growing field of Words and Music studies. It expands the existing critical debate to include lesser-known writers alongside Joyce, Woolf, and Beckett, a wide-ranging definition of modernism, and the influence of contemporary music on modernist writers. From the rhythm of Tagore’s poetry to the influence of jazz improvisation, the tonality of traditional Irish music to the operas of Wagner, these essays reframe our sense of how music inspired Literary Modernism. Exploring the points at which the art forms of music and literature collide, repel, and combine, contributors draw on their deep musical knowledge to produce close readings of prose, poetry, and drama, confronting the concept of what makes writing "musical." In doing so, they uncover commonalities: modernist writers pursue simultaneity and polyphony, evolve the leitmotif for literary purposes, and adapt the formal innovations of twentieth-century music. The essays explore whether it is possible for literature to achieve that unity of form and subject which music enjoys, and whether literary texts can resist paraphrase, can be simply themselves. This book demonstrates how attention to the role of music in text in turn illuminates the manner in which we read literature.
Book Synopsis Music and the Aesthetics of Modernity by : Karol Berger
Download or read book Music and the Aesthetics of Modernity written by Karol Berger and published by Harvard University Press. This book was released on 2005 with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book encourages a debate over musical modernity; a debate considering the question whether an examination of the history of European art music may enrich our picture of modernity and whether our understanding of music's development may be transformed by insights into the nature of modernity provided by other historical disciplines.
Book Synopsis Modernism, Music and the Politics of Aesthetics by : Gemma Moss
Download or read book Modernism, Music and the Politics of Aesthetics written by Gemma Moss and published by EUP. This book was released on 2023-02-18 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using an approach to music informed by T. W. Adorno, this book examines the real-world, political significance of seemingly abstracted things like musical and literary forms. Re-assessing music in James Joyce, Ezra Pound and Sylvia Townsend Warner, this book re-shapes temporal, aesthetic and political understandings of modernism, by arguing that music plays a crucial role in ongoing attempts to investigate language, rational thought and ideology using aesthetic forms.
Book Synopsis The Pleasure of Modernist Music by : Arved Mark Ashby
Download or read book The Pleasure of Modernist Music written by Arved Mark Ashby and published by Boydell & Brewer. This book was released on 2004 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: The debate over modernist music has continued for almost a century: from Berg's Wozzeck and Webern's Symphony Op.21 to John Cage's renegotiation of musical control, the unusual musical practices of the Velvet Underground, and Stanley Kubrick's use of Ligeti's Lux Aeterna in the epic film 2001. The composers discussed in these pages -- including Bartók, Stockhausen, Bernard Herrmann, Steve Reich, and many others -- are modernists in that they are defined by their individualism, whether covert or overt, and share a basic urge toward redesigning musical discourse. The aim of this volume is to negotiate a varied and open middle ground between polemical extremes of reception. The contributors sketch out the possible significance of a repertory that in past discussions has been deemed either meaningless or beyond describable meaning. With an emphasis on recent aesthetics and contexts -- including film music, sexuality, metaphor, and ideas of a listening grammar -- they trace the meanings that such works and composers have held for listeners of different kinds. None of them takes up the usual mandate of "educated listening" to modernist works: the notion that a person can appreciate "difficult" music if given enough time and schooling. Instead the book defines novel but meaningful avenues of significance for modernist music, avenues beyond those deemed appropriate or acceptable by the academy. While some contributors offer new listening strategies, most interpret the listening premise more loosely: as a metaphor for any manner of personal and immediate connection with music. In addition to a previously untranslated article by Pierre Boulez, the volume contains articles (all but one previously unpublished) by twelve distinctive and prominent composers, music critics, and music theorists from America, Europe, Australia, and South Africa: Arved Ashby, Amy Bauer, William Bolcom, Jonathan Bernard, Judy Lochhead, Fred Maus, Andrew Mead, Greg Sandow, Martin Scherzinger, Jeremy Tambling, Richard Toop, and Lloyd Whitesell. Arved Ashby is Associate Professor of Music at the Ohio State University.
Book Synopsis Instruments for New Music by : Thomas Patteson
Download or read book Instruments for New Music written by Thomas Patteson and published by Univ of California Press. This book was released on 2016 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: Listening to instruments -- "The joy of precision" : mechanical instruments and the aesthetics of automation -- "The alchemy of tone" : Jörg Mager and electric music -- "Sonic handwriting" : media instruments and musical inscription -- "A new, perfect musical instrument" : the trautonium and electric music in the 1930s -- The expanding instrumentarium
Download or read book German Modernism written by Walter Frisch and published by Univ of California Press. This book was released on 2005-07-25 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume the author explores the relationships between music and early modernism in the Austro-German sphere.
Book Synopsis Modernism and Music by : Daniel Albright
Download or read book Modernism and Music written by Daniel Albright and published by University of Chicago Press. This book was released on 2004-02-03 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt: If in earlier eras music may have seemed slow to respond to advances in other artistic media, during the modernist age it asserted itself in the vanguard. Modernism and Music provides a rich selection of texts on this moment, some translated into English for the first time. It offers not only important statements by composers and critics, but also musical speculations by poets, novelists, philosophers, and others-all of which combine with Daniel Albright's extensive, interlinked commentary to place modernist music in the full context of intellectual and cultural history.
Book Synopsis British Music and Modernism, 1895-1960 by : Matthew Riley
Download or read book British Music and Modernism, 1895-1960 written by Matthew Riley and published by Routledge. This book was released on 2017-07-05 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Imaginative analytical and critical work on British music of the early twentieth century has been hindered by perceptions of the repertory as insular in its references and backward in its style and syntax, escaping the modernity that surrounded its composers. Recent research has begun to break down these perceptions and has found intriguing links between British music and modernism. This book brings together contributions from scholars working in analysis, hermeneutics, reception history, critical theory and the history of ideas. Three overall themes emerge from its chapters: accounts of British reactions to Continental modernism and the forms they took; links between music and the visual arts; and analysis and interpretation of compositions in the light of recent theoretical work on form, tonality and pitch organization.
Book Synopsis Gendering Musical Modernism by : Ellie M. Hisama
Download or read book Gendering Musical Modernism written by Ellie M. Hisama and published by Cambridge University Press. This book was released on 2006-11-02 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the work of three significant American women composers of the twentieth century: Ruth Crawford, Marion Bauer and Miriam Gideon. It offers information on both their lives and music and skillfully interweaves history and musical analysis in ways that both the specialist and the more general reader will find compelling. Ellie Hisama suggests that recognising the impact of a composer's identity on the music itself imparts valuable ways of hearing and understanding these works and breaks important new ground towards constructing a feminist music theory.
