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Modern British Dramas
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Book Synopsis Modern British Drama: The Twentieth Century by : Christopher Innes
Download or read book Modern British Drama: The Twentieth Century written by Christopher Innes and published by Cambridge University Press. This book was released on 2002-11-28 with total page 604 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description
Book Synopsis 1956 and All That by : Dan Rebellato
Download or read book 1956 and All That written by Dan Rebellato and published by Routledge. This book was released on 2002-03-11 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is said that British Drama was shockingly lifted out of the doldrums by the 'revolutionary' appearance of John Osborne's Look Back in Anger at the Royal Court in May 1956. But had the theatre been as ephemeral and effeminate as the Angry Young Men claimed? Was the era of Terence Rattigan and 'Binkie' Beaumont as repressed and closeted as it seems? In this bold and fascinating challenge to the received wisdom of the last forty years of theatrical history, Dan Rebellato uncovers a different story altogether. It is one where Britain's declining Empire and increasing panic over the 'problem' of homosexuality played a crucial role in the construction of an enduring myth of the theatre. By going back to primary sources and rigorously questioning all assumptions, Rebellato has rewritten the history of the Making of Modern British Drama.
Book Synopsis A Reader's Guide to Modern British Drama by : Sanford Sternlicht
Download or read book A Reader's Guide to Modern British Drama written by Sanford Sternlicht and published by Syracuse University Press. This book was released on 2004-12-01 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book reveals the influences of modern history and psychology on British drama; the all-important influence of Irish dramatists like Wilde, Shaw, O’Casey, and Beckett; the significance of the Independent Theatre of J. T. Grein and the early Royal Court Theatre; the gay community’s contribution to the British theater; the powerful new feminist drama; and the British festival theater. Auseful tool for readers wishing to know more about Britain’s great dramatic tradition and vital contemporary theater, for students pursuing drama studies, and for libraries in need of an accessible reference work.
Book Synopsis Modern British Drama on Screen by : R. Barton Palmer
Download or read book Modern British Drama on Screen written by R. Barton Palmer and published by Cambridge University Press. This book was released on 2013-12-05 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive study of British and American films adapted from modern British plays.
Book Synopsis The Bible and Modern British Drama by : Mary F. Brewer
Download or read book The Bible and Modern British Drama written by Mary F. Brewer and published by Routledge. This book was released on 2019-10-02 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Bible and Modern British Drama: 1930 to the Present Day is the first full-length study to explore how playwrights in the modern period have adapted popular biblical stories, such as Abraham and Isaac, Moses and the Exodus from Egypt, and the life and death of Jesus, for the stage. The book offers detailed and accessible interpretations of the work of well-known dramatists such as Christopher Fry, Howard Brenton, and Steven Berkoff, alongside the work of writers whose plays have been neglected in recent criticism, such as James Bridie and Laurence Housman. The drama is analysed within the context of changes in religious belief and practice over the course of the modern period in Britain, comparing plays that approach the Bible from a traditional religious perspective with those that offer alternative viewpoints on the text, including the voices of gay, feminist, black, Jewish, and Muslim dramatists. In doing so, the author offers a broad and in-depth exploration that is grounded in current scholarship, ranging from the past to present, across boundaries of race and gender. Ideal for students, researchers, and general readers interested in understanding how the Bible has served as an important source text for British playwrights in the twentieth and twenty-first centuries, The Bible and Modern British Drama shows how Bible-based drama has been influential in creating and disseminating ideas of what constitutes a "good" life, both on an individual and social level.
Book Synopsis Adaptations, Versions and Perversions in Modern British Drama by : Ignacio Ramos Gay
Download or read book Adaptations, Versions and Perversions in Modern British Drama written by Ignacio Ramos Gay and published by Cambridge Scholars Publishing. This book was released on 2014-10-02 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book aims to explore which plays were deemed ‘suitable’ to be reworked for foreign or local stages; what transformations – linguistic, semiotic, theatrical – were undertaken so as to accommodate international audiences; how national literary traditions are forged, altered, and diluted by means of transnational adapting techniques; and, finally, to what extent the categorical boundaries between original plays and adaptations may be blurred on the account of such adjusting textual strategies. It brings together ten articles that scrutinise the linguistic, social, political and theatrical complexities inherent in the intercultural transference of plays. The approaches presented by the different contributors investigate modern British theatre as an instance of diachronic and synchronic transnational adaptations based upon a myriad of influences originating in, and projected upon, other national dramatic traditions. These traditions, rooted in relatively distant geographies and epochs, are traced so as to illustrate the split between the state-imposed identity and personal, subjective identity caused by cultural negotiations of the self in an age of globalism. International frontiers are thus pointed at in order to claim the need to be transcended in the process of cultural re-appropriation associated with theatre performance for international audiences.
Book Synopsis Marian Moments in Early Modern British Drama by : Lisa Hopkins
Download or read book Marian Moments in Early Modern British Drama written by Lisa Hopkins and published by Routledge. This book was released on 2016-05-06 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Concerning itself with the complex interplay between iconoclasm against images of the Virgin Mary in post-Reformation England and stage representations that evoke various 'Marian moments' from the medieval, Catholic past, this collection answers the call for further investigation of the complex relationship between the fraught religio-political culture of the early modern period and the theater that it spawned. Joining historians in rejecting the received belief that Catholicism could be turned on and off like a water spigot in response to sixteenth-century religious reform, the early modern British theater scholars in this collection turn their attention to the vestiges of Catholic tradition and culture that leak out in stage imagery, plot devices, and characterization in ways that are not always clearly engaged in the business of Protestant panegyric or polemic. Among the questions they address are: What is the cultural function of dramatic Marian moments? Are Marian moments nostalgic for, or critical of, the 'Old Faith'? How do Marian moments negotiate the cultural trauma of iconoclasm and/or the Reformation in early modern England? Did these stage pictures of Mary provide subversive touchstones for the Old Faith of particular import to crypto-Catholic or recusant members of the audience?
Book Synopsis Modern and Contemporary Black British Drama by : Mary Brewer
Download or read book Modern and Contemporary Black British Drama written by Mary Brewer and published by Bloomsbury Publishing. This book was released on 2017-09-16 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: This indispensable overview of modern black British drama spans seven decades of distinctive playwriting from the 1950s to the present. Interweaving social and cultural context with close critical analysis of key dramatists' plays, leading scholars explore how these dramatists have created an enduring, transformative and diverse cultural presence.
Book Synopsis Social Class and Television Drama in Contemporary Britain by : David Forrest
Download or read book Social Class and Television Drama in Contemporary Britain written by David Forrest and published by Springer. This book was released on 2017-06-13 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection is a wide-ranging exploration of contemporary British television drama and its representations of social class. Through early studio-set plays, soap operas and period drama, the volume demonstrates how class provides a bridge across multiple genres and traditions of television drama. The authors trace this thematic emphasis into the present day, offering fascinating new insights into the national conversation around class and identity in Britain today. The chapters engage with a range of topics including authorial explorations of Stephen Poliakoff and Jimmy McGovern, case studies of television performers Maxine Peake and Jimmy Nail, and discussions of the sitcom genre and animation form. This book offers new perspectives on popular British television shows such as Goodnight Sweetheart and Footballers’ Wives, and analysis of more recent series such as Peaky Blinders and This is England.
Book Synopsis Masterpieces of Modern British and Irish Drama by : Sanford Sternlicht
Download or read book Masterpieces of Modern British and Irish Drama written by Sanford Sternlicht and published by Bloomsbury Publishing USA. This book was released on 2005-08-30 with total page 122 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modern British and Irish dramatic works are among the plays most widely read by students. This volume conveniently introduces 10 major plays by British and Irish dramatists. Each chapter is devoted to a particular play and includes a brief biography, a plot synopsis, a discussion of major themes and characters, an overview of the play's historical background, an analysis of the work's dramatic style, an overview of the play's critical reception, and a list of works for further reading. Modern British and Irish dramatic works are widely enjoyed by general readers and high school students. But because they are rooted in literary Modernism and generally reflect particular historical and cultural concerns, they can also be difficult for students to understand. This volume concisely and conveniently introduces 10 masterpieces of British and Irish drama in an accessible manner.
Book Synopsis A Companion to Modern British and Irish Drama, 1880 - 2005 by : Mary Luckhurst
Download or read book A Companion to Modern British and Irish Drama, 1880 - 2005 written by Mary Luckhurst and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 608 pages. Available in PDF, EPUB and Kindle. Book excerpt: This wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers need to engage with in order to appreciate modern theatre in all its complexity. An authoritative guide to modern British and Irish drama. Engages with theoretical discourses challenging a canon that has privileged London as well as white English males and realism. Topics covered include: national, regional and fringe theatres; post-colonial stages and multiculturalism; feminist and queer theatres; sex and consumerism; technology and globalisation; representations of war, terrorism, and trauma.
Download or read book 1956 and All that written by Keith Flett and published by Cambridge Scholars Publishing. This book was released on 2007 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through the Smoke of Budapest 50 Years On The February 2006 Conference of the London Socialist Historians Group was held at the Institute of Historical Research in central London, one of a series of such conferences over the previous ten years. Assembled were a modest group of academics and activists come to mark the 50th anniversary of the events of 1956, and to do so in a particular way. Firstly by presenting new historical research on the questions under review rather than trotting out tired orthodoxies. Secondly by linking historical inquiry to political activism. It was queried why such a conference was held in February 2006 rather than in the autumn, and the answer was a simple one. To intervene historically in the debates of the year by setting a socialist historical agenda for doing so. The opening plenary heard from Sami Ramidani, an Iraqi exile now lecturing at a British University, from Stan Newens, who had been present at the protests in 1956 and from Nigel Wilmott, the letters editor of the Guardian but here speaking about Hungary. The flavour was one both of historical recall of the events of 1956 and of contemporary political parallels. Indeed during this session news came through via text message that the left-wing MP George Galloway had been detained in a Cairo jail overnight and an emergency protest called at the Egyptian Embassy for later in the day. The next two sessions focused on the key moments of autumn 1956, Hungary and Suez but again with new research examining their wider significance. Mike Haynes looks at the origins of the Hungarian revolt, in terms of workplace politics while Anne Alexander reviews the impact that Suez had on Nasserâ (TM)s reputation within the Arab world and Arab nationalist politics. In the afternoon there was a widening of the focus. One session examined the impact of the events of 1956 on left-wing organisation and in particular the orthodox Communist or Stalinist tradition. Terry Brotherton took a fresh look at the impact of 1956 on the Communist Party of GB, while Toby Abse focused on how the events of that year worked their way through in the largest of the Western European CPs, the Italian. Alan Woodward examined how the crisis of Stalinist politics opened new possibilities for libertarian left-wing ideas. The other focused on the rise of a new left as a result of the crisis of 1956. Paul Blackledge examined the development of the theory of socialist humanism by E.P Thompson and others as an alternative to Stalinism. Neil Davidson examined the ideas of a forgotten left-wing thinker from this period Alisdair Macintyre, while Christian Hogsberg reviewed the influence of an existing Trotskyist theorist, CLR James around the events of 1956 Of course the conference could not hope to cover the huge range of possible historical issues arising from the 50th anniversary of 1956. The beginnings of the consumer society and the age of affluence; the birth of youth culture and rockâ (TM)nâ (TM)roll; British nuclear tests and the origins of CND and campaigns against the bomb; the new theatre marked by â ~look back in angerâ (TM). In an introduction, the editor Keith Flett reviews some of these wider trends However the research agenda proposed by the conference was and remains an important one.
Book Synopsis Contemporary British Drama by : Catherine Rees
Download or read book Contemporary British Drama written by Catherine Rees and published by Bloomsbury Publishing. This book was released on 2019-11-13 with total page 183 pages. Available in PDF, EPUB and Kindle. Book excerpt: This guide offers a comprehensive account of British theatre from the 1960s to the present day. Placing critical commentary at the heart of its analysis, it explores how theatre critics and scholars have sought to understand and write about modern theatre, from the earliest reviews to revivals appearing decades later. With studies of contemporary reviews and archival material, Contemporary British Drama offers readers the opportunity to learn about British theatre in its original context and to chart shifting critical perceptions over the decades. It provides a crucial juxtaposition between the development of British theatre and its contemporaneous critical response, supplying an invaluable insight into the critical climate of recent decades. From feminist playwrighting to In-Yer-Face theatre, this is the ideal companion for undergraduate students of literature and theatre in need of an introduction to the debates surrounding contemporary British drama.
Book Synopsis Contemporary British Drama 1950–1976 by : E H Mikhail
Download or read book Contemporary British Drama 1950–1976 written by E H Mikhail and published by Springer. This book was released on 1976-06-01 with total page 153 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Contemporary British Drama, 1970–90 by : Hersh Zeifman
Download or read book Contemporary British Drama, 1970–90 written by Hersh Zeifman and published by Springer. This book was released on 1993-04-27 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses exclusively on the exciting and provocative plays produced in England in the last two decades. The primary aim of the collection is to celebrate the truly remarkable range of British drama since 1970, by examining the work of fourteen important and representative playwrights. This emphasis on range applies not only to the dramatists chosen for inclusion but to the critics as well - specifically to the diversity of critical methodology demonstrated in their essays.
Book Synopsis Love in Contemporary British Drama by : Korbinian Stöckl
Download or read book Love in Contemporary British Drama written by Korbinian Stöckl and published by Walter de Gruyter GmbH & Co KG. This book was released on 2021-01-18 with total page 197 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite the recent turn to affects and emotions in the humanities and despite the unceasing popularity of romantic and erotic love as a motif in fictional works of all genres, the subject has received surprisingly little attention in academic studies of contemporary drama. Love in Contemporary British Drama reflects the appeal of love as a topic and driving force in dramatic works with in-depth analyses of eight pivotal plays from the past three decades. Following an interdisciplinary and historical approach, the study collects and condenses theories of love from philosophy and sociology to derive persisting discourses and to examine their reoccurrence and transformation in contemporary plays. Special emphasis is put on narratives of love’s compensatory function and precariousness and on how modifications of these narratives epitomise the peculiarities of emotional life in the social and cultural context of the present. Based on the assumption that drama is especially inclined to draw on shared narratives for representations of love, the book demonstrates that love is both a window to remnants of the past in the present and a proper subject matter for drama in times in which the suitability of the dramatic form has been questioned.
Book Synopsis Elizabethan and Jacobean Reappropriation in Contemporary British Drama by : Graham Saunders
Download or read book Elizabethan and Jacobean Reappropriation in Contemporary British Drama written by Graham Saunders and published by Springer. This book was released on 2017-10-14 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines British playwrights' responses to the work of Shakespeare and his contemporaries since 1945, from Tom Stoppard's Rosencrantz and Guildenstern are Dead to Sarah Kane’s Blasted and Jez Butterworth’s Jerusalem. Using the work of Julie Sanders and others working in the fields of Adaptation Studies and intertextual criticism, it argues that this relatively neglected area of drama, widely considered to be adaptation, should instead be considered as appropriation - as work that often mounts challenges to the ideologies and orthodoxies within Elizabethan and Jacobean drama, and questions the legitimacy and cultural authority of Shakespeare’s legacy. The book discusses the work of Howard Barker, Peter Barnes, Edward Bond, Howard Brenton, David Edgar, Elaine Feinstein and the Women’s Theatre Group, David Greig, Sarah Kane, Dennis Kelly, Bernard Kopps, Charles Marowitz, Julia Pascal and Arnold Wesker.
